Organising

1. Photography planning and producing:

2. Example front covers:
For this front
cover, the use
of a medium
close-up
shows the
clear details of
the models
face and the
use of lighting
defines her
cheek bones
and face
structure.
The use of a
long shot
clearly displays
the outfit the
model is
wearing which
is key for the
fashion
magazine.
Structure:
V shape

3. Cover image:
Camerawork: For my cover image, I will photograph
my model in a medium long shot as this follows
the conventions of a magazine cover and will
capture the artists aesthetic. It will be shot most
likely from eye-level and the model will be placed
within the middle third of the front cover.
Location: Conventionally the location of a front cover
is in a studio which is why I will take mine there
also.
Mise-en-scene: The aesthetic of the front cover will
be unique for the magazine and will compliment the
diversity within the music industry. The costume my
model will wear will reflect the chilled theme of the
magazine and will represent her style as an artist.
Preferably my model will have darker hair as this
will contrast to the lighter background when in the
studio.
Blazzin’
Hazzin’

4. Contents page:
Camerawork: For my contents page I have decided
to challenge conventions of having multiple images
on the page and rather one larger image that
covers the full page. The image will be taken of
the artist using an eye-level angle however, the
model will be tilting her head slightly giving the
illusion that she is more laid-back.
Location: This will be in a derelict area or a place
of decline as this will add an alternative style to
the magazines aesthetic. I would prefer an edgy
location with graffiti to shoot the photos as this will
not only reflect the style of the artist, but will also
appeal to the specific target market.
Mise-en-scene: The outfit the artist will wear will
further emphasize her unique style and diversity.
Preferably the items that she will wear will be
darker as this will make her stand out against the
busy background.
Blazzin’
Hazzin’

5. Double page spread:
Blazzin’
Hazzin’
Camerawork: For my double page spread, I would
like to use either a medium long short or long shot
of the artist as this will enable the image to
include more background enabling me to write within
the space. I will also take the picture with the
artist on the right-hand side rather than the middle
as this ensures that the model is not placed in the
gutter where the consumers will not view her.
Location: This will be the same as my contents
page as I am using the same the same artist
showing that both pages link to the same article.
Mise-en-scene: As the model will be the same as
the contents page, they will wear the same costume
as this will further emphasize her style and
aesthetic.

6. For my contact sheets I have taken
multiple photos of each artist in various
places as they modelled different
stances and poses. They each have a
unique style which reflects how unique
the magazine in and that diversity is
celebrated. Also, the both artists present
a chilled-out and laid back style when
photographed which mirrors the main
themes of the music magazine.
Contact sheet:
Blazzin’
Hazzin’

7. Cover image:
Original: Edited:

8. Contents page:
Original: Edited:

9. Double page spread:

10. Copywriting of cover lines:
Blazzin’
Hazzin’
1. Karen
Green
takes new style
on her music. Fans
go crazy at Leeds
Festival over new
releases
2. Luna
Hayes
leaves Console
to pursue her
own
solo career
3. Flash sale
on
Glastonbury
festival
tickets
BOOK NOW!
4. Top 50
music
festivals and
gigs to
attend
ready for
next
year

11. Copywriting:
Blazzin’
Hazzin’
Q. Did you always want a career in music?
A. Since I was young, I was always interested in music and sang whenever I could. Most singers knew how to play another instrument alongside so I learnt to play the violin when I
was 12. I didn’t really enjoy it but carried on learning anyway. And by the time I was 18 I was grade eight and performing in Orchestras nationally.
Q. What music did you originally play?
A. Well when I first started a band I was 16 and we named it Mirrored eyes. We all thought we were amazing until we did our first gig; it was only in our local pub but there was a
good turnout. Thing was, we played psychedelic music and the majority of people were older and listened to either Punk or Rock. As you can probably tell, our band was a bit too
quirky for our local and I haven’t played there sine.
Q. What is your most memorable experience being with Console?
A. I’ve always remembered the time we went down to play at Hyde Park. The fans were going crazy and it was one of our biggest and busiest concerts. We were four songs in and
fans started chanting ‘Console you pineapple twist’ on repeat; they were hysterical. Before we knew what was going on, one fan with a pineapple ran onto the stage and started
singing our number one single, Pineapple Twist. The band started playing the song and I began singing with this total stranger. I knew then that that is why I wanted to carry on
singing and perform until I couldn’t.
Q. When did you decide to leave Console?
A. The band and I were no longer getting on as we stayed in the same place for months at a time and I needed a change. I can often get uninterested and restless if I’m not travelling
and exploring new places as I’ve always enjoyed the thrill of being on stage in a mysterious and foreign place. This is why I will be touring as soon as I have released my new album
next year.
Q. What will you miss most about being in a band?
A. Feeling like I have support from my members; I mean they were like family to me. I will miss them and I do feel bad for leaving and pursuing my own career, however this is an
opportunity of a life time. Most of all, I think I will miss Elliotte and Stacia rather than other members as many know we didn’t always see eye to eye. However, we tried to be civil at
the best of times for the band as a whole but it just got tiring being around negativity all the time; at these times I would leave the room to go chill, smoke and listen to music.
Q. Since leaving Console what have you been focusing on?
A. Well I have been signed to this new record label where they focus on creating a new image for solo artists. Their most famous artist is Robbie Williams after he left Take That. I
am currently working on my new album which has been inspired by travelling to multiple places and experiencing exotic cultures and lifestyles. This is a really exciting and crucial
time in my career.
Q. When will you next be touring and where?
A. Like I say, I have been focusing on my new solo album so shortly after it is released I will be touring around Australia, Thailand and Japan. These new and invigorating places mean
I get to travel even more than I have which I am so appreciative for. After I have finished touring, I will also be playing at multiple festivals in Britain in 2019; for example,
Glastonbury, Boardmasters and TRNSMT.
Q. Overall, how do you feel about the transition for band to solo artist?
A. Great! I have never felt more confident and free to explore new possibilities and experiences for both myself and my music.

12. Final images:
Front cover: Contents page: Double page spread:

13. Final pages:
Front cover: Contents page: Double page spread:
MASTHEAD