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TEXTURE in Art
Let's be superficial




Texture - the nature of the
surface of painting, sculpture,
or building materials
Impasto


 – the application of thick oil paint in a texture
that would be rough if you were to touch it
Rembrandt


--begins to use impasto
  begins to use impasto
--realistic images need to be
   realistic images need to be
viewed from a distance
 viewed from a distance
VAN GOGH, Vincent
The Starry Night
1889, Oil on canvas, 29 x 36 1/4 in




 p. 383
Illusionism


Tromp l’oiel = fool the eye; tricks the
viewer into perceiving that the actual
objects represented are in fact there;
usually a still-life painting, sometimes
also used in murals (French, TROM-
PLOY)
Usually a very smooth
surface to heighten the
illusion – no evident
brush strokes


William Harnett,
The Faithful Colt,
      1890
TEXTURE
  AS
SUBJECT




Charles Sheeler
Side of a White Barn (1917)
Gelatin silver print (photograph)
Charles Sheeler
Side of a White Barn (1917)
Gelatin silver print (photograph)
Texture in Sculpture
Meret Oppenheim, Fur covered cup, saucer,
   and spoon, 1936 (a.k.a. The Object)
Constantin Brancusi
French, b. Hobitza,
Romania, 1876 - 1957

Sleeping Muse I,
(1909-1910)
Marble
6 3/4 x 10 7/8 x 8 3/8 in.




 SMOOTH
Clay jar
African
20th C.
TEXTURE in Music




DIFFERENT – you can’t
     touch music!
wrapping up TEXTURE . . .



- notice it in architecture
and sculpture and watch
for IMPASTO in painting

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Texture

Hinweis der Redaktion

  1. Rembrandt Self Portrait with Beret and Turned-Up Collar (right) 1659 oil on canvas, 84.4x66cm National Gallery of Art, Washington
  2. Charles Sheeler American, 1917 Gelatin silver print 7 5/8 x 9 5/8 in.
  3. Charles Sheeler American, 1917 Gelatin silver print 7 5/8 x 9 5/8 in.
  4. Charles Sheeler American, 1917 Gelatin silver print 7 5/8 x 9 5/8 in.
  5. copyright notice The contents of this site, including all images and text, are for personal, educational, non-commercial use only. The contents of this site may not be reproduced, in whole or in part, in any form without the written permission of the Portland Art Museum. Images on this web site have been invisibly watermarked; any attempt to remove the watermarks from these images is expressly forbidden. Copyright © 1999 Portland Art Museum All rights reserved.
  6. Lobi jar