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(Not So) Postmodern  Authenticity The Case of Pearl Jam
Authenticity ,[object Object],[object Object],[object Object]
Authenticity as ideology ,[object Object],[object Object],[object Object]
Postmodern Authenticity ,[object Object],[object Object],[object Object]
Romanticism ,[object Object],[object Object],[object Object]
Aims ,[object Object],[object Object],[object Object]
 
Live-Performance ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Non-Commercial   ,[object Object]
Suspicion towards Technology ,[object Object],[object Object],[object Object]
Suspicion towards Technology ,[object Object],[object Object],[object Object],[object Object]
Suspicion towards Technology ,[object Object],[object Object],[object Object],[object Object]
Relation to a certain community ,[object Object],[object Object]
Relation to the “roots”   ,[object Object],[object Object]
Relation to the “roots” (2) ,[object Object],[object Object],[object Object]
Valorising anti-rationality   ,[object Object],"There are certain songs that come from emotion […] It's got nothing to do with melody or timing or even words; it has to do with the emotion behind the song.   You can't put out 50 percent. You have to sing them from a feeling…”
Valorising anti-rationality (2) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Being true to oneself   ,[object Object],[object Object]
Summary ,[object Object],[object Object],[object Object]
Further research ,[object Object],[object Object],[object Object]
www.wordpress.com/cutcopyandpaste ,[object Object]

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(Not So) Postmodern Authenticity: The Case of Pearl Jam

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