SlideShare ist ein Scribd-Unternehmen logo
1 von 272
Downloaden Sie, um offline zu lesen
CHILDREN´S
LITERATURE
DEFINITION
Children’s literature includes all the
artistic and creative production that
   uses the word and it is aimed at
    children. (Juan Cervera, 1992)
CHARACTERISTICS
Children’s literature must be entertaining and
also it must give pleasure.
Children’s literature must be comprehensive.
Literature is a form to acquire experience.
It put in order the experience and the
chronological sequences.
Literature shows the fragmentation of the
life, like: family, love, values, friendship…
Literature also shows social institutions, for
example: family, school, the Church…
FUNCTIONS
Through literature child knows popular pictures,
symbols and myths that help him/her to
understand     the     environment and     human
relationship.
Literature allows create a lot of fantastic
worlds.
Literature creation also allows incorporate
human knowledge, popular knowledge and brings it
to children.
Children’s literature helps child to resolve
his/her problems.
The story provides values like: Goodness, evil,
courage and innocence.
Through literature child can learn to read and
value different tales.
CLASSIFICATION
Traditional Literature
  This group includes all the production that
 wasn’t created to children, it was a literature
for adults but later it was destined to children.
For example the adaptation of “One thousand
                and one nights”.
CLASSIFICATION
 Literature created to children:
    This is the literature that was created for
  children. It includes: novels, poems, tales and
  plays. Examples: Alice in Wonderland, Harry
                       Potter…
CLASSIFICATION
 Instrumented literature
This group includes books that are created for Infant
  Education and Primary Education. In these stories
  there is a main character who visits some familiar
    places for children like the beach, the zoo, the
  market, the circus… For example: Teo, Caillou…
GENRES
POETRY:
     Oral texts with cultural
             tradition.
 It is in the children’s life since their birth.
      It is transmitted orally by several
    generations. Normally, these texts tell
        daily moments, plays, free time
                   moments…
Oral texts includes:
                  http://www.youtube.com/watch?v=_7P2I804nw8
•   Lullabies
•   First songs
•   Strings
•   Tongue twisters
•   Riddles
•   Nonsense
•   Songs.
 Poetry with oral tradition
       and by the author.

Poetry is a form to play with the language.
   Infant Education teachers have to use
  rhymes and poems as a fun activity for
                  children.
The main characteristics of infant poetry are:
• The strophic form
• Dialogued poems
• Undefined series
• Enumeration, Parallelism and Onomatopoeia

Poems are divided in:
• Narrative poems: They tell facts.
• Descriptive poems: They describe places, people,
  landscapes, animals, objects…
• Plastic poems: After the reading of one of them children
  draw a picture.
NARRATIVE: THE TALE.
The tale is a short story of imaginary facts.
 The tale has a moral or ludic purpose, which
 stimulates the imagination of children.


It is classified in:
• Formula Stories
• Animal Stories
• Realistic Stories and Fantastic Stories
• Marvelous Stories
THEATRE

 The difference between theatre and
  other genres is that theatre adds some
  resources like corporal expression,
  plastic    expression    and    rhythm
  expression.
OTHER GENRES
Realism

 Social Realism literature focuses in a possible real
   situation. The main character has a problem. This
  problem is caused by the society or another person.
    So the story is based in how the main character
       resolves his/her problem. Example: Heidi.
Realism
• Animal Realism literature focuses in the life of an animal.
  These tales tell some things about their appearance, place
  where they live, and their life cycle. Example: The lion king.
• Historic Realism literature focuses in the past. It describes
  some things about the past like: clothes, vehicles, work...
  Stories about Vikings and Romans, for example: Asterix and
  Obelix.
OTHER GENRES
Fantastic Literature:          For example: The tales of
• The author creates other      Hans Christian Andersen.
  world, so his/her intention
  is that the reader believes
  that this world would be
  real. The characters of
  these tales are usually
  dragons, trolls, fairies,
  princesses, goblins…
OTHER GENRES
Traditional                 • For example: Cinderella.
 Literature:
 These tales have many
 characteristics, some of
 them are good and others
 are bad. The author
 makes clear descriptions,
 and the characters are
 usually fairy
 ,godmothers, stepmothers
OTHER GENRES
Picture books:

 • These tales focuse in show to children some
  pictures so they understand the tale with these
    pictures. For example: The illustrations of
         “The adventures of Pinocchio”.
OTHER GENRES
Classics:                 For example: Tom
 These tales are stories    Sawyer by Mark
  that are told from one         Twain.
  generation to another.
  They could belong to
        any genre.
Work realized by:

      María Iniesta Simón
  Lorena Ortega García-Muñoz
María Sánchez-Hermosilla Morales.
     Paula Serrano Oviedo
Carmen Fdez Marchante
 Javier De Esteban Glez.
   Literature is all the creative and artistic things
    that you can create using words and there are
    created for children. ( Juan cervera)
   Includes poetry, narrative, theatre, riddles,
    jingles, short stories…
   Educator must delve into education´s
    magnitude.
   It should provide pleasure, entertainment
    and escape
   Be comprehensive
   Adquires experience
   To divide the life´s stages, like friendship,
    family, love, values…
   It can be showed in socials institutions (
    family, school, churches..)
   It shows how the nature acts over each one
    of us
   Allow culture´s evolution through simbols
   Allow create his own unreal world
   Children know images, myths, simbols that help
    them to interpret the environment
   Allow add human and popular knowledge
   Through stories, children can overcome difficulties
    situations in their lives
   The stories transmit values knowledges like
    kindness, courage, innocence
   Stories prevents the child goes astray
   Make an analysis about the evolution of social
    issues
   Children learns to read and appreciate literary
    works.
   Acquired literature
   This readings goes from generation to generation, like
    songs, traditional stories and romances. Example. 1001
    nights
   Literature created for children
   Made for children. Stories, novels, poems…Example.
    Gloria Fuertes, J.K Rowling Harry Potter
   Instrumental literature
   Relates all the differents situations that a character
    passes. Example Teo
   Books with images, toybooks surprises books..
   Quality and language are the most importants attribute
   Poetry :
   Oral texts from cultural tradition ;
    Lullabies, first songs, riddles…children
    songs too
   Oral tradition poetry.
      -Oral texts from cultural tradition
          -Present from the beginning
          Characteristics.
          -Pass from generation to generation
          -Interpret and transmit
          -Present in real situations
   Lullabies
    These are the first songs the child listens to. They
    have binary relaxing effect and movement.
   First songs. Songs with the purpose of knowing the
    child's body and developing his motor possibilities.
    They are rhymed and repeated. It highlights tickle
    and finger songs.
   Jingles. They are written in verse to describe
    different daily situations as having lunch or going
    to bed. They quite funny
   Tongue-twisters
    Little poems without too much sense but quite
    difficult to pronounce, which is very funny
    Riddles
    Oral games that stimulate mental exercise and language
    learning, creating a connection between the child and poetry.
    There's a huge number of topics, which supposes a challenge for
    the child.
    Nonsenses
     Poems close to the jokes, whose best characteristic is bringing
    laughs to the child. It stimulates the development of the brain.
    Songs
    Poems with melody (o tune) and rhythm, employed for playing.
    They are used as:
    -symmetric series with just one variant: repeating the same
    structure
    -symmetric series with correlative variant: the introduction of
    one variant leads the appearance of another one.
    -Symmetric series formed by increasing or decreasing
    enumeration. They are used to learn how to count.
    -Echoes. Repetition of one syllable in each verse.
    -Chorus: Probably the most important and clear element.
   b) Oral and author tradition’s poetry
    Poetry allows the child playing with language and words.
    Teachers must approach poetry to children so they can learn a
    lot.

   Characteristics:
    - Verse form: Short verses composed of less than eight syllables
    in length, with musicality and easy to pronounce. Children enjoy
    creating their own rhyming couplet.
    - Dialogued poems: Texts to be dramatized.
    - Undefined sequences: Chained forms.
    - Enumeration of elements by juxtaposition as if making an
    inventory.

   - Parallelism: Structures’ repetitions in order to call the
    attention.
    - Onomatopoeias.
   The importance of the content: Narrative,
    descriptive and plastic poems.

   - Narrative poems: they tell what happens to the
    characters. The graphic complement is very
    important.


   - Descriptive poems: Description of human beings,
    animals, landscapes… with pictures to motivate the
    children.

   - Plastic poems: they fix the guidelines to do a
    drawing.
   The story is a short narrative of imaginary events
    with a simple argument. The purpose of the
    story can be moral or to entertain and stimulates
    the child´s imagination.

   There are four groups of stories:
          - Formula stories
          - Animal stories
          - Realistic and fantasy stories
          - Fairy tales
   They are stories in which, rather than the content, is
    most important how to tell it and the effect on the child.
    They have many literary devices.

There are three types:

   Minimum stories: They are short narratives which
    appear rhyme. In a sentence appears a character and
    the action. And in another sentence appears the
    conclusion.
   Never ending stories: They are jokes to develop the
    sense of humor. It's usually quite annoying.
   Cumulative tales: In the cumulative tale the action and
    dialogue repeats but also accumulates. It is a memory
    exercise.
 ANIMAL    STORIES     >REALISTIC AND
   The protagonists of       FANTASTIC STORIES
    these stories are        The characters are
    animals that act like
                              developed quite
    people
                              naturally in the
   They are like fables
    and they are usually      middle of the magic
    short stories ending      and fantasy
    with a saying. They
    have a very simple
    structure.
   Is characterized by a breakdown of
    order, the intervention of fabulous
    characters and the appearance of
    magical items. In them appear
    supernatural characters like: fairies,
    genies, trolls and giants, witches,
    wizards...
Their structure is :
1. An initial action that creates intrigue.
2. The hero´s actions.
3. The happy ending
   The theatre is characterized by the linguistic
    expression like the other genres but also add
    other resources, such a body expression,
    artistic expression and the expression
    rhythmic music
   Realistic literature assumes that the story told is possible,
    though not necessarily probable. Without magical
    intervention and the results are reasonable and possible. The
    story seems real.

There are several types:
   Social realism: The protagonist is affected by a type of
    problem whose origin is in society such as discrimination
    because of race, gender or social status.
   Realism in stories with animals: stories about animals,
    speaking of details concerning their appearance, habitat and
    life cycles.
   Historical realism: It is located in the past. Describe in detail
    aspects of the past, dresses, used vehicles, work, showing the
    features and events of that time and place.
   The author creates another world inviting readers
    to believe that this world could exist. This requires
    the author´s ability to imagine the universe so
    close that the reader wants it to be true. You get
    to make credible for pleasure.
   A noted author of fantasy stories is H. C. Andersen.
   The term traditional or popular literature
    refers to a type of literature that has come to
    the reader or the listener the story by others,
    a traditional storyteller, which existed at
    some time orally before they were collected
    the written in form
   A picture book is a book in which the
    illustrations are as important as (or even
    more important than) the words in telling the
    story.
    In picture books, there are illustrations on
    every page or on one of every pair of facing
    pages.
   They are very important because children
    learn and enjoy while they are reading the
    book.
   The classics children´s literature are those
    books that pass from one generation to
    another. They can be of different genres:
    history, fiction, popular, fantasy…
   They pass from one generation to another by
    the significance of the issue, the credibility of
    the characters, the reality of the conflict or
    style.
THE STORY AS AN
  EDUCATIONAL
    ACTIVITY
EDUCATIONAL VALUE OF
          STORIES
• The story has a huge emotional and
  educational value, it serves to reinforce
  the bond between child and parents, to
  open a world of fantasy and imagination
  and to help resolve personal conflicts.

• The story has a great educational value.
CREATIVITY DEVELOPMENT
• Tale give the child the opportunity to
  imagine what you would like to be, do and
  experiment.

• Activities around the stories can be:
  dramatizations, illustrations, stories,
  music, etc.
LANGUAGE DEVELOPMENT

• Stories help to structure the language, sort
  and make sense of sentences, to
  increase vocabulary, and above all,
  affect the communicative function of
  language.
EMOTIONAL DEVELOPMENT
• The story is a simple and effective way to
  establish a relationship of affection and
  trust between storyteller and listener.

• When adults remember the tales of our
  childhood we remember good times.
PSICHOLOGYCAL
             DEVELOPMENT
• The stories are a sample of human behavior:
  lies, kindness, fear, desire, sadness ... the child
  identifies with the characters and shows their
  fears, their needs and fantasies.
• The happy ending is a very important element
  because it maintains the hope that the problems
  can be solved. Stories are able to stimulate the
  memory and the child's mind.
SOCIAL DEVELOPMENT
• Listening to a narrative with the other
  partners allows them to share emotions.
CRITERIA FOR SELECTING,
    USING AND TELLING STORIES.
•    To select stories we must consider a number
     of criteria:

a) Aesthetic criteria
b) Age of children
    1 to 3 years
    3 to 5 years
    5 to 7 years
C) Extension
• d) Language: simple

• e) Structure

• f) Topic

• g) Illustrations
CRITERIA FOR THE USE
• How to use the stories in classroom can vary
  depending on the objectives: we can read it,
  count it, represent it...
• The story can’t be considered a filler activity:
  we should give the importance what it
  deserves.
• There are two types of stories: the tale told
  (spontaneous and free) and the read story
  (with a better language).
CRITERIA FOR THE STORY
Tell stories is transmit feelings, enjoy what you do and
get the kids have fun. To achieve this, we must:
- Choose stories that we like
- Learn the story, practice it…
- Display the characters
- Establish a relaxed clime.
- Use a soft voice
- Use gestures
- Getting kids involved
- Receive comments from the children.
The time to tell a story should be calm and
relaxed. This requires 2 aspects:
- Do it after a strong activity
- Tell it when we have enough time for
    this.
The space to tell a story has to have these
conditions:

- Be well defined.
- Have an adequate size
- Be well lit.
ACTIVITIES FROM THE
            STORY
• After reading the story we can offer many
  activities, but these activities should not be
  too complicated.
• To verify that the story has been
  understood, there should be a dialogue
  with children through a series of questions.
SOME ACTIVITIES OF CREATION,
             RECREATION AND
       INTERPRETATION OF LITERARY
                  TEXTS
    Some examples of possible activities:
•   If this happen?
•   What happened next?
•   Children Tell a story with the
    collaboration of all.
•   To represent a little theatre.
SOME ACTIVITIES RELATED TO
    OTHER MODELS OF
       EXPRESSION
• Illustrate the story. The story is illustrated with
  cards, so that each is accompanied by
  referenced.
• Dramatization. The story will be represented
  by children from freely using their body and
  language.
• Musical tales. Use instruments to tell the tale.
• Activities out of the class, for example to visit a
  museum, to visit a zoo, to visit a farm…
THE END
• CRISTINA CAMUÑAS ESTRADA

• ALEJANDRO CLAROS BELLÓN

• CARLOS ALAÑON MOYA.
THE GAME FROM
   THE GAME FROM
DIFFERENT POINTS OF
VIEW DIFFERENT
      POINTS
      OF VIEW
1. PSYCHOLOGICAL STANDPOINT.
       EVOLUTION OF THE GAME AND AGE
Piaget says that the game can be used to
  measure the process of maturation of
  the child and his mental and emotional
  development, based on the
  assumption that developmental stages
  are presented with a determined
  succession and order for all individuals.


   Psychological activities are different for different stages of
development and activities of a higher stage make up the activities of
previous stages.

   There are different types of games depending on age of children:
a)    THE GAME IN THE FIRST CYCLE OF CHILDHOOD
      EDUCATION (0-3 YEARS):
     The games of this cycle can be considered the first pre-games
     and pre-toys.
     Function: separating the child from his enviroment and give
     him the notion of self and the parts of his body.

 • In the early months the
 game is reduced to
 rocking, pacifier and
 rattle.


      • After appear the games to “show / hide” which
      introducing guidelines for action that will last a lifetime.
• Then come the functional games and sensorimotor
games, where the pleasure lies in the movement of body
parts. The physical learning is inherent in the child's play,
which develops self-confidence and self esteem through this
control of the body.


• Finally appears the game of
projected his image in the mirror.




   All of them, lead to the discovery
             of self, the “I”.
b)   THE GAME IN THE SECOND STAGE OF CHILDHOOD
     EDUCATION (3-6 YEARS):



                      Function: With these games is
                      passed from the discovery of self to
                      the discovery of another.



                         • In these games the child
                           assumes roles, imitate animals,
                           adult or representing yourself in
                           fictional situations.
• At first, the games are usually single, but after 5 years are usually
  group activities.
• The learning through play should be continuous and evolutionary,
  and covering intellectual, physical, emotional, social, aesthetic and
  moral facts.
• Moreover, the game should allow the emergence of the ability to
  solve problems.




  In the learning (to be done through interaction with others) should
   include all types of games that lead to independence, creativity
   and discovery.
2. SOCIOLOGICAL STANDPOINT:
The game is influenced by society and the environment in which
it occurs.
The game introduces the children to the ideology of society and
learning the values ​of their culture through their rules, materials
and toys.                         There should be a fun environment,
                                 physical and cultural, that the game
                                 appears. This environment can have
                                 large open spaces or not, these
                                 spaces can be organized or not,
                                 empty or full of toys, full of useful
                                 objects for the child or not; all
                                 influence the game.
 During the first year of life is very important the environment
   because it is a part of the total socio-cultural space and therefore,
   for this specificity in cultures, the social environment will provide a
   unique character to the games, which vary according to the culture
   in which the child grows.
• In some societies the games have transit functions from one age
  to another. In other cases, the game serves to relieve tension
  created by society, or by life. It also serves to transmit rules
  among equals
• There are societies where children are surrounded of toys,
  artificial and far from their recreational needs that limit their
  capacity of creativity and imagination.
Finally, the observation of games makes possible observe how girls and
   boys are separated into different groups at the time of play and
   that their activities are different.

 The activities of the girls are generally more sedentary and
  intimate, with complex rules and games usually have a happy
  ending.
 The activities of the boys have more movement, more tendency to
  be outdoors and taking up more space.
3. GAME AND PEDAGOGY:
   Although the game is one of the best means of expression for
children, has not always been seen as a technique to use in school.

   The school is faced with a new dichotomy between play directed by
teacher and free game, leaving the second as a "let do" that don't is
universally accepted in the school .


  Today there are many parents who understand the educational
value of game in the early years and the need to include it in
children's activities.
 School can find various problems
 - The game to respond to educational purposes and
   not a job.
- The teacher must know what they can extract the
   game in their educational practice and how.
- The educational use of the game must be present, not be
  imposed, it is spontaneous, it can not be forced, can have
  objectives, but not necessary always.

- the game has a function
  educate themselves.



 The game should
  complement the school
  happens in other places
Motivation to explore and             More fragmented Game
 experiment freely in the
      house, park ...
Long and continuous periods.                 No free time


    activities less short.       there are times for different types of
                                              activities.

Activities of the child alone.      Many sujects of the same age.


    Individual material.          The material in building rapport
                                         with colleagues.
4.GAME AND MOTIVATION: ATTENTION
 It is an important factor for learning
 The teacher should know:
- When performing an activity.
- Provide, or facilitate
 search activities that keep
 the child's concentration.
• The game provides a natural means of maintaining
  attention.
• The child plays and loses track of time.


• The game provides longer learning times.



 The school divides
  time into shorter
  periods to avoid
  boredom appears.
 The game, motivates the child to the exploration and
  experimentation.
 The school must provide opportunities that the child can
  not in other place.
5. PLAY AND EXPLORATION.
 The exploration is related
 to the acquisition of knowledge
 and information.
• When a child approaches
a new situation or material
presents two types of conduct
A new experience, if cheerful
will attract attention and then
exploration
 Exploration is an essential prerequisite for the play
  experience.
 First exploration can be visual. After a period of active
  exploration and manipulation.



 The exploration depends
on the material or object that
is seen and manipulated that.



 Sometimes after
the exploration appears a kind of repetitive play.
 Innovation prevents boredom and monotony.


 The play conduct is optional,
  the exploration is obligatory.



 The exploratory conduct
  directly promote learning,
  playful but they do indirectly.
 Free play is important if one considers this aspect
  of material introduce or exploring situations that lead
  to the child, and then to play with the known.
 It is important to act as the teacher.
 The adult must be conscious of their ways.
Elena Martín Ávila.
Alicia Martín de Madrid
Merchán.
RHYMES AND
   CHANTS.
USING THEM IN
     CLASS.
  Marta Irles Martín-Abad
   Marina Rodríguez Díaz
   Mª José Serrano Donate
   Ana Mª Tajuelo García-
1. Song, rhymes
     and chants
• Children love songs, rhymes
  and chants and their
  repetitive nature and rhythm
  make them an ideal vehicle
  for language learning.
• Carefully selected them can
  offer a rich source for our
Why use songs,
 rhymes and chants?
• There are four resource to use
  them in our class:
    1. A linguistic resource.
    2. A psychological/affective
  resource.
    3. A cognitive resource.
    4. A cultural resource.
A LINGUISTIC
      RESOURCE
• Allow introduce a new
  language with new structures
  and vocabulary to be learnt.
• Present familiar language in
  new and imaginative context.
• Develop all skills in an
  integrated way.
A
PSYCHOLOGICAL/AFFE
    CTIVE RESOURCE
• Help develop positive attitudes
  towards the target language.
• Non-threatening and the more
  inhibited child will feel secure
  when singing and chanting as a
  class.
• Encourage a feeling of
  achievement and build confident
A COGNITIVE
        RESOURCE
• Develop concentration,
  memory and coordination
• Repetition enables children to
  predict what comes next and
  to consolidate language items.
• Accompanying actions or
  gestures help to reinforce
A CULTURAL
      RESOURCE
• The songs can contribute to
  the cultural components of a
  language programme.
  Children can compare their
  mother tongue with the
  target language through the
A SOCIAL
        RESOURCE
• Singing together is a good social
  experience and helps to develop
  a class and group identity
• They can be used as the basis for
  a performance or show.
• They offer a flexible resource to the
  teacher.
• They can be used with a variety of
2. Pronunciation
benefits of using songs,
  rhymes and chants
• This includes:
   1. Individual songs and sounds
   in connected speech.
   2. Stress and rhythm.
   3. Intonation.
   4. Ear training
INDIVIDUAL SOUNDS
    AND SOUNDS IN
  CONNECTED SPEECH
• Songs and rhymes are useful for
  showing what happens to sounds
  in connected speech. For
  example:
  - That certain sounds run on
  together:        “You are not it”
  - And complicated consonant
STRESS AND
     RHYTHM:
• Using songs and rhymes,
  children can clap according to
  the rhythm or say rhymes. So,
  they can develop a sense of
  rhythm in English.

• The words that are weakly
INTONATIO          TRAINING:
N:                 • You can ask
                     the pupils to
• Intonation can     listen and
  also be
                     count how
  practiced in
  rhymes.            many times
                     an individual
                     sound or
                     word occurs
3.Types of songs,
    rhymes and chants
• There are many different kinds of
 songs, rhymes and chants which
 contain different features and are
 used for different purposes.
    -Suggest that rhymes can be
 divided in two categories:
  1. those which are essential to the
 regulation of games and children's
 relationships.
4. When and how to
   use songs, rhymes
       and chants
• When they are used:
       -As warmers
       -As a transition from one activity to the next
       -Closers
       -To introduce new language
       -To practice language
       -To revise language
       -To change the mood
       -To get everyone's attention
       -To channel high levels of energy
       -To integrate story telling,topic-work or cross-
  curricular work
DEFINITION
The tale is a brief and simple narrative. It
focuses in the action, time and space.

The tale is universal and it has the function
of help to the children to understand the
own culture and to understand the world.

To the children, the tales don`t only fun
them also encourage them the imagination
increasing positive feelings and
psychological development.

The tales transmit knowledge, ways of
thinking about different villages.
FEATURES
The tale presents these features:
  1.   it`s invented doesn`t is a real story.
  2.   it`s clear, with a linear structure
  3.   concentration of the plot
  4.   short time
FOLK TALE
Also it be called traditional tale because they come from the oral tradition,
therefore this tipe of tales preserved (more than other genres) the features of
the oral narration. So folk tales have to be heard, more than to be read.

About the structure, this tales present simple narrative forms: opening and
closing.


Propp proposes 31 functions for that tales, but in Spain we can found only 9:

         - Initial problem.
         - The king decide something (about the problem).
         - Hero's trip.
         - Hero does something.
         - Magic objetc.
         - Fight.
         - Tests.
         - Hero's return.
         - Hero's recognition.
FOLK TALE
ORIGIN
It is anonymous. Initial author could be exist, but he desappears because the tale
belongs to the community. Due to its oral nature, the tale changes (it adapts to
time and space in which is narrated). Each tale has its own personality, and also
the storytelling personality.

         So there is two versions about the origin of this tales:
                  - Monogenetic: common origin.
                  - Poligenetic: multiple origin.

Both of them are difficult to demostrate, but it is clear the diffusion in space: we
can found many different versions of the same tale.

Sociologically, the tale is a reflection of some values, sensibilities and knowledge
of a culture.
FOLK TALE
Some features like a simple form:

     - Mobility of the language, of the characters, of the
     situations and of the framework (time and space). It's
     opposite to the fixed.

     - Generic. It's opposite to the peculiarity.

     - It can be repeated in our own words.
FEATURES OF FOLK TALE
No descriptions: the tale's world is plane. Objects are not described, only
mentioned. Nicknames are simple, for example: the prince is brave.

Repetitions: it's very important, because with repetitions is easier to
remember.

Characters haven’t inner world. There is no environment. There is no time.
There is only external stimulus. The oral tradition is focus in the action, more
than in the description.

There is no narrator.

The story is temporally and spatially indeterminate. The characters can go
to the end of the world, to the bottom of the sea and so on. A trip is not
narrated, only appear fantastic stages that give meaning to the story. The
supernatural is accepted.
OTHER TYPES OF TALES
MYTH is a story in a old world with a heroic and religious
meaning. In this type, appear natural phenomena and
supernatural forces.

The things that happen
in myths are unique
and these can`t happen
in other place.
EPIC presents actions and events about a
imaginary hero. Through her, community is
aware of their problems.
It has a tragic and pessimistic tone.
LEGEND
Legend is a story
which happens in a
specific place,
realistic, wonderful
or religious.

It tells a historical event. When a legend is told,
we understand the historical reality and heroes
in this place.
FABULA
Fabula is a story about humanized animals.
These are shorts stories in prose or verse.




The goal is to teach through problems that the
protagonist has to solve in the story.
CLASSIFICATION

AARNE-THOMPSON: depend on the repetition
   of themes

   I: Animal tales
   II: fairy tales
   III: Funny Tales
   IV: Formula tales
   V: other tales
Other classification, divides tales in 3 groups:
   I: Typical Tales:
     Fairy tales
     Realistic tales
     religious
     tales and tales about

   II: Animal tales
   III: Costums Tales
PELEGRIN: depend on the age of children
        I: Formula tales (2-5 years)
        II: Animal tales (4-7 years)
        III: Fairy Tales (5-7 years)
GIANNI RODARI
I: Animal tales: wild and
   domestic animal, and
   relationship between
   people and animal, and people with animals.
II: Magic tales: supernatural forces and
   magic objects.
III: Funny Tales to silly, to clever and formula
    tales.
AUTHORS
1.CHARLES PERRAULT: “Sleeping beauti”, “Red Riding
  Hood”, “Puss in boots”, “Cinderella”…




2. JAMES BARRIE: “Peter Pan”



2. BROTHERS GRIMM: “Hansel and Gretel”, “The
  Musicians of Bremen”…
3. HANS CHRISTIAN ANDERSEN: “The Ugly duck”,
  “The Brave Tin Soldier”, “The little Mermaid”…




4. BEATRIX POTTER: “The Tale of Peter Rabbit”

            5. LEWIS CARROL: “Alice in Wonderland”
THE
             END


                   LAURA RODRÍGUEZ ALCAIDE
                    ADRIÁN SABALETE SUÁREZ
THANK YOU!          IRENE SÁNCHEZ BARCHINO
1.   Introduction
2.   Educational aspects of game
3.   Video
4.   Danger of game.
      Game leads to conflict.
     1.
   2. Excess of didactism in games.
5. Personal opinion
 Many  years ago, games have been the
  most important activity to amuse
  children, but they have educational
  purpose too. For this, it is one of the
  tools more used in Childhood
  Education.
 For example, in Old Roma, schools
  were called "ludus“, that it means
  recreational.
 The   methodology of Childhood Education
  is active and based on the experiences and
  game. Sometimes, it`s called ‘’recreational
  methodology’’.
 Game is considered like spontaneous
  activity of children, its an specific activity
  and it should be stimulated by the
  teacher.
 Although the school work is based , over
  all, in serious, systematic and intentional
  activities,    the    game      should      be
  spontaneous and free.
 Nowadays,   school work and game are
  related. There is quite a lot of
  controversy between school work and
  game in schools.
 Many    pedagogues think that it’s
  necessary to use games and toys like a
  material-work in class, due to learning
  and game are closely related.
 There  are different theories that show the
  formal value of game because it produces a
  better development and it’s very important for
  learning.
 For example:
     Groos came to the conclusion that recreational
      activity was a warm-up for serious life.
     Claparéde and Stratcham throught game, children
      carry out enough exercises for muscular and psychic
      development.
   http://www.youtube.com/watch?v=w4yHvkZMJrI
   Also, there are studies
    about danger of games
    which are done and
    explained        wrong.
    Among analysis more
    meaningful,    we    can
    emphasize:
    Game leads to conflict
   Recreational    activity,
    which is very necessary
    for           children’s
    personality
    development, can be
    the origin of problems.
    Among the problems
    more     common      are
    which take place due to
    an excess tension.
 Game   can be harmful when it isn’t suitable for
  children, for example games of fear, when we
  use some materials, when they must imitate
  adult activities and competitive games.
 Children aren`t aware of the gravity of some
  actions and they can transfer that danger to
  dangerous and not recommend actions.
 Nowadays,         children     have       many
  entertainments and knowledge but some
  aren’t suitable for children because they are
  based on imitation and are typical of adults.
 These  games can be not advisable to
  use it with children, especially with
  children      in    the     Childhood
  Education.
 It is very important that children
  know the multitude of games that
  are in their interests due to it exist a
  variety of alternative, creative and
  stimulating games. This may be a
  function of the family and school.
 Children can be loser
  because of the use of
  didactics        games
  constantly.
 These games should
  be     effective   and
  organized to achieve
  good outcomes. It’s
  necessary to avoid
  routines and also, it’s
  better to reduce the
  number of didactics
  games when children
  are older.
 Learning   and game aren’t always
  together, but also learning can appear
  alone like a serious activity which the
  teacher ought to motivate.
 The teacher wants to get that pupils
  work very good in a comfortable
  environment.
 Ending, in the childhood education, it
  doesn’t well such a didactics games. It
  would be better to alternate the
  recreational activity with the didactic
  activity.
 In our opinion, games are an excellent
  strategy to work with children and, for this
  reason, we think that all educational
  activity should be based in game with
  children.
 Nowadays, we have a lot of options for
  children learn playing. For example,
  computer's games, the Internet, traditional
  games...
 Add, we think that the violent games
  shouldn't be encouraged. Many times, these
  games are learned by TV, videogames…
 Eva Díaz del Campo García Carpintero.
 Elena García-Fogeda Romero.
 Rocío Guerrero Ciudad.
 Definition of the Tale
 The Folktale
 Folktale Features
 Relation to the Folktale with other kind of
  narration
 Origin of the Tale
 Classification and Authors
   The story is fictional short narration and character
    developments simple, made for moral purpose.
    But there are different interpretations of the story
    one of that the Grim brothers collectors than
    they understood the story as remnants of a
    culture.

   The story is universal and It has the function of
    helping people understand their culture. The
    messages it conveys the story is aimed at all
    audiences. For children are a source of
    satisfaction because it enriches the world of
    understanding, his inner life…
    The stories always have a main
     character who is usually travelling, which
     meets obstacles to be overcome and
     the end is usually always happy.

    The story has these characteristics:
1.    Duration not excesive.
2.    Concentration of the plot.
3.    Linear structure.
4.    It is an invention.
    Falktales come from oral tradition. These stories are
     to be listened.
    Propp offers 31 functions for stories. But the spanish
     stories are 9. These functions are:

1.   Initial problem.
2.   Call
3.   Round trip.
4.   Displays of generosity.
5.   Donation of a magical.
6.   Combat
7.   Testing.
8.   Journey back
9.   Recongnition of the hero
a) No description: Things aren’t described, because
   only they are mentioned. The nouns are very
   simple.
b) Repetitions: The folktale shows many repetitions.
c) The characters haven’t “internal world”: They react
   to external stimuli, such as: advices, problems,
   duties…
d) There isn’t narrator.
e) There isn’t time or space. In the folktale, the
   characters use magic things and that’s why they
   can do what they want. Fantasy is accepted
   without any difficulty.
   The myth is a story that happens in an
    earlier time and it adds a religious meaning.

   The myth can help to the social order.
-   SIMILARITIES: The
    characters are similar.

-   DIFFERENCES: Form of
    transmission. The topic
    of the myth is fairly
    simple and the topic
    can’t happen to other
    people, however in
    the folktale what is
    happening is very
    normal and regular.
The epic talks about
the actions of a hero,
who is historic and
imaginary. There are
some differences with
the folktale, for example:
the epic has a tragic
ending and however,
the folktale is optimistic
and looks for a happy
ending.
Legend is a story that counts as something happened in a particular place.
                   It can be realistic, wonderful or religious.


             The Legend tells of a historical event generally,
         so this has more historical truth that for example a tale.


                    But this doesn’t mean that reflect the full historical
              truth because many details which are narrated in the legend
                                       are fictitious.

        Over time, the curiosity of man heighten the interest in the
                historical fact that is based on the legend.

    Finally say about this, that the legend can refer to the natural world
                                or supernatural .
The fable is animal tale with moral and educational purpose.
Its extension is generally little, with a brief history, in prose or verse that clearly
                           pointing to a moral teaching.


 The fable is an allegorical fiction, in which, the animals are fully humanized.
   In spite of showing a fantastic animal world scene, the extracted lesson
                               applies to real world.


                        The lesson that emerge from the fabule is commonly
                                         known like the moral
                               and it usually placed at the end of story.


   Each fable reflects a different teaching , depending on the actions
                        that to do the protagonist.
        The pupils could find other solutions using their creativity.
The folktale is anonymous.


The tale is adapted, modernized and are eliminated elements that lose meaning.
              Each tale has its own personality and the narrator’s style.


              The folktale’s origin can be summarized in two versions:


              Monogenetic                              Polygenetic
           (common origin and                        (multiple origins
              after diffusion)                      depending times,
                                                   places, thoughts..).



     Sociologically, the tale is analyzed as a reflection of collective values,
                forms of sensibility and knowledge of a culture.
   Animal Tales

   Wonderful Tales

   Joke Tales

   Formula Tales

   Tales without clasification
   Tales:
    › Wonderful Tales
    › Realistic Tales
    › Religious Tales


   Animal Tales

   Custom Tales
   Formula Tales (2-5 years)

   Animal Tales (4-7 years)

   Wonderful Tales (5-7 years)
   Animals Tales

   Magic Tales

   Anecdote and Joke Tales
 Charles Perrault (Little Red Riding Hood,
  Cinderella…)
 Grimm Brothers (Hansel and Gretel, Blue
  beard…)
 James Barrie (Peter Pan)
 Beatrix Potter (The Tale of Peter Rabbit)
 Lewis Carrol (Alice in Wonderland).
 Marta Cedenilla Romero
 Mª Ángeles Córdoba García-Consuegro
 Patricia Reíllo Bosquet
 Beatriz Villa López


    Didáctica de la Lengua Inglesa en
            Educación Infantil.
DEFINITION
The tale is a brief and simple narrative. It
focuses in the action, time and space.

The tale is universal and it has the function
of help to the children to understand the
own culture and to understand the world.

To the children, the tales don`t only fun
them also encourage them the imagination
increasing positive feelings and
psychological development.

The tales transmit knowledge, ways of
thinking about different villages.
FEATURES
The tale presents these features:
  1.   it`s invented doesn`t is a real story.
  2.   it`s clear, with a linear structure
  3.   concentration of the plot
  4.   short time
FOLK TALE
Also it be called traditional tale because they come from the oral tradition,
therefore this type of tales preserved (more than other genres) the features of
the oral narration. So folk tales have to be heard, more than to be read.

About the structure, this tales present simple narrative forms: opening and
closing.


Propp proposes 31 functions for that tales, but in Spain we can found only 9:

        - Initial problem.
        - The king decide something (about the problem).
        - Hero's trip.
        - Hero does something.
        - Magic objetc.
        - Fight.
        - Tests.
        - Hero's return.
        - Hero's recognition.
FOLK TALE
ORIGIN
It is anonymous. Initial author could be exist, but he desappears because the tale
belongs to the community. Due to its oral nature, the tale changes (it adapts to
time and space in which is narrated). Each tale has its own personality, and also
the storytelling personality.

         So there is two versions about the origin of this tales:
                  - Monogenetic: common origin.
                  - Poligenetic: multiple origin.

Both of them are difficult to demostrate, but it is clear the diffusion in space: we
can found many different versions of the same tale.

Sociologically, the tale is a reflection of some values, sensibilities and knowledge
of a culture.
FOLK TALE
Some features like a simple form:

     - Mobility of the language, of the characters, of the
     situations and of the framework (time and space). It's
     opposite to the fixed.

     - Generic. It's opposite to the peculiarity.

     - It can be repeated in our own words.
FEATURES OF FOLK TALE
No descriptions: the tale's world is plane. Objects are not described, only
mentioned. Nicknames are simple, for example: the prince is brave.

Repetitions: it's very important, because with repetitions is easier to
remember.

Characters haven’t inner world. There is no environment. There is no time.
There is only external stimulus. The oral tradition is focus in the action, more
than in the description.

There is no narrator.

The story is temporally and spatially indeterminate. The characters can go
to the end of the world, to the bottom of the sea and so on. A trip is not
narrated, only appear fantastic stages that give meaning to the story. The
supernatural is accepted.
OTHER TYPES OF TALES
MYTH is a story in a old world with a heroic and religious
meaning. In this type, appear natural phenomena and
supernatural forces.

The things that happen
in myths are unique
and these can`t happen
in other place.
EPIC presents actions and events about a
imaginary hero. Through her, community is
aware of their problems.
It has a tragic and pessimistic tone.
LEGEND
Legend is a story
which happens in a
specific place,
realistic, wonderful
or religious.

It tells a historical event. When a legend is told,
we understand the historical reality and heroes
in this place.
FABULA
Fabula is a story about humanized animals.
These are shorts stories in prose or verse.




The goal is to teach through problems that the
protagonist has to solve in the story.
CLASSIFICATION

AARNE-THOMPSON: depend on the repetition
   of topics

   I: Animal tales
   II: fairy tales
   III: Funny Tales
   IV: Formula tales
   V: other tales
Other classification, divides tales in 3 groups:
   I: Typical Tales:
     Fairy tales
     Realistic tales
     religious tales
     tales about stupid ogre


   II: Animal tales
   III: Costums Tales
PELEGRIN: depend on the age of children
        I: Formula tales (2-5 years)
        II: Animal tales (4-7 years)
        III: Fairy Tales (5-7 years)
GIANNI RODARI
I: Animal tales: wild and
   domestic animal, and
   relationship between
   people and animal, and wild and domestic
    animals.
II: Magic tales: supernatural forces and
   magic objects.
III: Funny Tales to silly, to clever and formula
    tales.
AUTHORS
1.CHARLES PERRAULT: “Sleeping beauti”, “Red Riding
  Hood”, “Puss in boots”, “Cinderella”…




2. JAMES BARRIE: “Peter Pan”



2. BROTHERS GRIMM: “Hansel and Gretel”, “The
  Musicians of Bremen”…
3. HANS CHRISTIAN ANDERSEN: “The Ugly duck”,
  “The Brave Tin Soldier”, “The little Mermaid”…




4. BEATRIX POTTER: “The Tale of Peter Rabbit”

            5. LEWIS CARROL: “Alice in Wonderland”
THE
             END


                   LAURA RODRÍGUEZ ALCAIDE
                    ADRIÁN SABALETE SUÁREZ
THANK YOU!          IRENE SÁNCHEZ BARCHINO
Songs, rhymes, chants,
games and storybooks
1. SONGS, RHYMES AND
  CHANTS
  Resources
  Benefits
  Types
                            2. GAMES
  How and when use its?
                              Why use game?
                              Purposes of games
                              Types
                              Factors
                              How to play game?
3. STORYBOOKS
   Why use storybooks?
   Types
   Criteria for selecting
   Reading or telling?
SONGS, RHYMES AND CHANTS
DIFFERENTS RESOURCES
LINGUISTIC
  •Allow new language to be introduced and structures and
  vocabulary.
  •Provide natural repetition
  •Develop all skill in an integrated
  •Improve all aspect of pronunciation

AFECTIVE
  •The songs, rhymes and chants give confidence to the children.
  •Are very motivating.
  •The children can teaching your family or friends.
  •The children see the language as fun
DIFFERENTS RESOURCES
COGNITIVE
  •Develop concentration, memory and coordination.
  •The repetition enables consolidate language items.
  •We can use for different works with the students

CULTURAL
  •The children can compare with the songs, rhymes and chants of
  your language

SOCIAL
  •Allow the communication and interaction.
  •Allow develop all competences.
  •And we can use with different age groups of students.
BENEFITS OF USING SONGS, RHYMES
          AND CHANTS
  Useful for practicing Pronunciation.

  Useful for showing what happens to sounds in
 connected speech

  Help to develop a sense of rhythm and intonation
 in English

  Also is very important develop ear training
TYPES OF SONGS, RHYMES AND CHANTS
                  (Opie and Opie)


1. Those which are essential to the regulation of games
   ad children´s relation ships.

       For example: dipping and skipping rhymes

2. Those that are mere expressions of exuberance.

       For example: jingles, slongans, nonsense verse…
WHEN AND HOW USE SONGS,
  RHYMES AND CHANTS?

          To introduce new language

   As transition from one activity to the next

              To change the mood

          To get everyone´s attention.
EXAMPLE



    The Rainbow Colors Song

  http://www.youtube.com/watch
          ?v=tRNy2i75tCc
GAMES
WHY USE GAME?
 Changing the pace of lesson and increasing motivation

 Encouraging participation, shy learners can be motivated
to speak

 Provide hidden practice of specific language patterns,
vocabulary and pronunciation

 Improving attention span, concentration, memory,
listening skills and reading skills.
PURPOSE OF GAME
a) Encourage memorization of chunks of language

b) Useful pronunciation practice

c) Language may be practiced together with a wider
   educational or conceptual goal

d) Language in a game encourage more creative use of
   language
TYPES OF GAME
             ACCURACY-FOCUSED GAMES




        o Focus on comprehension and production

o It provides useful pronunciation, vocabulary and grammar
                           practice

    o They are also good at training pupil´s memories
TYPES OF GAME
              FLUENCY-FOCUSED GAMES


    o We moves from language control to communication

o These games focus on developing fluency and collaboration
           with others (students and teacher)

o Collaboration is achieved by trying to create a context where
      the putpils’ focus on getting a task done together.

   o Teacher should pre-teach language by modeling key
vocabulary or sentence patterns and providing rehearsal before
 pupils play games if not, pupil use their L1 and produce little
                            English
TYPES OF GAME
    COMPETITIVE AND COOPERATIVE GAMES




o Can be organized in teams groups, pairs or individuals.

            o The first always have a winner.

o In the cooperative game the pupils have to work together
                  for reach an objective.
WHEN THE TEACHER CHOOSE A GAME
  NEEDS TO CONSIDER FACTORS
 Have simple language, easy to explain, set up and play
 Everyone in the class should be participated it and It
  should be fun
 Instructions can be given in L1
 Give students a second chance in order to make the
  game last longer
 Games should be integrated with other language
  work
 Teachers may sometimes use games for ‘fillers’ and
  ‘light relief’, but integrated practice is more
  educationally sound
HOW TO PLAY GAMES?
 Giving instructions and organizing the class
      The instructions must be short, clear and simple
      Consider the level of the students
      Decide how you will apply the game pair or group
        work, etc
      Use board, pictures, flashcards or other material to
        demonstrate procedures

The teacher´s role
     Observer
     Monitoring pupils’ language
     Giving prompts and explanation where necessary
     Note-taking (some mistakes and errors)
EXAMPLE
STORYBOOKS
WHY USE STORYBOOKS?
o It has always been educationally valuable, especially
teaching English.

o Create an acquisition rich environment and ideal learning
conditions which provide comprehensible input or language a
little beyond the child’s current level of competence

o Stories provide the starting point for a wide variety of
related language and learning activities
TYPES OF STORYBOOKS
          READERS                 AUTHENTIC STORYBOOKS

Storybooks that are used in       The language is not selected
young learners ELT classroom                or graded
 were adapted and simplified
versions of popular fairy tales       Offer a rich source of
  ,fables,nursery rhymes or                vocabulary
 specificially written stories.
                                   They are motivating beause
These books are produced to       of the sense of achievement
 supplement the syllabus of a       about worked with a ‘real’
      particular course                        book

They are intended to be used      The quality of illustration is
by the pupil working alone to      a high standart ,appealing to
    develop reading skills               the young learner
CRITERIA FOR SELECTING STORYBOOKS
 The language used in the text
 The length of the story
 Varied and fun
 The amount of repetition
 The use of illustrations and layout
 Pupils’ conceptual level
 Ability to concentrate
 After selecting a story you realize that it doesn’t appeal
  to your pupils, it is advisable to adapt your plan of
  work or even abandon the story altogether.
 A methodology for story-based work is plan-do-
  review.
READING OR TELLING STORIES?
 Most of us aren’t natural storytellers but we can all become
  good storytellers through practice and rehearsal.

 Try to know the story well enough so that you aren’t
  reading words directly from the page

 Look at the pupils frequently


 It is suggested that, read the stories aloud as possible
  rather than use a recorded version, especially the first time
  they hear a story.
EXAMPLE


This example would be perfect if it had only ilustrations
ROCÍO PIQUERAS PARRILLA
EVA RABADÁN RUEDAS
ISABEL RAMÍREZ CHICO




          THANKS YOU!
Blanco Mellado, Sara
      Cota García, Elena.
Del Olmo Reillo, Natalia.
 Duque Chamero, Marta
Introduction
 1. Points of view

 1.1 Psychological point of view

 1.2. Sociological point of view

 1.3 Pedagogical point of view.

 2. Game and motivation: attention.

 3. The game and exploration.
1.1 The psychological point of view.
 The psychological activities are different in each stage
  of development. The age in each stage can be different
  according to the culture, socioeconomic context and
  each one.
 The two cycles of Infant Education:
   First cycle of Infant education:
    1º Pre-games
    2º Show and Hide games.
    3. Functional games that favors the self-confidence
       and the self-steem.
 Second cycle of Infant Education;
 In this cycle the game gives the children the
   opportunity to achieve the next aspects:
  The child discovers the other (people).

  The child creates his/her own identity.

  The child identifies with others.

  The child follows the rules.

  The child recognizes the leadership.

  The child knows that he belongs to a group.
1.2. The sociological point of view.
 The game is influenced by the society, the place, and
 the values of this society.




 The adult can guide the game of her/his children or let
 them free play and the adult must encourage the free
 and spontaneous play.
 The game has the next functions:
    Social transmission.
    Passage from one age to another.
    Release tension.
    Integration of the child.
    Transmitting guidelines to each other.


 Girls and boys play different games.
    Girls = calm games
    Boys = fight games.
1.3 The pedagogical point of view.
 Some years ago, the school divided the serious work
 and the game. Nowaday, teachers and parents know
 the importance of the game. We have to realize that
 the game:
   Gives us information about the child.
   Lets us know affective and intellectual problems.
   Reinforces the acquired knowledge.
   Favors the community between children.
   Helps us to create some intervention strategies.
 The game can have different problems. For this
 reason, the teacher must know the kind of game
 and how to adapt this game to the practice.




 The game has to be spontaneous and they can have
 some educative objectives. If the game is planned
 with finality this game isn’t a game anymore.
 The game that is carried out in the school isn´t the
  same that the game which is carried out in family
  context.
 School and family context must work together for
  advantaging the child development.
 Now, new technology is advantaging the learning of
  children.
2. Game and motivation: attention.

 The teacher has to know how long children keep the
  attention when they do an activity.
 In this age is important to keep and control the
  attention.
 The attention favors the intellectual and social
  achievements. The attention is improved when
  children are older.
3. The game and exploration.
At the beginning, the exploration has to be visual and then
  the child has to take part in the exploration. And finally
  appears a new behavior pattern.

The differences between the exploration and game are:

 The exploration must discover features of the objects while
  the game must discover how to use the object.
 The game depends on the child´s motivation while the
  exploration doesn´t depend on it.
 The game is optional while the exploration is obligatory.
The teacher must give a good exploration atmosphere.
THE STORY AS AN
EDUCATIONAL ACTIVITY

                               MADE BY:
                    Miriam López Gómez
             Patrycja Zofia Milanowska
                Ángela Muñoz Caminero
      Mª Ángeles de la Sierra Llamazares
THE STORY AS AN EDUCATIONAL
         ACTIVITY.

Stories and tales are the main key for
teaching the children. We can´t forget
that children must learn enjoying and
playing. In that way, the learning would
be more productive. It’s remarkable to
say that family bonds would be stronger if
parents use stories and tales to teach
their children.
• 1. Creativity development:
 Children´s imagination can be encouraged
 stories. They can imagine that they can be
 whatever they want: pirates, wizards,
 princes, queens…
 Teachers should know how to tell the stories
 so that the pupils could imagine landscapes,
 places and characters. The account must be
 slow and adapted to their age.
• 2. Language development:
  When pupils are hearing a story, they are
  learning characteristics about the language:
  they increase their vocabulary; they learn the
  structure of a text, and, the most important:
  they learn the communicative use of
  language.
• 3. Emotional development:
• Thanks to the stories and tales, the kids can
  feel affection for the person who is telling the
  story. Teachers or parents can bring them up
  a magic world plenty of charming that makes
  them feel special feelings and funny
  experiences.
• Furthermore, it´s a good way to know
  children´s characteristics. We can see in their
  faces and expressions if the story that is
  being told is funny or if some of them prefer
  other kind of literature genre.
• 4. Psychological development:
• Tales show situations in which children can see
  themselves reflected. Social values are taught
  through the characters.
• Children´s literature talks about human conduct
  such as lies, goodness, happiness, sadness, desire,
  fear, friendship, family...so it´s very important to
  choose tales adapted to their age and
  understanding in such a way that they can find
  what is the moral and the values that are showed.
• The “happy ending” is an essential feature: villains
  will be unlucky with a bad ending and kind
  characters will be happy and lucky instead.
• 5. Social development:
• All the children must enjoy in these activities
  in which they will share emotions, feelings
  and opinions by the hearing and reading of
  tales.
• Tales bring up the opportunity to live others
  lives and this will help them be unselfish
  people.
CRITERIA TO SELECT, USE AND TELL
            STORIES.
• 1. AESTHETIC: The story we chose must have
  quality and have to be literature.

• 2. THE CHILDREN’S AGE:
  Between 1 and 3 years: The tale must be a
  simple and short story. It has to talk about
  the daily life because they know it very well.
  Moreover, it has to contain songs, rhymes…
Between 3 and 5 years: the tales are simple
yet, and the characters used to be animals
that can think and speak like humans.

Between 5 and 7 years: the characters of the
story are children like the students, and they
live amazing adventures with fantastic
characters. The tale can be longer.
• 3. THE LENGTH: The story have to be 10 or 20
  minutes, and we have to achieve the children
  didn’t bore and paid attention.

• 4. THE LANGUAGE: It must be simple, clear and
  correct. We have to add more vocabulary and
  reinforce    the     grammatical     structures.
  Furthermore, we have to use gestures because
  in this way we express better the emotions.
• 5. STRUCTURES: The perfect structure is the
  presentation of the characters, the problem and
  the solution. The repetitions help the children to
  remember the story.

• 6. THE TOPIC: We have to make the story
  attractive for the children. We must increase
  their knowledge about the world and society.
  Moreover, we have to be ready and answer the
  children’s questions.
• 7. THE PICTURES: The pictures are very
  important when we tell a story. The children
  relate the story that we tell them with the
  pictures and understand it better.
CRITERIA FOR THE USE:
• When we are telling a story we could reading
  it without the help of the text.
• We can use our own words and get better
  attention of our pupils.
• When we read a story the language is more
  correct and has more vocabulary.
• To start with, we use a simple stories with
  many repetitions and rhymes.
NARRATIVE CRITERIA
• When we tell a story we should convey the
  feelings of the characters.
• Choose the stories we like and that are
  apropriate to the age of children.
• It´s good to know it by heart.
• We can display the characters.
• We should to achieve that the children are
  quiet and relaxed.
•   Speak slowly.
•   Give expression to the voice.
•   We can imitate sounds.
•   We can use the things that cause a surprise.
•   We need to invilve the children.
•   We should recieve comments from our
    students about what they have heard.
THE TIME TO TELL A STORY
• Should be calm and relaxed.
• We should read it after some exercises,
  activities.
• It´s a filler activity.
THE SPACE WHERE WE WILL
          DO IT:
• The space has to be defined.
• The class has to be spacious, and our
  students should be seated in front of the
  teacher.
ACTIVITIES WITH THE TALES

• When we had told the tale, we can do
  questions about it. It can be important to
  know if the children had understood the
  story. We must highlight the tale because it’s
  more important than the activities. The tale
  is the principal activity.
ACTIVITIES OF CRATION, RECREATION
AND INTERPRETATION OF THE LITERARY
                TEXT.
• The first activity consists of questions about
  different situations of the tale.
• Other activity is the children continue the
  story when we had told the tale.
• The children have to invent a story with
  elements that they known of others tales.
• Other activity is the realization of mask or
  puppetry to show the kids when we narrated
  the story.
• Change the ending of the story.
• To express the moods of the tale through
  voice and gesture.
• We can repeat more times the tales but we
  change the velocity.
• Other activity is the children represent the
  action of the tale.
• Memorization of story using objects or
  pictures.
OTHER ACTIVITIES TO DO WHEN WE
      HAD TOLD THE TALE
1. The children have to do some pictures about the
   different character of the tale and then we
   recreate the story using this pictures. Is important
   that the students know the tale correctly for do
   this secuences of pictures.
2. Other activity is the dramatization of the story.
   We can use costumes and masks for do it.
3. To tell the story with music or different
   instruments.
•   Activities outside the classroom, for
    example: in the forest, in the park, in a
    museum, in a zoo, etc.
•   The family is an important element in this
    activities because the grandparents can
    write poems or stories in a book, and other
    families can write in them too.
THE TALE
Definition of the tale:
•       The tale is a fictional and short story, it
    is simple and it has moral or recreational
    purposes. It is universal and it intended to
    help understanding the culture and the
    world.
Fairy folk tales: are stories
of past times of village life and
are unreal acts. The supernatural
elements are secondary. The most
important is the narration.
These tales are funny and encourage
the imagination of children.
•The marvellous tale:


The characters are witches, fairies, ogres, etc.
Explain topics about the nature, the evil or the
goodness.
    These tales are pieces of prose, we can´t
know the time or place where happened the
story.
    The principal character has to get to pass
obstacles to get a happy end. Children can learn
to solve problem.
The folk tale

• Folk tale: comes from oral tradition. Is
  destined to be heard rather than to be
  read. It has a structure for the beginning
  and another to the end.
• Propp proposed 31 functions for the tales.
  After the analysis of us Spanish stories, we can
  highlight nine:
o   Problem or initial lack
o   Call
o   Trip
o   Generosity
o   Doración of a magical object
o   Combat
o   Testing
o   Journey back
o   Recognition of the hero, etc.

Sometimes the stories haven´t all the functions
Characteristics of the folktale:
•   There aren´t descriptions and figures are easy to distinguish.
•   The vocabulary is simple
•   ´The formulas are redundant, rigid and repetitions
•   The characters haven´t inner world
•   Characters react to external stimulus
•   Time never pass for the characters
•   There isn´t narrator
Relation tale and other
  types of narrative
1. Myth and story.
• Definition of myth:
A myth is a traditional sacred story, typically
revolving around the activities of gods and
heroes, which purports to explain a natural
phenomenon or cultural practice.
• Characteristics:
-    The myth happens in the past.
-    The myth can affect humans. It is
transmitted orally.
-     The myth has a religious significance.
• Similarities and differences:
- The myth and the tale sharing different
  things, for example, their characters are
  similar.
- Difference: the myth tells unique stories
  that can´t happen in other places or to
  other people and the tale can happen
  anywhere or anyone.
2. Tale and epic.
• Definition of epic:
Epic talks about the actions of a hero, who is
historic and imaginary.
• Characteristics:
-    The epic talks about imaginary events.
-    The narrative is objective.
-    The epic shows different values.
-    Also it teaches different ways of life.
Differences:

• The epic and the tale differ because the tale
  shows an optimistic point of view and the
  epic shows a pessimistic point of view.
3. The legend
• Definition:
The legend is a traditional and historical
tale popularly regarded as true but usually
it containing a mixture of fact and fiction.

• Characteristics:
-    The legend can be a realistic,
wonderful or religious story.
-    The legend is between myth and
story.
• Similarities and differences:

Sometimes is difficult to differentiate
between the story and the legend. The big
difference is that the facts narrated in
tales are fictitious and the facts narrated in
legends are real.
4. The fable
• The fable is a tale about an animal.
• The fables are short stories written in
  prose or verse and narrated in a very
  simple form.
• The most important thing in the fable is
  the moral that gives moral teaching.
• The fable doesn´t need a narrator to
  explain the conclusion because the
  lesson is narrated in a clear and simple
  form.
• Characters: the fables involved
  personified animals, inanimate objects
  and human and divine characters.
• The purpose of the fable is to compare
  the teaching of the fable and the reality
  that surrounds us.
Origing of the tale
• The folktale is anonymous, although it may
  be an initial author.

• The author disappears when the tale is
  accepted by the community and it becomes
  the heritage of everybody.

• The tale is adaptive, modern and
  eliminates those elements that become
  meaningless changes.
• Tales can be merged with other tales to
  create a new tale.




• Each tale has the personality and style of
  the person who tells the tale.
Studies, classification and authors
         of the popular tales


• We emphasize the classification made by
  Antti Aarne and Stith Thompson. We know
  this classification as Aarne-Thompson.

• This classification is based on the
  repetition of the principal topics of popular
  tales.
Aarne-Thompson´s classification:

       - Animal tales
       - Wonderful tales
       - Religious tales
       - Humorous tales
       - Fairy tales
       - Realistic tales
       - Custom tales
Pelegrín´s classification
 Pelegrin makes a classification to each
 age:
          - Formula tales ( 2-5 years)
          - Animal tales (4-7 years)
          - Wonderful tales (5-7 years)
Gianni Rodari´s classification
     - Animal tales
     - Magic tales
     - Anecdotal tales
Principal authors:

    Finally we make a list of authors and of
 their tales:

- Charles Perrault: Mother Goose

- Brothers Grimm: Hansel and Gretel

- Hans Christian Andersen: The Princess
  and the Pea
- Edith Nesbit: Stories of dragons and
  treasure hunters

- James Barrie: Peter Pan.

- Beatrix Potter: The Tale of Peter
  Rabbit

- Lewis Carroll: Alice in Wonderland
• Miriam Calcerrada Castellanos
• Isabel Fuentes Ortega
• Violeta Gálvez Higuera
THE TALE AS AN
EDUCATIONAL ACTIVITY
INDEX
1. Educational value of the tales:
a) Creativity development.
b) Language development.
c) Emotional development.
d) Physcological development.
e) Social development.

2. Criteria to select, use and tell oral and written tales.
a) Criteria for tales selection.
b) Criteria for tales use.
c) Criteria to tell tales.

3. Activity from the tales.
1. Educational value of the tales
• The tale has an emotional and educational value because it reinforces the
  relationship between parents and children.

• Tales also introduce children to a world of fantasy and imagination and
  help them to solve their personal conflicts.

• Tales are very old because they have been transmitted from parents to
  children.

• The tale is the main character of classrooms.
a) Creativity development
• Thanks to the expressiveness of the different
  characters, scenes and situations, tales help children
  to develop their imagination and creativity. Too, they
  help them to decide what would like to be or to do.
b) Language development
• Tales help children to learn the language, to order
  meaningful sentences, to improve their vocabulary,
  especially affecting the communicative function of
  language.

• In addition, stories allow a first contact with
  literature and encourage them to have interest in
  written texts.
c) Emotional development
• Thanks to tales, we can meet children.
• The story is a simple and effective way to establish
  close relationships between teller and listener. They
  are an extraordinary means to meet children.
• There are many different types of tales, each child
  prefers a different tale like adventurous stories, fairy
  tales, animals stories, fantasy stories…
d) Psycological development
• Moreover with the tales, children learn different values such
  as respect, obedience, sincerity, friendship ...
• Children help to solve small conflicts and to identify their
  feelings.
• Children are able to identify with the characters and thus they
  can feel safe, so the end of the stories should be happy.
• Stories also stimulate children's memory and facilitate the
  development of children's minds because the story is an
  ordered structure of events in time.
e) Social development
• The child at this age is egocentric, therefore we should not
  lose the occasion to be interested in other children and in
  their behavior...
• They extend their world views and build spaces that allow
  them to acquire new knowledge.
• Literature is a great way that allows us to share feelings, to
  learn aspects about other worlds, cultures, so it is very
  important to read tales from different places.
• The environment ,where they read and enjoy these tales,
  should be calm and relaxed to favour good learning.
2. Criteria for selection, use and tell
          oral and written tales.
a) Criteria for tales selection
In order to select a tale, we have to consider the following
criteria:
- Aesthetic criteria.
- The age of children.
- Length.
- Language.
- Structure.
- Topics.
- Pictures.
Aesthetic criteria:
Tales must be quality.



The age of the children:
From 1 to 3 years old
- Tales have to be short and simple. The stories focus on daily life and in them
there are rhymes, repetitions, poems…
-Books have to be hard material and with rounded corners,too.


From 3 to 5 years old
Children usually tend to give life to the characters. They are interested in
animal topics and they prefer simple short stories, with few characters.
In this stage the language develops.
From 5 to 7 years old
- Children like animals and fantasy tales and they are interested in the
wonderful world.
- In addiction, puzzles, the humor and wordplay attract them. These tales
  are longer.


Length:
-   Tales have to last between ten and twenty minutes, that is to say, they
    have to be short and they have to be adapted to avoid distractions.


Language:
-   Language must be simple, clear and correct in order to favour their
    vocabulary and grammar.
-   We have to use different types of story as classic as modern stories.
-   When we are telling a story to the children we must be pretty expressive
    in language and gestures.
Structure:
-    The structure must be linear:
o    Presentation of characters.
o    Conflict.
o    Resolution.
-    The action should resolve around a main character. There should not be a
     large number of characters.


Topic:
-    It is very important that children are integrated into tale topics and
     characters have to be attractive.

- Thanks to stories children are able to reflect on social issues such as family,
injustice, violence, culture and so on.
Pictures:
-   Pictures have an important role. Thanks to the relation between the text
    and the pictures, children can know the adult words through matches the
    pictures with the texts.

-   Albums are very large books where the reading is done through two
    different ways: Through picture and text.
-   Picture should have bright colours and attract the attention and interest of
    children.
b) Criteria for tales use.
                      use.
- In accordance with the teaching objectives, tales can be used to
read, to tell, to manipulate, to represent…

It is better that mothers, teachers etc. tell the story than read it.

At first, we have to use simple stories, and they should be always
in a place accessible to them, such as the classroom library.
c) Criteria for telling tales
When teachers have to tell children a tale, they should take into
account the following criteria:

- Choosing tales that they like children and they have to be
appropriate with children age.
- Establishing a relaxed atmosphere in class.
- Using a soft voice and gestures.
- Asking the children about the tale that have been reading.
- Allowing children to manipulate stories.
- The space, where we will tell the story, should be suitable to
the number of children, it should have good conditions and be
dimly lit.
3. Activity from the tales
- From tale we can do many activities with children. First,
  teacher should dialogue with the children, asking questions
  related to the story to find out whether children have
  understood the plot.

- We have to tell the story with pictures, puppets, masks... in
  order to express different feelings.

- Repeating the story by varying the speed.

- Narrating the story while children are representing the
  action.
- Some activities that we can do are: illustrating the
  tale, namely that children draw a picture of what
  they have understood.

- Role play where children act out the story.

- We can tell musical stories playing musical
  instruments.

- And finally, we can do activities outside the classroom
and activities with families.
o To conclude, tales are a great and funny way
               to teach children.
By:
By:
• Teresa María Caba López.

• Laura Fdez-Pacheco Fdez-Medina.

• María García Berezo.

Weitere ähnliche Inhalte

Was ist angesagt?

What? Why? How? Graphic Novels
What? Why? How? Graphic NovelsWhat? Why? How? Graphic Novels
What? Why? How? Graphic NovelsDamian Hanley
 
Genre study folk tales
Genre study folk talesGenre study folk tales
Genre study folk talespvenglishteach
 
Contemporary literature features
Contemporary literature featuresContemporary literature features
Contemporary literature featurestotaaalupiii
 
Overview of Early American Literature (English 244)
Overview of Early American Literature (English 244)Overview of Early American Literature (English 244)
Overview of Early American Literature (English 244)Ariadne Rooney
 
Intro to-literary-criticism
Intro to-literary-criticismIntro to-literary-criticism
Intro to-literary-criticismChamiePapersty
 
introduction to children’s literature
introduction to children’s literatureintroduction to children’s literature
introduction to children’s literaturejustted
 
Traditional literature powerpoint
Traditional literature powerpointTraditional literature powerpoint
Traditional literature powerpointMichelle Boquist
 
Contemporary literature
Contemporary literatureContemporary literature
Contemporary literatureUCLM
 
History of Children's Literature
History of Children's LiteratureHistory of Children's Literature
History of Children's LiteratureSheila Lavapie
 
Introduction to graphic novels
Introduction to graphic novelsIntroduction to graphic novels
Introduction to graphic novelsVicky Maloy
 
Literature
LiteratureLiterature
Literatureglenda75
 
Introduction to English literature
Introduction to English literature Introduction to English literature
Introduction to English literature Dzaki Jabbar Mahdi
 
Intro to children's literature
Intro to children's literatureIntro to children's literature
Intro to children's literatureCiel Educttu
 

Was ist angesagt? (20)

What? Why? How? Graphic Novels
What? Why? How? Graphic NovelsWhat? Why? How? Graphic Novels
What? Why? How? Graphic Novels
 
Genre study folk tales
Genre study folk talesGenre study folk tales
Genre study folk tales
 
Prose
ProseProse
Prose
 
Contemporary literature features
Contemporary literature featuresContemporary literature features
Contemporary literature features
 
Overview of Early American Literature (English 244)
Overview of Early American Literature (English 244)Overview of Early American Literature (English 244)
Overview of Early American Literature (English 244)
 
Intro to-literary-criticism
Intro to-literary-criticismIntro to-literary-criticism
Intro to-literary-criticism
 
introduction to children’s literature
introduction to children’s literatureintroduction to children’s literature
introduction to children’s literature
 
How to analyze fiction
How to analyze fictionHow to analyze fiction
How to analyze fiction
 
Traditional literature powerpoint
Traditional literature powerpointTraditional literature powerpoint
Traditional literature powerpoint
 
Contemporary literature
Contemporary literatureContemporary literature
Contemporary literature
 
History of Children's Literature
History of Children's LiteratureHistory of Children's Literature
History of Children's Literature
 
Issues in Children's Literature
Issues in Children's LiteratureIssues in Children's Literature
Issues in Children's Literature
 
Introduction to graphic novels
Introduction to graphic novelsIntroduction to graphic novels
Introduction to graphic novels
 
The Restoration And The 18th Century
The Restoration And The 18th CenturyThe Restoration And The 18th Century
The Restoration And The 18th Century
 
Functions of literature
Functions of literatureFunctions of literature
Functions of literature
 
Literature
LiteratureLiterature
Literature
 
Introduction to English literature
Introduction to English literature Introduction to English literature
Introduction to English literature
 
Intro to children's literature
Intro to children's literatureIntro to children's literature
Intro to children's literature
 
Four wheels in the wain of english novel
Four wheels in the wain of english novelFour wheels in the wain of english novel
Four wheels in the wain of english novel
 
LITERARY GENRES
LITERARY GENRESLITERARY GENRES
LITERARY GENRES
 

Andere mochten auch

Types of stories for children
Types of stories for childrenTypes of stories for children
Types of stories for childrenSeltAcademy
 
Task 9 theory
Task 9 theoryTask 9 theory
Task 9 theorytaygage
 
Digibury - Emily Guille-Marrett: The iTot generation - tech, reading and unde...
Digibury - Emily Guille-Marrett: The iTot generation - tech, reading and unde...Digibury - Emily Guille-Marrett: The iTot generation - tech, reading and unde...
Digibury - Emily Guille-Marrett: The iTot generation - tech, reading and unde...Lizzie Hodgson
 
Optimization in refrigeration systems
Optimization in refrigeration systemsOptimization in refrigeration systems
Optimization in refrigeration systemsP.L. Dhar
 
An Analysis Of A Collection Of Fairy Tales
An Analysis Of A Collection Of Fairy TalesAn Analysis Of A Collection Of Fairy Tales
An Analysis Of A Collection Of Fairy TalesMatteo Starri
 
presentation on solid manipulation in computer aided design
presentation on solid manipulation in computer aided designpresentation on solid manipulation in computer aided design
presentation on solid manipulation in computer aided designRakshit vadi
 
ThinkNation: "Women quotas in tech" Naomi Trickey, Brandwatch
ThinkNation: "Women quotas in tech" Naomi Trickey, BrandwatchThinkNation: "Women quotas in tech" Naomi Trickey, Brandwatch
ThinkNation: "Women quotas in tech" Naomi Trickey, BrandwatchLizzie Hodgson
 
PRESENTATION ON DUCT DESIGN
PRESENTATION ON DUCT DESIGNPRESENTATION ON DUCT DESIGN
PRESENTATION ON DUCT DESIGNRakshit vadi
 
Techniques for teaching children
Techniques for teaching childrenTechniques for teaching children
Techniques for teaching childrenMudassar Lone
 
How to handle weak students
How to handle weak studentsHow to handle weak students
How to handle weak studentsRajeev Ranjan
 
Remedial teaching strategies
Remedial teaching strategiesRemedial teaching strategies
Remedial teaching strategiesahmedabbas1121
 
Indian festivalsl
Indian  festivalslIndian  festivalsl
Indian festivalslAmzad Ali
 
The Ant and The Grasshopper - scanned pages from the book
The Ant and The Grasshopper - scanned pages from the bookThe Ant and The Grasshopper - scanned pages from the book
The Ant and The Grasshopper - scanned pages from the bookteacher xin
 
10 short stories for kids ages 4 to 8
10 short stories for kids ages 4 to 810 short stories for kids ages 4 to 8
10 short stories for kids ages 4 to 8Reading Kingdom
 
Moral Stories For The Young
Moral Stories For The YoungMoral Stories For The Young
Moral Stories For The YoungOH TEIK BIN
 
The Crocodile and The Monkey Story with Pictures
The Crocodile and The Monkey Story with PicturesThe Crocodile and The Monkey Story with Pictures
The Crocodile and The Monkey Story with PicturesDinesh Hx
 

Andere mochten auch (20)

Types of stories for children
Types of stories for childrenTypes of stories for children
Types of stories for children
 
Task 9 theory
Task 9 theoryTask 9 theory
Task 9 theory
 
Digibury - Emily Guille-Marrett: The iTot generation - tech, reading and unde...
Digibury - Emily Guille-Marrett: The iTot generation - tech, reading and unde...Digibury - Emily Guille-Marrett: The iTot generation - tech, reading and unde...
Digibury - Emily Guille-Marrett: The iTot generation - tech, reading and unde...
 
Optimization in refrigeration systems
Optimization in refrigeration systemsOptimization in refrigeration systems
Optimization in refrigeration systems
 
An Analysis Of A Collection Of Fairy Tales
An Analysis Of A Collection Of Fairy TalesAn Analysis Of A Collection Of Fairy Tales
An Analysis Of A Collection Of Fairy Tales
 
presentation on solid manipulation in computer aided design
presentation on solid manipulation in computer aided designpresentation on solid manipulation in computer aided design
presentation on solid manipulation in computer aided design
 
ThinkNation: "Women quotas in tech" Naomi Trickey, Brandwatch
ThinkNation: "Women quotas in tech" Naomi Trickey, BrandwatchThinkNation: "Women quotas in tech" Naomi Trickey, Brandwatch
ThinkNation: "Women quotas in tech" Naomi Trickey, Brandwatch
 
PRESENTATION ON DUCT DESIGN
PRESENTATION ON DUCT DESIGNPRESENTATION ON DUCT DESIGN
PRESENTATION ON DUCT DESIGN
 
Techniques for teaching children
Techniques for teaching childrenTechniques for teaching children
Techniques for teaching children
 
Duct design
Duct designDuct design
Duct design
 
How to handle weak students
How to handle weak studentsHow to handle weak students
How to handle weak students
 
Remedial teaching strategies
Remedial teaching strategiesRemedial teaching strategies
Remedial teaching strategies
 
Teaching young learners
Teaching young learnersTeaching young learners
Teaching young learners
 
Indian festivalsl
Indian  festivalslIndian  festivalsl
Indian festivalsl
 
Moral values
Moral valuesMoral values
Moral values
 
Parenting ppt
Parenting pptParenting ppt
Parenting ppt
 
The Ant and The Grasshopper - scanned pages from the book
The Ant and The Grasshopper - scanned pages from the bookThe Ant and The Grasshopper - scanned pages from the book
The Ant and The Grasshopper - scanned pages from the book
 
10 short stories for kids ages 4 to 8
10 short stories for kids ages 4 to 810 short stories for kids ages 4 to 8
10 short stories for kids ages 4 to 8
 
Moral Stories For The Young
Moral Stories For The YoungMoral Stories For The Young
Moral Stories For The Young
 
The Crocodile and The Monkey Story with Pictures
The Crocodile and The Monkey Story with PicturesThe Crocodile and The Monkey Story with Pictures
The Crocodile and The Monkey Story with Pictures
 

Ähnlich wie Children's Literature Guide

The place of literature in child's life
The place of literature in child's lifeThe place of literature in child's life
The place of literature in child's lifeyllaine purino
 
Types of Tales (Traditional Tales)
Types of Tales (Traditional Tales)Types of Tales (Traditional Tales)
Types of Tales (Traditional Tales)Francel Gatchalian
 
What is children literature.pptx
What is children literature.pptxWhat is children literature.pptx
What is children literature.pptxMarieLou13
 
Traditional Literature
Traditional LiteratureTraditional Literature
Traditional LiteratureBelgodere
 
Traditional Literature
Traditional LiteratureTraditional Literature
Traditional LiteratureBelgodere
 
U2L2 - Categories of Children and Adolescents' Literature.pdf
U2L2 - Categories of Children and Adolescents' Literature.pdfU2L2 - Categories of Children and Adolescents' Literature.pdf
U2L2 - Categories of Children and Adolescents' Literature.pdfJerryGlennCastillo1
 
COMPLETE: DEVELOPEMENT OF POETRY FOR CHILDREN AND THEIR POEM-MAKERS
COMPLETE:  DEVELOPEMENT OF POETRY FOR CHILDREN AND THEIR POEM-MAKERSCOMPLETE:  DEVELOPEMENT OF POETRY FOR CHILDREN AND THEIR POEM-MAKERS
COMPLETE: DEVELOPEMENT OF POETRY FOR CHILDREN AND THEIR POEM-MAKERSJehnMarieSimon1
 
Folklore SLIDESHARE.pdf
Folklore SLIDESHARE.pdfFolklore SLIDESHARE.pdf
Folklore SLIDESHARE.pdfKaylee Maloy
 
Module-0-Intro-to-Lit-9.4.23.pptx
Module-0-Intro-to-Lit-9.4.23.pptxModule-0-Intro-to-Lit-9.4.23.pptx
Module-0-Intro-to-Lit-9.4.23.pptxShelsyFrancisco
 
Fables folktales and fairytales
Fables folktales and fairytalesFables folktales and fairytales
Fables folktales and fairytalesNelly Zafeiriades
 
The Precolonial Period.pptx
The Precolonial Period.pptxThe Precolonial Period.pptx
The Precolonial Period.pptxAyesaCarcido1
 
Traditional Literature
Traditional LiteratureTraditional Literature
Traditional Literaturecbrownell
 

Ähnlich wie Children's Literature Guide (20)

The place of literature in child's life
The place of literature in child's lifeThe place of literature in child's life
The place of literature in child's life
 
Poetry
PoetryPoetry
Poetry
 
Types of Tales (Traditional Tales)
Types of Tales (Traditional Tales)Types of Tales (Traditional Tales)
Types of Tales (Traditional Tales)
 
DIVERSE Method introduction- Fairy Tales
DIVERSE Method introduction- Fairy TalesDIVERSE Method introduction- Fairy Tales
DIVERSE Method introduction- Fairy Tales
 
What is children literature.pptx
What is children literature.pptxWhat is children literature.pptx
What is children literature.pptx
 
Traditional Literature
Traditional LiteratureTraditional Literature
Traditional Literature
 
Reading literary works
Reading literary worksReading literary works
Reading literary works
 
Traditional Literature
Traditional LiteratureTraditional Literature
Traditional Literature
 
Literature.pptx
Literature.pptxLiterature.pptx
Literature.pptx
 
U2L2 - Categories of Children and Adolescents' Literature.pdf
U2L2 - Categories of Children and Adolescents' Literature.pdfU2L2 - Categories of Children and Adolescents' Literature.pdf
U2L2 - Categories of Children and Adolescents' Literature.pdf
 
COMPLETE: DEVELOPEMENT OF POETRY FOR CHILDREN AND THEIR POEM-MAKERS
COMPLETE:  DEVELOPEMENT OF POETRY FOR CHILDREN AND THEIR POEM-MAKERSCOMPLETE:  DEVELOPEMENT OF POETRY FOR CHILDREN AND THEIR POEM-MAKERS
COMPLETE: DEVELOPEMENT OF POETRY FOR CHILDREN AND THEIR POEM-MAKERS
 
Folklore SLIDESHARE.pdf
Folklore SLIDESHARE.pdfFolklore SLIDESHARE.pdf
Folklore SLIDESHARE.pdf
 
Fairy Tales For Kids
Fairy Tales For KidsFairy Tales For Kids
Fairy Tales For Kids
 
Narrative Text
Narrative TextNarrative Text
Narrative Text
 
Teaching literature
Teaching literatureTeaching literature
Teaching literature
 
Module-0-Intro-to-Lit-9.4.23.pptx
Module-0-Intro-to-Lit-9.4.23.pptxModule-0-Intro-to-Lit-9.4.23.pptx
Module-0-Intro-to-Lit-9.4.23.pptx
 
Stoytelling
StoytellingStoytelling
Stoytelling
 
Fables folktales and fairytales
Fables folktales and fairytalesFables folktales and fairytales
Fables folktales and fairytales
 
The Precolonial Period.pptx
The Precolonial Period.pptxThe Precolonial Period.pptx
The Precolonial Period.pptx
 
Traditional Literature
Traditional LiteratureTraditional Literature
Traditional Literature
 

Mehr von Fernando Castro

V Congreso Internacional de Competencias Básicas
V Congreso Internacional de Competencias BásicasV Congreso Internacional de Competencias Básicas
V Congreso Internacional de Competencias BásicasFernando Castro
 
IX Congreso Estatal de EEOOII - BCN 15
IX Congreso Estatal de EEOOII - BCN 15IX Congreso Estatal de EEOOII - BCN 15
IX Congreso Estatal de EEOOII - BCN 15Fernando Castro
 
Evaluación por pares en entornos virtuales
Evaluación por pares en entornos virtualesEvaluación por pares en entornos virtuales
Evaluación por pares en entornos virtualesFernando Castro
 
L’Anglais et le Français, une liaison dangereuse?
L’Anglais et le Français, une liaison dangereuse?L’Anglais et le Français, une liaison dangereuse?
L’Anglais et le Français, une liaison dangereuse?Fernando Castro
 
Documento Federación APEOs Junio 13
Documento Federación APEOs Junio 13Documento Federación APEOs Junio 13
Documento Federación APEOs Junio 13Fernando Castro
 
Propuesta de real decreto de la federación de asociaciones de eeooii
Propuesta de real decreto de la federación de asociaciones de eeooiiPropuesta de real decreto de la federación de asociaciones de eeooii
Propuesta de real decreto de la federación de asociaciones de eeooiiFernando Castro
 
Propuestasponenciascongreso31102012
Propuestasponenciascongreso31102012Propuestasponenciascongreso31102012
Propuestasponenciascongreso31102012Fernando Castro
 

Mehr von Fernando Castro (20)

V Congreso Internacional de Competencias Básicas
V Congreso Internacional de Competencias BásicasV Congreso Internacional de Competencias Básicas
V Congreso Internacional de Competencias Básicas
 
IX Congreso Estatal de EEOOII - BCN 15
IX Congreso Estatal de EEOOII - BCN 15IX Congreso Estatal de EEOOII - BCN 15
IX Congreso Estatal de EEOOII - BCN 15
 
Cartel Foro
Cartel ForoCartel Foro
Cartel Foro
 
Evaluación por pares en entornos virtuales
Evaluación por pares en entornos virtualesEvaluación por pares en entornos virtuales
Evaluación por pares en entornos virtuales
 
L’Anglais et le Français, une liaison dangereuse?
L’Anglais et le Français, une liaison dangereuse?L’Anglais et le Français, une liaison dangereuse?
L’Anglais et le Français, une liaison dangereuse?
 
Comparativa actualizada
Comparativa actualizadaComparativa actualizada
Comparativa actualizada
 
Documento Federación APEOs Junio 13
Documento Federación APEOs Junio 13Documento Federación APEOs Junio 13
Documento Federación APEOs Junio 13
 
Asambleaabril2013
Asambleaabril2013Asambleaabril2013
Asambleaabril2013
 
Asambleaseptiembre2012
Asambleaseptiembre2012Asambleaseptiembre2012
Asambleaseptiembre2012
 
R speech ppt
R speech pptR speech ppt
R speech ppt
 
Comparativas
ComparativasComparativas
Comparativas
 
Propuesta de real decreto de la federación de asociaciones de eeooii
Propuesta de real decreto de la federación de asociaciones de eeooiiPropuesta de real decreto de la federación de asociaciones de eeooii
Propuesta de real decreto de la federación de asociaciones de eeooii
 
Infographic_English
Infographic_EnglishInfographic_English
Infographic_English
 
Cartel videos
Cartel videosCartel videos
Cartel videos
 
Propuestasponenciascongreso31102012
Propuestasponenciascongreso31102012Propuestasponenciascongreso31102012
Propuestasponenciascongreso31102012
 
Negociaciónproyecto rd
Negociaciónproyecto rdNegociaciónproyecto rd
Negociaciónproyecto rd
 
Escrito firmas
Escrito firmasEscrito firmas
Escrito firmas
 
Carta Andalucía
Carta AndalucíaCarta Andalucía
Carta Andalucía
 
Nb ingles hablar
Nb ingles hablarNb ingles hablar
Nb ingles hablar
 
Nb ingles conversar
Nb ingles conversarNb ingles conversar
Nb ingles conversar
 

Kürzlich hochgeladen

ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPTECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPTiammrhaywood
 
Procuring digital preservation CAN be quick and painless with our new dynamic...
Procuring digital preservation CAN be quick and painless with our new dynamic...Procuring digital preservation CAN be quick and painless with our new dynamic...
Procuring digital preservation CAN be quick and painless with our new dynamic...Jisc
 
Field Attribute Index Feature in Odoo 17
Field Attribute Index Feature in Odoo 17Field Attribute Index Feature in Odoo 17
Field Attribute Index Feature in Odoo 17Celine George
 
Difference Between Search & Browse Methods in Odoo 17
Difference Between Search & Browse Methods in Odoo 17Difference Between Search & Browse Methods in Odoo 17
Difference Between Search & Browse Methods in Odoo 17Celine George
 
4.18.24 Movement Legacies, Reflection, and Review.pptx
4.18.24 Movement Legacies, Reflection, and Review.pptx4.18.24 Movement Legacies, Reflection, and Review.pptx
4.18.24 Movement Legacies, Reflection, and Review.pptxmary850239
 
Computed Fields and api Depends in the Odoo 17
Computed Fields and api Depends in the Odoo 17Computed Fields and api Depends in the Odoo 17
Computed Fields and api Depends in the Odoo 17Celine George
 
MULTIDISCIPLINRY NATURE OF THE ENVIRONMENTAL STUDIES.pptx
MULTIDISCIPLINRY NATURE OF THE ENVIRONMENTAL STUDIES.pptxMULTIDISCIPLINRY NATURE OF THE ENVIRONMENTAL STUDIES.pptx
MULTIDISCIPLINRY NATURE OF THE ENVIRONMENTAL STUDIES.pptxAnupkumar Sharma
 
Incoming and Outgoing Shipments in 3 STEPS Using Odoo 17
Incoming and Outgoing Shipments in 3 STEPS Using Odoo 17Incoming and Outgoing Shipments in 3 STEPS Using Odoo 17
Incoming and Outgoing Shipments in 3 STEPS Using Odoo 17Celine George
 
ECONOMIC CONTEXT - PAPER 1 Q3: NEWSPAPERS.pptx
ECONOMIC CONTEXT - PAPER 1 Q3: NEWSPAPERS.pptxECONOMIC CONTEXT - PAPER 1 Q3: NEWSPAPERS.pptx
ECONOMIC CONTEXT - PAPER 1 Q3: NEWSPAPERS.pptxiammrhaywood
 
Earth Day Presentation wow hello nice great
Earth Day Presentation wow hello nice greatEarth Day Presentation wow hello nice great
Earth Day Presentation wow hello nice greatYousafMalik24
 
ANG SEKTOR NG agrikultura.pptx QUARTER 4
ANG SEKTOR NG agrikultura.pptx QUARTER 4ANG SEKTOR NG agrikultura.pptx QUARTER 4
ANG SEKTOR NG agrikultura.pptx QUARTER 4MiaBumagat1
 
Choosing the Right CBSE School A Comprehensive Guide for Parents
Choosing the Right CBSE School A Comprehensive Guide for ParentsChoosing the Right CBSE School A Comprehensive Guide for Parents
Choosing the Right CBSE School A Comprehensive Guide for Parentsnavabharathschool99
 
ACC 2024 Chronicles. Cardiology. Exam.pdf
ACC 2024 Chronicles. Cardiology. Exam.pdfACC 2024 Chronicles. Cardiology. Exam.pdf
ACC 2024 Chronicles. Cardiology. Exam.pdfSpandanaRallapalli
 
ENGLISH6-Q4-W3.pptxqurter our high choom
ENGLISH6-Q4-W3.pptxqurter our high choomENGLISH6-Q4-W3.pptxqurter our high choom
ENGLISH6-Q4-W3.pptxqurter our high choomnelietumpap1
 
Gas measurement O2,Co2,& ph) 04/2024.pptx
Gas measurement O2,Co2,& ph) 04/2024.pptxGas measurement O2,Co2,& ph) 04/2024.pptx
Gas measurement O2,Co2,& ph) 04/2024.pptxDr.Ibrahim Hassaan
 
Full Stack Web Development Course for Beginners
Full Stack Web Development Course  for BeginnersFull Stack Web Development Course  for Beginners
Full Stack Web Development Course for BeginnersSabitha Banu
 
HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...
HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...
HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...Nguyen Thanh Tu Collection
 

Kürzlich hochgeladen (20)

ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPTECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
 
TataKelola dan KamSiber Kecerdasan Buatan v022.pdf
TataKelola dan KamSiber Kecerdasan Buatan v022.pdfTataKelola dan KamSiber Kecerdasan Buatan v022.pdf
TataKelola dan KamSiber Kecerdasan Buatan v022.pdf
 
Procuring digital preservation CAN be quick and painless with our new dynamic...
Procuring digital preservation CAN be quick and painless with our new dynamic...Procuring digital preservation CAN be quick and painless with our new dynamic...
Procuring digital preservation CAN be quick and painless with our new dynamic...
 
Field Attribute Index Feature in Odoo 17
Field Attribute Index Feature in Odoo 17Field Attribute Index Feature in Odoo 17
Field Attribute Index Feature in Odoo 17
 
Difference Between Search & Browse Methods in Odoo 17
Difference Between Search & Browse Methods in Odoo 17Difference Between Search & Browse Methods in Odoo 17
Difference Between Search & Browse Methods in Odoo 17
 
OS-operating systems- ch04 (Threads) ...
OS-operating systems- ch04 (Threads) ...OS-operating systems- ch04 (Threads) ...
OS-operating systems- ch04 (Threads) ...
 
4.18.24 Movement Legacies, Reflection, and Review.pptx
4.18.24 Movement Legacies, Reflection, and Review.pptx4.18.24 Movement Legacies, Reflection, and Review.pptx
4.18.24 Movement Legacies, Reflection, and Review.pptx
 
Computed Fields and api Depends in the Odoo 17
Computed Fields and api Depends in the Odoo 17Computed Fields and api Depends in the Odoo 17
Computed Fields and api Depends in the Odoo 17
 
MULTIDISCIPLINRY NATURE OF THE ENVIRONMENTAL STUDIES.pptx
MULTIDISCIPLINRY NATURE OF THE ENVIRONMENTAL STUDIES.pptxMULTIDISCIPLINRY NATURE OF THE ENVIRONMENTAL STUDIES.pptx
MULTIDISCIPLINRY NATURE OF THE ENVIRONMENTAL STUDIES.pptx
 
Incoming and Outgoing Shipments in 3 STEPS Using Odoo 17
Incoming and Outgoing Shipments in 3 STEPS Using Odoo 17Incoming and Outgoing Shipments in 3 STEPS Using Odoo 17
Incoming and Outgoing Shipments in 3 STEPS Using Odoo 17
 
ECONOMIC CONTEXT - PAPER 1 Q3: NEWSPAPERS.pptx
ECONOMIC CONTEXT - PAPER 1 Q3: NEWSPAPERS.pptxECONOMIC CONTEXT - PAPER 1 Q3: NEWSPAPERS.pptx
ECONOMIC CONTEXT - PAPER 1 Q3: NEWSPAPERS.pptx
 
Earth Day Presentation wow hello nice great
Earth Day Presentation wow hello nice greatEarth Day Presentation wow hello nice great
Earth Day Presentation wow hello nice great
 
ANG SEKTOR NG agrikultura.pptx QUARTER 4
ANG SEKTOR NG agrikultura.pptx QUARTER 4ANG SEKTOR NG agrikultura.pptx QUARTER 4
ANG SEKTOR NG agrikultura.pptx QUARTER 4
 
Choosing the Right CBSE School A Comprehensive Guide for Parents
Choosing the Right CBSE School A Comprehensive Guide for ParentsChoosing the Right CBSE School A Comprehensive Guide for Parents
Choosing the Right CBSE School A Comprehensive Guide for Parents
 
FINALS_OF_LEFT_ON_C'N_EL_DORADO_2024.pptx
FINALS_OF_LEFT_ON_C'N_EL_DORADO_2024.pptxFINALS_OF_LEFT_ON_C'N_EL_DORADO_2024.pptx
FINALS_OF_LEFT_ON_C'N_EL_DORADO_2024.pptx
 
ACC 2024 Chronicles. Cardiology. Exam.pdf
ACC 2024 Chronicles. Cardiology. Exam.pdfACC 2024 Chronicles. Cardiology. Exam.pdf
ACC 2024 Chronicles. Cardiology. Exam.pdf
 
ENGLISH6-Q4-W3.pptxqurter our high choom
ENGLISH6-Q4-W3.pptxqurter our high choomENGLISH6-Q4-W3.pptxqurter our high choom
ENGLISH6-Q4-W3.pptxqurter our high choom
 
Gas measurement O2,Co2,& ph) 04/2024.pptx
Gas measurement O2,Co2,& ph) 04/2024.pptxGas measurement O2,Co2,& ph) 04/2024.pptx
Gas measurement O2,Co2,& ph) 04/2024.pptx
 
Full Stack Web Development Course for Beginners
Full Stack Web Development Course  for BeginnersFull Stack Web Development Course  for Beginners
Full Stack Web Development Course for Beginners
 
HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...
HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...
HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...
 

Children's Literature Guide

  • 2. DEFINITION Children’s literature includes all the artistic and creative production that uses the word and it is aimed at children. (Juan Cervera, 1992)
  • 3. CHARACTERISTICS Children’s literature must be entertaining and also it must give pleasure. Children’s literature must be comprehensive. Literature is a form to acquire experience. It put in order the experience and the chronological sequences. Literature shows the fragmentation of the life, like: family, love, values, friendship… Literature also shows social institutions, for example: family, school, the Church…
  • 4. FUNCTIONS Through literature child knows popular pictures, symbols and myths that help him/her to understand the environment and human relationship. Literature allows create a lot of fantastic worlds. Literature creation also allows incorporate human knowledge, popular knowledge and brings it to children. Children’s literature helps child to resolve his/her problems. The story provides values like: Goodness, evil, courage and innocence. Through literature child can learn to read and value different tales.
  • 5. CLASSIFICATION Traditional Literature This group includes all the production that wasn’t created to children, it was a literature for adults but later it was destined to children. For example the adaptation of “One thousand and one nights”.
  • 6. CLASSIFICATION  Literature created to children: This is the literature that was created for children. It includes: novels, poems, tales and plays. Examples: Alice in Wonderland, Harry Potter…
  • 7. CLASSIFICATION  Instrumented literature This group includes books that are created for Infant Education and Primary Education. In these stories there is a main character who visits some familiar places for children like the beach, the zoo, the market, the circus… For example: Teo, Caillou…
  • 8. GENRES POETRY: Oral texts with cultural tradition. It is in the children’s life since their birth. It is transmitted orally by several generations. Normally, these texts tell daily moments, plays, free time moments…
  • 9. Oral texts includes: http://www.youtube.com/watch?v=_7P2I804nw8 • Lullabies • First songs • Strings • Tongue twisters • Riddles • Nonsense • Songs.
  • 10.  Poetry with oral tradition and by the author. Poetry is a form to play with the language. Infant Education teachers have to use rhymes and poems as a fun activity for children.
  • 11. The main characteristics of infant poetry are: • The strophic form • Dialogued poems • Undefined series • Enumeration, Parallelism and Onomatopoeia Poems are divided in: • Narrative poems: They tell facts. • Descriptive poems: They describe places, people, landscapes, animals, objects… • Plastic poems: After the reading of one of them children draw a picture.
  • 12. NARRATIVE: THE TALE. The tale is a short story of imaginary facts. The tale has a moral or ludic purpose, which stimulates the imagination of children. It is classified in: • Formula Stories • Animal Stories • Realistic Stories and Fantastic Stories • Marvelous Stories
  • 13. THEATRE  The difference between theatre and other genres is that theatre adds some resources like corporal expression, plastic expression and rhythm expression.
  • 14. OTHER GENRES Realism Social Realism literature focuses in a possible real situation. The main character has a problem. This problem is caused by the society or another person. So the story is based in how the main character resolves his/her problem. Example: Heidi.
  • 15. Realism • Animal Realism literature focuses in the life of an animal. These tales tell some things about their appearance, place where they live, and their life cycle. Example: The lion king. • Historic Realism literature focuses in the past. It describes some things about the past like: clothes, vehicles, work... Stories about Vikings and Romans, for example: Asterix and Obelix.
  • 16. OTHER GENRES Fantastic Literature: For example: The tales of • The author creates other Hans Christian Andersen. world, so his/her intention is that the reader believes that this world would be real. The characters of these tales are usually dragons, trolls, fairies, princesses, goblins…
  • 17. OTHER GENRES Traditional • For example: Cinderella. Literature: These tales have many characteristics, some of them are good and others are bad. The author makes clear descriptions, and the characters are usually fairy ,godmothers, stepmothers
  • 18. OTHER GENRES Picture books: • These tales focuse in show to children some pictures so they understand the tale with these pictures. For example: The illustrations of “The adventures of Pinocchio”.
  • 19. OTHER GENRES Classics: For example: Tom These tales are stories Sawyer by Mark that are told from one Twain. generation to another. They could belong to any genre.
  • 20. Work realized by: María Iniesta Simón Lorena Ortega García-Muñoz María Sánchez-Hermosilla Morales. Paula Serrano Oviedo
  • 21. Carmen Fdez Marchante Javier De Esteban Glez.
  • 22. Literature is all the creative and artistic things that you can create using words and there are created for children. ( Juan cervera)  Includes poetry, narrative, theatre, riddles, jingles, short stories…  Educator must delve into education´s magnitude.
  • 23. It should provide pleasure, entertainment and escape  Be comprehensive  Adquires experience  To divide the life´s stages, like friendship, family, love, values…  It can be showed in socials institutions ( family, school, churches..)  It shows how the nature acts over each one of us
  • 24. Allow culture´s evolution through simbols  Allow create his own unreal world  Children know images, myths, simbols that help them to interpret the environment  Allow add human and popular knowledge  Through stories, children can overcome difficulties situations in their lives  The stories transmit values knowledges like kindness, courage, innocence  Stories prevents the child goes astray  Make an analysis about the evolution of social issues  Children learns to read and appreciate literary works.
  • 25. Acquired literature  This readings goes from generation to generation, like songs, traditional stories and romances. Example. 1001 nights  Literature created for children  Made for children. Stories, novels, poems…Example. Gloria Fuertes, J.K Rowling Harry Potter  Instrumental literature  Relates all the differents situations that a character passes. Example Teo  Books with images, toybooks surprises books..  Quality and language are the most importants attribute
  • 26. Poetry :  Oral texts from cultural tradition ; Lullabies, first songs, riddles…children songs too  Oral tradition poetry. -Oral texts from cultural tradition -Present from the beginning Characteristics. -Pass from generation to generation -Interpret and transmit -Present in real situations
  • 27. Lullabies These are the first songs the child listens to. They have binary relaxing effect and movement.  First songs. Songs with the purpose of knowing the child's body and developing his motor possibilities. They are rhymed and repeated. It highlights tickle and finger songs.  Jingles. They are written in verse to describe different daily situations as having lunch or going to bed. They quite funny  Tongue-twisters Little poems without too much sense but quite difficult to pronounce, which is very funny
  • 28. Riddles Oral games that stimulate mental exercise and language learning, creating a connection between the child and poetry. There's a huge number of topics, which supposes a challenge for the child.  Nonsenses Poems close to the jokes, whose best characteristic is bringing laughs to the child. It stimulates the development of the brain.  Songs Poems with melody (o tune) and rhythm, employed for playing. They are used as: -symmetric series with just one variant: repeating the same structure -symmetric series with correlative variant: the introduction of one variant leads the appearance of another one. -Symmetric series formed by increasing or decreasing enumeration. They are used to learn how to count. -Echoes. Repetition of one syllable in each verse. -Chorus: Probably the most important and clear element.
  • 29. b) Oral and author tradition’s poetry Poetry allows the child playing with language and words. Teachers must approach poetry to children so they can learn a lot.  Characteristics: - Verse form: Short verses composed of less than eight syllables in length, with musicality and easy to pronounce. Children enjoy creating their own rhyming couplet. - Dialogued poems: Texts to be dramatized. - Undefined sequences: Chained forms. - Enumeration of elements by juxtaposition as if making an inventory.  - Parallelism: Structures’ repetitions in order to call the attention. - Onomatopoeias.
  • 30. The importance of the content: Narrative, descriptive and plastic poems.  - Narrative poems: they tell what happens to the characters. The graphic complement is very important.  - Descriptive poems: Description of human beings, animals, landscapes… with pictures to motivate the children.  - Plastic poems: they fix the guidelines to do a drawing.
  • 31. The story is a short narrative of imaginary events with a simple argument. The purpose of the story can be moral or to entertain and stimulates the child´s imagination.  There are four groups of stories: - Formula stories - Animal stories - Realistic and fantasy stories - Fairy tales
  • 32. They are stories in which, rather than the content, is most important how to tell it and the effect on the child. They have many literary devices. There are three types:  Minimum stories: They are short narratives which appear rhyme. In a sentence appears a character and the action. And in another sentence appears the conclusion.  Never ending stories: They are jokes to develop the sense of humor. It's usually quite annoying.  Cumulative tales: In the cumulative tale the action and dialogue repeats but also accumulates. It is a memory exercise.
  • 33.  ANIMAL STORIES >REALISTIC AND  The protagonists of FANTASTIC STORIES these stories are  The characters are animals that act like developed quite people naturally in the  They are like fables and they are usually middle of the magic short stories ending and fantasy with a saying. They have a very simple structure.
  • 34. Is characterized by a breakdown of order, the intervention of fabulous characters and the appearance of magical items. In them appear supernatural characters like: fairies, genies, trolls and giants, witches, wizards... Their structure is : 1. An initial action that creates intrigue. 2. The hero´s actions. 3. The happy ending
  • 35. The theatre is characterized by the linguistic expression like the other genres but also add other resources, such a body expression, artistic expression and the expression rhythmic music
  • 36. Realistic literature assumes that the story told is possible, though not necessarily probable. Without magical intervention and the results are reasonable and possible. The story seems real. There are several types:  Social realism: The protagonist is affected by a type of problem whose origin is in society such as discrimination because of race, gender or social status.  Realism in stories with animals: stories about animals, speaking of details concerning their appearance, habitat and life cycles.  Historical realism: It is located in the past. Describe in detail aspects of the past, dresses, used vehicles, work, showing the features and events of that time and place.
  • 37. The author creates another world inviting readers to believe that this world could exist. This requires the author´s ability to imagine the universe so close that the reader wants it to be true. You get to make credible for pleasure.  A noted author of fantasy stories is H. C. Andersen.
  • 38. The term traditional or popular literature refers to a type of literature that has come to the reader or the listener the story by others, a traditional storyteller, which existed at some time orally before they were collected the written in form
  • 39. A picture book is a book in which the illustrations are as important as (or even more important than) the words in telling the story.  In picture books, there are illustrations on every page or on one of every pair of facing pages.  They are very important because children learn and enjoy while they are reading the book.
  • 40. The classics children´s literature are those books that pass from one generation to another. They can be of different genres: history, fiction, popular, fantasy…  They pass from one generation to another by the significance of the issue, the credibility of the characters, the reality of the conflict or style.
  • 41. THE STORY AS AN EDUCATIONAL ACTIVITY
  • 42. EDUCATIONAL VALUE OF STORIES • The story has a huge emotional and educational value, it serves to reinforce the bond between child and parents, to open a world of fantasy and imagination and to help resolve personal conflicts. • The story has a great educational value.
  • 43. CREATIVITY DEVELOPMENT • Tale give the child the opportunity to imagine what you would like to be, do and experiment. • Activities around the stories can be: dramatizations, illustrations, stories, music, etc.
  • 44. LANGUAGE DEVELOPMENT • Stories help to structure the language, sort and make sense of sentences, to increase vocabulary, and above all, affect the communicative function of language.
  • 45. EMOTIONAL DEVELOPMENT • The story is a simple and effective way to establish a relationship of affection and trust between storyteller and listener. • When adults remember the tales of our childhood we remember good times.
  • 46. PSICHOLOGYCAL DEVELOPMENT • The stories are a sample of human behavior: lies, kindness, fear, desire, sadness ... the child identifies with the characters and shows their fears, their needs and fantasies. • The happy ending is a very important element because it maintains the hope that the problems can be solved. Stories are able to stimulate the memory and the child's mind.
  • 47. SOCIAL DEVELOPMENT • Listening to a narrative with the other partners allows them to share emotions.
  • 48. CRITERIA FOR SELECTING, USING AND TELLING STORIES. • To select stories we must consider a number of criteria: a) Aesthetic criteria b) Age of children 1 to 3 years 3 to 5 years 5 to 7 years C) Extension
  • 49. • d) Language: simple • e) Structure • f) Topic • g) Illustrations
  • 50. CRITERIA FOR THE USE • How to use the stories in classroom can vary depending on the objectives: we can read it, count it, represent it... • The story can’t be considered a filler activity: we should give the importance what it deserves. • There are two types of stories: the tale told (spontaneous and free) and the read story (with a better language).
  • 51. CRITERIA FOR THE STORY Tell stories is transmit feelings, enjoy what you do and get the kids have fun. To achieve this, we must: - Choose stories that we like - Learn the story, practice it… - Display the characters - Establish a relaxed clime. - Use a soft voice - Use gestures - Getting kids involved - Receive comments from the children.
  • 52. The time to tell a story should be calm and relaxed. This requires 2 aspects: - Do it after a strong activity - Tell it when we have enough time for this.
  • 53. The space to tell a story has to have these conditions: - Be well defined. - Have an adequate size - Be well lit.
  • 54. ACTIVITIES FROM THE STORY • After reading the story we can offer many activities, but these activities should not be too complicated. • To verify that the story has been understood, there should be a dialogue with children through a series of questions.
  • 55. SOME ACTIVITIES OF CREATION, RECREATION AND INTERPRETATION OF LITERARY TEXTS Some examples of possible activities: • If this happen? • What happened next? • Children Tell a story with the collaboration of all. • To represent a little theatre.
  • 56. SOME ACTIVITIES RELATED TO OTHER MODELS OF EXPRESSION • Illustrate the story. The story is illustrated with cards, so that each is accompanied by referenced. • Dramatization. The story will be represented by children from freely using their body and language. • Musical tales. Use instruments to tell the tale. • Activities out of the class, for example to visit a museum, to visit a zoo, to visit a farm…
  • 57. THE END • CRISTINA CAMUÑAS ESTRADA • ALEJANDRO CLAROS BELLÓN • CARLOS ALAÑON MOYA.
  • 58. THE GAME FROM THE GAME FROM DIFFERENT POINTS OF VIEW DIFFERENT POINTS OF VIEW
  • 59. 1. PSYCHOLOGICAL STANDPOINT. EVOLUTION OF THE GAME AND AGE Piaget says that the game can be used to measure the process of maturation of the child and his mental and emotional development, based on the assumption that developmental stages are presented with a determined succession and order for all individuals. Psychological activities are different for different stages of development and activities of a higher stage make up the activities of previous stages. There are different types of games depending on age of children:
  • 60. a) THE GAME IN THE FIRST CYCLE OF CHILDHOOD EDUCATION (0-3 YEARS): The games of this cycle can be considered the first pre-games and pre-toys. Function: separating the child from his enviroment and give him the notion of self and the parts of his body. • In the early months the game is reduced to rocking, pacifier and rattle. • After appear the games to “show / hide” which introducing guidelines for action that will last a lifetime.
  • 61. • Then come the functional games and sensorimotor games, where the pleasure lies in the movement of body parts. The physical learning is inherent in the child's play, which develops self-confidence and self esteem through this control of the body. • Finally appears the game of projected his image in the mirror. All of them, lead to the discovery of self, the “I”.
  • 62. b) THE GAME IN THE SECOND STAGE OF CHILDHOOD EDUCATION (3-6 YEARS): Function: With these games is passed from the discovery of self to the discovery of another. • In these games the child assumes roles, imitate animals, adult or representing yourself in fictional situations.
  • 63. • At first, the games are usually single, but after 5 years are usually group activities. • The learning through play should be continuous and evolutionary, and covering intellectual, physical, emotional, social, aesthetic and moral facts. • Moreover, the game should allow the emergence of the ability to solve problems. In the learning (to be done through interaction with others) should include all types of games that lead to independence, creativity and discovery.
  • 64. 2. SOCIOLOGICAL STANDPOINT: The game is influenced by society and the environment in which it occurs. The game introduces the children to the ideology of society and learning the values ​of their culture through their rules, materials and toys. There should be a fun environment, physical and cultural, that the game appears. This environment can have large open spaces or not, these spaces can be organized or not, empty or full of toys, full of useful objects for the child or not; all influence the game.
  • 65.  During the first year of life is very important the environment because it is a part of the total socio-cultural space and therefore, for this specificity in cultures, the social environment will provide a unique character to the games, which vary according to the culture in which the child grows. • In some societies the games have transit functions from one age to another. In other cases, the game serves to relieve tension created by society, or by life. It also serves to transmit rules among equals • There are societies where children are surrounded of toys, artificial and far from their recreational needs that limit their capacity of creativity and imagination.
  • 66. Finally, the observation of games makes possible observe how girls and boys are separated into different groups at the time of play and that their activities are different.  The activities of the girls are generally more sedentary and intimate, with complex rules and games usually have a happy ending.  The activities of the boys have more movement, more tendency to be outdoors and taking up more space.
  • 67. 3. GAME AND PEDAGOGY: Although the game is one of the best means of expression for children, has not always been seen as a technique to use in school. The school is faced with a new dichotomy between play directed by teacher and free game, leaving the second as a "let do" that don't is universally accepted in the school . Today there are many parents who understand the educational value of game in the early years and the need to include it in children's activities.
  • 68.  School can find various problems - The game to respond to educational purposes and not a job. - The teacher must know what they can extract the game in their educational practice and how.
  • 69. - The educational use of the game must be present, not be imposed, it is spontaneous, it can not be forced, can have objectives, but not necessary always. - the game has a function educate themselves.  The game should complement the school happens in other places
  • 70. Motivation to explore and More fragmented Game experiment freely in the house, park ... Long and continuous periods. No free time activities less short. there are times for different types of activities. Activities of the child alone. Many sujects of the same age. Individual material. The material in building rapport with colleagues.
  • 71.
  • 72. 4.GAME AND MOTIVATION: ATTENTION  It is an important factor for learning  The teacher should know: - When performing an activity. - Provide, or facilitate search activities that keep the child's concentration.
  • 73. • The game provides a natural means of maintaining attention. • The child plays and loses track of time. • The game provides longer learning times.  The school divides time into shorter periods to avoid boredom appears.
  • 74.  The game, motivates the child to the exploration and experimentation.  The school must provide opportunities that the child can not in other place.
  • 75. 5. PLAY AND EXPLORATION.  The exploration is related to the acquisition of knowledge and information. • When a child approaches a new situation or material presents two types of conduct A new experience, if cheerful will attract attention and then exploration  Exploration is an essential prerequisite for the play experience.
  • 76.  First exploration can be visual. After a period of active exploration and manipulation.  The exploration depends on the material or object that is seen and manipulated that.  Sometimes after the exploration appears a kind of repetitive play.
  • 77.  Innovation prevents boredom and monotony.  The play conduct is optional, the exploration is obligatory.  The exploratory conduct directly promote learning, playful but they do indirectly.
  • 78.  Free play is important if one considers this aspect of material introduce or exploring situations that lead to the child, and then to play with the known.  It is important to act as the teacher.  The adult must be conscious of their ways.
  • 79. Elena Martín Ávila. Alicia Martín de Madrid Merchán.
  • 80. RHYMES AND CHANTS. USING THEM IN CLASS. Marta Irles Martín-Abad Marina Rodríguez Díaz Mª José Serrano Donate Ana Mª Tajuelo García-
  • 81. 1. Song, rhymes and chants • Children love songs, rhymes and chants and their repetitive nature and rhythm make them an ideal vehicle for language learning. • Carefully selected them can offer a rich source for our
  • 82. Why use songs, rhymes and chants? • There are four resource to use them in our class: 1. A linguistic resource. 2. A psychological/affective resource. 3. A cognitive resource. 4. A cultural resource.
  • 83. A LINGUISTIC RESOURCE • Allow introduce a new language with new structures and vocabulary to be learnt. • Present familiar language in new and imaginative context. • Develop all skills in an integrated way.
  • 84. A PSYCHOLOGICAL/AFFE CTIVE RESOURCE • Help develop positive attitudes towards the target language. • Non-threatening and the more inhibited child will feel secure when singing and chanting as a class. • Encourage a feeling of achievement and build confident
  • 85. A COGNITIVE RESOURCE • Develop concentration, memory and coordination • Repetition enables children to predict what comes next and to consolidate language items. • Accompanying actions or gestures help to reinforce
  • 86. A CULTURAL RESOURCE • The songs can contribute to the cultural components of a language programme. Children can compare their mother tongue with the target language through the
  • 87. A SOCIAL RESOURCE • Singing together is a good social experience and helps to develop a class and group identity • They can be used as the basis for a performance or show. • They offer a flexible resource to the teacher. • They can be used with a variety of
  • 88. 2. Pronunciation benefits of using songs, rhymes and chants • This includes: 1. Individual songs and sounds in connected speech. 2. Stress and rhythm. 3. Intonation. 4. Ear training
  • 89. INDIVIDUAL SOUNDS AND SOUNDS IN CONNECTED SPEECH • Songs and rhymes are useful for showing what happens to sounds in connected speech. For example: - That certain sounds run on together: “You are not it” - And complicated consonant
  • 90. STRESS AND RHYTHM: • Using songs and rhymes, children can clap according to the rhythm or say rhymes. So, they can develop a sense of rhythm in English. • The words that are weakly
  • 91. INTONATIO TRAINING: N: • You can ask the pupils to • Intonation can listen and also be count how practiced in rhymes. many times an individual sound or word occurs
  • 92. 3.Types of songs, rhymes and chants • There are many different kinds of songs, rhymes and chants which contain different features and are used for different purposes. -Suggest that rhymes can be divided in two categories: 1. those which are essential to the regulation of games and children's relationships.
  • 93. 4. When and how to use songs, rhymes and chants • When they are used: -As warmers -As a transition from one activity to the next -Closers -To introduce new language -To practice language -To revise language -To change the mood -To get everyone's attention -To channel high levels of energy -To integrate story telling,topic-work or cross- curricular work
  • 94.
  • 95.
  • 96. DEFINITION The tale is a brief and simple narrative. It focuses in the action, time and space. The tale is universal and it has the function of help to the children to understand the own culture and to understand the world. To the children, the tales don`t only fun them also encourage them the imagination increasing positive feelings and psychological development. The tales transmit knowledge, ways of thinking about different villages.
  • 97. FEATURES The tale presents these features: 1. it`s invented doesn`t is a real story. 2. it`s clear, with a linear structure 3. concentration of the plot 4. short time
  • 98. FOLK TALE Also it be called traditional tale because they come from the oral tradition, therefore this tipe of tales preserved (more than other genres) the features of the oral narration. So folk tales have to be heard, more than to be read. About the structure, this tales present simple narrative forms: opening and closing. Propp proposes 31 functions for that tales, but in Spain we can found only 9: - Initial problem. - The king decide something (about the problem). - Hero's trip. - Hero does something. - Magic objetc. - Fight. - Tests. - Hero's return. - Hero's recognition.
  • 99. FOLK TALE ORIGIN It is anonymous. Initial author could be exist, but he desappears because the tale belongs to the community. Due to its oral nature, the tale changes (it adapts to time and space in which is narrated). Each tale has its own personality, and also the storytelling personality. So there is two versions about the origin of this tales: - Monogenetic: common origin. - Poligenetic: multiple origin. Both of them are difficult to demostrate, but it is clear the diffusion in space: we can found many different versions of the same tale. Sociologically, the tale is a reflection of some values, sensibilities and knowledge of a culture.
  • 100. FOLK TALE Some features like a simple form: - Mobility of the language, of the characters, of the situations and of the framework (time and space). It's opposite to the fixed. - Generic. It's opposite to the peculiarity. - It can be repeated in our own words.
  • 101. FEATURES OF FOLK TALE No descriptions: the tale's world is plane. Objects are not described, only mentioned. Nicknames are simple, for example: the prince is brave. Repetitions: it's very important, because with repetitions is easier to remember. Characters haven’t inner world. There is no environment. There is no time. There is only external stimulus. The oral tradition is focus in the action, more than in the description. There is no narrator. The story is temporally and spatially indeterminate. The characters can go to the end of the world, to the bottom of the sea and so on. A trip is not narrated, only appear fantastic stages that give meaning to the story. The supernatural is accepted.
  • 102. OTHER TYPES OF TALES MYTH is a story in a old world with a heroic and religious meaning. In this type, appear natural phenomena and supernatural forces. The things that happen in myths are unique and these can`t happen in other place.
  • 103. EPIC presents actions and events about a imaginary hero. Through her, community is aware of their problems. It has a tragic and pessimistic tone.
  • 104. LEGEND Legend is a story which happens in a specific place, realistic, wonderful or religious. It tells a historical event. When a legend is told, we understand the historical reality and heroes in this place.
  • 105. FABULA Fabula is a story about humanized animals. These are shorts stories in prose or verse. The goal is to teach through problems that the protagonist has to solve in the story.
  • 106. CLASSIFICATION AARNE-THOMPSON: depend on the repetition of themes I: Animal tales II: fairy tales III: Funny Tales IV: Formula tales V: other tales
  • 107. Other classification, divides tales in 3 groups: I: Typical Tales: Fairy tales Realistic tales religious tales and tales about II: Animal tales III: Costums Tales
  • 108. PELEGRIN: depend on the age of children I: Formula tales (2-5 years) II: Animal tales (4-7 years) III: Fairy Tales (5-7 years)
  • 109. GIANNI RODARI I: Animal tales: wild and domestic animal, and relationship between people and animal, and people with animals. II: Magic tales: supernatural forces and magic objects. III: Funny Tales to silly, to clever and formula tales.
  • 110. AUTHORS 1.CHARLES PERRAULT: “Sleeping beauti”, “Red Riding Hood”, “Puss in boots”, “Cinderella”… 2. JAMES BARRIE: “Peter Pan” 2. BROTHERS GRIMM: “Hansel and Gretel”, “The Musicians of Bremen”…
  • 111. 3. HANS CHRISTIAN ANDERSEN: “The Ugly duck”, “The Brave Tin Soldier”, “The little Mermaid”… 4. BEATRIX POTTER: “The Tale of Peter Rabbit” 5. LEWIS CARROL: “Alice in Wonderland”
  • 112. THE END LAURA RODRÍGUEZ ALCAIDE ADRIÁN SABALETE SUÁREZ THANK YOU! IRENE SÁNCHEZ BARCHINO
  • 113.
  • 114. 1. Introduction 2. Educational aspects of game 3. Video 4. Danger of game. Game leads to conflict. 1. 2. Excess of didactism in games. 5. Personal opinion
  • 115.  Many years ago, games have been the most important activity to amuse children, but they have educational purpose too. For this, it is one of the tools more used in Childhood Education.  For example, in Old Roma, schools were called "ludus“, that it means recreational.
  • 116.  The methodology of Childhood Education is active and based on the experiences and game. Sometimes, it`s called ‘’recreational methodology’’.  Game is considered like spontaneous activity of children, its an specific activity and it should be stimulated by the teacher.  Although the school work is based , over all, in serious, systematic and intentional activities, the game should be spontaneous and free.
  • 117.  Nowadays, school work and game are related. There is quite a lot of controversy between school work and game in schools.  Many pedagogues think that it’s necessary to use games and toys like a material-work in class, due to learning and game are closely related.
  • 118.  There are different theories that show the formal value of game because it produces a better development and it’s very important for learning.  For example:  Groos came to the conclusion that recreational activity was a warm-up for serious life.  Claparéde and Stratcham throught game, children carry out enough exercises for muscular and psychic development.
  • 119. http://www.youtube.com/watch?v=w4yHvkZMJrI
  • 120. Also, there are studies about danger of games which are done and explained wrong. Among analysis more meaningful, we can emphasize: Game leads to conflict  Recreational activity, which is very necessary for children’s personality development, can be the origin of problems. Among the problems more common are which take place due to an excess tension.
  • 121.  Game can be harmful when it isn’t suitable for children, for example games of fear, when we use some materials, when they must imitate adult activities and competitive games.  Children aren`t aware of the gravity of some actions and they can transfer that danger to dangerous and not recommend actions.  Nowadays, children have many entertainments and knowledge but some aren’t suitable for children because they are based on imitation and are typical of adults.
  • 122.  These games can be not advisable to use it with children, especially with children in the Childhood Education.  It is very important that children know the multitude of games that are in their interests due to it exist a variety of alternative, creative and stimulating games. This may be a function of the family and school.
  • 123.  Children can be loser because of the use of didactics games constantly.  These games should be effective and organized to achieve good outcomes. It’s necessary to avoid routines and also, it’s better to reduce the number of didactics games when children are older.
  • 124.  Learning and game aren’t always together, but also learning can appear alone like a serious activity which the teacher ought to motivate.  The teacher wants to get that pupils work very good in a comfortable environment.  Ending, in the childhood education, it doesn’t well such a didactics games. It would be better to alternate the recreational activity with the didactic activity.
  • 125.  In our opinion, games are an excellent strategy to work with children and, for this reason, we think that all educational activity should be based in game with children.  Nowadays, we have a lot of options for children learn playing. For example, computer's games, the Internet, traditional games...  Add, we think that the violent games shouldn't be encouraged. Many times, these games are learned by TV, videogames…
  • 126.  Eva Díaz del Campo García Carpintero.  Elena García-Fogeda Romero.  Rocío Guerrero Ciudad.
  • 127.
  • 128.  Definition of the Tale  The Folktale  Folktale Features  Relation to the Folktale with other kind of narration  Origin of the Tale  Classification and Authors
  • 129.
  • 130. The story is fictional short narration and character developments simple, made for moral purpose. But there are different interpretations of the story one of that the Grim brothers collectors than they understood the story as remnants of a culture.  The story is universal and It has the function of helping people understand their culture. The messages it conveys the story is aimed at all audiences. For children are a source of satisfaction because it enriches the world of understanding, his inner life…
  • 131. The stories always have a main character who is usually travelling, which meets obstacles to be overcome and the end is usually always happy.  The story has these characteristics: 1. Duration not excesive. 2. Concentration of the plot. 3. Linear structure. 4. It is an invention.
  • 132.
  • 133. Falktales come from oral tradition. These stories are to be listened.  Propp offers 31 functions for stories. But the spanish stories are 9. These functions are: 1. Initial problem. 2. Call 3. Round trip. 4. Displays of generosity. 5. Donation of a magical. 6. Combat 7. Testing. 8. Journey back 9. Recongnition of the hero
  • 134.
  • 135. a) No description: Things aren’t described, because only they are mentioned. The nouns are very simple. b) Repetitions: The folktale shows many repetitions. c) The characters haven’t “internal world”: They react to external stimuli, such as: advices, problems, duties… d) There isn’t narrator. e) There isn’t time or space. In the folktale, the characters use magic things and that’s why they can do what they want. Fantasy is accepted without any difficulty.
  • 136.
  • 137. The myth is a story that happens in an earlier time and it adds a religious meaning.  The myth can help to the social order.
  • 138. - SIMILARITIES: The characters are similar. - DIFFERENCES: Form of transmission. The topic of the myth is fairly simple and the topic can’t happen to other people, however in the folktale what is happening is very normal and regular.
  • 139. The epic talks about the actions of a hero, who is historic and imaginary. There are some differences with the folktale, for example: the epic has a tragic ending and however, the folktale is optimistic and looks for a happy ending.
  • 140. Legend is a story that counts as something happened in a particular place. It can be realistic, wonderful or religious. The Legend tells of a historical event generally, so this has more historical truth that for example a tale. But this doesn’t mean that reflect the full historical truth because many details which are narrated in the legend are fictitious. Over time, the curiosity of man heighten the interest in the historical fact that is based on the legend. Finally say about this, that the legend can refer to the natural world or supernatural .
  • 141. The fable is animal tale with moral and educational purpose. Its extension is generally little, with a brief history, in prose or verse that clearly pointing to a moral teaching. The fable is an allegorical fiction, in which, the animals are fully humanized. In spite of showing a fantastic animal world scene, the extracted lesson applies to real world. The lesson that emerge from the fabule is commonly known like the moral and it usually placed at the end of story. Each fable reflects a different teaching , depending on the actions that to do the protagonist. The pupils could find other solutions using their creativity.
  • 142.
  • 143. The folktale is anonymous. The tale is adapted, modernized and are eliminated elements that lose meaning. Each tale has its own personality and the narrator’s style. The folktale’s origin can be summarized in two versions: Monogenetic Polygenetic (common origin and (multiple origins after diffusion) depending times, places, thoughts..). Sociologically, the tale is analyzed as a reflection of collective values, forms of sensibility and knowledge of a culture.
  • 144.
  • 145. Animal Tales  Wonderful Tales  Joke Tales  Formula Tales  Tales without clasification
  • 146. Tales: › Wonderful Tales › Realistic Tales › Religious Tales  Animal Tales  Custom Tales
  • 147. Formula Tales (2-5 years)  Animal Tales (4-7 years)  Wonderful Tales (5-7 years)
  • 148. Animals Tales  Magic Tales  Anecdote and Joke Tales
  • 149.  Charles Perrault (Little Red Riding Hood, Cinderella…)  Grimm Brothers (Hansel and Gretel, Blue beard…)  James Barrie (Peter Pan)  Beatrix Potter (The Tale of Peter Rabbit)  Lewis Carrol (Alice in Wonderland).
  • 150.  Marta Cedenilla Romero  Mª Ángeles Córdoba García-Consuegro  Patricia Reíllo Bosquet  Beatriz Villa López Didáctica de la Lengua Inglesa en Educación Infantil.
  • 151.
  • 152. DEFINITION The tale is a brief and simple narrative. It focuses in the action, time and space. The tale is universal and it has the function of help to the children to understand the own culture and to understand the world. To the children, the tales don`t only fun them also encourage them the imagination increasing positive feelings and psychological development. The tales transmit knowledge, ways of thinking about different villages.
  • 153. FEATURES The tale presents these features: 1. it`s invented doesn`t is a real story. 2. it`s clear, with a linear structure 3. concentration of the plot 4. short time
  • 154. FOLK TALE Also it be called traditional tale because they come from the oral tradition, therefore this type of tales preserved (more than other genres) the features of the oral narration. So folk tales have to be heard, more than to be read. About the structure, this tales present simple narrative forms: opening and closing. Propp proposes 31 functions for that tales, but in Spain we can found only 9: - Initial problem. - The king decide something (about the problem). - Hero's trip. - Hero does something. - Magic objetc. - Fight. - Tests. - Hero's return. - Hero's recognition.
  • 155. FOLK TALE ORIGIN It is anonymous. Initial author could be exist, but he desappears because the tale belongs to the community. Due to its oral nature, the tale changes (it adapts to time and space in which is narrated). Each tale has its own personality, and also the storytelling personality. So there is two versions about the origin of this tales: - Monogenetic: common origin. - Poligenetic: multiple origin. Both of them are difficult to demostrate, but it is clear the diffusion in space: we can found many different versions of the same tale. Sociologically, the tale is a reflection of some values, sensibilities and knowledge of a culture.
  • 156. FOLK TALE Some features like a simple form: - Mobility of the language, of the characters, of the situations and of the framework (time and space). It's opposite to the fixed. - Generic. It's opposite to the peculiarity. - It can be repeated in our own words.
  • 157. FEATURES OF FOLK TALE No descriptions: the tale's world is plane. Objects are not described, only mentioned. Nicknames are simple, for example: the prince is brave. Repetitions: it's very important, because with repetitions is easier to remember. Characters haven’t inner world. There is no environment. There is no time. There is only external stimulus. The oral tradition is focus in the action, more than in the description. There is no narrator. The story is temporally and spatially indeterminate. The characters can go to the end of the world, to the bottom of the sea and so on. A trip is not narrated, only appear fantastic stages that give meaning to the story. The supernatural is accepted.
  • 158. OTHER TYPES OF TALES MYTH is a story in a old world with a heroic and religious meaning. In this type, appear natural phenomena and supernatural forces. The things that happen in myths are unique and these can`t happen in other place.
  • 159. EPIC presents actions and events about a imaginary hero. Through her, community is aware of their problems. It has a tragic and pessimistic tone.
  • 160. LEGEND Legend is a story which happens in a specific place, realistic, wonderful or religious. It tells a historical event. When a legend is told, we understand the historical reality and heroes in this place.
  • 161. FABULA Fabula is a story about humanized animals. These are shorts stories in prose or verse. The goal is to teach through problems that the protagonist has to solve in the story.
  • 162. CLASSIFICATION AARNE-THOMPSON: depend on the repetition of topics I: Animal tales II: fairy tales III: Funny Tales IV: Formula tales V: other tales
  • 163. Other classification, divides tales in 3 groups: I: Typical Tales: Fairy tales Realistic tales religious tales tales about stupid ogre II: Animal tales III: Costums Tales
  • 164. PELEGRIN: depend on the age of children I: Formula tales (2-5 years) II: Animal tales (4-7 years) III: Fairy Tales (5-7 years)
  • 165. GIANNI RODARI I: Animal tales: wild and domestic animal, and relationship between people and animal, and wild and domestic animals. II: Magic tales: supernatural forces and magic objects. III: Funny Tales to silly, to clever and formula tales.
  • 166. AUTHORS 1.CHARLES PERRAULT: “Sleeping beauti”, “Red Riding Hood”, “Puss in boots”, “Cinderella”… 2. JAMES BARRIE: “Peter Pan” 2. BROTHERS GRIMM: “Hansel and Gretel”, “The Musicians of Bremen”…
  • 167. 3. HANS CHRISTIAN ANDERSEN: “The Ugly duck”, “The Brave Tin Soldier”, “The little Mermaid”… 4. BEATRIX POTTER: “The Tale of Peter Rabbit” 5. LEWIS CARROL: “Alice in Wonderland”
  • 168. THE END LAURA RODRÍGUEZ ALCAIDE ADRIÁN SABALETE SUÁREZ THANK YOU! IRENE SÁNCHEZ BARCHINO
  • 169. Songs, rhymes, chants, games and storybooks
  • 170. 1. SONGS, RHYMES AND CHANTS Resources Benefits Types 2. GAMES How and when use its? Why use game? Purposes of games Types Factors How to play game? 3. STORYBOOKS Why use storybooks? Types Criteria for selecting Reading or telling?
  • 171. SONGS, RHYMES AND CHANTS
  • 172. DIFFERENTS RESOURCES LINGUISTIC •Allow new language to be introduced and structures and vocabulary. •Provide natural repetition •Develop all skill in an integrated •Improve all aspect of pronunciation AFECTIVE •The songs, rhymes and chants give confidence to the children. •Are very motivating. •The children can teaching your family or friends. •The children see the language as fun
  • 173. DIFFERENTS RESOURCES COGNITIVE •Develop concentration, memory and coordination. •The repetition enables consolidate language items. •We can use for different works with the students CULTURAL •The children can compare with the songs, rhymes and chants of your language SOCIAL •Allow the communication and interaction. •Allow develop all competences. •And we can use with different age groups of students.
  • 174. BENEFITS OF USING SONGS, RHYMES AND CHANTS  Useful for practicing Pronunciation.  Useful for showing what happens to sounds in connected speech  Help to develop a sense of rhythm and intonation in English  Also is very important develop ear training
  • 175. TYPES OF SONGS, RHYMES AND CHANTS (Opie and Opie) 1. Those which are essential to the regulation of games ad children´s relation ships. For example: dipping and skipping rhymes 2. Those that are mere expressions of exuberance. For example: jingles, slongans, nonsense verse…
  • 176. WHEN AND HOW USE SONGS, RHYMES AND CHANTS?  To introduce new language  As transition from one activity to the next  To change the mood  To get everyone´s attention.
  • 177. EXAMPLE The Rainbow Colors Song http://www.youtube.com/watch ?v=tRNy2i75tCc
  • 178. GAMES
  • 179. WHY USE GAME?  Changing the pace of lesson and increasing motivation  Encouraging participation, shy learners can be motivated to speak  Provide hidden practice of specific language patterns, vocabulary and pronunciation  Improving attention span, concentration, memory, listening skills and reading skills.
  • 180. PURPOSE OF GAME a) Encourage memorization of chunks of language b) Useful pronunciation practice c) Language may be practiced together with a wider educational or conceptual goal d) Language in a game encourage more creative use of language
  • 181. TYPES OF GAME ACCURACY-FOCUSED GAMES o Focus on comprehension and production o It provides useful pronunciation, vocabulary and grammar practice o They are also good at training pupil´s memories
  • 182. TYPES OF GAME FLUENCY-FOCUSED GAMES o We moves from language control to communication o These games focus on developing fluency and collaboration with others (students and teacher) o Collaboration is achieved by trying to create a context where the putpils’ focus on getting a task done together. o Teacher should pre-teach language by modeling key vocabulary or sentence patterns and providing rehearsal before pupils play games if not, pupil use their L1 and produce little English
  • 183. TYPES OF GAME COMPETITIVE AND COOPERATIVE GAMES o Can be organized in teams groups, pairs or individuals. o The first always have a winner. o In the cooperative game the pupils have to work together for reach an objective.
  • 184. WHEN THE TEACHER CHOOSE A GAME NEEDS TO CONSIDER FACTORS  Have simple language, easy to explain, set up and play  Everyone in the class should be participated it and It should be fun  Instructions can be given in L1  Give students a second chance in order to make the game last longer  Games should be integrated with other language work  Teachers may sometimes use games for ‘fillers’ and ‘light relief’, but integrated practice is more educationally sound
  • 185. HOW TO PLAY GAMES?  Giving instructions and organizing the class  The instructions must be short, clear and simple  Consider the level of the students  Decide how you will apply the game pair or group work, etc  Use board, pictures, flashcards or other material to demonstrate procedures The teacher´s role Observer Monitoring pupils’ language Giving prompts and explanation where necessary Note-taking (some mistakes and errors)
  • 188. WHY USE STORYBOOKS? o It has always been educationally valuable, especially teaching English. o Create an acquisition rich environment and ideal learning conditions which provide comprehensible input or language a little beyond the child’s current level of competence o Stories provide the starting point for a wide variety of related language and learning activities
  • 189. TYPES OF STORYBOOKS READERS AUTHENTIC STORYBOOKS Storybooks that are used in The language is not selected young learners ELT classroom or graded were adapted and simplified versions of popular fairy tales Offer a rich source of ,fables,nursery rhymes or vocabulary specificially written stories. They are motivating beause These books are produced to of the sense of achievement supplement the syllabus of a about worked with a ‘real’ particular course book They are intended to be used The quality of illustration is by the pupil working alone to a high standart ,appealing to develop reading skills the young learner
  • 190. CRITERIA FOR SELECTING STORYBOOKS  The language used in the text  The length of the story  Varied and fun  The amount of repetition  The use of illustrations and layout  Pupils’ conceptual level  Ability to concentrate  After selecting a story you realize that it doesn’t appeal to your pupils, it is advisable to adapt your plan of work or even abandon the story altogether.  A methodology for story-based work is plan-do- review.
  • 191. READING OR TELLING STORIES?  Most of us aren’t natural storytellers but we can all become good storytellers through practice and rehearsal.  Try to know the story well enough so that you aren’t reading words directly from the page  Look at the pupils frequently  It is suggested that, read the stories aloud as possible rather than use a recorded version, especially the first time they hear a story.
  • 192. EXAMPLE This example would be perfect if it had only ilustrations
  • 193. ROCÍO PIQUERAS PARRILLA EVA RABADÁN RUEDAS ISABEL RAMÍREZ CHICO THANKS YOU!
  • 194. Blanco Mellado, Sara Cota García, Elena. Del Olmo Reillo, Natalia. Duque Chamero, Marta
  • 195. Introduction  1. Points of view  1.1 Psychological point of view  1.2. Sociological point of view  1.3 Pedagogical point of view.  2. Game and motivation: attention.  3. The game and exploration.
  • 196. 1.1 The psychological point of view.  The psychological activities are different in each stage of development. The age in each stage can be different according to the culture, socioeconomic context and each one.  The two cycles of Infant Education:  First cycle of Infant education: 1º Pre-games 2º Show and Hide games. 3. Functional games that favors the self-confidence and the self-steem.
  • 197.  Second cycle of Infant Education; In this cycle the game gives the children the opportunity to achieve the next aspects:  The child discovers the other (people).  The child creates his/her own identity.  The child identifies with others.  The child follows the rules.  The child recognizes the leadership.  The child knows that he belongs to a group.
  • 198. 1.2. The sociological point of view.  The game is influenced by the society, the place, and the values of this society.  The adult can guide the game of her/his children or let them free play and the adult must encourage the free and spontaneous play.
  • 199.  The game has the next functions:  Social transmission.  Passage from one age to another.  Release tension.  Integration of the child.  Transmitting guidelines to each other.  Girls and boys play different games.  Girls = calm games  Boys = fight games.
  • 200. 1.3 The pedagogical point of view.  Some years ago, the school divided the serious work and the game. Nowaday, teachers and parents know the importance of the game. We have to realize that the game:  Gives us information about the child.  Lets us know affective and intellectual problems.  Reinforces the acquired knowledge.  Favors the community between children.  Helps us to create some intervention strategies.
  • 201.  The game can have different problems. For this reason, the teacher must know the kind of game and how to adapt this game to the practice.  The game has to be spontaneous and they can have some educative objectives. If the game is planned with finality this game isn’t a game anymore.
  • 202.  The game that is carried out in the school isn´t the same that the game which is carried out in family context.  School and family context must work together for advantaging the child development.  Now, new technology is advantaging the learning of children.
  • 203. 2. Game and motivation: attention.  The teacher has to know how long children keep the attention when they do an activity.  In this age is important to keep and control the attention.  The attention favors the intellectual and social achievements. The attention is improved when children are older.
  • 204. 3. The game and exploration. At the beginning, the exploration has to be visual and then the child has to take part in the exploration. And finally appears a new behavior pattern. The differences between the exploration and game are:  The exploration must discover features of the objects while the game must discover how to use the object.  The game depends on the child´s motivation while the exploration doesn´t depend on it.  The game is optional while the exploration is obligatory.
  • 205. The teacher must give a good exploration atmosphere.
  • 206.
  • 207. THE STORY AS AN EDUCATIONAL ACTIVITY MADE BY: Miriam López Gómez Patrycja Zofia Milanowska Ángela Muñoz Caminero Mª Ángeles de la Sierra Llamazares
  • 208. THE STORY AS AN EDUCATIONAL ACTIVITY. Stories and tales are the main key for teaching the children. We can´t forget that children must learn enjoying and playing. In that way, the learning would be more productive. It’s remarkable to say that family bonds would be stronger if parents use stories and tales to teach their children.
  • 209. • 1. Creativity development: Children´s imagination can be encouraged stories. They can imagine that they can be whatever they want: pirates, wizards, princes, queens… Teachers should know how to tell the stories so that the pupils could imagine landscapes, places and characters. The account must be slow and adapted to their age.
  • 210. • 2. Language development: When pupils are hearing a story, they are learning characteristics about the language: they increase their vocabulary; they learn the structure of a text, and, the most important: they learn the communicative use of language.
  • 211. • 3. Emotional development: • Thanks to the stories and tales, the kids can feel affection for the person who is telling the story. Teachers or parents can bring them up a magic world plenty of charming that makes them feel special feelings and funny experiences. • Furthermore, it´s a good way to know children´s characteristics. We can see in their faces and expressions if the story that is being told is funny or if some of them prefer other kind of literature genre.
  • 212. • 4. Psychological development: • Tales show situations in which children can see themselves reflected. Social values are taught through the characters. • Children´s literature talks about human conduct such as lies, goodness, happiness, sadness, desire, fear, friendship, family...so it´s very important to choose tales adapted to their age and understanding in such a way that they can find what is the moral and the values that are showed. • The “happy ending” is an essential feature: villains will be unlucky with a bad ending and kind characters will be happy and lucky instead.
  • 213. • 5. Social development: • All the children must enjoy in these activities in which they will share emotions, feelings and opinions by the hearing and reading of tales. • Tales bring up the opportunity to live others lives and this will help them be unselfish people.
  • 214. CRITERIA TO SELECT, USE AND TELL STORIES. • 1. AESTHETIC: The story we chose must have quality and have to be literature. • 2. THE CHILDREN’S AGE: Between 1 and 3 years: The tale must be a simple and short story. It has to talk about the daily life because they know it very well. Moreover, it has to contain songs, rhymes…
  • 215. Between 3 and 5 years: the tales are simple yet, and the characters used to be animals that can think and speak like humans. Between 5 and 7 years: the characters of the story are children like the students, and they live amazing adventures with fantastic characters. The tale can be longer.
  • 216. • 3. THE LENGTH: The story have to be 10 or 20 minutes, and we have to achieve the children didn’t bore and paid attention. • 4. THE LANGUAGE: It must be simple, clear and correct. We have to add more vocabulary and reinforce the grammatical structures. Furthermore, we have to use gestures because in this way we express better the emotions.
  • 217. • 5. STRUCTURES: The perfect structure is the presentation of the characters, the problem and the solution. The repetitions help the children to remember the story. • 6. THE TOPIC: We have to make the story attractive for the children. We must increase their knowledge about the world and society. Moreover, we have to be ready and answer the children’s questions.
  • 218. • 7. THE PICTURES: The pictures are very important when we tell a story. The children relate the story that we tell them with the pictures and understand it better.
  • 219. CRITERIA FOR THE USE: • When we are telling a story we could reading it without the help of the text. • We can use our own words and get better attention of our pupils. • When we read a story the language is more correct and has more vocabulary. • To start with, we use a simple stories with many repetitions and rhymes.
  • 220. NARRATIVE CRITERIA • When we tell a story we should convey the feelings of the characters. • Choose the stories we like and that are apropriate to the age of children. • It´s good to know it by heart. • We can display the characters. • We should to achieve that the children are quiet and relaxed.
  • 221. Speak slowly. • Give expression to the voice. • We can imitate sounds. • We can use the things that cause a surprise. • We need to invilve the children. • We should recieve comments from our students about what they have heard.
  • 222. THE TIME TO TELL A STORY • Should be calm and relaxed. • We should read it after some exercises, activities. • It´s a filler activity.
  • 223. THE SPACE WHERE WE WILL DO IT: • The space has to be defined. • The class has to be spacious, and our students should be seated in front of the teacher.
  • 224. ACTIVITIES WITH THE TALES • When we had told the tale, we can do questions about it. It can be important to know if the children had understood the story. We must highlight the tale because it’s more important than the activities. The tale is the principal activity.
  • 225. ACTIVITIES OF CRATION, RECREATION AND INTERPRETATION OF THE LITERARY TEXT. • The first activity consists of questions about different situations of the tale. • Other activity is the children continue the story when we had told the tale. • The children have to invent a story with elements that they known of others tales. • Other activity is the realization of mask or puppetry to show the kids when we narrated the story.
  • 226. • Change the ending of the story. • To express the moods of the tale through voice and gesture. • We can repeat more times the tales but we change the velocity. • Other activity is the children represent the action of the tale. • Memorization of story using objects or pictures.
  • 227. OTHER ACTIVITIES TO DO WHEN WE HAD TOLD THE TALE 1. The children have to do some pictures about the different character of the tale and then we recreate the story using this pictures. Is important that the students know the tale correctly for do this secuences of pictures. 2. Other activity is the dramatization of the story. We can use costumes and masks for do it. 3. To tell the story with music or different instruments.
  • 228. Activities outside the classroom, for example: in the forest, in the park, in a museum, in a zoo, etc. • The family is an important element in this activities because the grandparents can write poems or stories in a book, and other families can write in them too.
  • 230. Definition of the tale: • The tale is a fictional and short story, it is simple and it has moral or recreational purposes. It is universal and it intended to help understanding the culture and the world.
  • 231. Fairy folk tales: are stories of past times of village life and are unreal acts. The supernatural elements are secondary. The most important is the narration. These tales are funny and encourage the imagination of children.
  • 232. •The marvellous tale: The characters are witches, fairies, ogres, etc. Explain topics about the nature, the evil or the goodness. These tales are pieces of prose, we can´t know the time or place where happened the story. The principal character has to get to pass obstacles to get a happy end. Children can learn to solve problem.
  • 233. The folk tale • Folk tale: comes from oral tradition. Is destined to be heard rather than to be read. It has a structure for the beginning and another to the end.
  • 234. • Propp proposed 31 functions for the tales. After the analysis of us Spanish stories, we can highlight nine: o Problem or initial lack o Call o Trip o Generosity o Doración of a magical object o Combat o Testing o Journey back o Recognition of the hero, etc. Sometimes the stories haven´t all the functions
  • 235. Characteristics of the folktale: • There aren´t descriptions and figures are easy to distinguish. • The vocabulary is simple • ´The formulas are redundant, rigid and repetitions • The characters haven´t inner world • Characters react to external stimulus • Time never pass for the characters • There isn´t narrator
  • 236. Relation tale and other types of narrative
  • 237. 1. Myth and story. • Definition of myth: A myth is a traditional sacred story, typically revolving around the activities of gods and heroes, which purports to explain a natural phenomenon or cultural practice. • Characteristics: - The myth happens in the past. - The myth can affect humans. It is transmitted orally. - The myth has a religious significance.
  • 238. • Similarities and differences: - The myth and the tale sharing different things, for example, their characters are similar. - Difference: the myth tells unique stories that can´t happen in other places or to other people and the tale can happen anywhere or anyone.
  • 239. 2. Tale and epic. • Definition of epic: Epic talks about the actions of a hero, who is historic and imaginary. • Characteristics: - The epic talks about imaginary events. - The narrative is objective. - The epic shows different values. - Also it teaches different ways of life.
  • 240. Differences: • The epic and the tale differ because the tale shows an optimistic point of view and the epic shows a pessimistic point of view.
  • 241. 3. The legend • Definition: The legend is a traditional and historical tale popularly regarded as true but usually it containing a mixture of fact and fiction. • Characteristics: - The legend can be a realistic, wonderful or religious story. - The legend is between myth and story.
  • 242. • Similarities and differences: Sometimes is difficult to differentiate between the story and the legend. The big difference is that the facts narrated in tales are fictitious and the facts narrated in legends are real.
  • 243. 4. The fable • The fable is a tale about an animal. • The fables are short stories written in prose or verse and narrated in a very simple form. • The most important thing in the fable is the moral that gives moral teaching.
  • 244. • The fable doesn´t need a narrator to explain the conclusion because the lesson is narrated in a clear and simple form. • Characters: the fables involved personified animals, inanimate objects and human and divine characters. • The purpose of the fable is to compare the teaching of the fable and the reality that surrounds us.
  • 245. Origing of the tale • The folktale is anonymous, although it may be an initial author. • The author disappears when the tale is accepted by the community and it becomes the heritage of everybody. • The tale is adaptive, modern and eliminates those elements that become meaningless changes.
  • 246. • Tales can be merged with other tales to create a new tale. • Each tale has the personality and style of the person who tells the tale.
  • 247. Studies, classification and authors of the popular tales • We emphasize the classification made by Antti Aarne and Stith Thompson. We know this classification as Aarne-Thompson. • This classification is based on the repetition of the principal topics of popular tales.
  • 248. Aarne-Thompson´s classification: - Animal tales - Wonderful tales - Religious tales - Humorous tales - Fairy tales - Realistic tales - Custom tales
  • 249. Pelegrín´s classification Pelegrin makes a classification to each age: - Formula tales ( 2-5 years) - Animal tales (4-7 years) - Wonderful tales (5-7 years)
  • 250. Gianni Rodari´s classification - Animal tales - Magic tales - Anecdotal tales
  • 251. Principal authors: Finally we make a list of authors and of their tales: - Charles Perrault: Mother Goose - Brothers Grimm: Hansel and Gretel - Hans Christian Andersen: The Princess and the Pea
  • 252. - Edith Nesbit: Stories of dragons and treasure hunters - James Barrie: Peter Pan. - Beatrix Potter: The Tale of Peter Rabbit - Lewis Carroll: Alice in Wonderland
  • 253. • Miriam Calcerrada Castellanos • Isabel Fuentes Ortega • Violeta Gálvez Higuera
  • 254. THE TALE AS AN EDUCATIONAL ACTIVITY
  • 255. INDEX 1. Educational value of the tales: a) Creativity development. b) Language development. c) Emotional development. d) Physcological development. e) Social development. 2. Criteria to select, use and tell oral and written tales. a) Criteria for tales selection. b) Criteria for tales use. c) Criteria to tell tales. 3. Activity from the tales.
  • 256. 1. Educational value of the tales • The tale has an emotional and educational value because it reinforces the relationship between parents and children. • Tales also introduce children to a world of fantasy and imagination and help them to solve their personal conflicts. • Tales are very old because they have been transmitted from parents to children. • The tale is the main character of classrooms.
  • 257. a) Creativity development • Thanks to the expressiveness of the different characters, scenes and situations, tales help children to develop their imagination and creativity. Too, they help them to decide what would like to be or to do.
  • 258. b) Language development • Tales help children to learn the language, to order meaningful sentences, to improve their vocabulary, especially affecting the communicative function of language. • In addition, stories allow a first contact with literature and encourage them to have interest in written texts.
  • 259. c) Emotional development • Thanks to tales, we can meet children. • The story is a simple and effective way to establish close relationships between teller and listener. They are an extraordinary means to meet children. • There are many different types of tales, each child prefers a different tale like adventurous stories, fairy tales, animals stories, fantasy stories…
  • 260. d) Psycological development • Moreover with the tales, children learn different values such as respect, obedience, sincerity, friendship ... • Children help to solve small conflicts and to identify their feelings. • Children are able to identify with the characters and thus they can feel safe, so the end of the stories should be happy. • Stories also stimulate children's memory and facilitate the development of children's minds because the story is an ordered structure of events in time.
  • 261. e) Social development • The child at this age is egocentric, therefore we should not lose the occasion to be interested in other children and in their behavior... • They extend their world views and build spaces that allow them to acquire new knowledge. • Literature is a great way that allows us to share feelings, to learn aspects about other worlds, cultures, so it is very important to read tales from different places. • The environment ,where they read and enjoy these tales, should be calm and relaxed to favour good learning.
  • 262. 2. Criteria for selection, use and tell oral and written tales. a) Criteria for tales selection In order to select a tale, we have to consider the following criteria: - Aesthetic criteria. - The age of children. - Length. - Language. - Structure. - Topics. - Pictures.
  • 263. Aesthetic criteria: Tales must be quality. The age of the children: From 1 to 3 years old - Tales have to be short and simple. The stories focus on daily life and in them there are rhymes, repetitions, poems… -Books have to be hard material and with rounded corners,too. From 3 to 5 years old Children usually tend to give life to the characters. They are interested in animal topics and they prefer simple short stories, with few characters. In this stage the language develops.
  • 264. From 5 to 7 years old - Children like animals and fantasy tales and they are interested in the wonderful world. - In addiction, puzzles, the humor and wordplay attract them. These tales are longer. Length: - Tales have to last between ten and twenty minutes, that is to say, they have to be short and they have to be adapted to avoid distractions. Language: - Language must be simple, clear and correct in order to favour their vocabulary and grammar. - We have to use different types of story as classic as modern stories. - When we are telling a story to the children we must be pretty expressive in language and gestures.
  • 265. Structure: - The structure must be linear: o Presentation of characters. o Conflict. o Resolution. - The action should resolve around a main character. There should not be a large number of characters. Topic: - It is very important that children are integrated into tale topics and characters have to be attractive. - Thanks to stories children are able to reflect on social issues such as family, injustice, violence, culture and so on.
  • 266. Pictures: - Pictures have an important role. Thanks to the relation between the text and the pictures, children can know the adult words through matches the pictures with the texts. - Albums are very large books where the reading is done through two different ways: Through picture and text. - Picture should have bright colours and attract the attention and interest of children.
  • 267. b) Criteria for tales use. use. - In accordance with the teaching objectives, tales can be used to read, to tell, to manipulate, to represent… It is better that mothers, teachers etc. tell the story than read it. At first, we have to use simple stories, and they should be always in a place accessible to them, such as the classroom library.
  • 268. c) Criteria for telling tales When teachers have to tell children a tale, they should take into account the following criteria: - Choosing tales that they like children and they have to be appropriate with children age. - Establishing a relaxed atmosphere in class. - Using a soft voice and gestures. - Asking the children about the tale that have been reading. - Allowing children to manipulate stories. - The space, where we will tell the story, should be suitable to the number of children, it should have good conditions and be dimly lit.
  • 269. 3. Activity from the tales - From tale we can do many activities with children. First, teacher should dialogue with the children, asking questions related to the story to find out whether children have understood the plot. - We have to tell the story with pictures, puppets, masks... in order to express different feelings. - Repeating the story by varying the speed. - Narrating the story while children are representing the action.
  • 270. - Some activities that we can do are: illustrating the tale, namely that children draw a picture of what they have understood. - Role play where children act out the story. - We can tell musical stories playing musical instruments. - And finally, we can do activities outside the classroom and activities with families.
  • 271. o To conclude, tales are a great and funny way to teach children.
  • 272. By: By: • Teresa María Caba López. • Laura Fdez-Pacheco Fdez-Medina. • María García Berezo.