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Portfolio LearningePortfoliosfor Student Engagement,Professional Development. and Lifelong Learning Dr. Helen Barrett electronicportfolios.org http://www.slideshare.net/eportfolios/
Outline  Context Definitions Process - Reflection Product - Technology Intrinsic Motivation Hands-on Google Sites
What are Interactive Portfolios? Portfolios using Web 2.0 tools to:  ,[object Object]
 showcase work online to multiple audiences
 dialogue about learning artifacts/reflections
 provide feedback to improve learning ,[object Object]
The World in Flat ,[object Object]
A look at the change and globalization since Y2K,[object Object]
Leverager
Adapter
Explainer
Synthesizer
Model builder
Localizer
Personalizer
Think across disciplines
Able to tell stories
Build things with intelligence in them
Create networks
Aggregate pieces horizontally
CreativityFriedman, 2006
The Right Stuff -  Learning in a Flat World “How we educate our children may prove to be more important than howmuch.” Abilities for a flat world: Learn how to learn CQ (curiosity) + PQ (passion) > IQ People Skills Right Brain Stuff Friedman, 2006
Framework for 21st Century Skillshttp://www.21stcenturyskills.org/
ISTE NETS
Enhancing students' computer & multimedia skills through ePortfolios
Draft National Educational Technology Plan (2010) Technology also gives students opportunities for taking ownership of their learning. Student-managed electronic learning portfolios can be part of a persistent learning record and help students develop the self-awareness required to set their own learning goals, express their own views of their strengths, weaknesses, and achievements, and take responsibility for them. Educators can use them to gauge students’ development, and they also can be shared with peers, parents, and others who are part of students’ extended network. (p.12)
Legacy from the Portfolio Literature ,[object Object]
As adult learners, we have much to learn from how children approach portfolios“Everything I know about portfolios was confirmed working with a kindergartener”
The Power of Portfolios 	what children can teach us about learning and assessment Author: Elizabeth Hebert Publisher: Jossey-Bass Picture courtesy of Amazon.com
The Power of Portfolios Author: Dr. Elizabeth Hebert, Principal Crow Island School, Winnetka, Illinois Picture taken by Helen Barrett at AERA, Seattle, April, 2001
From the Preface (1) Hebert, Elizabeth (2001) The Power of Portfolios. Jossey-Bass, p.ix “Portfolios have been with us for a very long time. Those of us who grew up in the 1950s or earlier recognize portfolios as reincarnations of the large memory boxes or drawers where our parents collected starred spelling tests, lacy valentines, science fair posters, early attempts at poetry, and (of course) the obligatory set of plaster hands. Each item was selected by our parents because it represented our acquisition of a new skill or our feelings of accomplishment. Perhaps  an entry was accompanied by a special notation of praise from a teacher or maybe it was placed in the box just because we did it.”
From the Preface (2) Hebert, Elizabeth (2001) The Power of Portfolios. Jossey-Bass, p.ix 		“We formed part of our identity from the contents of these memory boxes. We recognized each piece and its association with a particular time or experience. We shared these collections with grandparents to reinforce feelings of pride and we reexamined them on rainy days when friends were unavailable for play.  Reflecting on the collection allowed us to attribute importance to these artifacts, and by extension to ourselves, as they gave witness to the story of our early school experiences.”
From the Preface (3) Hebert, Elizabeth (2001) The Power of Portfolios. Jossey-Bass, p.ix-x 		“Our parents couldn’t possibly envision that these memory boxes would be the inspiration for an innovative way of thinking about children’s learning. These collections, lovingly stored away on our behalf, are the genuine exemplar for documenting children’s learning over time. But now these memory boxes have a different meaning. It’s not purely private or personal, although the personal is what gives power to what they can mean.”
Let’s get personal…Think for a minute about: Something about your COLLECTIONS:Suggested topics: ,[object Object]
What your parents saved for you
What you collect…
Why you collect…,[object Object]
Is there a difference between what you purposefully save and what you can’t throw away?
How can we use our personal collections experiences to help learners as they develop their portfolios?The power of portfolios [to support deep learning] is personal.
United #7 ePortfolio Vision Statement (Draft) By implementing e-portfolios, United #7 will empower students to become active participants in their own personalized education. Through use of reflection, technology, and collaboration, students and teachers will develop skills that will lead them to achieve  their lifelong goals.
Technology & Reflection Two Themes across the Lifespan with ePortfolio Development and Social Networking 21
What is a Portfolio? Dictionary definition: a flat, portable case for carrying loose papers, drawings, etc. Financial portfolio: document accumulation of fiscalcapital Educational portfolio: document development of humancapital
What is a Portfolio in Education? A portfolio is a purposeful collection of [academic] work that exhibits the [learner’s]efforts, progress and achievements in one ormore areas[over time]. 	(Northwest Evaluation Association, 1990)
E-Portfolio Components ,[object Object]
Multiple Tools to Support Processes-Capturing & storing evidence-Reflecting-Giving & receiving feedback-Planning & setting goals-Collaborating-Presenting to an audience
Digital Repository(Becta, 2007; JISC, 2008)
Multiple Purposes from Hidden Assumptions What are yours? • Showcase • Assessment • Learning • http://www.rsc-northwest.ac.uk/acl/eMagArchive/RSCeMag2008/choosing%20an%20eportfolio/cool-cartoon-346082.png
Multiple Purposes of E-Portfolios in Education Learning/ Process/ Planning Marketing/ Showcase  Assessment/ Accountability "The Blind Men and the Elephant” by John Godfrey Saxe
Balancing the 2 Faces of E-Portfolios
Some Basic Concepts ,[object Object]
Process: A series of events (time and effort) to produce a result- From Old French proces(“‘journey’”)
Product: the outcome/results or “thinginess” of an activity/process- Destination
Wiktionary,[object Object]
Structure of E-Portfolio Types Portfolio as Product/ Showcase Organization: Thematic – Documenting achievement of Standards, Goals or Learning Outcomes for primarily external audiences Primary Purpose: Accountability or Employment or Showcase Reflection: retrospective focus on Standards, Goals or Learning Outcomes (Themes) Portfolio as Process/ Workspace Organization: Chronological – eDOL(Electronic Documentation of Learning – U. of Calgary) Documenting growth over time for both internal and external audiences Primary Purpose: Learning or Reflection Reflection: immediate focus on artifact or learning experience
Level 1 - Collection
Stages of Portfolio Development Level 1 ,[object Object]
Digital Conversion (Collection)
Artifacts represent integration of technology in one curriculum area (i.e., Language Arts)
Stored in GoogleDocs,[object Object]
Stages of Portfolio Development Level 2 ,[object Object]
organized chronologically (in a blog?)
Captions (Background Information on assignment, Response)
Artifacts represent integration of technology in most curriculum areas (i.e., Language Arts, Social Studies, Science, Math) (in GoogleDocs?),[object Object]
Stages of Portfolio Development Level 3 ,[object Object]
organized thematically (in web pages or wiki)
Why did I choose these pieces? What am I most proud to highlight about my work?
What do they show about my learning?
What more can I learn (Goals for the Future)?
Presentation (annually),[object Object]
Electronic Portfolios  almost two decades (since 1991) used primarily in education to  store documents  reflect on learning feedback for improvement  showcase achievements for accountability or employment 39
QUOTE ,[object Object],[object Object]
Social networks  last five years  store documents and share experiences,  showcase accomplishments,  communicate and collaborate  facilitate employment searches 42
Social Learning Interactivity! 43
Boundaries Blurring (between e-portfolios & social networks) Structured Accountability Systems?  or… Lifelong interactive portfolios Picasa Mash-ups Facebook Flickr blogs YouTube Ning wikis Twitter 44
Digital Archive (for Life) Supports Lifelong & Life-wide Learning 45
Processes Social Networking Connect(“Friending”) Listen(Reading) Respond(Commenting) Share(linking/tagging) Portfolio Collection Selection Reflection Direction/Goals Presentation Feedback Technology   Archiving Linking/Thinking Digital Storytelling   Collaborating   Publishing 46
Discuss! Engagement Factors? Social networks? ePortfolios? 47
Golden Circle         What? How? Why? 48
Deep Learning ,[object Object]
is developmental,
is integrative,
is self-directive, and
is lifelongCambridge (2004)
50 Similarities in Process Major differences: extrinsic vs.  intrinsic motivation  Elements of  True (Intrinsic) Motivation: Autonomy Mastery Purpose
Pink’s Motivation Behavior X   Type X - Extrinsic fueled more by extrinsic rewards or desires (Grades?) Type I – Intrinsic Behavior is self-directed. I   51
Successful websites = Type I Approach ,[object Object]
Give users autonomy.
Keep system as open as possible.- Clay Shirky 52
Autonomy & ePortfolios Choice Voice Sharing  Feedback Immediacy 53 http://www.flickr.com/photos/kenturamon/342946821/
Mastery & ePortfolios ,[object Object]
Sports? Games?
Compliance vs. Personal Mastery
Open Source movement (Wikipedia vs. Encarta)

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ND District 7 Sept 2010

  • 1. Portfolio LearningePortfoliosfor Student Engagement,Professional Development. and Lifelong Learning Dr. Helen Barrett electronicportfolios.org http://www.slideshare.net/eportfolios/
  • 2. Outline Context Definitions Process - Reflection Product - Technology Intrinsic Motivation Hands-on Google Sites
  • 3.
  • 4. showcase work online to multiple audiences
  • 5. dialogue about learning artifacts/reflections
  • 6.
  • 7.
  • 8.
  • 17. Able to tell stories
  • 18. Build things with intelligence in them
  • 22. The Right Stuff - Learning in a Flat World “How we educate our children may prove to be more important than howmuch.” Abilities for a flat world: Learn how to learn CQ (curiosity) + PQ (passion) > IQ People Skills Right Brain Stuff Friedman, 2006
  • 23. Framework for 21st Century Skillshttp://www.21stcenturyskills.org/
  • 25. Enhancing students' computer & multimedia skills through ePortfolios
  • 26. Draft National Educational Technology Plan (2010) Technology also gives students opportunities for taking ownership of their learning. Student-managed electronic learning portfolios can be part of a persistent learning record and help students develop the self-awareness required to set their own learning goals, express their own views of their strengths, weaknesses, and achievements, and take responsibility for them. Educators can use them to gauge students’ development, and they also can be shared with peers, parents, and others who are part of students’ extended network. (p.12)
  • 27.
  • 28. As adult learners, we have much to learn from how children approach portfolios“Everything I know about portfolios was confirmed working with a kindergartener”
  • 29. The Power of Portfolios what children can teach us about learning and assessment Author: Elizabeth Hebert Publisher: Jossey-Bass Picture courtesy of Amazon.com
  • 30. The Power of Portfolios Author: Dr. Elizabeth Hebert, Principal Crow Island School, Winnetka, Illinois Picture taken by Helen Barrett at AERA, Seattle, April, 2001
  • 31. From the Preface (1) Hebert, Elizabeth (2001) The Power of Portfolios. Jossey-Bass, p.ix “Portfolios have been with us for a very long time. Those of us who grew up in the 1950s or earlier recognize portfolios as reincarnations of the large memory boxes or drawers where our parents collected starred spelling tests, lacy valentines, science fair posters, early attempts at poetry, and (of course) the obligatory set of plaster hands. Each item was selected by our parents because it represented our acquisition of a new skill or our feelings of accomplishment. Perhaps an entry was accompanied by a special notation of praise from a teacher or maybe it was placed in the box just because we did it.”
  • 32. From the Preface (2) Hebert, Elizabeth (2001) The Power of Portfolios. Jossey-Bass, p.ix “We formed part of our identity from the contents of these memory boxes. We recognized each piece and its association with a particular time or experience. We shared these collections with grandparents to reinforce feelings of pride and we reexamined them on rainy days when friends were unavailable for play. Reflecting on the collection allowed us to attribute importance to these artifacts, and by extension to ourselves, as they gave witness to the story of our early school experiences.”
  • 33. From the Preface (3) Hebert, Elizabeth (2001) The Power of Portfolios. Jossey-Bass, p.ix-x “Our parents couldn’t possibly envision that these memory boxes would be the inspiration for an innovative way of thinking about children’s learning. These collections, lovingly stored away on our behalf, are the genuine exemplar for documenting children’s learning over time. But now these memory boxes have a different meaning. It’s not purely private or personal, although the personal is what gives power to what they can mean.”
  • 34.
  • 35. What your parents saved for you
  • 37.
  • 38. Is there a difference between what you purposefully save and what you can’t throw away?
  • 39. How can we use our personal collections experiences to help learners as they develop their portfolios?The power of portfolios [to support deep learning] is personal.
  • 40. United #7 ePortfolio Vision Statement (Draft) By implementing e-portfolios, United #7 will empower students to become active participants in their own personalized education. Through use of reflection, technology, and collaboration, students and teachers will develop skills that will lead them to achieve their lifelong goals.
  • 41. Technology & Reflection Two Themes across the Lifespan with ePortfolio Development and Social Networking 21
  • 42. What is a Portfolio? Dictionary definition: a flat, portable case for carrying loose papers, drawings, etc. Financial portfolio: document accumulation of fiscalcapital Educational portfolio: document development of humancapital
  • 43. What is a Portfolio in Education? A portfolio is a purposeful collection of [academic] work that exhibits the [learner’s]efforts, progress and achievements in one ormore areas[over time]. (Northwest Evaluation Association, 1990)
  • 44.
  • 45. Multiple Tools to Support Processes-Capturing & storing evidence-Reflecting-Giving & receiving feedback-Planning & setting goals-Collaborating-Presenting to an audience
  • 47. Multiple Purposes from Hidden Assumptions What are yours? • Showcase • Assessment • Learning • http://www.rsc-northwest.ac.uk/acl/eMagArchive/RSCeMag2008/choosing%20an%20eportfolio/cool-cartoon-346082.png
  • 48. Multiple Purposes of E-Portfolios in Education Learning/ Process/ Planning Marketing/ Showcase Assessment/ Accountability "The Blind Men and the Elephant” by John Godfrey Saxe
  • 49. Balancing the 2 Faces of E-Portfolios
  • 50.
  • 51. Process: A series of events (time and effort) to produce a result- From Old French proces(“‘journey’”)
  • 52. Product: the outcome/results or “thinginess” of an activity/process- Destination
  • 53.
  • 54.
  • 55. Structure of E-Portfolio Types Portfolio as Product/ Showcase Organization: Thematic – Documenting achievement of Standards, Goals or Learning Outcomes for primarily external audiences Primary Purpose: Accountability or Employment or Showcase Reflection: retrospective focus on Standards, Goals or Learning Outcomes (Themes) Portfolio as Process/ Workspace Organization: Chronological – eDOL(Electronic Documentation of Learning – U. of Calgary) Documenting growth over time for both internal and external audiences Primary Purpose: Learning or Reflection Reflection: immediate focus on artifact or learning experience
  • 56. Level 1 - Collection
  • 57.
  • 59. Artifacts represent integration of technology in one curriculum area (i.e., Language Arts)
  • 60.
  • 61.
  • 63. Captions (Background Information on assignment, Response)
  • 64.
  • 65.
  • 66. organized thematically (in web pages or wiki)
  • 67. Why did I choose these pieces? What am I most proud to highlight about my work?
  • 68. What do they show about my learning?
  • 69. What more can I learn (Goals for the Future)?
  • 70.
  • 71. Electronic Portfolios almost two decades (since 1991) used primarily in education to store documents reflect on learning feedback for improvement showcase achievements for accountability or employment 39
  • 72.
  • 73. Social networks last five years store documents and share experiences, showcase accomplishments, communicate and collaborate facilitate employment searches 42
  • 75. Boundaries Blurring (between e-portfolios & social networks) Structured Accountability Systems? or… Lifelong interactive portfolios Picasa Mash-ups Facebook Flickr blogs YouTube Ning wikis Twitter 44
  • 76. Digital Archive (for Life) Supports Lifelong & Life-wide Learning 45
  • 77. Processes Social Networking Connect(“Friending”) Listen(Reading) Respond(Commenting) Share(linking/tagging) Portfolio Collection Selection Reflection Direction/Goals Presentation Feedback Technology Archiving Linking/Thinking Digital Storytelling Collaborating Publishing 46
  • 78. Discuss! Engagement Factors? Social networks? ePortfolios? 47
  • 79. Golden Circle What? How? Why? 48
  • 80.
  • 85. 50 Similarities in Process Major differences: extrinsic vs. intrinsic motivation Elements of True (Intrinsic) Motivation: Autonomy Mastery Purpose
  • 86. Pink’s Motivation Behavior X Type X - Extrinsic fueled more by extrinsic rewards or desires (Grades?) Type I – Intrinsic Behavior is self-directed. I 51
  • 87.
  • 89. Keep system as open as possible.- Clay Shirky 52
  • 90. Autonomy & ePortfolios Choice Voice Sharing Feedback Immediacy 53 http://www.flickr.com/photos/kenturamon/342946821/
  • 91.
  • 94. Open Source movement (Wikipedia vs. Encarta)
  • 96. Mastery & ePortfolios (2) ePortfolio: Flow Showcasing Achievements Increased self-awareness and self-understanding “Only engagement can produce Mastery.” (Pink, 2009, p.111) 55
  • 97. FLOW a feeling of energized focus (Csíkszentmihályi) “Reach should exceed the Grasp” 56
  • 98. Student Engagement! CQ + PQ > IQ (Friedman, 2006)[Curiosity + Passion > Intelligence] Find voice and passions through choice and personalization! Portfolio as Story Positive Digital Identity Development - Branding “Academic MySpace” 57
  • 99. Use ePortfolios to documentMASTERY 58
  • 100.
  • 104. 61 Because Purpose and Passion Co-Exist
  • 105.
  • 108. Not “retirement” but “rewirement”62
  • 109. 63
  • 110.
  • 112. Discover or rediscover passion…
  • 114. Turn careers into callings, success into significance…
  • 115. To make a difference…
  • 116.
  • 117. Learner-Centered Philosophy "A portfolio tells a story. It is the story of knowing. Knowing about things... Knowing oneself... Knowing an audience... Portfolios are students' own stories of what they know, why they believe they know it, and why others should be of the same opinion.” (Paulson & Paulson, 1991, p.2)
  • 118. Portfolios help learners find their Voice… and explore their Purpose and Passions through Choice!
  • 119. Do Your e-Portfolios have CHOICE and VOICE? Individual Identity Reflection Meaning Making 21st Century Literacy 68
  • 122. Victoria’s 2nd Grade Autobiography
  • 123. Tori – 2nd Grade
  • 124. Tori – 6th grade poem
  • 125. Naya’s Portfolio Naya, Anchorage School District, May 2000
  • 126. High School Student Trey – “I am From” – Bremerton High School, 2009
  • 127. Reflection – Retrospective“Good Moring Sunshines”
  • 129. Student examples Templates – public on Google Sites Hunter Park Kindergarten & Abigail's E-Profile - Blogger 3rd Grade – American School of Bombay – Google Sites Ryan’s Senior Project – Google Sites My Google Sites Presentation Portfolio
  • 130. 3 Levels of My Portfolio My website (where most artifacts are stored)http://electronicportfolios.org/ PDF version from 2000: http://electronicportfolios.org/samples/ My Blog = My Reflective Journal(Blogger) http://blog.helenbarrett.org/ My Professional/Presentation Portfolio(Google Sites) http://sites.helenbarrett.net/
  • 131. Developing Plans K-2– no individual student accounts & Class Portfolios Grades 3-5 – Individual student accounts & Level 1 portfolios with introduction to Reflection Grades 6-8 – Individual student accounts & Level 2 portfolios (Collection + Reflection) Grades 9-12 – Individual student accounts & Level 3 portfolios (Selection & Presentation)
  • 132. Professional Development January 17-18, 2011 Selection of hands-on activities: Create your Professional Portfolio Introduction to Digital Storytelling Blogging Share your emerging student portfolio experiences Other ideas as requested
  • 133. Create a Professional Portfolio Model Intrinsic Motivation! Share with Students! Prepare for the Portfolio Life!
  • 134. Creating a Professional Portfolio Hands-On Activity Using GoogleApps
  • 135. Begin with a Working Portfolio Adopt social networking strategies: Maintain a blog/reflective journal (Blogger or WordPress) Comments = Conversation Create a PLN on Twitter Follow and Invite FollowersSharing ideas/links/current events – Post Collect digital copies of your work Set up GoogleDocs account and upload Office Docs into one place
  • 136.
  • 138. Journal (Announcements page type)OR Blogger (when available in GoogleApps)
  • 139. Themes (Competencies or Goals or Standards)
  • 140.
  • 142. Strategies for Helping Students Reflect Interactive tools Journals: Blogs & Wikis ePortfolio tools with built-in reflection Survey tools Student self-expression Digital Storytelling http://electronicportfolios.org/reflection.html
  • 143. ePortfolios should be more Conversation than Presentation (or Checklist) Because Conversation transforms!
  • 144. Share your Professional Portfolio with your PLN Invite conversation and collaboration
  • 146. A Reminder… Reflection & Relationships … the “Heart and Soul” of an ePortfolio… NOT the Technology! 92
  • 147. My Final Wish… dynamic celebrations stories of deep learning across the lifespan 93
  • 148. Dr. Helen Barrett Researcher & ConsultantElectronic Portfolios & Digital Storytelling for Lifelong and Life Wide Learning eportfolios@gmail.com http://electronicportfolios.org/

Hinweis der Redaktion

  1. There are the two major approaches to implementing e-portfolios. Janus is the Roman god of gates and doors, beginnings and endings, and hence represented with a double-faced head, each looking in opposite directions. He was worshipped at the beginning of the harvest time, planting, marriage, birth, and other types of beginnings, especially the beginnings of important events in a person's life. Janus also represents the transition between primitive life and civilization, between the countryside and the city, peace and war, and the growing-up of young people.
  2. As defined in a JISC publication, Effective Practices with e-portfolios: The e-portfolio is the central and common point for the student experience… It is a reflection of the student as a person undergoing continuous personal development, not just a store of evidence. (Geoff Rebbeck, e-Learning Coordinator, Thanet College, quoted in JISC, 2008, Effective Practice with e-Portfolios)
  3. Begin to develop successful ePortfolio Processes this week through your PD. Here are the strategies you need to include: Students develop multimedia artifacts through Project-Based Learning & Learning with Laptops.Engage students in reflection to facilitate deep learning through Digital Storytelling and Journals/Blogs & Presentation Portfolios.
  4. “Portfolios should be less about tellingand more about talking!” Julie Hughes, University of Wolverhampton