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There are generally four kinds of photography lenses that every wedding photographer should
have in his or her gig bag:
Wide-Angle Zoom
Wide-to-Telephoto Zoom
Image-Stabilized Telephoto Zoom
Prime/Portrait Lenses
Wide-Angle Zoom
Wide-angle zoom lenses are one of the most important photography lenses that every wedding
photographer should have, typically 17mm to 35mm in length with a fixed aperture of f/2.8. They
provide a large depth of field, making it simple to have foreground and background in focus. They
are an indispensable wedding photography equipment which allows versatility in confined areas
such as a small banquet room or crowded dance floor. While shorter photography lenses allow
you to capture more details, wide-angle zoom lenses allow you to capture more reactions and
atmosphere to tell a richer story.
To elaborate further, wide-angle zoom photography lenses allow you to shoot a wider perspective
of moments happening around the major subject, hence providing a bigger picture of the entire
event. For example, wide-angle photos have the capability to tell "stories within a story", allowing
you to reveal more of the story behind the shot. This is essential for a good photojournalistic
wedding photography. As events surrounding weddings are so time sensitive, good photography
lenses will allow you to capture as many actions or emotions in the quickest time as possible.
When used in a venue such as the church or ballroom, wide-angle zoom photography lenses also
magnify the grandeur and spaciousness of the area, which encapsulates the creative feel for a
photojournalistic wedding photography.
However, you need to be selective of the scenes or actions using wide-angle photography lenses,
as a caveat to shooting wide is that it creates some body distortion, particularly when a subject is
photographed close-up. Generally, people tend to look heavier and shorter on the edges, while
arms can look huge. The last thing you want is to have the bride cursing you for making her look
like she has put on 10 pounds! To get around this problem, you should as far as possible avoid
putting the bride and groom at the edges of the wide-angle distortion. In addition, wide-angle
photography lenses might also introduce distracting or unwanted elements into the frame, which
would otherwise ruin a picture perfect moment.
2. Wide-to-Telephoto Zoom
Wide-to-telephoto lenses are the single most important photography lenses that a wedding
photographer cannot do without. They should ideally be lenses that cover somewhere around the
20-70mm focal length range with an aperture of f/2.8. This ideal range lets you get wide enough to
take a group photograph and close enough to capture facial emotions in your candid shots or a
three-quarter portrait of a couple without the undesirable effects of wide-angle perspective
distortion. They also double as good lenses for portraits. Given just this lens, you would be able to
capture most of the shots needed for a wedding decently well.
Image-Stabilized Telephoto Zoom
Image-stabilized telephoto zoom lenses are also essential items in your wedding photography
equipment checklist. The 70-200mm focal length is an important range for wedding ceremony
photos. It allows you to give your subjects more space in situations where you don't want to get in
the way. As you will often be photographing down the aisle from the back of the church, image-
stabilized telephoto zoom lenses will come in very handy. 200mm is long enough to be able to
take 3/4 length images of the bride and groom exchanging their vows while staying at a
reasonable distance away from the action and 70mm is wide enough to take in the bridesmaids or
groomsmen as a group without switching photography lenses.
A good point to note is that when using such photography lenses, nice blurred background can be
achieved with maximum wide apertures of f/2.8 and long focal lengths of 200mm or 300mm,
whether you are using a full-frame or a small sensor body. This allows you to isolate the subject
from its background, and to focus attention on the image as the main subject you want to portray.
Such photography lenses are especially useful for shots where you are unable to get in close and
for intimate and private moments, where you want to be an unobserved stranger at a distance.
Some examples include a stolen glance, a mischievous grin, a kiss - the details that are effectively
conveyed by the emotions. Image-stabilized telephoto zoom photography lenses hence play an
important role in capturing such moments.
These image-stabilized telephoto zoom photography lenses aren't only good for blurry
backgrounds or shooting events from a distance. They could also be used to photograph stunning
facial close-ups from creative angles above or below the subject that don't exhibit the normal
distortions of large chins or shrinking heads that come from wider photography lenses.
Yet another advantage of such photography lenses is that you can use the small-sensor camera's
1.5x crop factor to your favour. The 200/2.8 long end of the standard zoom effectively becomes
300/2.8, a lens that would cost $4000 for a full-frame camera. The effective 300mm length allows
for more creative photo angles than shorter photography lenses, such as tightly cropped images of
the groom's hands lifting the bride's veil or the bride and groom's hands while they put rings on
each others fingers.
The obvious disadvantage of image-stabilized telephoto zooms is that in many cases, long
photography lenses tend to disconnect the subject from the main scene and there might be little to
no context as to why the subject may have had expressed how they were feeling, the whereabouts
of the subject and who else was there.
3. When using a small-sensor camera as your primary or backup body, the other disadvantage of
image-stabilized telephoto zoom lenses is that neither Nikon, Canon or Sony make an f/2.8 lens
that gives you an effective 70-200mm focal length. Hence, you would have to pay the high price
and carry the weight of photography lenses designed for a full-frame camera.
Canon's Image-Stabilization, Nikon's Vibration-Reduction and Sony's SteadyShot INSIDE systems
are indispensable in allowing you to hand-hold these large and heavy long photography lenses,
especially in low light situations. Every wedding photographer should ensure that the image-
stablization and vibration-reduction features are available on their long lenses. You might also
want to consider using a tripod to ensure continuous, accurate subject placement and sharp
photos. Such telephoto zoom photography lenses are huge investments and if you have a budget
constraint or an amateur just starting out, you might want to consider rental instead.
Prime Lenses
Prime lenses are essentially photography lenses with fixed focal lengths, as opposed to zoom
lenses, which have variable focal lengths of say 24-70mm or 17-55mm. Prime lenses generally
have a better optical quality than zoom photography lenses, and usually come with wider
maximum apertures such as f/2.8 or f/1.8.
Good prime lenses are must-have photography lenses for any wedding photographer, as they are
excellent for taking good portraits. Although you will be adequately equipped for a wedding shoot
with the three zoom lenses in your lens kit as discussed above, it is worth including two to three
fast prime lenses in your bag as well. These photography lenses are compact, light, and fairly
inexpensive and would probably be needed in about 10 to 20% of a wedding shoot.
Faster prime photography lenses are ideal in situations where f/2.8 aperture is not enough to get
the motion-stopping shutter speed or shallow depth of field desired, whether for artistic or technical
reasons. For example, an image that requires a 1/20th of a second shutter speed at f/2.8 will only
require 1/60th of a second at f/1.8, forming a distinction between a sharp image and a blurry one.
Many professional wedding photographers actually include prime lenses in their gig bags as an
economical backup to their zoom lenses. Not many people could afford to purchase an additional
70-200mm f/2.8 telephoto lens as a backup and you also want to prevent a frantic situation
whereby your photography lens fails on you during a crucial moment.
There are many prime lenses available on the market but most photographers would include a
28/1.8, 50/1.8, and 85/1.8 in their prime photography lenses kit to be used on a full-frame body.
The 28mm is wide enough to cover most ceremony locations and confined spaces, the 50mm is
good for small groups or a priest blessing a couple, and the 85mm is long enough for ceremony
vows and exchange of rings. A wedding can be successfully photographed with just these three
photography lenses.
When you make a well-informed choice on the right photography lenses to use, it will definitely
elevate your wedding photography to a more professional level.
The author is a professional wedding photographer based in Singapore. You may check out her
4. website at http://www.learnweddingphotography101.com/ or http://www.vivien-tan.com.
Article Source:
http://EzineArticles.com/?expert=Tan_Vivien
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