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Measuring clouds. A Large scale acquisition and
preservation service for (born) digital archives.
Eva Verdoodt
25 October 2019
De man die de wolken meet / Jan Fabre
Measuring clouds, trying to
quantify things that are
immeasurable…
isn’t this exactly what artists
are trying, day after day?
© Jan Fabre / De man die de wolken meet
Managing digital collections,
trying to quantify digital files
that are stored on different
carriers and multiple
locations…
isn’t this exactly what digital
archivists are trying, day
after day?
https://blog.archiveshub.jisc.ac.uk/2012/07/07/the-modern-
archivist-working-with-people-and-technology/
Short
introduction on
VIAA
The VIAA model
professional
and efficient
digitization
sustainable
digital
preservation
a non-exclusive
right to use the
CP’s content on
our own
platforms
archivingdigitization (re-)use
150+ content partners
Libraries
Archives
Museums
National broadcasters
Regional broadcasters
Government bodies
Heritage cells
Performing arts organisations
Digitisation projects finished
Wave 1: Betacam SP/SX VRT
Wave 1: Betacam Oxide
Wave 1: U-Matic
Wave 2: Wax cylinders
Wave 2: Wire recordings
Wave 2: VCR
Wave 2: Audio-CDR VRT
Wave 2: Betamax
Wave 2: Open Reel Video
Wave 4: VHS-VRT
Wave 4: VHS
Wave 6: Exotic formats
Digitisation projects going on
Wave 1: ¼” audio tape
Wave 3: Digital Betacam
Wave 3: Betacam SX
Wave 5: Lacquer / shellac disks
Wave 7: DV-formats
Wave 9: CD-DVD
Film: Threatened film CE
Film: Threatened film VRT
Film: Amateur film
Film: Special collections
Extra batches going on or planned
Wave 1: Audio cassette
Wave 2: Audio-CD-R
New projects in preparation
Wave 8: Vinyl
Wave 10: XD-cam
Digitisation status
Digitisation status
10.21% 14.34% 10.84% 9.88% 10.26% 9.85% 11.01% 6.38%
4.89%
2.55%
9.62%
0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100%
2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 Na 2023
After 6 years of digitization we noticed the need at
VIAA CP’s for a new service
 A Large scale acquisition and preservation
service for (born) digital archives
How did we
start?
Get more insight!
Questionaire
• Sent out in 2016 to 100 CP’s
• Question about:
 the types of digital collections and
variations of file formats
 Audio, video, images (photo collections)
 Mpeg, wav, mp3, tiff, jpeg, …
 the type of storage that is used to
store these collections at the CP’s 
RISK management
 Hard disks
 NAS
 External services
 the urgency for an external service
that provides long term preservation
 Answers from 64 organization
 59 organisations replied that they
are in need of extra service on
preservation of their digital
collections
 Breakdown of the type of
organisations
Feedback questionnaire (2016)
Archives
22
Museums
12
Herritage cells
15
Broadcasters
7
Broadcasters and
performing arts have the
largest video collections
Size of video collections
Heritage cells have the
largest audio collections
Followed by the archives
and museums
Size of audio collections
Size of photo collections
 Heritage cells and
archives have the
largest photo
collections
 Followed by the
museums and
libraries
State Library of Queensland
Pilot projects
VIAA made a selection based
upon
• the urgency for the CP and
• the type of collection
that was registered in the
questionnaire
Why pilot projects?
 get more hands-on experience on the different types of
collections and new file formats
 Identify all needs to be able to deliver a scalable service
(today +150 CP’s) for long term preservation
Pilot projects during 2017-2018
• Broadcasters
• VRT
• Focus-WTV
• BRUZZ
• RTV
• Performing arts
• Rosas
• Ultima Vez
• Museums
• Industriemuseum
• Huis van Alijn
• Heritage cell
• Erfgoedcel K.ERF
https://viaa.be/en/project/regional-broadcast-central-storage-focus-wtv-rtv-and-bruzz
https://viaa.be/en/project/the-museum-of-industry-digital-collection-digital-strategy
Learnings
1. The timing of a pilot project was very unpredictable due to the
dependence on the time spent at the project by the CP
2. Need for more technological knowledge and user-friendly tools
at the CP
3. Very heterogeneous collections, technical expertise is required
How do you
prevent ending
up in a tornado?
Learnings put into practice
1. Clear project scope definition
2. The current tools are too technical  User-friendly tools + training
3. Project lead time must be shorter and continuity must be monitored 
Extra manpower at VIAA + project management to watch over scope
and timing
4. Heterogeneous collections = complexity  Further development of
technical expertise
1. Scope definition
IN SCOPE
Type of file: Single files
Type of collection:
• Audio
• Video
• photo(scans)
NOT IN SCOPE
Type of file: Complex objects
Type of collection:
• Websites
• Documents
• Games
• mail
• …
2. User-friendly tools + training
• Learn how to make an inventory (using DROID)
• Make a selection (In scope vs out of scope)
• What makes a good archive master?
• Create md5 checksums
• Metadata mapping
Silver lining
Where do you draw the line?
© Mari Andrew
File extensions
© Jan Fabre / De man die de wolken meet
Mime types
© Jan Fabre / De man die de wolken meet
• Make a clear selection
• Selection is only
possible when you have
an inventory
2. User-friendly tools + training
3. Projectmanagement
 New methodology to deploy the service on a large scale
• Working with fixed milestones
• 2 types of projects:
• Continuous integration
• Batch intake
 Extra tooling for monitoring the projects
New tools for monitoring projects
Building new tools for reporting
Project planning
2 types of projects:
1. Continuous integration (using FTP upload protocol)
1. More development needed
2. Upload file + metadata (in VIAA datamodel format) on FTP
2. Batch intake
1. Define a batch (part of you collection)
2. Create a file based inventory
3. Calculate md5 checksums for each file
4. Export your metadata in a structured format (csv, xml)
5. Metadatamapping to the VIAA datamodel
6. Transfer the file via FTP or VIAA hard disk
Discovery Test Piloot Productie
Milestones
What has happened so far?
• 55 CP’s are included in born digital projects
• Pilot projects + 2 waves
• Total sum = 85 TB
• 27 different extensions and pronom id’s
• 18 mime types
Future work: Gradually extend the
scope and service
• Complex objects
• PILOTS:
• Ingest of newspaper digitisationprojects
• RESEARCH:
• how to build a generic ingest workflow for complex
objects
• Ongoing
Questions and
thoughts
Questions?
• To white list or not to white list?
• We are still investigating the scope of a white list
• Pre or post ingest transformation / transcoding?
• Pro’s and con’s?
• Levels of preservation planning
• Today = bit level preservation
• Reporting on file formats (codec and containers)
• Future work = preservation watch, risk management and
transformation / migration
VERDOODT Measuring clouds. A large scale acquisition and preservation service for (born) digital archives

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VERDOODT Measuring clouds. A large scale acquisition and preservation service for (born) digital archives

  • 1. Measuring clouds. A Large scale acquisition and preservation service for (born) digital archives. Eva Verdoodt 25 October 2019
  • 2. De man die de wolken meet / Jan Fabre Measuring clouds, trying to quantify things that are immeasurable… isn’t this exactly what artists are trying, day after day? © Jan Fabre / De man die de wolken meet
  • 3. Managing digital collections, trying to quantify digital files that are stored on different carriers and multiple locations… isn’t this exactly what digital archivists are trying, day after day? https://blog.archiveshub.jisc.ac.uk/2012/07/07/the-modern- archivist-working-with-people-and-technology/
  • 5. The VIAA model professional and efficient digitization sustainable digital preservation a non-exclusive right to use the CP’s content on our own platforms archivingdigitization (re-)use
  • 6. 150+ content partners Libraries Archives Museums National broadcasters Regional broadcasters Government bodies Heritage cells Performing arts organisations
  • 7.
  • 8. Digitisation projects finished Wave 1: Betacam SP/SX VRT Wave 1: Betacam Oxide Wave 1: U-Matic Wave 2: Wax cylinders Wave 2: Wire recordings Wave 2: VCR Wave 2: Audio-CDR VRT Wave 2: Betamax Wave 2: Open Reel Video Wave 4: VHS-VRT Wave 4: VHS Wave 6: Exotic formats Digitisation projects going on Wave 1: ¼” audio tape Wave 3: Digital Betacam Wave 3: Betacam SX Wave 5: Lacquer / shellac disks Wave 7: DV-formats Wave 9: CD-DVD Film: Threatened film CE Film: Threatened film VRT Film: Amateur film Film: Special collections Extra batches going on or planned Wave 1: Audio cassette Wave 2: Audio-CD-R New projects in preparation Wave 8: Vinyl Wave 10: XD-cam Digitisation status
  • 9. Digitisation status 10.21% 14.34% 10.84% 9.88% 10.26% 9.85% 11.01% 6.38% 4.89% 2.55% 9.62% 0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100% 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 Na 2023
  • 10. After 6 years of digitization we noticed the need at VIAA CP’s for a new service  A Large scale acquisition and preservation service for (born) digital archives
  • 13. Questionaire • Sent out in 2016 to 100 CP’s • Question about:  the types of digital collections and variations of file formats  Audio, video, images (photo collections)  Mpeg, wav, mp3, tiff, jpeg, …  the type of storage that is used to store these collections at the CP’s  RISK management  Hard disks  NAS  External services  the urgency for an external service that provides long term preservation
  • 14.  Answers from 64 organization  59 organisations replied that they are in need of extra service on preservation of their digital collections  Breakdown of the type of organisations Feedback questionnaire (2016) Archives 22 Museums 12 Herritage cells 15 Broadcasters 7
  • 15. Broadcasters and performing arts have the largest video collections Size of video collections
  • 16. Heritage cells have the largest audio collections Followed by the archives and museums Size of audio collections
  • 17. Size of photo collections  Heritage cells and archives have the largest photo collections  Followed by the museums and libraries
  • 18. State Library of Queensland Pilot projects VIAA made a selection based upon • the urgency for the CP and • the type of collection that was registered in the questionnaire
  • 19. Why pilot projects?  get more hands-on experience on the different types of collections and new file formats  Identify all needs to be able to deliver a scalable service (today +150 CP’s) for long term preservation
  • 20. Pilot projects during 2017-2018 • Broadcasters • VRT • Focus-WTV • BRUZZ • RTV • Performing arts • Rosas • Ultima Vez • Museums • Industriemuseum • Huis van Alijn • Heritage cell • Erfgoedcel K.ERF
  • 23. Learnings 1. The timing of a pilot project was very unpredictable due to the dependence on the time spent at the project by the CP 2. Need for more technological knowledge and user-friendly tools at the CP 3. Very heterogeneous collections, technical expertise is required
  • 24. How do you prevent ending up in a tornado?
  • 25. Learnings put into practice 1. Clear project scope definition 2. The current tools are too technical  User-friendly tools + training 3. Project lead time must be shorter and continuity must be monitored  Extra manpower at VIAA + project management to watch over scope and timing 4. Heterogeneous collections = complexity  Further development of technical expertise
  • 26. 1. Scope definition IN SCOPE Type of file: Single files Type of collection: • Audio • Video • photo(scans) NOT IN SCOPE Type of file: Complex objects Type of collection: • Websites • Documents • Games • mail • …
  • 27. 2. User-friendly tools + training • Learn how to make an inventory (using DROID) • Make a selection (In scope vs out of scope) • What makes a good archive master? • Create md5 checksums • Metadata mapping
  • 28. Silver lining Where do you draw the line? © Mari Andrew
  • 29. File extensions © Jan Fabre / De man die de wolken meet
  • 30. Mime types © Jan Fabre / De man die de wolken meet
  • 31. • Make a clear selection • Selection is only possible when you have an inventory
  • 33. 3. Projectmanagement  New methodology to deploy the service on a large scale • Working with fixed milestones • 2 types of projects: • Continuous integration • Batch intake  Extra tooling for monitoring the projects
  • 34. New tools for monitoring projects
  • 35. Building new tools for reporting
  • 36. Project planning 2 types of projects: 1. Continuous integration (using FTP upload protocol) 1. More development needed 2. Upload file + metadata (in VIAA datamodel format) on FTP 2. Batch intake 1. Define a batch (part of you collection) 2. Create a file based inventory 3. Calculate md5 checksums for each file 4. Export your metadata in a structured format (csv, xml) 5. Metadatamapping to the VIAA datamodel 6. Transfer the file via FTP or VIAA hard disk
  • 37. Discovery Test Piloot Productie Milestones
  • 38. What has happened so far? • 55 CP’s are included in born digital projects • Pilot projects + 2 waves • Total sum = 85 TB • 27 different extensions and pronom id’s • 18 mime types
  • 39.
  • 40.
  • 41. Future work: Gradually extend the scope and service • Complex objects • PILOTS: • Ingest of newspaper digitisationprojects • RESEARCH: • how to build a generic ingest workflow for complex objects • Ongoing
  • 43. Questions? • To white list or not to white list? • We are still investigating the scope of a white list • Pre or post ingest transformation / transcoding? • Pro’s and con’s? • Levels of preservation planning • Today = bit level preservation • Reporting on file formats (codec and containers) • Future work = preservation watch, risk management and transformation / migration

Hinweis der Redaktion

  1. What you see in this picture is an artwork of the Belgian artist, Jan Fabre. At work is called ‘the man who is measuring clouds’.
  2. It may look farfetched… but during this presentation I’m going to convince you of the similarities between a digital archivist, an artist and maybe a weather man. (because I’ll talk a lot about clouds, waves etc..) So in a way I’m happy to notice that what we are doing at VIAA with digital collections feels somehow the same of being an artist :) during this presentation I will give you more insight on how may times we fell of the ladder and went back up to try to measure the clouds, and how these digital collections have the same characteristics of clouds and how we found tools to measure them. What you see in this artwork is an artist standing on a ladder reaching as far as possible to measure the impossible, you can almost imagine the artist falling down, struggling to get back up and continue his struggle.. Well.. There are some similarities in how we experience working with digital collections.
  3. Our national audiovisual heritage is … almost everywhere! Scattered amongst libraries, archives, museums, broadcasters, universities, arts organisations, private collections, private companies, research centers, governmental bodies, … and these institutions almost never have the technical infrastructure, expertise or the money to cope with this.
  4. Measuring is only the start, once you know what is inside your collection you can start managing you digital collection.
  5. eigenlijk zijn dit al de oplossingen, niet de noden. je zou kunnen zeggen: noden: - tools zijn vaak nog te technisch => gebruiksvriendelijker tooling voor VIAA en content partners - doorlooptijd voor projecten moet korter => meer tijd voor projectopvolging en begeleiding door VIAA nodig - collecties bij content partners zijn vaak heterogeen, bvb deels wel al geregistreerd, soms niet, soms deels op fileservers, adlib of andere. => als we dit willen opschalen is er nood aan uniformisering voor we kunnen importeren.
  6. Scoping.. Start with the easies part and get things done..