2. Dr Albert Mehrabian Communication Model
"Please note that this and other equations regarding relative importance of verbal and nonverbal messages were
derived from experiments dealing with communications of feelings and attitudes (i.e., like-dislike). Unless a
communicator is talking about their feelings or attitudes, these equations are not applicable.ā
- Dr Albert Mehrabian
4. Evaluation of Verbal and Non-Verbal
Communication
Notable speakers and other professionals who had refuted
broad applicability of Mehrabian communication ratio 7/93
include Steve Denning, Susan Trivers, John Windsor, Laura Fitton
and Andrew Abela, citing the premise of Mehrabian research
and his final recommendations.
Nonetheless, most speakers and professionals accept the
importance of both verbal and non-verbal communication, while
claiming one fixed ratio does not fit every condition.
5. Current Resolution
Most authorities insist non-verbal
communication is more impacting than verbal
communication, and as a result has the capacity
to either derail, oppose and disapprove or
sustain, convey and authenticate a speech.
6. Key Takeaway
Ensure the depiction of your collective non-
verbal communication aligns effectively with
intended message of verbal communication.
7. Functions of Nonverbal Communication
ļ¼ Accent: Punctuating or drawing attention to a verbal
message
ļ¼ Complement: Expressions/gestures that support but could
not replace verbal message
ļ¼ Contradict: Expressions or gestures that convey meaning
opposite to that of verbal message
ļ¼ Regulate: Expressions or gestures that control the pace or
flow of communication
ļ¼ Repeat: A gesture or expression that can be used alone to
send the same meaning as verbal message
ļ¼ Substitute: A nonverbal cue that replaces verbal message
8. Examples of Nonverbal Cues
ļ§ Accent: Touching someoneās shoulder in empathy
ļ§ Compliment: Smiling in approval or frowning with
disdain
ļ§ Contradict: Reading paper while saying āI am
listeningā
ļ§ Regulate: Looking confused by too much
information
ļ§ Repeat: A stern look or pointing along with a verbal
command
ļ§ Substitute: Nods and shakes of the head
9. Types of Nonverbal Cues
1. Facial expression
2. Eye behaviour
3. Posture
4. Gesture
5. Proxemics
6. Touch
7. Personal appearance
8. Vocal features of speech
10. Real Nonverbal Cues
ļ¶ Facial Expression: Happiness, sadness, surprise, fear,
anger and disgust
ļ¶ Eye Behaviour-Functions: Regulatory, monitoring,
cognitive and expressive
ļ¶ Posture: Indicative of attention, involvement, relative
status and rapport
ļ¶ Gestures: Speech related and independent
ļ¶ Proxemics: Use space
ļ¶ Touch: āof selfā indicates emotion, and āof othersā indicates
relationship
ļ¶ Personal Experience: Indicators of personality, values
and lifestyle
ļ¶ Vocal Features of Speech: Tone, stress, accent, loudness
and rate of speech
11. Common Signs Causing Disapproval
i. Inadmissible body movements
ii. Touching of self/fidgeting
iii. Hesitation
iv. Blinking, eye shifting and dilation of pupils
v. Lack of spontaneity
vi. Speech errors
vii. High vocal pitch
viii. Negativity
12. Actions for Improving Non-Verbal Communication Skills
ļ¼ Avoiding a slouching posture
ļ¼ Avoiding smiling or laughter when messages are serious
ļ¼ Displaying some animation with hands and facial expressions to project a dynamic presence
ļ¼ Donāt bring your phone, a drink or anything else to an interview or meeting that could distract you
ļ¼ Donāt interrupt your interviewer
ļ¼ Eliminating fidgeting and shaking of limbs
ļ¼ Establishing frequent but not continuous or piercing eye contact with interviewers
ļ¼ Focusing on the conversation
ļ¼ Introducing yourself with a smile and a firm handshake
ļ¼ Keeping hands away from the face and hair
ļ¼ Leaning slightly forward to indicate interest
ļ¼ Listening carefully
ļ¼ Maintaining open arms, folded arms can convey defensiveness
ļ¼ Modulating vocal tone to express excitement and punctuate key points
ļ¼ Nodding to demonstrate understanding
ļ¼ Observing the reaction of others to your statements
ļ¼ Paying attention to the conversation
ļ¼ Reading the nonverbal signals of others; providing clarification if they look confused, wrapping up if they have heard enough
ļ¼ Refraining from forced laughter in response to humor
ļ¼ Refraining from looking at the clock, your phone or displaying any other signs of disinterest
ļ¼ Respecting the amount of personal space preferred by your communication partners
ļ¼ Rotating eye contact to various speakers in group interviewing or networking situations
ļ¼ Shaking hands firmly without excessive force
ļ¼ Showing that youāre interested in what the interviewer is telling you
ļ¼ Smiling to indicate that you are amused or pleased with a communication
ļ¼ Staying calm even when youāre nervous
ļ¼ Steering clear of monotone delivery
ļ¼ Waiting until the person is done talking to respond
Adopted from Alison Doyle, Non-Verbal Communication Skills
13. 12 Body Language Tips for Career Success
ā¢ Stand tall and take up space
ā¢ Widen your stance
ā¢ Lower your vocal pitch
ā¢ Try power priming
ā¢ Strike a power pose
ā¢ Maintain positive eye contact
ā¢ Talk with your hands
ā¢ Use open gestures
ā¢ Try a steeple
ā¢ Reduce nervous gestures
ā¢ Smile
ā¢ Perfect your handshake
Adopted from Carol Goman, 12 Body Language Tips for Career Success
14. Detrimental Speaker Archetypes
ā¢ The Gripper: This is the speaker who hangs on to the podium for dear life with
both hands. He couldnāt let go to make a gesture if he tried.
ā¢ The Leaning Tower: This is a first cousin of the gripper. While hanging on to the
podium the speaker leans to one side so it looks as though the lectern is
supporting her.
ā¢ The Rattler: This speaker is usually the guy who has a hand in his pants pocket
rattling the change, tokens, keys and assorted other items. It may calm his nerves
but is distracting to his audience.
ā¢ The Pacer: Back and forth she goes across the podium, often walking right in front
of the slides. Continuous walking during a presentation tells the audience that this
is a nervous speaker. The constant pacing diverts their focus away from the
message.
ā¢ The Parade Rester: At ease, soldier. This speaker assumes a military stance, feet
apart, and hands behind his back. Never moves. Often glowers to make a point.
ā¢ The Statue: This speaker is so nervous about presenting in front of a large
audience that he places his hands in a fig leaf position down low in front of him.
This signals, āwow, am I uncomfortable,ā which robs him of any authority or
credibility. Gestures should add to rather than detract from your presentation.
Adopted from The Newman Group, Body Language Speaks Louder Than Words
15. Four Types of Speech Delivery
ā¢ Impromptu
ā¢ Extemporaneous
ā¢ Manuscript
ā¢ Memorized
16. āThere are three things to aim at in public
speaking: first, to get into your subject, then to
get your subject into yourself, and lastly, to get
your subject into the heart of your audience.ā
ā Alexander Gregg
18. Delivery Uses Context to Facilitate Coupling of Content and Audience
CContent Audience
Context
Delivery
DeliveryDelivery
Delivery Delivery
Delivery Delivery
Delivery
Source: Elijah Ezendu, Public Speaking
19. āThe success of your presentation will be
judged not by the knowledge you send but by
what the listener receives.ā
ā Lilly Walters
20. āIf you have an important point to make, donāt
try to be subtle or clever. Use a pile driver. Hit
the point once. Then come back and hit it again.
Then hit it a third time - a tremendous whack.ā
ā Winston S. Churchill
21. āThe best speeches come from the heart and
reflect your passion. Speak as if your life
depended on it.ā
ā Arvee Robinson
22. Speech Preparation
ā¢ Speech Planning
ā¢ Content Research
ā¢ Evaluation of Pros and Cons
ā¢ Development of Fitting Content
ā¢ Align Content to Audience
ā¢ Speech Writing
ā¢ Ascertainment of Delivery Aids and Tools
ā¢ Practice & Review
23. Speech Outline Exercise
State acceptable components of the following
ā¢Opening:ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦.
ā¢Body:ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦..
ā¢Conclusion:ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦.
24. Speech Mechanics
i. Eloquence
ii. Vocal Chemistry
iii. Voice Modulation
iv. Intrinsic Rhythm
v. Self Pacing
vi. Motion-Pause Control
vii. Audience-Centric Eye Contact
viii. Proxemics
ix. Poise-Driven Narratives
x. Systematic Gestures
xi. Appropriate Entertainment & Attention Boosting Humour
xii. Structured Audience Engagement
xiii. Distinguishable Professional Passion
xiv. Clarity Without Unnecessaries
xv. Mission-Driven Campaign
xvi. Great Gusto for Storytelling
xvii. Effectively Aligned Anecdotes
xviii. Unleash Audacious Confidence
xix. Demonstrate Subject Matter Mastery
xx. Proofs of Content Integrity
xxi. Avoid Fallacy of Petitio Principii
Source: Elijah Ezendu, Public Speaking
35. Exercise on Appropriate Entertainment &
Attention Boosting Humour
i. Mention effects of appropriate
entertainment and humour.
ii. Mention effects of inappropriate
entertainment and humour
iii. Mention three critical situations requiring
humour for stimulating audience to be on the
same page with you. Give example of
appropriate humour for each stated situation.
40. Great Gusto for Storytelling
Source: Elijah Ezendu, Public Speaking
41. Exercise on Effectively Aligned Anecdotes
ā¢ What are the features of effectively aligned
anecdote?
ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦
ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦
ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦
ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦
ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦
ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦
ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦ā¦
ā¦
43. Demonstrate Subject Matter Mastery
Show your expertise on matters of
this cube by effortlessly explaining
its 6 faces, 12 edges, 8 vertices,
content, physical characteristics
and usability.
44. Proofs of Content Integrity
ā¢ Effective Attribution
ā¢ Ownership Assurance
ā¢ Intellectual Property Compliance
ā¢ Intellectual Property Rights Governance
ā¢ Declaration of Originality
45. Avoid Fallacy of Petitio Principii
Begging the Question
Attempting to prove something by using an evidential support which also requires proof
InadmissibilityInadmissibility
Inadmissibility
Inadmissibility
Inadmissibility Inadmissibility
46. āYou cannot make a business case that you
should be who you are not.ā
- Jeff Bezos
47. Be methodically discreet while structuring
business cases: Irrespective of intention, avoid
heading to showtime-runway with despicable
falsehood.
48. Basic Outline of a Business Case
ā¢ Executive Summary
ā¢ Introduction
ā¢ Statement of Problem
ā¢ Situation Analysis
ā¢ Ascertainment of Suitable Solution Features
ā¢ Possible Options for Solution
ā¢ Cost-Benefit Analysis
ā¢ Expert Advise/ Recommendations
49. Making an Irresistible Business Case
A business case shows rational basis for support of
targeted action or project, by using performance
objectives, financial justification and assortment of
undisputable facts as validated proof.
Irresistibility of business case is directly proportional to
perceived effectuality of validated proof.
Therefore proposed validated proof must stand out as
3R value-input which makes sense to executives and
spawns recognition for characterized effectuality.
3R = Required, Rare & Rewarding
Source: Elijah Ezendu, Public Speaking
50.
51. Performance Wingspan Optimization Approach by Elijah Ezendu
ļ Reduced Performance Wingspan implies Failed Business Case
ļ Increased Performance Wingspan implies Effectual Business Case
ļ Continuously Increasing Performance Wingspan implies Greatly Irresistible Business Case
52. ļ Performance Wingspan 3 > Performance Wingspan 2 > Performance Wingspan 1
ļ Therefore performance wingspan increased at subsequent stages, providing impetus for
greatly irresistible business case.
Performance Wingspan Optimization Approach by Elijah Ezendu
53. Magnetism of Visuals & Infographics
ā¢ Use visuals to portray reality of message and gain
acceptance
ā¢ Use infographics for depicting key points
ā¢ Use appropriate fonts, colours and animation
ā¢ Avoid excessive data (data dump)
ā¢ Avoid unconnected data which can irritate
executives
ā¢ Avoid excessive infographics
ā¢ Avoid mind-numbing pictures
ā¢ Be sensitive to infographics capable of generating
emotional shock or culture shock
ā¢ Avoid Graphic Analysis Paralysis
54. Coordinating Feasible Influence
i. Persuasion
ii. Emotional Conjunction
iii. Networking
iv. Participatory Governance
v. Social Fusion
vi. Inspiration
vii. 360 Degrees Buy-In
viii. Indispensability
ix. Benefits Based Reasoning
x. Expertise Credibility Based Reasoning
Source: Elijah Ezendu, Public Speaking
57. āNetworking involves accessing people in order
to develop connections that function as mutual
bridges thereby yielding supportive advocates at
both ends.ā
- Elijah Ezendu
58. Elements of Networks
ā¢ Mutual Bridges: Connections built through
interaction.
ā¢ Supportive Advocates: People who provide
recommendation and facilitate access to
more networks.
ā¢ Network Microstructure: Biological Families,
Psychological Families, Cliques.
ā¢ Network Megastructure: Companies,
Institutions, Organisations.
Source: Elijah Ezendu, Networking
59. The Power of Networking
ā¢ Belief
ā¢ Reputation
ā¢ Enhanced Visibility
ā¢ Recognition & Respect
ā¢ Guarantee of Legitimacy
ā¢ Actuated Acceptance
ā¢ Recommendation & Referrals
ā¢ Extended Access
ā¢ Networking Process
ā¢ Alliance
ā¢ Intellectual Capital
Source: Elijah Ezendu, Networking
60. Networking Process involves two or more
people embarking on dynamic interaction to go
through networking access, networker
engagement and relationship assessment for
the purpose of yielding alliance of supportive
advocates.
63. Alliance is an open ended agreement between
two or more entities for the purpose of
deploying resources to accomplish specific
objectives.
64. Examples of Alliances in Networking
ā¢ H to H Alliance
ā¢ H to C Alliance
ā¢ C to C Alliance
ā¢ H to H to I Alliance
ā¢ I to H to H to C Alliance
ā¢ I to C to H to I Alliance
ā¢ IWFC to H to I Alliance
65. H to H Alliance
Mutual Bridge
Microstructure
Source: Elijah Ezendu, Networking
66. H to C Alliance
Mutual Bridge
Microstructure Microstructure
Source: Elijah Ezendu, Networking
67. C to C Alliance
Mutual Bridge
Microstructure Microstructure
Source: Elijah Ezendu, Networking
68. H to H to I Alliance
MB MB
Megastructure
Source: Elijah Ezendu, Networking
69. I to H to H to C Alliance
MB MB MB MB
Microstructure
MB MB MB
Source: Elijah Ezendu, Networking
70. I to C to H to I Alliance
Megastructure Microstructure
MB MB MB
Source: Elijah Ezendu, Networking
71. IWFC to H to I Alliance
Complex Megastructure
Megastructure
MB MB
Source: Elijah Ezendu, Networking
72. Human Capital Relationship Capital
Network Structural
Capital
Collaboration
Innovation
Influence
Collective
Brand
Advocate Base
Institutional
Affiliations
Human
Capabilities
Intellectual Capital of Human Network
Source: Elijah Ezendu, Identifying & Harnessing The Power of Networking
73. Participatory Governance
āParticipatory Governance involves achieving
topmost audience participation in identification
of engagement components, structure and
direction with the aim of building critical mass
for coalition reinforcement, thereby deliberately
generating speaker-audience harmony.ā
- Elijah Ezendu
74. Social Fusion
Social Fusion is a technique that effective leaders use to connect
and refer the people they know to each other. These
connections are made based on common interests, values, and
projects that people you know might want to collaborate on. If a
connection you make turns into a relationship, you have "fused"
them together with you as a stabilizing force in the relationship.
Source: CultureSync, Social Fusion
80. Exercise
Organize a simple influence experimentation for
purpose of prompting a set of people to accept
you as a well-bred neighbour.
81. Dr Elijah Ezendu is Award-Winning Business Expert & Certified Management Consultant with expertise in
Interim Management, Strategy, Competitive Intelligence, Transformation, Restructuring, Turnaround
Management, Business Development, Marketing, Project & Cost Management, Leadership, HR, CSR, e-
Business & Software Architecture. He had functioned as Founder, Initiative for Sustainable Business Equity;
Director, Archtalento; Director, Speakers Africana; Chairman of Board, Charisma Broadcast Film Academy;
Group Chief Operating Officer, Idova Group; CEO, Rubiini (UAE); Special Advisor, Road Transport Employers
Association of Nigeria; Director, MMNA Investments; Chair, Intāl Board of GCC Business Council (UAE); Senior
Partner, Shevach Consulting; Chairman (Certification & Training), Coordinator (Board of Fellows), Lead
Assessor & Governing Council Member, Institute of Management Consultants, Nigeria; Lead Resource, Centre
for Competitive Intelligence Development; Lead Consultant/ Partner, JK Michaels; Turnaround Project
Director, Consolidated Business Holdings Limited; Technical Director, Gestalt; Chief Operating Officer, Rohan
Group; Executive Director (Various Roles), Fortuna, Gambia & Malta; Chief Advisor/ Partner, D & E; Vice
Chairman of Board, Refined Shipping; Director of Programmes & Governing Council Member, Institute of
Business Development, Nigeria; Member of TDD Committee, International Association of Software Architects,
USA; Member of Strategic Planning and Implementation Committee, Chartered Institute of Personnel
Management of Nigeria; Country Manager (Nigeria) & Adjunct Faculty (MBA Programme), Regent Business
School, South Africa; Adjunct Faculty (MBA Programme), Ladoke Akintola University of Technology; Editor-in-
Chief, Cost Management Journal; Member of National Executive Council, Institute of Internal Auditors of
Nigeria; Member, Board of Directors (Several Organizations). He holds Doctoral Degree in Management,
Master of Business Administration and Fellow of Professional Institutes in North America, UK & Nigeria. He is
an Innovator of heralded frameworks including Corporate Investment Structure Based on Financials and
Intangibles, for all-inclusive valuation, highlighting intangible contributions of host communities and ecological
environment: A model celebrated internationally (including Social Innovation Side Event of 2016 United
Nations Climate Change Conference COP22 in Marrakech, Morocco) as remedy for unmitigated depreciation
of ecological capital and developmental deprivation of host communities. He had served as Examiner to
various Professional Institutes and External Examiner to Universities. He had been a member of Guild of
Soundtrack Producers of Nigeria. He's an author and extensively featured speaker.