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My Piece- Entity

The Conjuring

Insidious:Chaper 2

Wide Shot

Wide shot

Wide shot

Tracking

Tracking

Tracking

Panning

Above shot

180 degree rule

Match on Action

Extreme close up

Mid shot

Extreme Close up

Match on action

Mid shot

Mid shot



My piece contains a good range of
camera movements considering the
other professional pieces are over 2
minutes in length.





All my shots last an average of 4 seconds with
some being shorter due to editing.
A variation of fast and slow shots are used in The
Conjuring; faster shots when reaching a climactic
point, slower shots to build tension.
Mostly slower shots with an average timing of 6
seconds are used in Insidious: Chapter 2 this is
because there is no climactic points in this
opening.
The professional
piece have used
more locations than
I have, due to
bigger budgets and
full sets designed for
the film. Also the
other film openings
last longer than 2
minutes meaning
they can fit in more
narrative taking
them into different
areas.

My Piece Entity

The Conjuring

Insidious:
Chapter 2

Living roompacked up.

Living room.

Outside the
house.

Empty
bathroom.

Ally way

Entrance

Hall way

Living room

Bedroom

Dining room






I have kept my costuming naturalistic and within
the modern time period. All props I used fit with the
genre and with the narrative including: boxes,
mirror and TV.
In The Conjuring the costumes fit with the timer
period of the 1970’s, the props also reflect the time
period and the genre e.g. doll, photographs,
broken lamp.
The costuming in Insidious: Chapter 2 reflects the
time period that the opening is set in and set the
scene for the audience, the props also do this and
they reflect generic norms including: photographs,
car, head phones.
My piece- Entity

The Conjuring

Insidious: Chapter 2

Natural lighting to
create shadows.

Natural lighting.

Car lights at night.

Artificial lighting to
create shadows.

Artificial lighting for
night-time shoots.

Streetlight.

Flickering artificial light. Flickering artificial
lights.

Artificial lighting
indoors.






I have included generic conventions in the narrative, type of
antagonist and in the props used. These include a couple
moving into a house which is haunted/ possessed and lights
flickering and things moving on their own accord.
In The Conjuring this narrative is also used later on in the plot
but another narrative is used in the opening including a
generic prop –the doll. Other generic props are used and the
antagonist scares the characters in generic ways e.g. leaving
notes, smashing photos and appearing suddenly.
Since Insidious: Chapter 2 is a sequel its opening narrative
relates to events that have been mentioned in the previous
film, they still include a generic narrative of a person being
linked to a ghost/ demon. Generic props are also seen here
showing the signs of the supernatural presence.
My Piece- Entity

The Conjuring

Insidious:
Chapter 2

Frequency

Every 10 seconds.

Once at the
beginning

Mainly at the
beginning film credit
at the end.

Amount

3 credits
1 film title
2 institutional titles

2 institutional titles

4 institutional titles
8 credits
1 film title

Colour

White with red outer
glow
Black
White on black,
brown wood effect

Silver/blue on the
cloudy background

Dark colours
including blacks, grey
and blue.
Light blue
Red with orange
glow

Font

Block capitals, slightly
destroyed

Smooth, clean and
embossed.

Smooth, clean and
clear.

Animation

Fade in and fade out

Zoom in and
animated transition.

Fully animated
sequences
Smoke rises from
them.






I have created a soundtrack which includes high pitched
discordant violins and synthetic sounds. I have included
sound effects over the static and the institutional titles.
In The Conjuring the sound track is very prominent over the
institutional titles and decreases so the dialogue can be
heard, sound effects are used over the flickering lights and
when the crayon rolls across the floor. The soundtrack
includes lower pitched discordant violins and piano.
The Insidious: Chapter 2 soundtrack includes high pitched
violins in the background and a crescendo over the film title
which is reminiscent of Hammer Horror films. Sound effects are
used on the metronome and the walkie-talkie.
My narrative leads straight into the film and is set at the
same time as the rest of the plot, it introduces the two
main characters and the antagonist without giving
away what will happen.
 The narrative set out in The Conjuring’s opening is set
before the main plot and introduces only two if the
characters seen in the film. I gives away nothing of the
plot just the type of antagonist that the characters may
face.
 In Insidious: Chapter 2 the narrative of the opening is set
before the film and before the previous film and shows
some of the plot from the previous film. All the
characters seen appear later in the film but as their
older selves played by different actors. None of the plot
is given away but the antagonist is introduced.


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Rough cut comparison

  • 1.
  • 2. My Piece- Entity The Conjuring Insidious:Chaper 2 Wide Shot Wide shot Wide shot Tracking Tracking Tracking Panning Above shot 180 degree rule Match on Action Extreme close up Mid shot Extreme Close up Match on action Mid shot Mid shot  My piece contains a good range of camera movements considering the other professional pieces are over 2 minutes in length.
  • 3.    All my shots last an average of 4 seconds with some being shorter due to editing. A variation of fast and slow shots are used in The Conjuring; faster shots when reaching a climactic point, slower shots to build tension. Mostly slower shots with an average timing of 6 seconds are used in Insidious: Chapter 2 this is because there is no climactic points in this opening.
  • 4. The professional piece have used more locations than I have, due to bigger budgets and full sets designed for the film. Also the other film openings last longer than 2 minutes meaning they can fit in more narrative taking them into different areas. My Piece Entity The Conjuring Insidious: Chapter 2 Living roompacked up. Living room. Outside the house. Empty bathroom. Ally way Entrance Hall way Living room Bedroom Dining room
  • 5.    I have kept my costuming naturalistic and within the modern time period. All props I used fit with the genre and with the narrative including: boxes, mirror and TV. In The Conjuring the costumes fit with the timer period of the 1970’s, the props also reflect the time period and the genre e.g. doll, photographs, broken lamp. The costuming in Insidious: Chapter 2 reflects the time period that the opening is set in and set the scene for the audience, the props also do this and they reflect generic norms including: photographs, car, head phones.
  • 6. My piece- Entity The Conjuring Insidious: Chapter 2 Natural lighting to create shadows. Natural lighting. Car lights at night. Artificial lighting to create shadows. Artificial lighting for night-time shoots. Streetlight. Flickering artificial light. Flickering artificial lights. Artificial lighting indoors.
  • 7.    I have included generic conventions in the narrative, type of antagonist and in the props used. These include a couple moving into a house which is haunted/ possessed and lights flickering and things moving on their own accord. In The Conjuring this narrative is also used later on in the plot but another narrative is used in the opening including a generic prop –the doll. Other generic props are used and the antagonist scares the characters in generic ways e.g. leaving notes, smashing photos and appearing suddenly. Since Insidious: Chapter 2 is a sequel its opening narrative relates to events that have been mentioned in the previous film, they still include a generic narrative of a person being linked to a ghost/ demon. Generic props are also seen here showing the signs of the supernatural presence.
  • 8. My Piece- Entity The Conjuring Insidious: Chapter 2 Frequency Every 10 seconds. Once at the beginning Mainly at the beginning film credit at the end. Amount 3 credits 1 film title 2 institutional titles 2 institutional titles 4 institutional titles 8 credits 1 film title Colour White with red outer glow Black White on black, brown wood effect Silver/blue on the cloudy background Dark colours including blacks, grey and blue. Light blue Red with orange glow Font Block capitals, slightly destroyed Smooth, clean and embossed. Smooth, clean and clear. Animation Fade in and fade out Zoom in and animated transition. Fully animated sequences Smoke rises from them.
  • 9.    I have created a soundtrack which includes high pitched discordant violins and synthetic sounds. I have included sound effects over the static and the institutional titles. In The Conjuring the sound track is very prominent over the institutional titles and decreases so the dialogue can be heard, sound effects are used over the flickering lights and when the crayon rolls across the floor. The soundtrack includes lower pitched discordant violins and piano. The Insidious: Chapter 2 soundtrack includes high pitched violins in the background and a crescendo over the film title which is reminiscent of Hammer Horror films. Sound effects are used on the metronome and the walkie-talkie.
  • 10. My narrative leads straight into the film and is set at the same time as the rest of the plot, it introduces the two main characters and the antagonist without giving away what will happen.  The narrative set out in The Conjuring’s opening is set before the main plot and introduces only two if the characters seen in the film. I gives away nothing of the plot just the type of antagonist that the characters may face.  In Insidious: Chapter 2 the narrative of the opening is set before the film and before the previous film and shows some of the plot from the previous film. All the characters seen appear later in the film but as their older selves played by different actors. None of the plot is given away but the antagonist is introduced. 