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Managing Color to Create Better Art
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Lights
Pigments ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
The Color Wheel ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Working with Complements from the Color Wheel ,[object Object]
Pointillism: Painting Light  with Complementary Colors ,[object Object],[object Object],[object Object],[object Object],[object Object]
Describing Colors ,[object Object]
Every Pigment  Has a  Color Index Value That corresponds to a spot on the color wheel ,[object Object],[object Object],[object Object],[object Object],[object Object]
   Temperature Bias - Warm vs. Cool: ,[object Object],[object Object],[object Object],[object Object]
   Saturation, Purity, or “Brightness” ,[object Object],[object Object],[object Object],[object Object]
   Value ,[object Object],[object Object],[object Object],[object Object]
Describing Paints Physical Characteristics of Pigments
Ingredients: ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Watercolor Characteristics: ,[object Object]
Transparency ,[object Object],[object Object],[object Object],[object Object]
Permanent/Light fast  vs. Fugitive: How long does the color last on the paper? ,[object Object],[object Object],[object Object],[object Object]
Staining vs. Nonstaining: ,[object Object],[object Object],[object Object],[object Object]
Granulating: ,[object Object]
Flocculating or “Clumping” ,[object Object],[object Object],[object Object]
Toxicity: ,[object Object],[object Object]
Other Characteristics ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Brand and Grade of Paint ,[object Object],[object Object],[object Object],[object Object]
Your Personal Palette: There Are No “Pure” Colors  and how all this information applies to you: The 6-color Palette  ,[object Object],[object Object]
The Wilcox Color Method ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],There are no “pure” colors; all colors contain more than one hue Michael Wilcox, “Blue and Yellow Don’t Make Green,” ISBN-10: 0967962870 ISBN-13: 978-0967962870; see the wheel at  http://zehnkatzen.blogspot.com/2009/03/wilcox-color-bias-wheel-yellow-and-blue.html
Jan Hart’s 6-Color Palette ,[object Object],[object Object]
Your Favorite Neutrals
Hands-on Session ,[object Object],[object Object],[object Object],[object Object]
Color Schemes to Unite the Colors In Your Painting ,[object Object],[object Object],[object Object],[object Object]
Complementary: Vibrant ,[object Object]
[object Object],Analogous:  Harmonious
Split Complementary: Vibrant but Less Tense  ,[object Object]
Triadic:  Vibrant, Primitive ,[object Object],[object Object]
Tetradic: Rich, Full ,[object Object]
Monotone or duotone:  ,[object Object]
Tip:  ,[object Object]
More Tips on Painting
Determine the Key ,[object Object],[object Object],[object Object]
Decide on the Temperature ,[object Object]
As a rule, don’t use gray or black for shadows. Painting Shadows:
Shading Objects ,[object Object]
[object Object]
[object Object],Painting Cast Shadows
 
 
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Painting distances
Painting morning light vs. afternoon light ,[object Object],[object Object],[object Object],[object Object]
Tips ,[object Object],[object Object]
Read More ,[object Object]

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Managing color in design