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Following are excerpts from the hitherto secret private journal of Woody
Allen, which will be published posthumously or after his death, whichever
                                comes first.

                                       (Woody Allen, The Insanity Defense)
Woody Allen
within and through
    metafiction
STAND-UP COMEDY
INFLUENCES
‘*Bob+ Hope’s
quickness, his
bright, lightly
delivered lines that
sound
conversational
rather than
scripted, made a
lasting impression.’
(Lax: 24)
STYLE
‘*Woody Allen] is strictly a verbal comedian who
  gets all his laughs from the subtlety and wit of
  his delivery and none of them from physical
  funiness.’ (Lax: 136)

‘Woody is one of the few people who could do
  set routines and make it look like stream of
  consciousness’. (Lax: 190)
‘Audiences saw him as
a person *…+. That
person, of course, was
far more an invention
than a reality but he
was utterly believable.
One reason was that
he was partially a
product of the
audience’. (Lax: 173)
TOPICS
-   Autobiographical facts
-   Anecdotes
-   Contemporary issues
-   Upper classes

‘I think I will review for you some of the
   outstanding features of my private live and
   put them in perspective.’ (Lax: 123)
METAFICTION



-Constant presence of
Woody Allen as:

   -Narrator
   -Author
   -Actor/character
WOODY ALLEN. A CONTRAST
-What he says   -What he does
Deconstructing
  Harry (1997)

- fiction-reality
This identification is
possible.

     WOODY ALLEN


HARRY BLOCK & CHARACTERS

CHARACTERS CREATED BY
       HARRY
CHARACTERS’ RELATIONSHIPS

          JANET                KEN
              JANE                HARRY
sisters               affair              couples




          LESLIE               NORMAN
               LUCY              MARVIN
WOODY FICTION/WOODY REAL
- Some authors in metafiction:
       fear of his fiction perceived as
       disguised autobiography.
Vincent Colonna
      - Nominal strategy
      - Modal strategy
REALITY            FICITON

      METALANGUAGE




- Metafiction:

     Broken frames

          - Visually

          - Regarding
          content
Broken frames
Characters are self-conscious plotters
IMPACT OF THE FILM
ON THE PUBLIC



- Reconciliation?




- Did it work?
Old Saybrook
Writer’s Block
(2003)
ROLE OF THE
 AUTHOR


 Sally: “Yes – for nine years- we sold the
           place to Mr. Krolian”
  Hal: “Max Krolian a fairly well-known
                   writer”
• Max Krolian = Woody Allen

• ‘*the author] playfully introduces himself into
  his novels very often through anagrams of
  variations on his name’ (Waugh: 132)
FRAMES
Max: ‘These wild animals – I created them –
  they turned on me’
                 *…+
Hal: ‘What?’
                 *…+
Sheila: ‘He invented us’
Woody Allen

                  Max          Hal & Sandy

David, Norman, Sheila, Jenny + their story

             Personal diary
‘There is ultimately no
distinction between
“framed” and
“unframed”. There are
only levels of form, *…+
only content.’ (Waugh:
31)

- No hierarchy

- Drawer – “And Then
What?” premise
CONCLUSION

‘But this movie is not art. It is a clinical
  document’ (Maureen Dowd)
‘There is no question that Allen’s movies are
  self-reflective’ (Mary P. Nichols)
‘The character played by Allen and the director-
  actor who *…+ in the mind of the audience, is
  just like the character in the film’ (Tomás
  Creus)
THANK YOU!

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Woody Allen Within And Through Metafiction

  • 1. Following are excerpts from the hitherto secret private journal of Woody Allen, which will be published posthumously or after his death, whichever comes first. (Woody Allen, The Insanity Defense)
  • 2. Woody Allen within and through metafiction
  • 4. INFLUENCES ‘*Bob+ Hope’s quickness, his bright, lightly delivered lines that sound conversational rather than scripted, made a lasting impression.’ (Lax: 24)
  • 5. STYLE ‘*Woody Allen] is strictly a verbal comedian who gets all his laughs from the subtlety and wit of his delivery and none of them from physical funiness.’ (Lax: 136) ‘Woody is one of the few people who could do set routines and make it look like stream of consciousness’. (Lax: 190)
  • 6. ‘Audiences saw him as a person *…+. That person, of course, was far more an invention than a reality but he was utterly believable. One reason was that he was partially a product of the audience’. (Lax: 173)
  • 7. TOPICS - Autobiographical facts - Anecdotes - Contemporary issues - Upper classes ‘I think I will review for you some of the outstanding features of my private live and put them in perspective.’ (Lax: 123)
  • 8. METAFICTION -Constant presence of Woody Allen as: -Narrator -Author -Actor/character
  • 9. WOODY ALLEN. A CONTRAST -What he says -What he does
  • 10. Deconstructing Harry (1997) - fiction-reality This identification is possible. WOODY ALLEN HARRY BLOCK & CHARACTERS CHARACTERS CREATED BY HARRY
  • 11. CHARACTERS’ RELATIONSHIPS JANET KEN JANE HARRY sisters affair couples LESLIE NORMAN LUCY MARVIN
  • 13. - Some authors in metafiction: fear of his fiction perceived as disguised autobiography.
  • 14. Vincent Colonna - Nominal strategy - Modal strategy
  • 15. REALITY FICITON METALANGUAGE - Metafiction: Broken frames - Visually - Regarding content
  • 18. IMPACT OF THE FILM ON THE PUBLIC - Reconciliation? - Did it work?
  • 20. ROLE OF THE AUTHOR Sally: “Yes – for nine years- we sold the place to Mr. Krolian” Hal: “Max Krolian a fairly well-known writer”
  • 21. • Max Krolian = Woody Allen • ‘*the author] playfully introduces himself into his novels very often through anagrams of variations on his name’ (Waugh: 132)
  • 22. FRAMES Max: ‘These wild animals – I created them – they turned on me’ *…+ Hal: ‘What?’ *…+ Sheila: ‘He invented us’
  • 23. Woody Allen Max Hal & Sandy David, Norman, Sheila, Jenny + their story Personal diary
  • 24. ‘There is ultimately no distinction between “framed” and “unframed”. There are only levels of form, *…+ only content.’ (Waugh: 31) - No hierarchy - Drawer – “And Then What?” premise
  • 25. CONCLUSION ‘But this movie is not art. It is a clinical document’ (Maureen Dowd) ‘There is no question that Allen’s movies are self-reflective’ (Mary P. Nichols) ‘The character played by Allen and the director- actor who *…+ in the mind of the audience, is just like the character in the film’ (Tomás Creus)
  • 26.