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CUTOUTS 2.2 Sculpture
VISUAL ART GENERAL COURSE – SCULPTURE Achievement Standard 2.2 (90234) Version 2 Due: Week 8 Term 1 Generate and develop ideas using drawing processes and procedures in sculpture practice. Credits:  6  Assessment:  Internal “ Cut-Outs”
Student Instructions ,[object Object],[object Object],[object Object],[object Object],[object Object]
Task A:  Artist Model Research ,[object Object],[object Object],[object Object]
Task B:  New Zealand Native Plant Research ,[object Object],[object Object],[object Object]
Task C: Development of Ideas ,[object Object],[object Object],[object Object]
Sculpture Concepts: ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Cut-out Marquettes (Developments) ,[object Object],[object Object],[object Object]
Task D: Sculpture Construction ,[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
ASSESSMENT CRITERIA VISUAL ARTS LEVEL 2 Achievement Standard 2.2 (90234) Version 2 Generate and develop ideas using drawing processes and procedures in  sculpture  practice. Credits:  6 Theme:  “Cut-outs” ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Achievement with Excellence Achievement with Merit Achievement Task A  – Artist Model Research 1 x A3 Task B  – NZ Native Plant Research 1 x A4, 1 x A3 Task C  – Development of Ideas 5 x A3 pages Task D –  Final Sculpture 1 x A3 page  (min) Submitted in an A3 Clearfile Evidence
Lonnie Hutchinson   Lonnie Hutchinson  (Ngai Tahu / Samoan) is a multi-media, visual, installation and performance artist who exhibits both nationally and internationally. With an artistic practice and visual language of such richness and breadth it is her works made from  black builders’ paper  that have become the most recognisable strand of her work. Projecting outwards into three dimensional space these ‘cut outs’ manage to embody both a sense of ephemeral delicacy and the strength and stability of a mountain range; Her works speaks to the dualisms of then and now, black and white, ancestors and friends and whanau of today.
 
Using a symbolic language of shapes, patterns and motifs drawn from both Maori and Samoan cultural forms; the traditional arts of Pacific women such as siapo (tapa), tivaevae (patchwork) and weaving, and contemporary pop cultural forms like hip hop, Hutchinson’s ‘cut outs’ narrate stories and issues of gender and cultural identity. Often her sculptures resemble items of female attire such as capes, skirts or veils, all of which evoke states of protection, concealment and refuge.
Peter Callesen Lonnie Hutchinson
“Lately I have worked almost exclusively with white paper in different objects, paper cuts, installations and performances. A large part of my work is made from A4 sheets of paper. It is probably the most common and consumed media used for carrying information today. This is why we rarely notice the actual materiality of the A4 paper. By taking away all the information and starting from scratch using the blank white A4 paper sheet for my creations, I feel I have found a material that we are all able to relate to, and at the same time the A4 paper sheet is neutral and open to fill with different meaning. The thin white paper gives the paper sculptures a frailty that underlines the tragic and romantic theme of my works. “ Peter Callesen   Born 1967 in Denmark
www.petercallesen.com You will be visiting his website for the full experience of his work:
 
 
 
Yuken Teruya
 
 
 
Other artists who work with paper
Designer: Francine Haywood
Designer: Carol Windsor 2002 Orange heart leaf necklace  90 x 5 x 2 cm Sterling silver, mulberry, Japanese & Nepalese papers, oxidized, hand fabricated, laminated
[object Object],[object Object],[object Object]
Angela Zent Untitled  2006 6 x 6 x 0.5cm Shell gum wrapper, wax paper bag, paper towel, copper, tape, masking tape, safety pin, nail lacquer, hand fabricated, burned
Candie Cooper Fabric, sheet music, twig, laminated, hand crafted

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Cutout Sculpture Achievement Standard 2.2 90234

  • 2. VISUAL ART GENERAL COURSE – SCULPTURE Achievement Standard 2.2 (90234) Version 2 Due: Week 8 Term 1 Generate and develop ideas using drawing processes and procedures in sculpture practice. Credits: 6 Assessment: Internal “ Cut-Outs”
  • 3.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12. Lonnie Hutchinson Lonnie Hutchinson (Ngai Tahu / Samoan) is a multi-media, visual, installation and performance artist who exhibits both nationally and internationally. With an artistic practice and visual language of such richness and breadth it is her works made from black builders’ paper that have become the most recognisable strand of her work. Projecting outwards into three dimensional space these ‘cut outs’ manage to embody both a sense of ephemeral delicacy and the strength and stability of a mountain range; Her works speaks to the dualisms of then and now, black and white, ancestors and friends and whanau of today.
  • 13.  
  • 14. Using a symbolic language of shapes, patterns and motifs drawn from both Maori and Samoan cultural forms; the traditional arts of Pacific women such as siapo (tapa), tivaevae (patchwork) and weaving, and contemporary pop cultural forms like hip hop, Hutchinson’s ‘cut outs’ narrate stories and issues of gender and cultural identity. Often her sculptures resemble items of female attire such as capes, skirts or veils, all of which evoke states of protection, concealment and refuge.
  • 15. Peter Callesen Lonnie Hutchinson
  • 16. “Lately I have worked almost exclusively with white paper in different objects, paper cuts, installations and performances. A large part of my work is made from A4 sheets of paper. It is probably the most common and consumed media used for carrying information today. This is why we rarely notice the actual materiality of the A4 paper. By taking away all the information and starting from scratch using the blank white A4 paper sheet for my creations, I feel I have found a material that we are all able to relate to, and at the same time the A4 paper sheet is neutral and open to fill with different meaning. The thin white paper gives the paper sculptures a frailty that underlines the tragic and romantic theme of my works. “ Peter Callesen Born 1967 in Denmark
  • 17. www.petercallesen.com You will be visiting his website for the full experience of his work:
  • 18.  
  • 19.  
  • 20.  
  • 22.  
  • 23.  
  • 24.  
  • 25. Other artists who work with paper
  • 27. Designer: Carol Windsor 2002 Orange heart leaf necklace 90 x 5 x 2 cm Sterling silver, mulberry, Japanese & Nepalese papers, oxidized, hand fabricated, laminated
  • 28.
  • 29. Angela Zent Untitled 2006 6 x 6 x 0.5cm Shell gum wrapper, wax paper bag, paper towel, copper, tape, masking tape, safety pin, nail lacquer, hand fabricated, burned
  • 30. Candie Cooper Fabric, sheet music, twig, laminated, hand crafted