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R E A L I S M
T h e b e g i n n i n g o f
" M o d e r n A r t "
Tony Vanetik
TonyVanetik.net
H O W I T W A S N A M E D
R e a l i s m g e t ’ s i t s n a m e f r o m
c o n n e c t i n g a r t w i t h e v e r y d a y l i f e .
F r o m s o c i a l s t a t u s , p o l i t i c s ,
e c o n o m i c s a n d c u l t u r e r e l a t i n g t o
t h e n i n e t e e n t h c e n t u r y c o m b i n e d
i d e a l b e a u t y o f a r t w i t h a d a r k
r e a l i t y t h a t w a s n ’ t a l w a y s s o
p l e a s a n t .  
O N E
Artists painted everyday realities.
This used dark and earthy color
palletes. 
R E A L I S M P A I N T I N G
L O O K E D L I K E
W H A T
This was perhaps considered to be
the first movement in art history
that broke away from the typical
standards and dynamics. Social
morals and values began to appear
in the art market, regardless of what
the monarchy wanted.
Young artists among the Realism
era were aware of a vastly changing
world, unable to ignore it in their
work. Art became contemporary,
not following the ways of the past
prior to the mid-nineteenth
century.
Thus, artists removed their focus on
ancient gods and biblical stories,
bring their art to the relatable social
economics of a changing culture
among the artists actual time.
 
A R T B E C O M E S
C O N T E M P O R A R Y
A N E W - A G E L E A D E R
GustaveCourbetwasamajorinfluentialartistinthis
century,ashebelievedthatheshouldonlypaintwhathe
couldsee-somethinginrealtimeduringhisageofart.He
becamealeadertoyoungartists,wherepaintingswere
specificallyrelatingtoreallife. 
G U S T A V E C O U R B E T
" M O D E R N A R T "
R e a l i s m i s a n e r a o f a r t t h a t b r o u g h t
a t t e n t i o n t o e v e r y d a y p e o p l e . F r o m
t h e r i c h t o t h e p o o r , c l a s s d i d n o t
d e t e r m i n e w h a t w a s o r w a s n ’ t
p a i n t e d . A r t i s t s s i m p l y p a i n t e d w h a t
t h e y o b s e r v e d .
R e a l i s m p o r t r a y e d m o d e r n l i f e a m o n g
t h e n i n e t e e n t h c e n t u r y , c h a n g i n g
h o w a r t i s t s c o u l d v i e w l i f e a n d a r t
i t s e l f .  
O N E
T O N Y V A N E T I K
T O N Y V A N E T I K . N E T

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Anatoly's Art History: Realism

  • 1. R E A L I S M T h e b e g i n n i n g o f " M o d e r n A r t " Tony Vanetik TonyVanetik.net
  • 2. H O W I T W A S N A M E D R e a l i s m g e t ’ s i t s n a m e f r o m c o n n e c t i n g a r t w i t h e v e r y d a y l i f e . F r o m s o c i a l s t a t u s , p o l i t i c s , e c o n o m i c s a n d c u l t u r e r e l a t i n g t o t h e n i n e t e e n t h c e n t u r y c o m b i n e d i d e a l b e a u t y o f a r t w i t h a d a r k r e a l i t y t h a t w a s n ’ t a l w a y s s o p l e a s a n t .   O N E
  • 3. Artists painted everyday realities. This used dark and earthy color palletes.  R E A L I S M P A I N T I N G L O O K E D L I K E W H A T This was perhaps considered to be the first movement in art history that broke away from the typical standards and dynamics. Social morals and values began to appear in the art market, regardless of what the monarchy wanted.
  • 4. Young artists among the Realism era were aware of a vastly changing world, unable to ignore it in their work. Art became contemporary, not following the ways of the past prior to the mid-nineteenth century. Thus, artists removed their focus on ancient gods and biblical stories, bring their art to the relatable social economics of a changing culture among the artists actual time.   A R T B E C O M E S C O N T E M P O R A R Y
  • 5. A N E W - A G E L E A D E R GustaveCourbetwasamajorinfluentialartistinthis century,ashebelievedthatheshouldonlypaintwhathe couldsee-somethinginrealtimeduringhisageofart.He becamealeadertoyoungartists,wherepaintingswere specificallyrelatingtoreallife.  G U S T A V E C O U R B E T
  • 6. " M O D E R N A R T " R e a l i s m i s a n e r a o f a r t t h a t b r o u g h t a t t e n t i o n t o e v e r y d a y p e o p l e . F r o m t h e r i c h t o t h e p o o r , c l a s s d i d n o t d e t e r m i n e w h a t w a s o r w a s n ’ t p a i n t e d . A r t i s t s s i m p l y p a i n t e d w h a t t h e y o b s e r v e d . R e a l i s m p o r t r a y e d m o d e r n l i f e a m o n g t h e n i n e t e e n t h c e n t u r y , c h a n g i n g h o w a r t i s t s c o u l d v i e w l i f e a n d a r t i t s e l f .   O N E
  • 7. T O N Y V A N E T I K T O N Y V A N E T I K . N E T