This document discusses preservation, conservation, and data curation of historical documents. It provides examples of different types of historical documents like illuminated manuscripts, incunables, and photographs. It then discusses the various threats documents face like water and mold damage, ink corrosion, and vinegar syndrome in microfilms. The document outlines methods for preservation like deacidification processes and disaster preparedness. It also discusses conservation and restoration techniques with the goals of securing the text, respecting the originality and historical traces, and using reversible methods. Case studies of flood damage and fires are presented along with before and after photos of restoration projects.
6. Preservation and conservation
Reinhard Feldmann
Preservation and Conservation
ƒ Bearer of information
ƒ Clay > papyrus > Paper > Microfilm > E-paper
ƒ Medium of writing or printing
ƒ Stylus > Ink > Laser
ƒ Binding and appearance
ƒ „Book“ > Tablet
14. Preservation and Conservation
Preservation and Conservation (1)
ƒ Cooperation
ƒ Education
ƒ Knowledge & research
ƒ Institutional context & workflow
ƒ Financial equipment
15. Preservation and Conservation (2)
ƒ General remarks
ƒ Paper decay and mass neutralisation
ƒ Desaster preparedness
ƒ Individual restauration / single item
treatment
Preservation and Conservation
21. Preservation and Conservation (2)
ƒ General remarks
ƒ Paper decay and mass neutralisation
ƒ Desaster preparedness
ƒ Individual restauration / single item
treatment
Preservation and Conservation
28. Preservation and Conservation (2)
ƒ General remarks
ƒ Paper decay and mass neutralisation
ƒ Desaster preparedness
ƒ Individual restauration / single item
treatment
Preservation and Conservation
32. Preservation and Conservation (2)
ƒ General remarks
ƒ Paper decay and mass neutralisation
ƒ Desaster preparedness
ƒ Individual restauration / single item
treatment
Preservation and Conservation
35. „preservation and restauration“
Basic considerations
1. Books are cultural assets
2. Securing text and “intrinsic value“
3. Restoration begins with dicussion
4. Full restoration or „minimal intervention“?
5. Originality & Historical traces
6. Concluding age and history
36. „preservation and restauration“
Demands towards the restorer
1. Use existing material, replacement only due
to technical, not to aesthetic reasons
2. Reversability
3. Restauration method must be justified
4. Documentation of restauration and methods
5. No loss of information