The Fourth Year of our Degree in Photography and Camera aims to consolidate the acquired knowledge and to get introduced to the camera and cinematographic technique on Film and Digital Cinema. Students will use the acquired knowledge performing different roles in the shooting of two 35 mm short films, six Red One and two Red Epic Digital Cinema projects. We want the student to search for his style as a creator and technician, to acquire self-confidence working in a professional environment. The students will be coordinated and tutored as well as careful followed-up in their performance in the different film crews. At the end of the Third Year the students participate to the selection of the photography and camera teams for the final projects in Red Epic Digital Cinema which will be filmed by the students who have shown the best evolution in the exercises filmed during the Degree..

1. 1.- Cinematography II.
• Reviewing technical scripts, types of shots. Compositional and spatial work
in different levels of formats. Consistency in planning the project objectives set
by directors.
• Working on Set. Practical impact on the work of the Director of Photography
prior to the shooting. Tutoring works with the rest of the team.
• Camera-photographer-Gaffer work, self-management strategies and
integration into the labor market.
• Practicum of the Jobs of the cinematographer: Gaffer, Best Boy, Electric
(before and during the shooting).
2.- The Film Camera and Digital Cinema II.
• The HD Video Camera II. The Red EPIC and ALEXA cameras. Technology and
Digital Cinema specifications.
• Camera body: Power and configuration. Formats and recording media.
Menus and buttons: FPS, Shutter, EI, Color, WB, Recording menu, Project menu,
Framegrabs menu, User Setups menu, Monitoring menu, System menu... -
Personal Settings. Wiewfinder menu. The DIT. Warnings. Compatible acces-
sories. ALEXA workflow.
• Tutoring and practice of the jobs of the camera crew. Specifications Camera
Parts.
3.- Workshop: 3D Photography.
• Introduction to advanced Stereoscopy. The process of stereocopy and
monocular depth. Interocular separation. The concept of parallax in cameras
and flash. The interaxial distance or separation of the Chambers. Gigantism and
miniaturization. 3D Optical choice. Ratio and angular telephoto lenses with
depth perception. Differences between 2D perception and perception for
stereoscopic 3D. Software calculation.
• Projection and Display Systems. Projection systems of one or two projec-
tors.The concept of ghosting. Double or triple flash sistem. Anaglyphic systems.
Polarized, linear and circular systems. Active systems. Coding wavelength
systems. The display on television screens. Active systems. Passive systems. The
coding 3D. TV displays. Side by side, over -under, Interlaved... The 3D display
"live".
• The Shooting Stereoscopic. Shooting stereoscopic systems. Side by side
systems. Beamsplitter or mirror systems. Property features, Issues and shoot
parallel or converging. Optical in stereoscopic systems. Zooms and fixed lenses.
Internodal concept. Synchronization of focus and aperture. Shootings on film or
HD. Differences. Matching cameras. Shutters, recording and gen-lock. TV Shoo-
tings stereoscopic. Direct TV. Sports and other events.
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www.bandeapart.org
París 143 - local. 08036 Barcelona
Tel: +34 93 444 76 78. Fax: +34 93 419 13 89
info@bandeapart.org
DEGREE IN CINEMATOGRAPHY
4th Photography and Camera
Direction Major.
DIRECCIÓN FOTOGRAFÍA
Y CÁMARA
MONTAJE ,
SONIDO Y
POSTPRODUCCIÓN.
COURSE STARTS 2016/2017:
OCTOBER 2016
SCHEDULE:
• MORNING :
10:00 to 14:00 hours.
• AFTERNOON:
16:00 to 20:00 hours
PRICE:
Choose from single monthly
payment and single payment:
• Total amount of the course
monthly Payment: 5800€.
REGISTER:1.840€ y 8 Fees of 495€
october 2016 to may 2017.
• Total amount of the course
Single payment : 5100€
This method of payment is a bonus of € 700
cost of the course.
• Places will be allocated in strict
order of registration.
• Check validation of students from
other schools.
OBJETIVES AND STRUCTURE
TheFourthYearofourDegreeinPhotography
and Camera aims to consolidate the acquired
knowledge and to get introduced to the
camera and cinematographic technique on
Film and Digital Cinema. Students will use the
acquired knowledge performing different roles
in the shooting of two 35 mm short films, six
Red One and two Red Epic Digital Cinema
projects. Wewantthestudenttosearchforhis
style as a creator and technician, to acquire
self-confidence working in a professional
environment.The students will be coordinated
and tutored as well as careful followed-up in
their performance in the different film crews.At
the end of the Third Year the students
participate to the selection of the photography
and camera teams for the final projects in Red
Epic Digital Cinema which will be filmed by the
studentswhohaveshownthebestevolutionin
the exercises filmed during the Bachelor.

2. • Stereoscopic Tests. The difference between the different optics used, the
effect of distance on stereoscopy, the apparent distance, errors in stereoscopic
be tested among other things
4.- Exterior Lighting.
• Screenings and Tests of different sequences related to the topic.
• Different materials of exterior lighting. Reflectors. Mirrors, spots...
• The outdoor racord
• Natural light indoors (direct use or recreation of daylight using artificial light)
• Daylight lighting exercises (rain effect on a sunny day, simulate magic hour
at noon, American Night).
5.- Digital Cinema Color Grading and DIT II.
• Complex retouching image: mass, density, color. Digital fields. Davinci Resol-
ve color grading. Alternatives in the grading. Progress. Interpretation of the
colorimetry of the monitors.
• The job of DIT II. Direct Color Grading Practices in shooting. Support for
Cinematographers.
6.- Language and Aesthetics VIII. New Cinema.
• Viva Italia: From Antonioni, Fellini and Visconti to the ugliness of Pasolini.
EastWinds. Brazil:The aesthetics of hunger and violence. Cinemas of the Far East:
Eros and Thanatos. Young Swedish and a huge filmmaker (Bergman). Germany
again. Belgium: Between the fantastic and hyperrealism. Stateless.
• The view. The tone. The theme and tempo.
• Hollywood in the era of new cinema. The renewal of the comedy. The
Twilight and Wild: Peckinpah. The TV generation: Mulligan, Lumet, Pollack...
European influence. Neoclassicism. Great Expectations.The domain of technolo-
gy. Rise and Fall. Proper names: Coppola, Scorsese, Bogdanovich, Allen, Spiel-
berg, Lucas... Box office, disasters and show.
• Other areas II: both easts and Africa . Iranian teachers . Throughout Turkey.
Classic China and Different Chinese. From Korea to a new Japan. The Egyptian
cinema and Cinema of Palestine and Israel.
• Today 's cinema.
7.- Projects IV.
• Photography and camera preparation for Red EPIC projects shot by students
of direction.
• Photography, camera and lighting project memories.
Continuous work on projects to shot during the course.
• Multidisciplinary shooting practices with tutoring.
-2-
www.bandeapart.org
París 143 - local. 08036 Barcelona
Tel: +34 93 444 76 78. Fax: +34 93 419 13 89
info@bandeapart.org
DEGREE IN CINEMATOGRAPHY
4th Photography and Camera
Direction Major.
REGISTER NOW
1. Download the registration form in
www.bandeapart.org.
2. Fill in all pages and select the
course and payment form (single or
monthly).
3. Sing all pages of the application
form and, once you have paid, send
them toghether with the payment
proof and a photocopy of your identity
card or passport to our administration
departament.
By e-mail:
administracion@bandeapart.org
By fax:
Nº de Fax: +34 934191389
By post:
Bande a Part Escuela de Cine
c/ París, 143 · Local
08036 Barcelona · España
4. Once all documents have been
receibed,you will receive confirmation
of your place.
If you have any queries, please
address them to our department of
student assistance and information.
Monday to Friday
from 10:00 am to 9:00 pm
Tel.:+34 934447678
Skype: bandeapartbcn
Email
info@bandeapart.org
Visit us at:
Bande a Part Escuela de Cine
c/ París, 143 · Local
08036 Barcelona · España
www.bandeapart.org