SlideShare ist ein Scribd-Unternehmen logo
1 von 11
Story board 
1 
By Anita Ofori
Scene 1 
• In Scene 1 Diana walks into the street from the front entrance with her 
clique. A wide shot is added as this action is taken place so that the 
audience can clearly visualise her friends and the setting of the scene. 
• The editing technique will be a slow motion effect to show how cool Diana 
and her friends are. 
• The focus pull will be on Diana however, the lighting will be high to make 
Diana and her group of friends appear like stars. 
• The camera will be placed on eye level to show everything from a normal 
perspective. 
• Ideal Image:
Scene 2 
• As we go towards scene 2, their will 
be an ellipsis of Diana’s movement 
towards the locker so that the action 
can appear quicker to the audience. 
Scene 2 is a over the shoulder shot of 
Diana receiving a text as she gets 
something out of her locker. The text 
reads: ‘Karma has no deadlines’. The 
lighting will be 3.0 as mutual action is 
occurring. We will ask permission 
from a student into whether we can 
use their locker.
Scene 3 
• After the text Diana receives, Diana turns behind and sees a 
ghostly figure sitting on the tables in the street. As Diana turns 
behind their will be a close up of Diana’s face to vividly show 
her movement however, when the camera faces the ghostly 
figure a wide shot and a hand held effect will be added to add 
suspense to the situation as the classification of the extract is 
horror. The ghostly figure will have jet black hair which covers 
¼ of her face. 
1) 2)
Scene 4 
• Diana blinks and the figure disappears. 
Extreme close up will be added towards 
Diana’s eyes as her eyes are the most 
important feature in this scene. The hand held 
effect will be removed straight after the 
ghostly figure is shown from a distance. The 
transition will fade from a white screen to the 
next scene. 
Ideal Image:
Scene 5 
• Diana is in her room (Geneva’s room to be precise); Diana is 
already changed in her pyjamas and she is about to head to 
bed. The only source of light will be from the lamp in the 
room so that the action of Diana going to bed is relevant to 
the scene. A tracking shot and a worm’s eye view of Diana’s 
feet will be added as she is walking towards her bed. The 
lighting will be 3.0 so that the audience can clearly see what is 
going on.
Scene 6 
• In scene 6, Diana is reading her bible on her bed; 
their will be a birds eye view of this action to 
show Diana’s full body and the verse in which she 
is reading which we be ‘Revelation’. The focus pull 
will be on Diana so that the audience can see 
Diana amongst the dark surroundings.
Scene 7 
• While Diana reads the bible their will be a close up 
of Diana as she is about to drink cranberry juice 
beside her table. After Diana drinks the cranberry 
juice, a zoom in to the phone will be added as the 
phone vibrates and Diana receives a second text. 
The text reads: ‘Karma tastes sweet doesn’t it?’ 
1) 2)
Scene 8 
• Diana vomits blood. The blood may be fake blood 
purchased from a Halloween shop. While Diana 
vomits blood Diana has a quick flashback of Priscilla 
crying in a dark room. When Diana vomits blood the 
camera will slowly tilt down towards the blood 
dripping all over Diana’s white duvet. A sound effect 
of a female screaming will occur as the audience 
view the blood on the duvet; this sound effect is 
added to intensify the situation.
Scene 9 
• Transition to scene 9 will be a fade from a 
black screen. Location: Outside the gates of 
the school. A long shot of Diana as she arrives 
and shows her ID to the security guard. The 
scene will be set in the day as this is relevant 
to the college’s opening and closing times. 
Afterwards zoom in to Diana’s face will also be 
added to show how tired and unhealthy she 
looks from last night.
Scene 10 
• The transition will be a cut to Diana 
in the performing arts toilets. Diana 
walks out of the toilet (middle shot) 
and sees the taps flooded with 
blood (shot reverse shot). In shock 
Diana moves closer towards the 
taps to observe it in greater detail 
(over the shoulder shot). Afterwards 
Diana slowly looks up (low angle 
and middle shot) at the mirror and 
sees the address of a park written in 
red lipstick (hand held effect and a 
long shot of the mirror).

Weitere ähnliche Inhalte

Was ist angesagt? (18)

Initial ideas for opening sequence
Initial ideas for opening sequenceInitial ideas for opening sequence
Initial ideas for opening sequence
 
The dark age script final
The dark age script finalThe dark age script final
The dark age script final
 
Sinners Folly narrative
Sinners Folly narrativeSinners Folly narrative
Sinners Folly narrative
 
Treatment for our film
Treatment for our filmTreatment for our film
Treatment for our film
 
Misconception Shot List
Misconception Shot ListMisconception Shot List
Misconception Shot List
 
Script for geek to sheik
Script for geek to sheikScript for geek to sheik
Script for geek to sheik
 
4th draft script finished but needs editing
4th draft script finished but needs editing4th draft script finished but needs editing
4th draft script finished but needs editing
 
Job and reegan number 222
Job and reegan number 222Job and reegan number 222
Job and reegan number 222
 
New storyboard continued
New storyboard continuedNew storyboard continued
New storyboard continued
 
Storyboard A2 Media Music Video
Storyboard A2 Media Music VideoStoryboard A2 Media Music Video
Storyboard A2 Media Music Video
 
Script page 3
Script page 3 Script page 3
Script page 3
 
Lost shooting script
Lost shooting scriptLost shooting script
Lost shooting script
 
Script for geek to sheik
Script for geek to sheikScript for geek to sheik
Script for geek to sheik
 
Script
ScriptScript
Script
 
LITERARY ELEMENTS
LITERARY ELEMENTSLITERARY ELEMENTS
LITERARY ELEMENTS
 
What i have left to do for media
What i have left to do for mediaWhat i have left to do for media
What i have left to do for media
 
What i have left to do for media
What i have left to do for mediaWhat i have left to do for media
What i have left to do for media
 
Film proposal 4018
Film proposal 4018Film proposal 4018
Film proposal 4018
 

Andere mochten auch

Media studies: Question 3) What have you learnt about technologies?
Media studies: Question 3) What have you learnt about technologies?Media studies: Question 3) What have you learnt about technologies?
Media studies: Question 3) What have you learnt about technologies?
Anne Blossemberry
 
A2 media studies detailed analysis
A2 media studies detailed analysisA2 media studies detailed analysis
A2 media studies detailed analysis
Anne Blossemberry
 
Question 2) how effective is the combination of your main product and ancilla...
Question 2) how effective is the combination of your main product and ancilla...Question 2) how effective is the combination of your main product and ancilla...
Question 2) how effective is the combination of your main product and ancilla...
Anne Blossemberry
 
Chichén itzá
Chichén itzáChichén itzá
Chichén itzá
Rosa K
 

Andere mochten auch (14)

Media studies a2 timestable
Media studies a2 timestableMedia studies a2 timestable
Media studies a2 timestable
 
Question 4) portrayal of technologies
Question 4) portrayal of technologiesQuestion 4) portrayal of technologies
Question 4) portrayal of technologies
 
Media studies: Question 3) What have you learnt about technologies?
Media studies: Question 3) What have you learnt about technologies?Media studies: Question 3) What have you learnt about technologies?
Media studies: Question 3) What have you learnt about technologies?
 
A2 Media Studies A
A2 Media Studies AA2 Media Studies A
A2 Media Studies A
 
A2 media Timestable planning
A2 media Timestable planningA2 media Timestable planning
A2 media Timestable planning
 
Research/Case studies
Research/Case studiesResearch/Case studies
Research/Case studies
 
Media scrap work
Media scrap workMedia scrap work
Media scrap work
 
Part 1) Research and Planning
Part 1) Research and PlanningPart 1) Research and Planning
Part 1) Research and Planning
 
A2 media studies detailed analysis
A2 media studies detailed analysisA2 media studies detailed analysis
A2 media studies detailed analysis
 
DRAFT: MEDIA EVALUATION
 DRAFT: MEDIA EVALUATION  DRAFT: MEDIA EVALUATION
DRAFT: MEDIA EVALUATION
 
Light Panels for LED Backlight HMI-Industrial Keybright Lumvatech 1-2015
Light Panels for LED Backlight HMI-Industrial Keybright Lumvatech 1-2015Light Panels for LED Backlight HMI-Industrial Keybright Lumvatech 1-2015
Light Panels for LED Backlight HMI-Industrial Keybright Lumvatech 1-2015
 
Question 2) how effective is the combination of your main product and ancilla...
Question 2) how effective is the combination of your main product and ancilla...Question 2) how effective is the combination of your main product and ancilla...
Question 2) how effective is the combination of your main product and ancilla...
 
A2 media studies risk assessment
A2 media studies risk assessmentA2 media studies risk assessment
A2 media studies risk assessment
 
Chichén itzá
Chichén itzáChichén itzá
Chichén itzá
 

Ähnlich wie A2 Media studies story board (10)

Planning my evaluation draft (A2)
Planning my evaluation draft (A2)Planning my evaluation draft (A2)
Planning my evaluation draft (A2)
 
Evaluation Task: Question 1
Evaluation Task: Question 1Evaluation Task: Question 1
Evaluation Task: Question 1
 
Pitch
PitchPitch
Pitch
 
The women in black analysis
The women in black analysisThe women in black analysis
The women in black analysis
 
Magnify Prod.
Magnify Prod.Magnify Prod.
Magnify Prod.
 
Presentation1
Presentation1Presentation1
Presentation1
 
Live Evil Final Script
Live Evil Final ScriptLive Evil Final Script
Live Evil Final Script
 
The last call
The last call  The last call
The last call
 
script.pdf
script.pdfscript.pdf
script.pdf
 
Improved script of horror trailer
Improved script of horror trailerImproved script of horror trailer
Improved script of horror trailer
 

Kürzlich hochgeladen

Architecting Cloud Native Applications
Architecting Cloud Native ApplicationsArchitecting Cloud Native Applications
Architecting Cloud Native Applications
WSO2
 

Kürzlich hochgeladen (20)

Axa Assurance Maroc - Insurer Innovation Award 2024
Axa Assurance Maroc - Insurer Innovation Award 2024Axa Assurance Maroc - Insurer Innovation Award 2024
Axa Assurance Maroc - Insurer Innovation Award 2024
 
Mastering MySQL Database Architecture: Deep Dive into MySQL Shell and MySQL R...
Mastering MySQL Database Architecture: Deep Dive into MySQL Shell and MySQL R...Mastering MySQL Database Architecture: Deep Dive into MySQL Shell and MySQL R...
Mastering MySQL Database Architecture: Deep Dive into MySQL Shell and MySQL R...
 
TrustArc Webinar - Unlock the Power of AI-Driven Data Discovery
TrustArc Webinar - Unlock the Power of AI-Driven Data DiscoveryTrustArc Webinar - Unlock the Power of AI-Driven Data Discovery
TrustArc Webinar - Unlock the Power of AI-Driven Data Discovery
 
Web Form Automation for Bonterra Impact Management (fka Social Solutions Apri...
Web Form Automation for Bonterra Impact Management (fka Social Solutions Apri...Web Form Automation for Bonterra Impact Management (fka Social Solutions Apri...
Web Form Automation for Bonterra Impact Management (fka Social Solutions Apri...
 
Apidays Singapore 2024 - Building Digital Trust in a Digital Economy by Veron...
Apidays Singapore 2024 - Building Digital Trust in a Digital Economy by Veron...Apidays Singapore 2024 - Building Digital Trust in a Digital Economy by Veron...
Apidays Singapore 2024 - Building Digital Trust in a Digital Economy by Veron...
 
Apidays Singapore 2024 - Scalable LLM APIs for AI and Generative AI Applicati...
Apidays Singapore 2024 - Scalable LLM APIs for AI and Generative AI Applicati...Apidays Singapore 2024 - Scalable LLM APIs for AI and Generative AI Applicati...
Apidays Singapore 2024 - Scalable LLM APIs for AI and Generative AI Applicati...
 
Apidays New York 2024 - Accelerating FinTech Innovation by Vasa Krishnan, Fin...
Apidays New York 2024 - Accelerating FinTech Innovation by Vasa Krishnan, Fin...Apidays New York 2024 - Accelerating FinTech Innovation by Vasa Krishnan, Fin...
Apidays New York 2024 - Accelerating FinTech Innovation by Vasa Krishnan, Fin...
 
Polkadot JAM Slides - Token2049 - By Dr. Gavin Wood
Polkadot JAM Slides - Token2049 - By Dr. Gavin WoodPolkadot JAM Slides - Token2049 - By Dr. Gavin Wood
Polkadot JAM Slides - Token2049 - By Dr. Gavin Wood
 
ICT role in 21st century education and its challenges
ICT role in 21st century education and its challengesICT role in 21st century education and its challenges
ICT role in 21st century education and its challenges
 
Real Time Object Detection Using Open CV
Real Time Object Detection Using Open CVReal Time Object Detection Using Open CV
Real Time Object Detection Using Open CV
 
presentation ICT roal in 21st century education
presentation ICT roal in 21st century educationpresentation ICT roal in 21st century education
presentation ICT roal in 21st century education
 
MS Copilot expands with MS Graph connectors
MS Copilot expands with MS Graph connectorsMS Copilot expands with MS Graph connectors
MS Copilot expands with MS Graph connectors
 
AXA XL - Insurer Innovation Award Americas 2024
AXA XL - Insurer Innovation Award Americas 2024AXA XL - Insurer Innovation Award Americas 2024
AXA XL - Insurer Innovation Award Americas 2024
 
2024: Domino Containers - The Next Step. News from the Domino Container commu...
2024: Domino Containers - The Next Step. News from the Domino Container commu...2024: Domino Containers - The Next Step. News from the Domino Container commu...
2024: Domino Containers - The Next Step. News from the Domino Container commu...
 
How to Troubleshoot Apps for the Modern Connected Worker
How to Troubleshoot Apps for the Modern Connected WorkerHow to Troubleshoot Apps for the Modern Connected Worker
How to Troubleshoot Apps for the Modern Connected Worker
 
Apidays Singapore 2024 - Modernizing Securities Finance by Madhu Subbu
Apidays Singapore 2024 - Modernizing Securities Finance by Madhu SubbuApidays Singapore 2024 - Modernizing Securities Finance by Madhu Subbu
Apidays Singapore 2024 - Modernizing Securities Finance by Madhu Subbu
 
Connector Corner: Accelerate revenue generation using UiPath API-centric busi...
Connector Corner: Accelerate revenue generation using UiPath API-centric busi...Connector Corner: Accelerate revenue generation using UiPath API-centric busi...
Connector Corner: Accelerate revenue generation using UiPath API-centric busi...
 
Architecting Cloud Native Applications
Architecting Cloud Native ApplicationsArchitecting Cloud Native Applications
Architecting Cloud Native Applications
 
EMPOWERMENT TECHNOLOGY GRADE 11 QUARTER 2 REVIEWER
EMPOWERMENT TECHNOLOGY GRADE 11 QUARTER 2 REVIEWEREMPOWERMENT TECHNOLOGY GRADE 11 QUARTER 2 REVIEWER
EMPOWERMENT TECHNOLOGY GRADE 11 QUARTER 2 REVIEWER
 
Powerful Google developer tools for immediate impact! (2023-24 C)
Powerful Google developer tools for immediate impact! (2023-24 C)Powerful Google developer tools for immediate impact! (2023-24 C)
Powerful Google developer tools for immediate impact! (2023-24 C)
 

A2 Media studies story board

  • 1. Story board 1 By Anita Ofori
  • 2. Scene 1 • In Scene 1 Diana walks into the street from the front entrance with her clique. A wide shot is added as this action is taken place so that the audience can clearly visualise her friends and the setting of the scene. • The editing technique will be a slow motion effect to show how cool Diana and her friends are. • The focus pull will be on Diana however, the lighting will be high to make Diana and her group of friends appear like stars. • The camera will be placed on eye level to show everything from a normal perspective. • Ideal Image:
  • 3. Scene 2 • As we go towards scene 2, their will be an ellipsis of Diana’s movement towards the locker so that the action can appear quicker to the audience. Scene 2 is a over the shoulder shot of Diana receiving a text as she gets something out of her locker. The text reads: ‘Karma has no deadlines’. The lighting will be 3.0 as mutual action is occurring. We will ask permission from a student into whether we can use their locker.
  • 4. Scene 3 • After the text Diana receives, Diana turns behind and sees a ghostly figure sitting on the tables in the street. As Diana turns behind their will be a close up of Diana’s face to vividly show her movement however, when the camera faces the ghostly figure a wide shot and a hand held effect will be added to add suspense to the situation as the classification of the extract is horror. The ghostly figure will have jet black hair which covers ¼ of her face. 1) 2)
  • 5. Scene 4 • Diana blinks and the figure disappears. Extreme close up will be added towards Diana’s eyes as her eyes are the most important feature in this scene. The hand held effect will be removed straight after the ghostly figure is shown from a distance. The transition will fade from a white screen to the next scene. Ideal Image:
  • 6. Scene 5 • Diana is in her room (Geneva’s room to be precise); Diana is already changed in her pyjamas and she is about to head to bed. The only source of light will be from the lamp in the room so that the action of Diana going to bed is relevant to the scene. A tracking shot and a worm’s eye view of Diana’s feet will be added as she is walking towards her bed. The lighting will be 3.0 so that the audience can clearly see what is going on.
  • 7. Scene 6 • In scene 6, Diana is reading her bible on her bed; their will be a birds eye view of this action to show Diana’s full body and the verse in which she is reading which we be ‘Revelation’. The focus pull will be on Diana so that the audience can see Diana amongst the dark surroundings.
  • 8. Scene 7 • While Diana reads the bible their will be a close up of Diana as she is about to drink cranberry juice beside her table. After Diana drinks the cranberry juice, a zoom in to the phone will be added as the phone vibrates and Diana receives a second text. The text reads: ‘Karma tastes sweet doesn’t it?’ 1) 2)
  • 9. Scene 8 • Diana vomits blood. The blood may be fake blood purchased from a Halloween shop. While Diana vomits blood Diana has a quick flashback of Priscilla crying in a dark room. When Diana vomits blood the camera will slowly tilt down towards the blood dripping all over Diana’s white duvet. A sound effect of a female screaming will occur as the audience view the blood on the duvet; this sound effect is added to intensify the situation.
  • 10. Scene 9 • Transition to scene 9 will be a fade from a black screen. Location: Outside the gates of the school. A long shot of Diana as she arrives and shows her ID to the security guard. The scene will be set in the day as this is relevant to the college’s opening and closing times. Afterwards zoom in to Diana’s face will also be added to show how tired and unhealthy she looks from last night.
  • 11. Scene 10 • The transition will be a cut to Diana in the performing arts toilets. Diana walks out of the toilet (middle shot) and sees the taps flooded with blood (shot reverse shot). In shock Diana moves closer towards the taps to observe it in greater detail (over the shoulder shot). Afterwards Diana slowly looks up (low angle and middle shot) at the mirror and sees the address of a park written in red lipstick (hand held effect and a long shot of the mirror).