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0021_3_7892_200600048
0024_3_7894_200304492
0012_3_7891_200600047
0007_3_7923_200600046
0042_3_9143_198905948
0034_3_7897_200304497
0032_3_7907_200304512
0013_3_9197_200304513
0016_3_7906_200304511
17
Dry_lacquer_Clay_Mason_p86




Dry lacquer technique (armature, clay basis)
Birushana(Vairocana)
Buddha
Gilt and colors on
dry lacquer with
basketry armature.
Mason 118.

2ndhalf of the 8th c.—
probably late 760s.
Height 120 inches /
10 ft.
0023_3_9112_198905863
Shûkongôjin. Before
       750, Nara period.
       Clay with pigments. H. 68
       1/2 in. Third Month Hall,
Clay   Tôdaiji, Nara. Mason 115.

塑像
23

0018
0019
Mudra
Seat         Shaka and basics
Lotus pedestal
Mandorla (nimbus)
Sacred marks (Lakshana)
0054
Hip and Gable roof


                               01.ho_nara04
Plaster and wood walls. Joinery.




                                                      Tile roof




                                         Stone base
0032
0032
Ise
01.ho_nara04
0000
0000
Horyuji_pagod
a_elev_Mason
    _fig73
Stupa_diag_Mason_fig71
Wakakusa dera ca. 607
Hôryû-ji ca. 700
0009
Horyuji garan plan




Yakushiji in Nara, early 8th c
Kofukuji (from Suzuki)
730s and later
0058
01.ho_nara09
0006
01.ho_nara08
01.ho_nara13
01.ho_nara05
INTERIOR Hôryû-ji.
Amida Paradise, west (6)
Horyuji wall Amida
01.ho_nara27
Tachibana   Lady Tachibana
            Shrine,
            early 8th c.
            bronze (originally with
            gilding)
Tachibana D Lady Tachibana Shrine,
                   early 8th c.
                   bronze (originally with gilding)
Tachibana Lotus floor
0000
0015




Horyuji pagoda, ca. 700-711. North doorway
0016
^ Hôryûji pagoda east bosatsu   ••••   ^^Shinyakushiji 12 Generals
Yakushiji Triad. Late 7th or early 8th C.
0011
0012
0014
Bodhisattva detail
0014




       Seattle Art Museum.
       Tang period Bodhisattva
0016
0017
0019
Kofukuji
Sakara and Kendatsuba
Eight Classes
• Karuda Igaruda). Bird headed protectore. Eight
  Classes.



Kofukuji
Karura (Garuda)
Eight classes
Kofukuji_
Kasenen
Ten Great Disciples
Kofukuji_
Subodai
Ten Great
Disciples
Kofukuji. Ashura. Eight Classes
Heijio plan Mason?
NEXT SLIDE: Left personifying Empress Jinguu. Hachiman god of
war as monk, Empress Nakatsu.
These sculptures function as objects of devotion in certain
Shinto shrines. Originally the Shinto tradition had no custom
of making anthropomorphic images, but this was to a certain
extent begun after the 8th century, in imitation of Buddhism
and under the influence of the so-called honji suijaku theory of
Shinto-Buddhist syncretism. Written records tell of Shinto
images being carved in the latter half of the 8th century, but
the earliest extant examples date from the 9th century (early
Heian period). A feature distinguishing them from Buddhist
images is the existence of both male and female
images.There is also a notable absence of set iconographic
principles of the type which governed the production of
Buddhist images. In many cases they are multicolored, and
were made to imitate the clothing and hair styles of specific
men and women of the court aristocracy of the time.
Three Yakushi-ji Shinto
      divinities
portrait sculpture of the Shinto deity
Hachiman in the guise of a Buddhist monk
(a noted example of shugo bijutsu, a blend
of Shinto and Buddhist iconography) at
Todaiji Temple in Nara and the portrait of
Tamayorihime-no-mikoto found at Yoshino
Mikumari Shrine in Nara Prefecture.

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Hinweis der Redaktion

  1. Title: Structure of a hanging scrollImage Source: dc: Hirayama, et al.: Illustrated Dictionary of Japanese-style Painting Terminology, page 131, bottom diagram with text to left
  2. Title: Parts of a hanging scroll with Yamato-style mountingImage Source: dc: Hirayama, et al.: Illustrated Dictionary of Japanese-style Painting Terminology, page 124, left image and text
  3. Title: Parts of a hand scrollImage Source: dc: Hirayama, et al.: Illustrated Dictionary of Japanese-style Painting Terminology, page 136, top 2 images
  4. Title: Structure of a hand scrollImage Source: dc: Hirayama, et al.: Illustrated Dictionary of Japanese-style Painting Terminology, page 136, bottom diagram with text
  5. Title: Handling a hand scrollDetail/View: steps 5 and 6Image Source: dc: Hirayama, et al.: Illustrated Dictionary of Japanese-style Painting Terminology, page 140, bottom 2
  6. Title: Handling a hand scrollDetail/View: steps 7, 8, 9Related Terms: makimono, kansubonImage Source: dc: Hirayama, et al.: Illustrated Dictionary of Japanese-style Painting Terminology, page 141
  7. Title: Structure of a folding screenImage Source: dc: Hirayama, et al.: Illustrated Dictionary of Japanese-style Painting Terminology, page 143, top diagram
  8. Recall tortoise and snake of Takamatsu tomb, north
  9. Recall bird of the Takamatsu tomb, south, red bird