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Preparing A Legal Brief
For the ongoing case: The State of
Michigan vs. Akindoyin Akinshipe
The Case

• Jane Smith was allegedly sexually assaulted on
  October 11, 2011, by Akindoyin Akinshipe in a
  parking lot near her place of work.
• Smith met Akinshipe at approximately 4pm, and
  was seen having a conversation with him by a
  witness.
• He then sexually assaulted her in a parking
  lot, after which , she came to the police
  department to get assistance.
The Defense
• Akinshipe claims that the act was consensual on
  the grounds that Smith agreed to walk with him
  to the parking lot.
• The defense attorney, Fred Coulson, maintains
  that because Smith appeared unharmed when
  she came to the hospital afterward, that she
  must not have struggled and therefore was not
  raped.
The Defense
• Coulson also brings up the point that Akinshipe
  is not predisposed to perpetrate an act like this.
• He has brought in witnesses to testify to
  Akinshipe’s character.
Our Counterargument
• Smith and the other witness both state that
  Akinshipe initially introduced himself to Smith
  as “DMX,” a popular rapper.
• This is the key to establishing Akinshipe’s
  predisposition to assault.
DMX
• Popular rap musician.
• Lyrics tend toward disrespect
  and violence toward women.

• Sample: “X is Coming”
  http://www.youtube.com/wat
  ch?v=VFT-UydFw7E
Evidence
• We will use Akinshipe’s music collection as
  evidence that Akinshipe is, in fact, likely to have
  sexually assaulted Smith.
• Akinshipe’s alias, DMX refers to a rap musician.
• Evidence teams collected a large variety of
  paraphernalia regarding this rapper from the
  defendant’s room, from CDs to posters and jeans
  inscribed with lyrics.
Evidence
• Items found include CDs, jeans inscribed with
  lyrics, signed poster, lyrics written onto
  walls, responses to fan letters.

• Clearly, this collection, as well as Akinshipe’s use
  of DMX as a pseudonym establishes a
  connection with this music to the case.
The Defense’s Claim about Evidence
• The defense claims that the defendant’s music
  collection is irrelevant and unnecessary, and
  seized in a breach of the defendant’s rights.
• We need to prove that this is relevant evidence
  to the case.
• Also to be considered: the counterargument that
  it would be inconclusive to base an assessment
  of the defendant’s character on his musical
  collection, as many young men of his age might
  have a similar one.
Study
• “The Effects of Violent Music on Children and
  Adolescents”
• By Donald F. Roberts, Peter G. Christenson, and
  Douglas A. Gentile
The Law
• Michigan Evidence Law 401: "Relevant
  evidence" means evidence having any tendency
  to make the existence of any fact that is of
  consequence to the determination of the action
  more probable or less probable than it would be
  without the evidence.
The Law
• Michigan Evidence Law 404: (a) Character evidence
  generally. Evidence of a person's character or a trait
  of character is not admissible for the purpose of
  proving action in conformity therewith on a
  particular occasion
The Law
• Except: 1) Character of accused. Evidence of a
  pertinent trait of character offered by an
  accused, or by the prosecution to rebut the same;
  or if evidence of a trait of character of the alleged
  victim of the crime is offered by the accused and
  admitted under subdivision (a)(2), evidence of a
  trait of character for aggression of the accused
  offered by the prosecution;
Strategy
• The defense may claim that character evidence is
  not permissible under 404.
• However, we can make the case that the
  collection proves that Akinshipe has a tendency
  toward aggression, thus validating our use under
  the same law.
Strategy
• We must stress that this is a unique collection
  that clearly denotes an obsession and a desire to
  emulate, rather than a normal admiration of a
  musician. We must emphasize the lyrics that
  denigrate women, or describe an intent to
  sexually assault someone, as in “X is Coming.”
Strategy
• This will establish the defendant as being likely
  to have committed the crime, and though it does
  not prove our case, it will definitely be useful.
• The jury in this district may be
  sympathetic, especially to the denigration of
  women in the lyrics.
• This will also shed some light as to why the
  defendant is pleading not-guilty; victim blaming
  society norms.
Tasks
• Find Precedent; old cases that used similar
  evidence.
• Compile a substantial sample of DMX’s music.
• Look into Akinshipe’s files, school records, to
  find past instances of violent behavior.
• Look into DMX’s past; was he convicted of
  similar crimes?
Tasks
• Interview Akinshipe’s friends and family about
  his collection, attitudes about women.
• Look into judge’s history with similar cases
  where evidence was in question.
• Thank you for your time this afternoon.

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Using Rap Lyrics to Prove Rape Case

  • 1. Preparing A Legal Brief For the ongoing case: The State of Michigan vs. Akindoyin Akinshipe
  • 2. The Case • Jane Smith was allegedly sexually assaulted on October 11, 2011, by Akindoyin Akinshipe in a parking lot near her place of work. • Smith met Akinshipe at approximately 4pm, and was seen having a conversation with him by a witness. • He then sexually assaulted her in a parking lot, after which , she came to the police department to get assistance.
  • 3. The Defense • Akinshipe claims that the act was consensual on the grounds that Smith agreed to walk with him to the parking lot. • The defense attorney, Fred Coulson, maintains that because Smith appeared unharmed when she came to the hospital afterward, that she must not have struggled and therefore was not raped.
  • 4. The Defense • Coulson also brings up the point that Akinshipe is not predisposed to perpetrate an act like this. • He has brought in witnesses to testify to Akinshipe’s character.
  • 5. Our Counterargument • Smith and the other witness both state that Akinshipe initially introduced himself to Smith as “DMX,” a popular rapper. • This is the key to establishing Akinshipe’s predisposition to assault.
  • 6. DMX • Popular rap musician. • Lyrics tend toward disrespect and violence toward women. • Sample: “X is Coming” http://www.youtube.com/wat ch?v=VFT-UydFw7E
  • 7. Evidence • We will use Akinshipe’s music collection as evidence that Akinshipe is, in fact, likely to have sexually assaulted Smith. • Akinshipe’s alias, DMX refers to a rap musician. • Evidence teams collected a large variety of paraphernalia regarding this rapper from the defendant’s room, from CDs to posters and jeans inscribed with lyrics.
  • 8. Evidence • Items found include CDs, jeans inscribed with lyrics, signed poster, lyrics written onto walls, responses to fan letters. • Clearly, this collection, as well as Akinshipe’s use of DMX as a pseudonym establishes a connection with this music to the case.
  • 9. The Defense’s Claim about Evidence • The defense claims that the defendant’s music collection is irrelevant and unnecessary, and seized in a breach of the defendant’s rights. • We need to prove that this is relevant evidence to the case.
  • 10. • Also to be considered: the counterargument that it would be inconclusive to base an assessment of the defendant’s character on his musical collection, as many young men of his age might have a similar one.
  • 11. Study • “The Effects of Violent Music on Children and Adolescents” • By Donald F. Roberts, Peter G. Christenson, and Douglas A. Gentile
  • 12. The Law • Michigan Evidence Law 401: "Relevant evidence" means evidence having any tendency to make the existence of any fact that is of consequence to the determination of the action more probable or less probable than it would be without the evidence.
  • 13. The Law • Michigan Evidence Law 404: (a) Character evidence generally. Evidence of a person's character or a trait of character is not admissible for the purpose of proving action in conformity therewith on a particular occasion
  • 14. The Law • Except: 1) Character of accused. Evidence of a pertinent trait of character offered by an accused, or by the prosecution to rebut the same; or if evidence of a trait of character of the alleged victim of the crime is offered by the accused and admitted under subdivision (a)(2), evidence of a trait of character for aggression of the accused offered by the prosecution;
  • 15. Strategy • The defense may claim that character evidence is not permissible under 404. • However, we can make the case that the collection proves that Akinshipe has a tendency toward aggression, thus validating our use under the same law.
  • 16. Strategy • We must stress that this is a unique collection that clearly denotes an obsession and a desire to emulate, rather than a normal admiration of a musician. We must emphasize the lyrics that denigrate women, or describe an intent to sexually assault someone, as in “X is Coming.”
  • 17. Strategy • This will establish the defendant as being likely to have committed the crime, and though it does not prove our case, it will definitely be useful. • The jury in this district may be sympathetic, especially to the denigration of women in the lyrics. • This will also shed some light as to why the defendant is pleading not-guilty; victim blaming society norms.
  • 18. Tasks • Find Precedent; old cases that used similar evidence. • Compile a substantial sample of DMX’s music. • Look into Akinshipe’s files, school records, to find past instances of violent behavior. • Look into DMX’s past; was he convicted of similar crimes?
  • 19. Tasks • Interview Akinshipe’s friends and family about his collection, attitudes about women. • Look into judge’s history with similar cases where evidence was in question.
  • 20. • Thank you for your time this afternoon.

Hinweis der Redaktion

  1. Hello and thank you all for coming this afternoon. We will be discussing strategies and tasks for completing a legal brief for our current case The State of Michigan vs. Akinshipe.
  2. The basics of the case involve the sexual assault of Jane Smith on October 11th. Smith was walking home from her office when she was approached by the defendant. The two walked to a parking lot on Thomson and Packard, where Akinshipe raped Ms. Smith and left her there. Smith went to the police directly afterward, and agreed to an evidence collection kit. The samples were confirmed to be Akinshipe’s.
  3. Naturally, the defense claims that Smith consented to have sex with Akinshipe, as Smith appeared unharmed. However, as we all know, Smith could have been coerced by threat alone, as Akinshipe had a knife and could have easily overpowered Smith if she had not complied.
  4. To back up this defense of apparent consent, the defense is trying to make the case that Akinshipe is not the type of person to commit a crime like this. In the last session, Coulson brought in Akinshipe’s roommates and family members to talk about his good character. To counter this line of argument, I propose that we use certain details of the case to prove that Akinshipe is, in fact, likely to have raped Ms. Smith.
  5. In both Smith’s account of the crime, and a witness’s testimony, Akinshipe did not give his real name when he introduced himself to Smith. He instead called himself DMX, a very odd choice for a pseudonym. DMX, for those of you who do not know, is a popular rap musician. This irregular introduction is going to prove our case.
  6. A popular rapper especially in the 1990s, DMX’s lyrics tend toward the aggressive, violent, and misogynist. For example, in the song I will play for you, he says that “if you’ve got a daughter older than 15/I’m gonna rape her.” Throughout DMX’s discography women are called whores, and bitches, and violent acts and threats are pervasive. Though this is fairly common practice for the musical genre in general, DMX is connected to this case in a way that makes the insidious lyrics seem to foreshadownAkinshipe’s involvement with this case.
  7. Akinshipe does not only introduce himself to Smith as DMX, but he has a vast collection of items related to the musician.