2. After looking at my second draft and receiving
Original tape feedback on it, it was quickly realised that the
samples sellotape didn’t exactly look like it was sellotape (as
seen on the left).
So I deleted the original layer and started the
sellotape process from scratch.
3. The first step I did was to look at a
roll of sellotape to see the exact
colour it was. Once I had done
this, I applied the sellotape stencil
to the positions on my double
page spread. The first colour I
made it was white, but this was
too white and made it look un-
sellotape like. So I then added a
new layer, re-applied the
sellotape stencil but this time
made it an off yellow colour in the
same position, so it could be
more visible and closer to the
natural sellotape colour. I then did
this with all sellotape
appearances on my double page
spread.
4. The final steps in creating the final draft of my music magazine double page spread was to
add the by-line and the branding.
The by-line is a line within the spread that notifies the reader who wrote the text and who
took the image. I added this to my magazine as it adds authenticity to the pages, is a
useful piece of information the reader may want to know and it is a common technique
seen in most magazine double page spreads.
The last step I took was to add the ‘Slickk’ at the bottom right hand corner of the page. I
did this because it appeared like this on my front cover and to keep the continuity in the
branding of my overall magazine.
The very last steps I took was to slightly increase the size of the slug and make the anchor
text in capital letters to make to easier to read for the audience.
