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1 Gardner’s Art Through the Ages:The Western Perspective Chapter 4 Minos and the Heroes of Homer: The Art of the Prehistoric Aegean
2 The Prehistoric Aegean
3 Goals	 ,[object Object]
Discuss the visual aspects and possible context of the Cycladic sculptures.
Discuss Minoan society and architecture.
Understand visual aspects of Minoan art.
Relate significant aspects of archeological excavations at Mycenae.
Understand the link between culture and architecture of Mycenae
Discuss the relationship between Minoan and Mycenaean art and culture ,[object Object]
 Discuss the visual aspects and possible context of the Cycladic sculptures ,[object Object],[object Object]
7 Figure 4-2   Male lyre player, from Keros (Cyclades), Greece, ca. 2700–2500 BCE. Marble, approx. 9” high. National Archaeological Museum, Athens.
8 Minoan Culture and Art ,[object Object]
Understand the elements and nature of Minoan palace architecture.
Examine the medium, methods, and imagery of Minoan wall painting.
Explore the developments of Minoan pottery.,[object Object]
What light has Aegean archaeology shed on the mythological stories?,[object Object]
11 Figure 4-6  Minoan woman or goddess (La Parisienne), from the palace at Knossos (Crete), Greece, ca. 1450–1400 BCE. Fragment of a fresco, approx. 10” high. Archaeological Museum, Herakleion.
12 Minoan Architecture ,[object Object]
What was the “labyrinth” of the Minotaur and how does the palace at Knossos fit that description?
Describe some of the remarkable achievements of Minoan architecture.,[object Object]
What materials and methods were typically used?
Compare the fresco in the next slide with Egyptian wall painting.,[object Object]
15 Compare the Minoan fresco with the Egyptian wall painting.
16 Figure 4-8  Flotilla, detail of Miniature Ships Fresco, from Room 5, West House, Akrotiri, Thera (Cyclades), Greece, ca. 1650 BCE. Fresco, approx. 1’ 5” high. National Archaeological Museum, Athens.
17 Figure 4-9  Landscape with swallows (Spring Fresco), from Room Delta 2, Akrotiri, Thera (Cyclades), Greece, ca. 1650 BCE. Fresco, approx. 7’ 6” high. National Archaeological Museum, Athens.
18 The Development of Minoan Pottery ,[object Object]
What is the predominant imagery in the painted images in Minoan pottery?,[object Object]
20 Figure 4-11  Marine Style octopus jar, from Palaikastro (Crete), Greece, ca. 1500 BCE. Approx. 11” high. Archaeological Museum, Herakleion.
21 Figure 4-12  Sarcophagus, from Hagia Triada (Crete), Greece, ca. 1450–1400 BCE. Painted limestone, approx. 4’ 6” long. Archaeological Museum, Herakleion.
22 Mycenaean Culture and Art ,[object Object]
Understand the link between culture and architecture of Mycenae.
Discuss the relationship between Minoan and Mycenaean art and culture.,[object Object]
Discuss the relationship between Minoan and Mycenaean art and culture.,[object Object]
25 Figure 4-15  Young god (?), from Palaikastro (Crete), Greece, ca. 1500–1475 BCE. Ivory, gold, serpentine, and rock crystal, original height approx. 1’ 7 1/2”. Archaeological Museum, Siteia.
26 Figure 4-16  Aerial view of the citadel at Tiryns, Greece, ca. 1400–1200 BCE.
27 Figure 4-17  Corbeled gallery in the walls of the citadel, Tiryns, Greece, ca. 1400–1200 BCE.
28 Figure 4-18   Three methods of spanning a passageway: (a) post and lintel, (b) corbeled arch, (c) arch.

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Chapter 4

  • 1. 1 Gardner’s Art Through the Ages:The Western Perspective Chapter 4 Minos and the Heroes of Homer: The Art of the Prehistoric Aegean
  • 3.
  • 4. Discuss the visual aspects and possible context of the Cycladic sculptures.
  • 5. Discuss Minoan society and architecture.
  • 6. Understand visual aspects of Minoan art.
  • 7. Relate significant aspects of archeological excavations at Mycenae.
  • 8. Understand the link between culture and architecture of Mycenae
  • 9.
  • 10.
  • 11. 7 Figure 4-2 Male lyre player, from Keros (Cyclades), Greece, ca. 2700–2500 BCE. Marble, approx. 9” high. National Archaeological Museum, Athens.
  • 12.
  • 13. Understand the elements and nature of Minoan palace architecture.
  • 14. Examine the medium, methods, and imagery of Minoan wall painting.
  • 15.
  • 16.
  • 17. 11 Figure 4-6 Minoan woman or goddess (La Parisienne), from the palace at Knossos (Crete), Greece, ca. 1450–1400 BCE. Fragment of a fresco, approx. 10” high. Archaeological Museum, Herakleion.
  • 18.
  • 19. What was the “labyrinth” of the Minotaur and how does the palace at Knossos fit that description?
  • 20.
  • 21. What materials and methods were typically used?
  • 22.
  • 23. 15 Compare the Minoan fresco with the Egyptian wall painting.
  • 24. 16 Figure 4-8 Flotilla, detail of Miniature Ships Fresco, from Room 5, West House, Akrotiri, Thera (Cyclades), Greece, ca. 1650 BCE. Fresco, approx. 1’ 5” high. National Archaeological Museum, Athens.
  • 25. 17 Figure 4-9 Landscape with swallows (Spring Fresco), from Room Delta 2, Akrotiri, Thera (Cyclades), Greece, ca. 1650 BCE. Fresco, approx. 7’ 6” high. National Archaeological Museum, Athens.
  • 26.
  • 27.
  • 28. 20 Figure 4-11 Marine Style octopus jar, from Palaikastro (Crete), Greece, ca. 1500 BCE. Approx. 11” high. Archaeological Museum, Herakleion.
  • 29. 21 Figure 4-12 Sarcophagus, from Hagia Triada (Crete), Greece, ca. 1450–1400 BCE. Painted limestone, approx. 4’ 6” long. Archaeological Museum, Herakleion.
  • 30.
  • 31. Understand the link between culture and architecture of Mycenae.
  • 32.
  • 33.
  • 34. 25 Figure 4-15 Young god (?), from Palaikastro (Crete), Greece, ca. 1500–1475 BCE. Ivory, gold, serpentine, and rock crystal, original height approx. 1’ 7 1/2”. Archaeological Museum, Siteia.
  • 35. 26 Figure 4-16 Aerial view of the citadel at Tiryns, Greece, ca. 1400–1200 BCE.
  • 36. 27 Figure 4-17 Corbeled gallery in the walls of the citadel, Tiryns, Greece, ca. 1400–1200 BCE.
  • 37. 28 Figure 4-18 Three methods of spanning a passageway: (a) post and lintel, (b) corbeled arch, (c) arch.
  • 38. 29 Figure 4-19 Plan of the palace and southern part of the citadel, Tiryns, Greece, ca. 1400–1200 BCE.
  • 39. 30 Figure 4-20 Lion Gate, Mycenae, Greece, ca. 1300–1250 BCE. Limestone, relief panel approx. 9’ 6” high.
  • 40. 31 Figure 4-21 Treasury of Atreus, Mycenae, Greece, ca. 1300–1250 BCE.
  • 41. 32 Figure 4-22 Vault of the tholos of the Treasury of Atreus, Mycenae, Greece, ca. 1300–1250 BCE. Approx. 43’ high.
  • 42. 33 Figure 4-23 Funerary mask, from Grave Circle A, Mycenae, Greece, ca. 1600–1500 BCE. Beaten gold, approx. 1’ high. National Archaeological Museum, Athens.
  • 43. 34 Figure 4-24 Inlaid dagger blade with lion hunt, from Grave Circle A, Mycenae, Greece, ca. 1600–1500 BCE. Bronze, inlaid with gold, silver, and niello, approx. 9” long. National Archaeological Museum, Athens.
  • 44. 35 Figure 4-25 Female head, from Mycenae, Greece, ca. 1300–1250 BCE. Painted plaster, approx. 6 1/2” high. National Archaeological Museum, Athens.
  • 45. 36 Figure 4-26 Warrior Vase, from Mycenae, Greece, ca. 1200 BCE. Approx. 1’ 4” high. National Archaeological Museum, Athens.
  • 46.
  • 47. Compare the Egyptian Old Kingdom and New Kingdom [Armana period] styles of wall painting with Minoan wall paintings.
  • 48. What was the focus of Minoan art? Did they emphasize the afterlife?
  • 49. Why do you think the Minoan civilization declined? Give reasons for your ideas.