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BRAND MANAGEMENT
Submitted by- Arushi Goel
Submitted to- Prof. Sameer
Mathur
IIM Lucknow
About the company
§  Provider of Internet television network
§  Enables members to watch original
series, documentaries and feature films
§  Allows users to watch TV shows and
movies directly on their televisions,
computers and mobile devices
All this, without any commercials
or commitments
The Domestic and International streaming segments derive revenues from monthly
membership fees for streaming content. The Domestic DVD segment derives
revenues from monthly membership fees for digital video disc (DVD)-by-mail.
The Company has three
operating segments:
§  Domestic streaming;
§  International streaming;
§  Domestic DVD.
HISTORY
§  Incorporated on August 29, 1997
§  Started subscription-based digital distribution
service in 1999
§  IPO on May 22, 2002
§  Introduced instant streaming in 2007
By 2009 Netflix was offering a
collection of 100,000 titles on DVD
and had 12.3 million subscribers. In
2010, they began international
operations.
§  Positioned as a national brand
§  Logo and website
§  No consistent use of symbols, jingles or characters
§  Pricing is a major factor to attract customers
BRANDING STRATEGY
Netflix targets a mass market without any segmentation as the
service offered is highly tailored to individual needs using complex
prediction algorithms and a recommender system. Further, since
the price per person is low it will not be profitable going after a
single segment. Apart from that the customer base is extremely
diverse to be able to achieve any meaningful segmentation.
BRAND
POSITI-
ONING
Watch what you want,
when you want, and at
an affordable price
BRAND MANTRA
REPOSITIONING ATTEMPT
In 2011, in an attempt to create individual brands, Netflix
decided to charge separately for DVD by mail and online
streaming leading to price increase and loss of customers.
Further, it split it’s streaming service
and home delivery service and
launched Qwikster.
It was a major FAILURE
In October 2011, Netflix announced it would
revert to providing a combined service
under one brand.
Their Facebook page received 66,000
negative comments, 5000 comments went to
their blog
By November, the company’s market cap
had dropped by 70 percent and more
than 800,000 subscribers had fled.
Goes QWIKLY
“I messed up. I owe
you an explanation.
“
- Reed Hastings
CEO & Founder, Netflix
BRAND ARCHITECTURE LEARNINGS
First, right timing is very
important. Netflix rightly
judged that its mail
business was going to be
cannibalized by streaming,
but it acted to EARLY.
Second, customer’s reaction
to any change in a
company’s value proposition
is difficult to know a priori.
MARKET RESEARCH is very
important.
Third, the customers can
have intense loyalty to a
particular product.
Customers were outraged
when the company took
“THEIR” original name away.
PROMOTIONAL STRATEGY
§  Cross-promotional programs
with the manufacturers and
sellers of DVD players
§  Theater Tickets
§  Commercial and radio spots
§  Banners and popups
§  Netflix affiliate program
§  Word‐of‐the‐mouth.
Its primary marketing tool is offering Free trials to convince
potential customers to try the service.
It shows high value of services before committing to it.
CONTENT MARKETING
§  Personalization of the website–
‘Recommended for you’
§  Adding originals such as House of Cards
and Orange Is the New Black without
sacrificing licensed content
§  A higher production as well as licensing
budget
§  Trying to add content in local language
Social Media & Internet Advertisement
The biggest advantage is that the customer is taken right to the
service with just one click.
Netflix has recently decreased the
advertisement spending from $143
million in 2013, to about $121 million in
2014 across media like television, radio
and Internet display ads.
N e t f l i x i s m o v i n g m o r e
marketing dollars online where
it can better target audiences.
Maintaining
unique and
bold tone in
their social
posts
Netflix
on
Twitter
They encourage binge-watching to help to market the
hype of new shows.
SOCIAL MEDIA PRESENCE
Planned social
communications on “Big
Releases”
Regular tweets about the
“Netflix” and “Next Month” in
order to make the customers
renew subscription every
month and minimize the drop
outs.
SUMMARY
CONCLUSION
Growing and sustaining brand equity requires a proper brand
management strategy. Changes in brand architecture
without careful planning can lead to a disaster.
About Netflix, it’s growth
and history
Failed attempt to
reposition using Qwikster
Services Offered are online
streaming and DVD by mail
Brand revival and
promotional strategy
Brand’s traditional
positioning strategy
DISCLAIMER
These slides have been created by Arushi Goel,
during the PGP Brand Management course
taught by Prof. Sameer Mathur at IIM Lucknow
THANK YOU

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Netflix brand management

  • 1. BRAND MANAGEMENT Submitted by- Arushi Goel Submitted to- Prof. Sameer Mathur IIM Lucknow
  • 2. About the company §  Provider of Internet television network §  Enables members to watch original series, documentaries and feature films §  Allows users to watch TV shows and movies directly on their televisions, computers and mobile devices
  • 3. All this, without any commercials or commitments
  • 4. The Domestic and International streaming segments derive revenues from monthly membership fees for streaming content. The Domestic DVD segment derives revenues from monthly membership fees for digital video disc (DVD)-by-mail. The Company has three operating segments: §  Domestic streaming; §  International streaming; §  Domestic DVD.
  • 5. HISTORY §  Incorporated on August 29, 1997 §  Started subscription-based digital distribution service in 1999 §  IPO on May 22, 2002 §  Introduced instant streaming in 2007 By 2009 Netflix was offering a collection of 100,000 titles on DVD and had 12.3 million subscribers. In 2010, they began international operations.
  • 6. §  Positioned as a national brand §  Logo and website §  No consistent use of symbols, jingles or characters §  Pricing is a major factor to attract customers BRANDING STRATEGY
  • 7. Netflix targets a mass market without any segmentation as the service offered is highly tailored to individual needs using complex prediction algorithms and a recommender system. Further, since the price per person is low it will not be profitable going after a single segment. Apart from that the customer base is extremely diverse to be able to achieve any meaningful segmentation. BRAND POSITI- ONING
  • 8. Watch what you want, when you want, and at an affordable price BRAND MANTRA
  • 9. REPOSITIONING ATTEMPT In 2011, in an attempt to create individual brands, Netflix decided to charge separately for DVD by mail and online streaming leading to price increase and loss of customers. Further, it split it’s streaming service and home delivery service and launched Qwikster. It was a major FAILURE
  • 10. In October 2011, Netflix announced it would revert to providing a combined service under one brand. Their Facebook page received 66,000 negative comments, 5000 comments went to their blog By November, the company’s market cap had dropped by 70 percent and more than 800,000 subscribers had fled. Goes QWIKLY
  • 11. “I messed up. I owe you an explanation. “ - Reed Hastings CEO & Founder, Netflix
  • 12. BRAND ARCHITECTURE LEARNINGS First, right timing is very important. Netflix rightly judged that its mail business was going to be cannibalized by streaming, but it acted to EARLY. Second, customer’s reaction to any change in a company’s value proposition is difficult to know a priori. MARKET RESEARCH is very important. Third, the customers can have intense loyalty to a particular product. Customers were outraged when the company took “THEIR” original name away.
  • 13. PROMOTIONAL STRATEGY §  Cross-promotional programs with the manufacturers and sellers of DVD players §  Theater Tickets §  Commercial and radio spots §  Banners and popups §  Netflix affiliate program §  Word‐of‐the‐mouth.
  • 14. Its primary marketing tool is offering Free trials to convince potential customers to try the service. It shows high value of services before committing to it.
  • 15. CONTENT MARKETING §  Personalization of the website– ‘Recommended for you’ §  Adding originals such as House of Cards and Orange Is the New Black without sacrificing licensed content §  A higher production as well as licensing budget §  Trying to add content in local language
  • 16. Social Media & Internet Advertisement The biggest advantage is that the customer is taken right to the service with just one click. Netflix has recently decreased the advertisement spending from $143 million in 2013, to about $121 million in 2014 across media like television, radio and Internet display ads. N e t f l i x i s m o v i n g m o r e marketing dollars online where it can better target audiences.
  • 17. Maintaining unique and bold tone in their social posts Netflix on Twitter
  • 18. They encourage binge-watching to help to market the hype of new shows. SOCIAL MEDIA PRESENCE
  • 19. Planned social communications on “Big Releases” Regular tweets about the “Netflix” and “Next Month” in order to make the customers renew subscription every month and minimize the drop outs.
  • 20. SUMMARY CONCLUSION Growing and sustaining brand equity requires a proper brand management strategy. Changes in brand architecture without careful planning can lead to a disaster. About Netflix, it’s growth and history Failed attempt to reposition using Qwikster Services Offered are online streaming and DVD by mail Brand revival and promotional strategy Brand’s traditional positioning strategy
  • 21. DISCLAIMER These slides have been created by Arushi Goel, during the PGP Brand Management course taught by Prof. Sameer Mathur at IIM Lucknow THANK YOU