5. Through his Photo Collages, He Tried to Create a Sense of Movement Merced River Yosemite Valley California Sept. 1982 (Hockneypictures.com)
6. Influenced by Picasso and the Cubist Movement Photographing Annie Leibovitz While She Photographs Me, 1983 (http://salonduschadenfreude.blogspot.com/2010/04/blog-post.html)
7. In the composite image, the foreground, middleground, and background is all seen in close-up detail. Telephone Pole, 1982 (Hockneypictures.com)
8. The Grid or Collage Becomes a Visual List of Everything in the Room or Scene, Causing Everything in the image to Become an Artifact Pearblossom Highway, 1986 (http://www.ibiblio.org/wm/paint/auth/hockney/)
9. All the Photos are Taken from the Same Spot. Hockney Uses a Zoom on the Camera for the Details that are Far Away. Prehistoric Museum Near Palm Springs, 1982 (Hockneypictures.com)
10. What Artifacts Do You Want to Share? Still Life Blue Guitar, 1982 (Hockneypictures.com)
11. Choose a place, room, or space that documents some part of your life. Like David Hockney, take multiple photographs of this space. Make sure to bring all the artifacts in the space to the foreground and assemble the photos into one composite image.