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Art Appreciation Topic VI: Rococo and Neoclassicism c.1710-c.1810
	The Rococo style dominated European art for most of the 18th century. Superseding the Baroque movement, it emphasized elegance, frivolity, and decorative charm. It developed initially in France, but spread to most other parts of Europe. 	Rococo painters retained many of the themes that had been in vogue during the Baroque era, but treated them in a more light-hearted, playful and decorative manner. 	The Rococo style had a major impact on architecture, interior design, and the decorative arts, as well as painting.
GillesbyWatteau
Soap BubblesbyChardin
Girl with a KittenbyPerronneau
Portrait of the Marquise de PompadourbyBoucher
The BatherbyFalconet
The Broken MirrorbyGreuze
The SwingbyFragonard
VoltairebyPigalle
George WashingtonbyHoudon
Demolition of the Bastille by Robert
Apotheosis of Emperor Charles VI by Troger
ChronosbyGünther
The Stonemason’s Yard by Canaletto
Roma Antica by Panini
Woman with a MandolinbyTiepolo
Young Woman with a ParrotbyTiepolo
The Colosseum by Piranesi
William Gordon of FyviebyBatoni
Marriage à la Mode by Hogarth
Mr. and Mrs. Andrews by Gainsborough
The Blue BoybyGainsborough
Statue of ShakespearebyRoubiliac
Portrait of George IIIbyRamsay
Snowdon from LlynNantlleby Wilson
An Experiment on a Bird in the Air Pump by Wright of Derby
Mrs. Siddons as the Tragic MusebyReynolds
PinkiebySir Thomas Lawrence
Sir Walter ScottbyRaeburn
Neoclassicism, meaning “new classicism,” was inspired by the art of classical Greece and Rome—specifically its qualities of “noble simplicity and calm grandeur.” It was the dominant style of the late 18th and early 19th centuries. 	Neoclassical artists were often inspired by Greek and Roman history, literature, and myth, but they also treated many subjects, including portraits and landscapes, as well as themes from the political and social events of the time. 	In its purest form, Neoclassical art is severe and high-minded, but it also has more intimate and decorative aspects. It emphasizes order and clarity. It is often characterized as a stern reaction against the frivolity of the preceding Rococo idiom.
Pope Clement XIIIbyMengs
Parnassus by Mengs
Cupid and PsychebyCanova
Marie AntoinettebyVigée-Lebrun
The Sleep of Endymion by Girodet
The Death of MaratbyDavid
Napoleon Crossing the AlpsbyDavid
The Valpinçon BatherbyIngres
Horse Attacked by a Lion by Stubbs
The White House at Chelsea by Girtin
Greta Bridge by Cotman
As the population of the British colonies grew and colonists amassed greater wealth, the demand for consumer and luxury goods surged. The desire  for fine furniture, prints, and paintings not only spurred a rich overseas trade, but it also increasingly supported the work of local artists.	Many colonial American artists were European-born and –trained, but European art centers also remained important destinations for aspiring American-born artists long after the War of Independence. 	The birth of the nation stimulated greater interest in public sculpture and history painting. Portrait painting flourished, and political heroes, such as George Washington, offered ready material.
Rachel WeepingbyPeale
George WashingtonbyPeale(1772)
George WashingtonbyPeale(1776)
The Cabinet Room (and Reggie Bush)
GeorgeWashington at PrincetonbyPeale(1779)
Thomas JeffersonbyPeale(1791)
Thomas JeffersonbyPeale(1790s)
Benjamin FranklinbyPeale
Watson and the SharkbyCopley
The Declaration of Independence by Trumbull
Benjamin FranklinbyTrumbull

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Art Appreciation Topic VI: Rococo and Neoclassicism