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The historic evolution of
    intermediation

        Ian Grosvenor
              &
       Natasha Macnab
Research Question WPII
To examine how cultural intermediation has
 developed historically, whose interests it
 has served and what lessons this provides
 for understanding best practice today.

Looking at intervals of expansion and
  economic uncertainty
Method
•   Desk based research
•   Documentary research
•   Case studies
•   Interviews
Timeframe
DECADE           PERIOD


1955-1965        Growth


19-75-1985       Decline


1995-2005        Growth
Scoping study – Bham Case
  Studies –selection to be made
1. Community photographers – individuals & collectives -
  inc. Ten:8

2. Performance – Banner Theatre, BOC

3. Alternative arts organisations – Arts Lab/Triangle, Black
   pasts, Bham futures, Drum (have their own archive),
   Ikon, Broadside, Tindall St. Books

4. Creative Partnerships & WM Arts Council …?
Scoping study – Manc. Case
    Studies –selection to be made
•   Manchester Studies Unit (Bill Williams)
•   Corner House
•   Hospital Arts Centre
•   Factory Records
•   Black Woman’s Co-op
Future Conversations
    University’s
Cultural Partnership                                        Birmingham Cultural
Bham Rep, Ikon, BRB, CBSO,                                      Partnership
 BOC, Perf. Bham, LoB, BMT




                                 Creative City
                                Umbrella Organisations
                             BCC, UoB, BCU, Bham Cultural
                               Alliance, Marketing Bham
Indicative WPII Outputs
• Data for mobile/web/touch table
• Interview data sets
• Paper
Questions
• Birmingham & Manchester, symmetry?
• Community historian/archivist: Vanley Burke
   (1970-2005) Collecting faith groups, education,
   community, arts, representation, performance,
   festivals, seminars and conferences all collected
   and deposited with city for researchers to use.
Is he functioning as a cultural intermediary?

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2012 april nm historic

  • 1. The historic evolution of intermediation Ian Grosvenor & Natasha Macnab
  • 2. Research Question WPII To examine how cultural intermediation has developed historically, whose interests it has served and what lessons this provides for understanding best practice today. Looking at intervals of expansion and economic uncertainty
  • 3. Method • Desk based research • Documentary research • Case studies • Interviews
  • 4. Timeframe DECADE PERIOD 1955-1965 Growth 19-75-1985 Decline 1995-2005 Growth
  • 5. Scoping study – Bham Case Studies –selection to be made 1. Community photographers – individuals & collectives - inc. Ten:8 2. Performance – Banner Theatre, BOC 3. Alternative arts organisations – Arts Lab/Triangle, Black pasts, Bham futures, Drum (have their own archive), Ikon, Broadside, Tindall St. Books 4. Creative Partnerships & WM Arts Council …?
  • 6. Scoping study – Manc. Case Studies –selection to be made • Manchester Studies Unit (Bill Williams) • Corner House • Hospital Arts Centre • Factory Records • Black Woman’s Co-op
  • 7. Future Conversations University’s Cultural Partnership Birmingham Cultural Bham Rep, Ikon, BRB, CBSO, Partnership BOC, Perf. Bham, LoB, BMT Creative City Umbrella Organisations BCC, UoB, BCU, Bham Cultural Alliance, Marketing Bham
  • 8. Indicative WPII Outputs • Data for mobile/web/touch table • Interview data sets • Paper
  • 9. Questions • Birmingham & Manchester, symmetry? • Community historian/archivist: Vanley Burke (1970-2005) Collecting faith groups, education, community, arts, representation, performance, festivals, seminars and conferences all collected and deposited with city for researchers to use. Is he functioning as a cultural intermediary?