Oculus Rift : Dos, Don’ts and Demos with Stephan Tanguay

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Save 10% off ANY FITC event with discount code 'slideshare' See our upcoming events at www.fitc.ca OVERVIEW 2014 is the year that virtual reality will go from a bad memory from the 90s to the beginning of a new way to experience content. Already the Oculus Rift has started to transform several industries with its ability to transport you to a completely interactive virtual space. As a designer and/or developer, this transformation will change the way you look at your work. The first time you build something on the screen and then project yourself into your own creation, you quickly feel a sense of wonder and excitement from experiencing content in a way you never expected. You will also realize that many things that work well with a typical mouse, keyboard and computer screen work considerably different in the virtual world. Sharing these experiences with Stephan will help you to understand how to leverage what works in virtual reality and what to avoid so your virtual experiences will be effective at immersing users in your virtual creations. Presented at FITC Toronto 2014 on April 27-29, 2014 More info at www.FITC.ca

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Stephan Tanguay
Technical Lead / User Experience Designer / Unity3D Game Designer
!
info@call2action.ca

What is the Oculus Rift and why it rocks?!
• Immersive stereoscopic 3D
environment that extends
beyond your peripheral vision
• Ultra-low latency 360° head
tracking, allowing you to
seamlessly look around the
virtual world just as you would
in real life

What is the Oculus Rift and why it rocks?!
• Engine integration ( Unity3D & UDK )

What is the Oculus Rift and why it rocks?!
• Cutting Edge, lightweight and affordable

What is the Oculus Rift and why it rocks?!
Watching people on the rift creates it’s own buzz!

How to design for the Oculus Rift
Design for the strengths
• Incredible sense of presence
• The ability to visually explore the virtual world
• A sense of scale and distance that would normally be
impossible
• Natural feeling experience

How to design for the Oculus Rift
Know the limitations
• No position tracking yet
• The developer edition is low resolution
• Controls must feel natural
• Can be disorientating

How to design for the Oculus Rift
Design for the limitations
• Great standing / sitting simulator… but walking is another story
• Create a natural metaphor / anchor in the real world like being
in a vehicle that provides orientation
• 2D user interfaces are awkward at best, design interfaces into
the environment as much as possible, dashboards, smart
phones provide a place to put some of these conventional
elements
• Hands off the keyboard if possible, this stops the sense of
immersion

How to design for the Oculus Rift
Motions to Avoid
• Avoid vertical acceleration
• Avoid tilting or flipping the horizon
• Avoid high speed impacts
• Avoid dramatic changes in velocity
• Be aware of the inner ear ^_^

Examples of what works well
• F1 Redbull 360 Video

360 Video
What about video?
• Several new systems allow 360 3D video
• Realtime 360 cameras
• File size is gonna be huge
• Allows for real time or experiences that are too costly to
reproduce by creating 3D assets

Examples of what works well
• Driving / Vehicle simulations

Examples of what works well
• On Rails Narratives

Examples of what works well
• Exploration , Narratives, Adventure Games

Working with the Oculus Rift
Walk through in Unity3D
• Download the Oculus SDK - Unity 4 Pro Integration from
oculusvr.com
• OVR Camera Controller
• OVR Player Controller

Working with the Oculus Rift
My Experiences So Far
• Very easy to retrofit games
• Quick to add to new projects
• Takes time to build experiences that feel natural
• Maintain as high a frame rate as possible 60-80/fps
• Rethink sky boxes as default systems will not be stereo 3D
• Be very careful using any billboard sprites, for example grass

Crystal Cove : Low Persistence
• 1080p OLED Screen
• image is only displayed for 2-3 milliseconds while the image
and tracking match perfectly and then off for the rest of the
frame

Crystal Cove : Position Tracking
• More immersive / natural
• Response time down to 30ms
• Motion tracking requires you face the camera

Developer Kit 2
• 75 frames per second
• 2ms persistence
• Response time down to 30ms
• 100° FOV ( DK1 was 110° )
• Motion tracking via camera
• Built in latency tester

Consumer Version!
• Possibly 3k resolution
• Possibly 90 Frames Per Second
• Its still a year away
• Position tracking camera included

PrioVR - Coming This Summer
Position tracking available soon
• Pro system tracks 17 points on the body
• No line if site required
• Wireless and completely untethered
• Can move over 20 feet in the real world

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Presented at FITC Toronto 2019 More info at www.fitc.ca/toronto Michael Fullman VT Pro Design Overview An exploration of the process of creation. We live in a time where technology and inspiration are more readily available and accessible than ever before. That being said we also live in a time that mostly highlights the successes of projects and process. In this particular talk Michael wants to touch on the process of creation with technology at VT Pro, to further explore a full circle approach to inspiration and creation where often times our next project is inspired by something learned in the process of creating something else. By exploring what went wrong and what went right in a number of different projects he’s created, Michael will touch on points where inspiration can be found in this world of seemingly endless technology; the importance of collaboration; what can be learned from the moments that don’t necessarily go as planned; and how often projects come close to failure than the audience ever knows. Lastly he wants to touch on the process of finding personal inspiration to inspire an audience, and the momentum to push further that comes from their energy. Objective Things often don’t go as planned, but often that’s the fun part. Target Audience Creative technologists and experience designers Five Things Audience Members Will Learn Collaborative process Giving personality to a piece of technology How to learn from the unexpected We all start somewhere (the journey is just as important as the destination) Everything is possible now

Everything is Terrifying

FITC

Presented at FITC Toronto 2019 More info at www.fitc.ca/toronto Sands Fish MIT Media Lab Overview Today, the environments that humans occupy in space are designed for survival. Humans are carefully shuttled to and from space, and during their relatively short stays, they are provided with minimum supplies to remain alive and able to perform experiments. As we begin to plan less for short visits and more for life in space (such as a six to eight month trip to Mars and beyond) the question becomes: What does human culture look like in space? This talk will explore how human culture, design, and creativity might evolve as we begin to live in space, and the unique environmental conditions that might guide us in certain directions, just as the environment on Earth has. It will discuss space tourism, living in zero gravity, and some experiments in art and design that hint at future aesthetics. Objective Convey what opportunities exist at the outset of a more democratized New Space age, and call out the aesthetics, ethics, and cultural frontiers we find ourselves faced with at the end of the second decade of this century. Target Audience Those interested in the future of human life in space Five Things Audience Members Will Learn The history of human culture in space Unique design constraints and considerations when designing for zero gravity The experience of flying in a zero-g flight The aesthetics at play in human spacefaring — (what has been) New forms, new materials, new ideas — (what might be)

Post-Earth Visions: Designing for Space and the Future Human

FITC

Presented at FITC Toronto 2019 More info at www.fitc.ca/toronto Lindsay Munro Adobe XD Overview Your social network could be more valuable than the work you’re doing today, because it could (and should) lead to the opportunities you get tomorrow. Your next post could result in your next recommendation, job, collaboration, exhibit, and next level experience. In this session, you’ll learn how to hone and build your online social media presence to attract brands and engage in the modern-day endorsement deal. Get a behind-the-scenes perspective on the things brands look for in creative profiles and the rules of engagement. Objective Teach the ins and outs of what it means to be a creative social influencer. Target Audience Creatives looking to up level their social media presence and strike brand partnerships. Things Audience Members Will Learn How to set yourself up for “success” on social media The importance of working with the right brands Figuring out compensation and negotiating contracts The ins and outs of disclosure and liability How to not mess it up

The Rise of the Creative Social Influencer (and How to Become One)

FITC

Presented at FITC Toronto 2019 More info at www.fitc.ca/toronto Amelie Rosser Jam3 Overview For the past two years Jam3 worked alongside Joy Kogawa and the NFB to create East of the Rockies, an augmented reality storytelling experience. East of the Rockies is the first interactive AR game of its kind. The story takes users through a piece of Canadian history where Japanese Canadians were forced to leave their homes and live at internment camps during WWII. This talk will cover the creation of the game: from concept and storyboarding, to the development process in Unity and various challenges and questions to consider from a creator’s perspective. Objective To let the audience in on the behind the scenes of developing an AR experience like East of the Rockies. Target Audience For those interested in Augmented Reality storytelling and game development. Five Things Audience Members Will Learn AR techniques using Unity Storytelling in AR Prototyping interactions in AR Game state management using Unidux Game optimization techniques in Unity

East of the Rockies: Developing an AR Game

FITC

The Knowledge Society: Three Talks About the Future Futurism Innovation Science Isabella Grandic The Knowledge Society Overview Join three incredible, young, and brilliant minds as they present their findings on topics that we’ll all have to deal with in the not so distant future. This series of talks will explore how exponential technologies like synthetic farming, nanotechnology, and quantum computing can be used to solve some of the world’s most difficult problems. The speakers are all students of The Knowledge Society (TKS), a human accelerator for high school students designed to help them impact billions. TKS encourages students to take risks and think big. Ayaan Esmail‘s talk will cover creating a proactive healthcare system

Creating a Proactive Healthcare System

FITC

R.C. Woodmass Crescendo Overview The reports are in: how we relate to technology directly affects how we relate to other humans, to our environments, and to ourselves. Are we headed for a technological dystopia, where robots are in charge and empathy is just a word for the history books? Not necessarily! Learn how the interfaces we interact with can teach us how to be better communicators, increase our understanding of each other, and how product design might be the key to building a positive future for all. Objective Directly address fear and skepticism about technology, inspiring all who design and build tech to think more empathetically when building UX and UI. Target Audience Product designers, HR specialists, and anyone skeptical about technology Three Things Audience Members Will Learn How to create user interfaces that are flexible enough to include everyone, even if they can’t keep up with all the different identities and new labels that people are using What is conversation design, and how it has the power to teach people how to communicate How AI has the potential to be more inclusive than previous data analysis systems, if we leverage its weaknesses to the human advantage

World Transformation: The Secret Agenda of Product Design

FITC

Matt Swoboda Notch Overview The adoption of real-time technologies and workflows for content creation is a seismic shift in the world of video/graphics. It has a fundamental effect on not just on render times but on the entire creative process. In this session hear from someone who has been using realtime graphics for creative work for almost 20 years, and his experiences in applying it to productions such as the Ed Sheeran world tour and Cirque du Soleil. Objective Give the audience an overview of what really is capable in a real-time workflow today, and where things are headed. Target Audience Anyone who wants to take confident steps in the direction of real-time motion graphics, especially within the live, installation and AR fields. Five Things Audience Members Will Learn How does real-time change the creative and production process Limitations – where does it work, where doesn’t it make sense What real-time graphics are capable of today What happens on a rock’n’roll tour bus What DOESN’T happen on a rock’n’roll tour bus

The Power of Now

FITC

Hasan Ahmad Aquent DEV6 Overview PWAs are a newly emerging delivery format for web, desktop apps. The fact that they can be installed on a client device and behave like natively installed apps means that special care should be taken when designing and building these types of apps, above and beyond a typical browser-only web application. One of the most important (potential) differentiators in the user experience of a PWA app vs a traditional web app is the ability to provide a high-performance UI because of their ability to do things like cache resources offline, including entire pieces of Web UI code, and the use of background services. In this talk we are going to do an exhaustive overview of the entire landscape of building PWAs from a performance-first perspective. Target Audience Web development teams Assumed Audience Knowledge Web Development fundamentals Objective Large enterprise applications Five Things Audience Members Will Learn Why PWA’s require performance engineering What tools are available to measure performance metrics Offline caching strategies Host device considerations: desktop and mobile Taking advantage of background code: Service Workers

High Performance PWAs

FITC

Bhavana Srinivas Netlify Overview A new web stack has emerged. A stack powered by modern browsers, API economy and Git based workflows. A stack that is not tied to specific technologies. A stack that takes into account both developer experience while building the application, and user experience when interacting with the application. A stack that delivers better performance, higher security, and lower cost of scaling for web applications. In this talk, Bhavana will dive more into the architecture and best practices for building performant web applications using the JAMstack Objective Educate the audience about the JAMstack and why it powers performant sites Target Audience Web stakeholders who want fast, secure and performant websites Assumed Audience Knowledge Built a website/interacted with sites Five Things Audience Members Will Learn What is the JAMstack The ecosystem around the JAMstack How to improve the performance of your site built on the JAMstack Example sites built on this architecture Resources and best practices

Rise of the JAMstack

FITC

Midge “Mantissa” Sinnaeve Mantissa Overview Midge will be speaking about his experience of switching to open source applications for his freelance work. From ditching expensive software subscriptions to going down the linux rabbit hole, he’ll take you along for the ride and show you some cool stuff along the way. It’s an in-depth look at what happens when your digital tools become an extension of yourself and how that can in turn inspire you to get better as an artist and find your style. Objective Taking a critical look at how you work and why. Target Audience (Motion) designers, 3D & VFX artists Four Things Audience Members Will Learn Open Source Design Tools Self-criticism Inspiration Letting go

From Closed to Open: A Journey of Self Discovery

FITC

Studio Macouno has been realizing post industrial projects for two decades. Though they’re very busy doing things like creating generative shavers for Philips and designing life size 3D printed petition elephants, those are but a fraction of what they would like to do. In this talk Dolf will explore the projects they just don’t have time for. The things the studio would love to do but can’t do on it’s own. The things that are way out there… Those that don’t seem possible, or are just too much work. The dreams that they think are a bit too much, but they just might do anyway. Objective Finding, funding and founding cooperatives for creative futurist projects. Target Audience People interested in making things today that seem ideas for tomorrow. Five Things Audience Members Will Learn Some about generative design 3d printing Art Running projects And making things happen

Projects Ain’t Nobody Got Time For

FITC

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HyperLight Websites

Everything is Terrifying

Post-Earth Visions: Designing for Space and the Future Human

The Rise of the Creative Social Influencer (and How to Become One)

East of the Rockies: Developing an AR Game

Creating a Proactive Healthcare System

World Transformation: The Secret Agenda of Product Design

The Power of Now

High Performance PWAs

Rise of the JAMstack

From Closed to Open: A Journey of Self Discovery

Projects Ain’t Nobody Got Time For

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