This document lists 75 photographs and artworks from the mid-20th century to the 1970s. It includes photos by famous photographers like Robert Frank, Diane Arbus, and Eddie Adams, as well as artworks across mediums like Andy Warhol's Marilyn Diptych and Robert Rauschenberg's combine painting. The works document events from World War II and the Vietnam War, as well as portraits, landscapes, and conceptual art pieces.
4. 11.4 Lotte Jacobi, Photogenic, c. 1950. Vintage
gelatin silver print. Lotte Jacobi Archives,
Diamond Library, University of New Hampshire,
Durham, New Hampshire. The Nelson-Atkins
Museum of Art, Gift of Hallmark Cards, Inc.,
Kansas, Missouri.
5. 11.5 Frederick Sommer, Arizona Landscape, 1943. Gelatin silver print. Center for Creative Photography, Tucson, Arizona.
6. 11.6 Minor White, Empty Head, from sequence
14 of Sound of One Hand Clapping, 1962.
Gelatin silver print. Minor White Archive.
Princeton Art Museum, Princeton, New Jersey.
7. 11.7 Jerry Uelsmann, Untitled (Landscape with a floating tree), 1969. Victoria and Albert Museum, London.
16. 11.16 Garry Winogrand, American Legion Convention, Dallas, Texas, 1964. Gelatin silver print. Museum of Modern
Art, New York.
17. 11.17 Lisette Model, Albert-Alberta, Hubert’s Forty-
Second Street Flea Circus, New York, c. 1945. Gelatin
silver print. Bruce Silverstein Gallery, New York.
18. 11.18 Stephen Frank, Untitled (Diane Arbus with her photo of a boy holding a toy grenade in Central Park,
New York), 1970.
19. 11.19 Ralph Eugene
Meatyard, Romance (N)
from Ambrose Bierce, No.
3, 1962. Gelatin silver
print. George Eastman
House, Rochester, New
York.
27. 11.27 Lewis Baltz, Southwest Wall, Ware, Malcolm & Garner, from The New Industrial Parks Near Irvine, California,
1974. Collection Centre Canadien d’Architecture / Canadian Center for Architecture, Montreal, Cananda.
28. 11.28 Robert Adams, Newly
Occupied Tract Houses,
Colorado Springs, Colorado,
1968.
34. 11.34 Eliot Porter, October 3, 1858, from Henry David Thoreau’s book In Wilderness Is the Preservation of the World.
35. 11.35 Edward Weston, Waterfront, Monterey, 1946. Silver dye bleach print (Cibachrome). Center for Creative
Photography, University of Arizona, Tucson, Arizona.
36. 11.36 Walker Evans, Untitled (Crushed beer can), 1973-74. Polaroid print. Metropolitan Museum of Art, New
York.
37. 11.37 Ralph Amdursky, Colorama (Blue “Woody” stationwagon in front of summer cottage), n.d. Kodak print.
Eastman Kodak, Rochester, New York.
38. 11.38 Apollo II, Untitled (The far side of the moon), Apollo II mission, July 1969.
43. 11.43 Josef Koudelka, Soviet Invasion of Czechoslovakia, 1968. Image from The Sunday Times Magazine,
anniversary issue, 1969.
44. 11.44 Larry Burrows, At a First-Aid Center During Operation Prairie, 1966. Dye-transfer print. Spencer Matthews
Museum of Art, University of Kansas, Missouri.
45. 11.45 Philip Jones Griffiths, Napalm Victim, Vietnam,
1967. Gelatin silver print.
46. 11.46 Eddie Adams, General Loan Executing a Vietcong Suspect, February 1, 1968. Gelatin silver print.
47. 11.47 John Paul Filo, Untitled (Kent State: girl screaming over dead body), May 4, 1970.
48. 11.48 Huynh Cong (Nick) Ut, Children fleeing a Napalm Strike, June 8, 1972.
49. 11.49 Ron Haeberle & Peter Brant, “Q. And Babies? A. And Babies,” 1970. Offset lithograph, printed in color.
Museum of Modern Art, New York.
50. 11.50 Vo Anh Khanh, U Minh Forest,
Ca Mau, September 15, 1970.
51. 11.51 Photographer
Unknown, Roles Reserved
for the Negro in the
Spectacle, 1963, from The
World of Which We Speak,
1970. Situationist
International.
52. 11.52 Richard Hamilton, Just What
is it that Makes Today’s Homes So
Different, So Appealing?, 1956.
Collage on paper. Kunsthalle,
TĂĽbingen, Germany.
53. 11.53 Andy Warhol, Marilyn Diptych, 1962. Acrylic on canvas. Tate, London.
55. 11.55 Robert Rauschenberg, Untitled Combine (Man with White
Shoes), 1955. Panza Collection. Museum of Contemporary Art, Los
Angeles, California.
56. 11.56 Richard Estes, Woolworth’s, 1974. Oil on canvas, 38 x 55in. (96.5 x 139.7 cm). San Antonio Museum of Art,
San Antonio, Texas.
57. 11.57 Chuck Close, Self-Portrait, 1968. Acrylic
on canvas, 8 ft 11 ½ in. x 6 ft 11 ½ in. (2.73 x
2.12 m). Walker Art Center Collection,
Minneapolis, Minnesota.
58. 11.58 Audrey Flack, World War II
(Vanitas), Incorporating Part of
Margaret Bourke-White’s
Photograph “Buchenwald, April
1945,” 1976-77. Oil over acrylic on
canvas, 8 x 8 ft (2.43 x 2.43 m).
60. 11.60 Ed Ruscha, From Nine Swimming Pools and a Broken Glass, 1968.
61. 11.61 Bernd & Hilla Becher, Gas Tower
(Telescoping Type), off Pulaski Bridge, Jersey
City, New Jersey, U.S.A., 1981.
62. 11.62 Harry Shunk, Yves Klein Leaping
into the Void, near Paris, October 23,
1960. Gelatin silver print.
63. 11.63 Bruce Nauman, Self-Portrait as a Fountain, from the series Photograph Suite, 1966. Chromogenic color print.
Whitney Museum of American Art, New York.
72. 11.72 Robert Heinecken, Refractive Hexagon, 1965. Twenty-four movable photographic pieces on wood.
Gelatin silver prints. Center for Creative Photography, University of Arizona, Tucson, Arizona.
73. 11.73 Ray K. Metzker, Composites:
Philadelphia, 1964. Gelatin silver
print. Purchase. Contemporary
Exhibition Fund, Alfred Stieglitz
Restricted Fund, Alice Newton
Osborn Fund. Philadelphia
Museum of Art, Philadelphia,
Pennsylvania.
74. 11.74 Don McCullin, Corpse of North Vietnamese Soldier,
1968. Copy-negative print.