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Stop Telling Designers 
What To Do: 
Reframing Instructional 
Design Education Through 
the Lens of ID Practice 
elizabeth 
boling, 
colin 
m. 
gray, 
and 
muruvvet 
demiral 
uzan
additional 
collaborators 
- Cesur 
Dagli 
- Funda 
Ergulec 
- Abdullah 
Altuwaijri 
- Khendum 
Gyabak 
- Megan 
Hilligoss 
- Remzi 
Kizilboga 
- Verily 
Tan 
- Kei 
Tomita
background, 
purpose, 
& 
previous 
studies 
- Research 
on 
ID 
practice 
has 
been 
limited 
- On 
its 
own 
terms 
(Rowland, 
1992) 
- Comparing 
practice 
to 
existing 
ID 
models 
or 
frameworks 
(e.g., 
ADDIE) 
(Wedman 
& 
Tessmer, 
1993; 
Visscher-­‐Voerman 
and 
Gustafson, 
2004) 
- Attempts 
to 
approach 
the 
complexity 
of 
practice 
by 
translating 
it 
into 
explicit, 
teachable 
terms 
(Ertmer, 
York, 
& 
Gedik, 
2009; 
Ertmer 
et 
al., 
2009) 
- Lack 
of 
knowledge 
about 
practice 
has 
constrained 
our 
conceptions 
of 
what 
ID 
education 
should 
include 
- transferring 
an 
idealized 
notion 
of 
design 
to 
students, 
providing 
learners 
with 
knowledge 
of 
the 
models, 
theories, 
and 
principles 
advocated 
by 
the 
field 
(Smith, 
2008; 
Smith 
& 
Boling, 
2009)
design 
practice 
& 
judgment 
- Conception 
of 
judgment 
in 
the 
broader 
study 
of 
design 
- based 
in, 
or 
impelled 
by, 
tacit 
knowledge 
that 
affects 
the 
actions 
of 
designers 
(see 
Polanyi, 
1966; 
Vickers, 
1984; 
Holt, 
1997) 
- Related 
to 
modes 
of 
cognition 
and 
forms 
of 
knowledge 
specific 
to 
designing 
(Cross, 
2010) 
- comprises 
multiple 
forms 
that 
are 
(Nelson 
& 
Stolterman, 
2012): 
- exercised 
as 
nuanced 
decisions 
throughout 
designing 
- not 
limited 
to 
rational 
choice 
of 
strategies 
based 
in 
data
design 
judgment 
types 
Type Operationalized 
Definition 
framing Creating 
a 
working 
area 
for 
design 
activities 
to 
occur, 
often 
by 
introducing 
constraints 
(client 
or 
tool) 
or 
ways 
of 
assessing 
outcomes. 
This 
occurs 
dynamically 
across 
multiple 
levels. 
deliberated 
off-­‐hand Recalling 
to 
consciousness 
previous 
judgments 
that 
have 
led 
to 
successful 
practices 
and 
opening 
them 
to 
the 
possibility 
of 
adaptation 
or 
use. 
appreciative Placing 
high 
value 
and 
emphases 
on 
certain 
aspect/s 
of 
a 
design 
situation 
while 
backgrounding 
others. 
quality Making 
design 
decisions 
about 
the 
effectiveness 
of 
visual 
and 
other 
forms 
of 
style, 
or 
to 
demonstrate 
due 
diligence, 
often 
in 
accordance 
with 
company 
standards, 
in 
relation 
to 
a 
concrete 
design 
artifact. 
appearance Assessment 
of 
overall 
quality, 
relating 
to 
an 
entire 
product 
or 
experience, 
rather 
than 
just 
a 
portion. 
This 
often 
includes 
part/whole 
relations 
within 
a 
frame 
of 
aesthetic 
experience 
or 
measurement 
against 
heuristic(s). 
connective Making 
connections, 
or 
bridging 
various 
design 
objects 
that 
are 
central 
to 
the 
design 
process 
and 
activity. 
The 
connections 
made 
in 
this 
context 
are 
not 
generalized 
but 
specific 
to 
the 
design 
situation.
design 
judgment 
types 
Type Operationalized 
Definition 
compositional Making 
connections 
or 
bringing 
various 
design 
objects 
together 
that 
are 
central 
to 
the 
design 
process 
and 
activity. 
The 
connections 
made 
in 
this 
context 
are 
generalized 
and 
not 
specific 
to 
a 
particular 
design 
situation 
but 
to 
the 
overall 
process. 
instrumental The 
selecting, 
utilization, 
or 
influence 
of 
a 
tool, 
concept, 
or 
method 
in 
reaching 
an 
established 
design 
goal. 
navigational Considering 
a 
path, 
plan, 
or 
certain 
manner 
(of 
individual, 
disciplined 
preference) 
in 
approaching 
a 
task 
or 
a 
challenge 
to 
get 
to 
a 
desired 
state. 
default Giving 
an 
automatic 
response 
to 
a 
situation 
without 
deliberation. 
core Statement 
about 
one’s 
value 
or 
thinking, 
usually 
revealed 
when 
pushed 
by 
“why” 
questions 
concerning 
one’s 
judgment.
research 
questions 
& 
method 
- What 
do 
IDs 
do 
in 
practice 
consistent 
with 
design 
judgment? 
- What 
design 
judgments 
take 
place 
in 
ID 
activities? 
- exploratory 
questions 
and 
research 
design 
- 8 
practicing 
IDs 
at 
two 
sites 
of 
ID 
practice 
- field 
observations 
(20 
hours 
total) 
with 
handwritten 
field 
notes 
and 
follow-­‐up 
interviews 
with 
notes 
and 
audio 
recording 
- 
unitized 
coding 
of 
judgments 
- holistic 
case 
summaries 
- we 
observed 
IDs 
in 
whatever 
part 
of 
their 
projects 
were 
happening 
at 
the 
time 
we 
were 
there 
… 
we 
did 
not 
assume 
judgments 
would 
be 
happening 
only 
at 
certain 
times, 
and 
we 
were 
not 
assessing 
or 
describing 
any 
specific 
project
Name 
Company 
Role 
Years 
of 
Experience 
Background 
Gabriel 
Campus-­‐wide 
Consultancy 
Media 
Consultant 
6 
Degree 
in 
Computer 
Science; 
Masters 
in 
Comm. 
& 
Tech. 
Emily 
Established 
ID 
Firm 
ID 
0.17 
ID 
in 
non-­‐profit 
fields 
Julia 
Established 
ID 
Firm 
Senior 
ID/Project 
Leader 
7 
Degree 
in 
Fine 
Arts; 
Masters 
in 
IST 
Heather 
Established 
ID 
Firm 
Project 
Manager 
11 
Degree 
in 
English; 
Masters 
in 
IST 
Ethan 
Established 
ID 
Firm 
ID 
2.5 
Degree 
in 
IT; 
Masters 
in 
Instructional 
Tech. 
Claire 
Established 
ID 
Firm 
ID 
6.5 
Degree 
in 
Ed. 
Counseling; 
Masters 
in 
EdTech 
Adam 
Established 
ID 
Firm 
Course 
Director 
10 
Degree 
in 
Journalism; 
EdS 
in 
IST 
Sally 
Established 
ID 
Firm 
ID 
3 
Masters 
in 
Screenwriting
findings 
& 
discussion
many 
judgments 
are 
made 
and 
occur 
in 
every 
part 
of 
the 
design 
process 
- average 
of 
one 
observed 
judgment 
every 
4 
minutes 
- judgments 
include 
every 
type 
- framing, 
appreciative, 
instrumental 
and 
navigational 
most 
frequent 
- default 
and 
off-­‐hand 
judgments 
next 
most 
frequent 
- core 
judgments 
least 
available 
for 
observation 
- judgments 
are 
made 
on 
a 
continuous 
basis 
throughout 
projects, 
and 
not 
just 
as 
mental 
“adjustments” 
to 
models 
- these 
judgments 
cannot 
be 
discovered 
through 
the 
application 
of 
a 
priori 
scientific 
models
judgments 
were 
highly 
situational, 
not 
objective 
in 
the 
scientific 
sense 
- Design 
judgments 
can 
create 
the 
environment 
in 
which 
design 
activity 
is 
enacted, 
and 
reciprocally, 
the 
situational 
qualities 
of 
a 
particular 
design 
context 
can 
then 
shape 
the 
kinds 
of 
judgments 
that 
can 
be 
made. 
- design 
environment/office 
culture 
- role 
or 
position 
of 
the 
designer 
- project, 
client, 
and 
external 
team 
members
example 
- Ethan’s 
work 
was 
shaped 
as 
his 
client 
asked 
for 
last 
minute 
changes, 
and 
was 
not 
timely 
in 
some 
of 
the 
deliverables; 
he 
exercised 
his 
judgment 
in 
interpreting 
client 
requests, 
and 
communicating 
them 
to 
his 
teammates. 
- Heather 
used 
her 
navigational 
judgment 
in 
dealing 
with 
ill-­‐defined 
requests 
from 
clients, 
showing 
skill 
in 
managing 
them. 
- 
Gabriel 
exercised 
multiple 
judgments 
as 
he 
negotiated 
the 
details 
for 
an 
upcoming 
workshop 
in 
a 
symposium, 
as 
his 
client 
explained 
the 
structure 
and 
vision 
of 
the 
workshop; 
the 
client 
valued 
Gabriel’s 
judgment 
in 
deciding 
the 
inclusion 
of 
content 
- we 
saw 
many 
design 
judgments 
made 
in 
collaboration 
with 
a 
team 
where 
norms, 
however 
implicit, 
will 
always 
be 
assumed 
to 
be 
in 
play 
– 
company 
guidelines 
and 
principles 
(e.g., 
company 
philosophy, 
common 
knowledge 
base 
built 
up) 
were 
also 
referenced 
in 
the 
design 
judgments 
of 
Julia 
and 
Heather
judgments 
are 
clustered 
and 
layered 
- multiple 
design 
judgment 
types 
are 
clustered 
together; 
they 
appear 
in 
complex, 
contextually-­‐bound 
expressions 
rather 
than 
as 
pure 
philosophical 
forms 
- some 
judgments 
are 
foregrounded 
at 
any 
given 
time 
and 
others 
present 
in 
the 
background, 
even 
if 
they 
are 
important 
drivers 
of 
action 
- core 
judgments 
are 
not 
conscious 
and 
must 
be 
interpreted 
through 
action 
- judgments 
are 
not 
always 
made 
by 
the 
instructional 
designer, 
but 
by 
others 
in 
the 
organization 
and 
by 
organizational 
norms
example 
- “He 
also 
seemed 
to 
be 
working 
with 
multiple 
kinds 
of 
judgment 
simultaneously, 
such 
as 
considering 
the 
possibility 
that 
workshop 
participants 
may 
be 
interested 
in 
attending 
multiple 
workshops 
… 
and 
foregrounding 
his 
concerns 
for 
the 
time 
of 
instruction, 
workshop 
format, 
and 
purpose 
of 
the 
workshop 
” 
(Gabriel) 
- She 
started 
the 
meeting 
[with 
a 
client 
via 
teleconferencing] 
with 
questions. 
She 
needs 
clarification 
on 
the 
document 
to 
understand 
the 
content 
better 
and 
said 
she 
wanted 
to 
ask 
questions 
to 
the 
person 
who 
created 
high 
level 
outline. 
[...] 
She 
continued 
making 
clarification 
on 
the 
understanding 
of 
the 
content 
and 
she 
asked 
“what 
communication 
skills 
and 
active 
listening 
skills 
mean. 
She 
wanted 
to 
sure 
whether 
what 
she 
understood 
is 
same 
what 
they 
mean 
with 
these 
terms. 
Then, 
she 
stated 
that 
she 
would 
like 
to 
have 
the 
definition 
of 
“active 
listening 
skills. 
(Claire)
limitations 
- Data 
limited 
to 
one 
ID 
at 
a 
time, 
although 
others 
appear 
in 
the 
frame 
- No 
continuity 
across 
projects 
or 
project 
teams 
- Convenient 
sample, 
with 
most 
IDs 
originally 
educated 
in 
a 
single 
ID 
program 
- In 
some 
instances 
participants 
over-­‐explained 
practice 
during 
the 
observation 
- Operationalization 
of 
a 
philosophical 
model 
of 
judgment 
is 
incomplete
implications 
for 
teaching 
instructional 
design 
This 
study 
is 
limited 
but 
suggestive 
– 
with 
a 
window 
into 
how 
design 
judgment 
is 
exercised 
in 
practice 
we 
can 
consider 
ideas 
like 
these: 
- Design 
judgment 
is 
a 
continuous 
faculty 
which 
designers 
cannot 
escape 
in 
any 
part 
of 
the 
process 
– 
therefore 
it 
cannot 
be 
taught 
as 
if 
it 
were 
an 
individual 
moment 
in 
design, 
or 
as 
if 
it 
were 
already 
built 
in 
to 
the 
tools 
they 
are 
learning 
- if 
judgments 
cannot 
be 
made 
outside 
the 
fully 
complex 
context 
of 
action 
and 
then 
applied 
to 
that 
context, 
designers 
cannot 
stand 
outside 
a 
situation 
and 
understand 
it 
(make 
appreciative 
or 
navigational 
judgments) 
-­‐-­‐ 
therefore, 
we 
cannot 
prepare 
students 
for 
design 
action 
outside 
a 
fully 
complex 
situation 
by 
teaching 
them 
analysis 
as 
if 
it 
were 
separate 
from 
design
implications 
for 
teaching 
instructional 
design 
This 
study 
is 
limited 
but 
suggestive 
– 
with 
a 
window 
into 
how 
design 
judgment 
is 
exercised 
in 
practice 
we 
can 
consider 
ideas 
like 
these: 
- Design 
judgments 
themselves 
are 
both 
varied 
and 
complex 
-­‐-­‐ 
they 
are 
not 
made 
in 
isolation 
and 
therefore 
should 
not 
be 
taught 
in 
isolation. 
- With 
multiple 
forms 
of 
judgment 
required 
for 
designing, 
which 
form 
of 
judgment 
to 
exercise 
at 
a 
given 
time 
is 
itself 
a 
judgment 
and 
a 
context-­‐ 
dependent 
one 
– 
there 
is 
no 
comprehensive 
means 
by 
which 
to 
anticipate 
what 
judgments 
students 
will 
have 
to 
make 
and 
when 
they 
will 
need 
to 
make 
them; 
we 
need 
to 
help 
them 
recognize 
when 
judgments 
have 
to 
be 
made 
and 
help 
them 
develop 
their 
capacity 
to 
make 
judgments 
… 
this 
involves 
personal 
development 
that 
cannot 
wait 
until 
they 
get 
“on 
the 
job”
references 
- Boling, 
E., 
& 
Smith, 
K. 
M. 
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doi:10.1007/s11423-­‐011-­‐9209-­‐2

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Stop Telling Designers What To Do: Reframing Instructional Design Education Through the Lens of ID Practice

  • 1. Stop Telling Designers What To Do: Reframing Instructional Design Education Through the Lens of ID Practice elizabeth boling, colin m. gray, and muruvvet demiral uzan
  • 2. additional collaborators - Cesur Dagli - Funda Ergulec - Abdullah Altuwaijri - Khendum Gyabak - Megan Hilligoss - Remzi Kizilboga - Verily Tan - Kei Tomita
  • 3. background, purpose, & previous studies - Research on ID practice has been limited - On its own terms (Rowland, 1992) - Comparing practice to existing ID models or frameworks (e.g., ADDIE) (Wedman & Tessmer, 1993; Visscher-­‐Voerman and Gustafson, 2004) - Attempts to approach the complexity of practice by translating it into explicit, teachable terms (Ertmer, York, & Gedik, 2009; Ertmer et al., 2009) - Lack of knowledge about practice has constrained our conceptions of what ID education should include - transferring an idealized notion of design to students, providing learners with knowledge of the models, theories, and principles advocated by the field (Smith, 2008; Smith & Boling, 2009)
  • 4. design practice & judgment - Conception of judgment in the broader study of design - based in, or impelled by, tacit knowledge that affects the actions of designers (see Polanyi, 1966; Vickers, 1984; Holt, 1997) - Related to modes of cognition and forms of knowledge specific to designing (Cross, 2010) - comprises multiple forms that are (Nelson & Stolterman, 2012): - exercised as nuanced decisions throughout designing - not limited to rational choice of strategies based in data
  • 5. design judgment types Type Operationalized Definition framing Creating a working area for design activities to occur, often by introducing constraints (client or tool) or ways of assessing outcomes. This occurs dynamically across multiple levels. deliberated off-­‐hand Recalling to consciousness previous judgments that have led to successful practices and opening them to the possibility of adaptation or use. appreciative Placing high value and emphases on certain aspect/s of a design situation while backgrounding others. quality Making design decisions about the effectiveness of visual and other forms of style, or to demonstrate due diligence, often in accordance with company standards, in relation to a concrete design artifact. appearance Assessment of overall quality, relating to an entire product or experience, rather than just a portion. This often includes part/whole relations within a frame of aesthetic experience or measurement against heuristic(s). connective Making connections, or bridging various design objects that are central to the design process and activity. The connections made in this context are not generalized but specific to the design situation.
  • 6. design judgment types Type Operationalized Definition compositional Making connections or bringing various design objects together that are central to the design process and activity. The connections made in this context are generalized and not specific to a particular design situation but to the overall process. instrumental The selecting, utilization, or influence of a tool, concept, or method in reaching an established design goal. navigational Considering a path, plan, or certain manner (of individual, disciplined preference) in approaching a task or a challenge to get to a desired state. default Giving an automatic response to a situation without deliberation. core Statement about one’s value or thinking, usually revealed when pushed by “why” questions concerning one’s judgment.
  • 7. research questions & method - What do IDs do in practice consistent with design judgment? - What design judgments take place in ID activities? - exploratory questions and research design - 8 practicing IDs at two sites of ID practice - field observations (20 hours total) with handwritten field notes and follow-­‐up interviews with notes and audio recording - unitized coding of judgments - holistic case summaries - we observed IDs in whatever part of their projects were happening at the time we were there … we did not assume judgments would be happening only at certain times, and we were not assessing or describing any specific project
  • 8. Name Company Role Years of Experience Background Gabriel Campus-­‐wide Consultancy Media Consultant 6 Degree in Computer Science; Masters in Comm. & Tech. Emily Established ID Firm ID 0.17 ID in non-­‐profit fields Julia Established ID Firm Senior ID/Project Leader 7 Degree in Fine Arts; Masters in IST Heather Established ID Firm Project Manager 11 Degree in English; Masters in IST Ethan Established ID Firm ID 2.5 Degree in IT; Masters in Instructional Tech. Claire Established ID Firm ID 6.5 Degree in Ed. Counseling; Masters in EdTech Adam Established ID Firm Course Director 10 Degree in Journalism; EdS in IST Sally Established ID Firm ID 3 Masters in Screenwriting
  • 10. many judgments are made and occur in every part of the design process - average of one observed judgment every 4 minutes - judgments include every type - framing, appreciative, instrumental and navigational most frequent - default and off-­‐hand judgments next most frequent - core judgments least available for observation - judgments are made on a continuous basis throughout projects, and not just as mental “adjustments” to models - these judgments cannot be discovered through the application of a priori scientific models
  • 11. judgments were highly situational, not objective in the scientific sense - Design judgments can create the environment in which design activity is enacted, and reciprocally, the situational qualities of a particular design context can then shape the kinds of judgments that can be made. - design environment/office culture - role or position of the designer - project, client, and external team members
  • 12. example - Ethan’s work was shaped as his client asked for last minute changes, and was not timely in some of the deliverables; he exercised his judgment in interpreting client requests, and communicating them to his teammates. - Heather used her navigational judgment in dealing with ill-­‐defined requests from clients, showing skill in managing them. - Gabriel exercised multiple judgments as he negotiated the details for an upcoming workshop in a symposium, as his client explained the structure and vision of the workshop; the client valued Gabriel’s judgment in deciding the inclusion of content - we saw many design judgments made in collaboration with a team where norms, however implicit, will always be assumed to be in play – company guidelines and principles (e.g., company philosophy, common knowledge base built up) were also referenced in the design judgments of Julia and Heather
  • 13. judgments are clustered and layered - multiple design judgment types are clustered together; they appear in complex, contextually-­‐bound expressions rather than as pure philosophical forms - some judgments are foregrounded at any given time and others present in the background, even if they are important drivers of action - core judgments are not conscious and must be interpreted through action - judgments are not always made by the instructional designer, but by others in the organization and by organizational norms
  • 14. example - “He also seemed to be working with multiple kinds of judgment simultaneously, such as considering the possibility that workshop participants may be interested in attending multiple workshops … and foregrounding his concerns for the time of instruction, workshop format, and purpose of the workshop ” (Gabriel) - She started the meeting [with a client via teleconferencing] with questions. She needs clarification on the document to understand the content better and said she wanted to ask questions to the person who created high level outline. [...] She continued making clarification on the understanding of the content and she asked “what communication skills and active listening skills mean. She wanted to sure whether what she understood is same what they mean with these terms. Then, she stated that she would like to have the definition of “active listening skills. (Claire)
  • 15. limitations - Data limited to one ID at a time, although others appear in the frame - No continuity across projects or project teams - Convenient sample, with most IDs originally educated in a single ID program - In some instances participants over-­‐explained practice during the observation - Operationalization of a philosophical model of judgment is incomplete
  • 16. implications for teaching instructional design This study is limited but suggestive – with a window into how design judgment is exercised in practice we can consider ideas like these: - Design judgment is a continuous faculty which designers cannot escape in any part of the process – therefore it cannot be taught as if it were an individual moment in design, or as if it were already built in to the tools they are learning - if judgments cannot be made outside the fully complex context of action and then applied to that context, designers cannot stand outside a situation and understand it (make appreciative or navigational judgments) -­‐-­‐ therefore, we cannot prepare students for design action outside a fully complex situation by teaching them analysis as if it were separate from design
  • 17. implications for teaching instructional design This study is limited but suggestive – with a window into how design judgment is exercised in practice we can consider ideas like these: - Design judgments themselves are both varied and complex -­‐-­‐ they are not made in isolation and therefore should not be taught in isolation. - With multiple forms of judgment required for designing, which form of judgment to exercise at a given time is itself a judgment and a context-­‐ dependent one – there is no comprehensive means by which to anticipate what judgments students will have to make and when they will need to make them; we need to help them recognize when judgments have to be made and help them develop their capacity to make judgments … this involves personal development that cannot wait until they get “on the job”
  • 18. references - Boling, E., & Smith, K. M. (2014). Critical issues in studio pedagogy: Beyond the mystique and down to business. In B. Hokanson & A. Gibbons (Eds.), Design in educational technology (pp. 37-­‐56). Switzerland: Springer Verlag. - Boling, E., Hardre, P., Easterling, W., Korkmaz, N. and Howard, C. ( 2010). How do we Perceive Design Character in Educational Technology" Association for Educational Communications and Technology, Anaheim, CA; October, 2010. - Brandt, C. B., Cennamo, K., Douglas, S., Vernon, M., McGrath, M., & Reimer, Y. (2013). A theoretical framework for the studio as a learning environment. International Journal of Technology and Design Education, 23(2), 329-­‐348. doi:10.1007/s10798-­‐011-­‐9181-­‐5 - Christensen, T. K., & Osguthorpe, R. T. (2004). How do instructional-­‐design practitioners make instructional-­‐strategy decisions? Performance Improvement Quarterly, 17(3), 45-­‐65. - Cross, N. (2010). Designerly ways of knowing. Springer. - Ertmer, P. A., York, C. S., & Gedik, N. (2009). Learning from the pros: How experienced designers translate instructional design models into practice. Educational Technology, 49(1), 19-­‐27. - Holt, J. E. (1997). The designer's judgement. Design Studies, 18(1), 113-­‐123. - Kirschner, P., Carr, C., Merriënboer, J., & Sloep, P. (2002). How expert designers design. Performance Improvement Quarterly, 15(4), 86-­‐104. - Korkmaz, N., & Boling, E. (2014). Development of design judgment in instructional design: Perspectives from instructors, students, and instructional designers. In Design in educational technology (pp. 161-­‐184). Switzerland: Springer Verlag. - Koszalka, T., Russ-­‐Eft, D., Reiser, R (with Senior-­‐Canela, F.Grabowski, B. & Wallington, C.J.) (2013). Instructional design competencies: The standards (4th Ed). Charlotte, NC: Information Age Publishing. - Nelson, H. G., & Stolterman, E. (2012). The design way: Intentional change in an unpredictable world (2nd ed.). Cambridge, MA: MIT Press. - Polanyi, M. (1966). The tacit dimension. Garden City, NY: Anchor Books. - Rowland, G. (1992). What do instructional designers actually do? An initial investigation of expert practice. Performance Improvement Quarterly, 5(2), 65-­‐86. - Rowland, G., Fixl, A., & Yung, K. (1992). Educating the reflective designer. Educational Technology, 32(12), 36-­‐44. - Rowley, K. (2005). Inquiry into the practices of expert courseware designers: A pragmatic method for the design of effective instructional systems. Journal of Educational Computing Research, 33(4), 419-­‐450. - Roytek, M. A. (2010). Enhancing instructional design efficiency: Methodologies employed by instructional designers. British Journal of Educational Technology, 41(2), 170-­‐180. doi:10.1111/j.1467-­‐8535.2008.00902.x (continued)
  • 19. references - Schön, D. A. (1987). Educating the reflective practitioner: Toward a new design for teaching and learning in the professions. San Francisco, CA: Jossey-­‐Bass. - Silber, K. H. (2010). A principle-­‐based model of instructional design. In K. H. Silber & W. R. Foshay (Eds.), Handbook of improving performance in the workplace, instructional design and training delivery (Vol. 1, pp. 23-­‐52). San Francisco, CA: Pfeiffer. - Smith, K. M. (2008). Meanings of "design" in instructional technology: A conceptual analysis based on the field's foundational literature. Dissertation. - Smith, K. M., & Boling, E. (2009). What do we make of design? Design as a concept in educational technology. Educational Technology, 49(4), 3-­‐17. - Tracey, M. W., & Boling, E. (2014). Preparing instructional designers: Traditional and emerging perspectives. In Handbook of research on educational communications and technology (pp. 653-­‐660). New York, NY: Springer New York. doi:10.1007/978-­‐1-­‐4614-­‐3185-­‐5_52 - Vickers, S. G. (1984). Judgment. In The vickers papers (pp. 230-­‐245). London: Harper & Row. - Wedman, J., & Tessmer, M. (1993). Instructional designers decisions and priorities: A survey of design practice. Performance Improvement Quarterly, 6(2), 43-­‐57. - York, C. S., & Ertmer, P. A. (2011). Towards an understanding of instructional design heuristics: An exploratory Delphi study. Educational Technology Research and Development, 59(6), 841-­‐863. doi:10.1007/s11423-­‐011-­‐9209-­‐2