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Audiences, Research, Organization,
       Persuasion, Proposals

                       ENG 3302




Chapter 5. Analyzing Your Audience and Purpose   ©
2012 by Bedford/St. Martin's
Table of Contents
                                                     Slides
Analyzing Audience                                   3
Research                                             16
Organizing Info                                      39
Communicating Persuasively                           54
Proposals                                            67




    Chapter 5. Analyzing Your Audience and Purpose            ©
    2012 by Bedford/St. Martin's
Analyzing Your Audience and Purpose




Chapter 5. Analyzing Your Audience and Purpose   ©
2012 by Bedford/St. Martin's
Determine four important
     characteristics of your audience:

• Who are your readers?
• Why is your audience reading your
  document?
• What are your readers’ attitudes and
  expectations?
• How will your readers use your document?


   Chapter 5. Analyzing Your Audience and Purpose   © 2012 by Bedford/St. Martin's   4
Consider six factors about
         your most important readers:

• the reader’s education
• the reader’s professional experience
• the reader’s job responsibility
• the reader’s personal characteristics
• the reader’s personal preferences
• the reader’s cultural characteristics

   Chapter 5. Analyzing Your Audience and Purpose   © 2012 by Bedford/St. Martin's   5
Classify your readers into three categories:

 • a primary audience of people who will use
   your document in carrying out their jobs
 • a secondary audience of people who need to
   stay aware of developments in the
   organization but who will not directly act on or
   respond to your document
 • a tertiary audience of people who might take
   an interest in the subject of the document
    Chapter 5. Analyzing Your Audience and Purpose   © 2012 by Bedford/St. Martin's   6
Your readers have
           attitudes and expectations:

• attitudes toward you
• attitudes toward the subject
• expectations about the document




   Chapter 5. Analyzing Your Audience and Purpose   © 2012 by Bedford/St. Martin's   7
Why and how will your
         readers use your document?

• Why is the reader reading your document?
• How will the reader read your document?
• What is the reader’s reading skill level?
• What is the physical environment in which the
  reader will read your document?



   Chapter 5. Analyzing Your Audience and Purpose   © 2012 by Bedford/St. Martin's   8
Learn about your audience:

• Determine what you already know about your
  audience.
• Interview people.
• Read about your audience online.
• Search social media for documents your
  audience has written.


   Chapter 5. Analyzing Your Audience and Purpose   © 2012 by Bedford/St. Martin's   9
Understand seven cultural
    variables that lie “on the surface”:

• political
• economic
• social
• religious
• educational
• technological
• linguistic
   Chapter 5. Analyzing Your Audience and Purpose   © 2012 by Bedford/St. Martin's   10
Understand six cultural variables
     that lie “beneath the surface”:

• focus on individuals or groups
• distance between business life and private life
• distance between ranks
• nature of truth
• need to spell out details
• attitudes toward uncertainty

   Chapter 5. Analyzing Your Audience and Purpose   © 2012 by Bedford/St. Martin's   11
Consider four points about
cultural variables “beneath the surface”:

• Each variable represents a spectrum of
  attitudes.
• The six variables do not line up in a clear
  pattern.
• Different organizations within the same culture
  can vary greatly.
• An organization’s cultural attitudes are fluid,
  not static.
   Chapter 5. Analyzing Your Audience and Purpose   © 2012 by Bedford/St. Martin's   12
Use these eight strategies when
   writing for readers from other cultures:

• Limit your vocabulary.
• Keep sentences short.
• Define abbreviations and acronyms in a
  glossary.
• Avoid jargon unless you know your readers are
  familiar with it.



     Chapter 5. Analyzing Your Audience and Purpose   © 2012 by Bedford/St. Martin's   13
Use these eight strategies when writing
    for readers from other cultures (cont.):

•   Avoid idioms and slang.
•   Use the active voice whenever possible.
•   Be careful with graphics.
•   Be sure someone from the target culture reviews
    the document.




       Chapter 5. Analyzing Your Audience and Purpose   © 2012 by Bedford/St. Martin's
Determine your purpose:


Ask yourself:
• What do I want this document to accomplish?
• What do I want readers to know or believe?
• What do I want readers to do?




   Chapter 5. Analyzing Your Audience and Purpose   © 2012 by Bedford/St. Martin's   15
Researching Your Subject




Chapter 5. Analyzing Your Audience and Purpose   ©
2012 by Bedford/St. Martin's
Understand the differences between
 academic and workplace research:

• In academic research, your goal is to find
  information that will help you answer a
  scholarly question.
• In workplace research, your goal is to find
  information that will help you answer a
  practical question, usually one that involves
  the organization for which you work.


      Chapter 6. Researching Your Subject   © 2012 by Bedford/St. Martin's   17
The research process consists of 12 steps:
 •   Analyze your audience.
 •   Analyze your purpose.
 •   Analyze your subject.
 •   Visualize the deliverable.
 •   Work out a schedule and a budget.
 •   Determine what information will need to be
     part of that deliverable.



         Chapter 6. Researching Your Subject   © 2012 by Bedford/St. Martin's   18
The research process
        consists of 12 steps (cont.):
• Determine what information you still need to
  acquire.
• Create questions you need to answer in your
  deliverable.
• Conduct secondary research.
• Conduct primary research.
• Evaluate your information.
• Do more research.

      Chapter 6. Researching Your Subject   © 2012 by Bedford/St. Martin's   19
Choose appropriate research methods:

• What types of research media might you use?
• What types of research tools might you use?
• What types of primary research might you
  conduct?




     Chapter 6. Researching Your Subject   © 2012 by Bedford/St. Martin's   20
Follow three guidelines
         when researching a topic:

• Be persistent.
• Record your data carefully.
• Triangulate your research methods.




     Chapter 6. Researching Your Subject   © 2012 by Bedford/St. Martin's   21
Know the four types of information media:

 • print
 • online databases
 • Web sites
 • social media




       Chapter 6. Researching Your Subject   © 2012 by Bedford/St. Martin's   22
Know how to use six basic research tools:

•   online catalogs
•   reference works
•   periodical indexes
•   newspaper indexes
•   abstract services
•   government information


        Chapter 6. Researching Your Subject   © 2012 by Bedford/St. Martin's   23
Understand these five forms of social media:

  • discussion boards
  • wikis
  • blogs
  • tagged content
  • RSS feeds



        Chapter 6. Researching Your Subject   © 2012 by Bedford/St. Martin's   24
Look for information that is . . .

•   accurate
•   unbiased
•   comprehensive
•   appropriately technical
•   current
•   clear


        Chapter 6. Researching Your Subject   © 2012 by Bedford/St. Martin's   25
When evaluating print and online
    sources, examine these five factors:

•   authorship
•   publisher
•   knowledge of the literature
•   accuracy and verifiability of the information
•   timeliness




        Chapter 6. Researching Your Subject   © 2012 by Bedford/St. Martin's   26
Understand the seven techniques
           of primary research:

•   observations and demonstrations
•   inspections
•   experiments
•   field research
•   interviews
•   inquiries
•   questionnaires

        Chapter 6. Researching Your Subject   © 2012 by Bedford/St. Martin's   27
Conducting an experiment
            consists of four phases:

•   establishing a hypothesis
•   testing the hypothesis
•   analyzing the data
•   reporting the data




        Chapter 6. Researching Your Subject   © 2012 by Bedford/St. Martin's   28
Field research is vulnerable
         to two common problems:

• the effect of the experiment on the behavior
  you are studying
• bias in the recording and analysis of the data




      Chapter 6. Researching Your Subject   © 2012 by Bedford/St. Martin's   29
Consider three factors
 when choosing a person to interview:

• What questions do you want to answer?
• Who could provide the information you need?
• Is the person willing to be interviewed?




      Chapter 6. Researching Your Subject   © 2012 by Bedford/St. Martin's   30
Prepare for the interview:

• Do your homework.
• Prepare good questions.
• Check your equipment.




      Chapter 6. Researching Your Subject   © 2012 by Bedford/St. Martin's   31
Begin the interview:

•   Arrive on time.
•   Thank the respondent.
•   State the subject and purpose of the interview.
•   If you want to record the interview, ask
    permission.




        Chapter 6. Researching Your Subject   © 2012 by Bedford/St. Martin's   32
Conduct the interview:

•   Take notes.
•   Start with prepared questions.
•   Be prepared to ask follow-up questions.
•   Be prepared to get the interview back on
    track.




        Chapter 6. Researching Your Subject   © 2012 by Bedford/St. Martin's   33
Conclude the interview:

• Thank the respondent.
• Ask for a follow-up interview.
• Ask for permission to quote the respondent.




      Chapter 6. Researching Your Subject   © 2012 by Bedford/St. Martin's   34
After the interview, do two tasks:

• Write down the important information while the
  interview is fresh in your mind.
• Send a brief thank-you note.




      Chapter 6. Researching Your Subject   © 2012 by Bedford/St. Martin's   35
Questionnaires are
      vulnerable to three problems:

• Some of the questions will misfire.
• You won’t obtain as many responses as you
  want.
• You cannot be sure the respondents are
  representative.




      Chapter 6. Researching Your Subject   © 2012 by Bedford/St. Martin's   36
Using questionnaires effectively
            calls for four steps:

•   Ask effective questions.
•   Test the questionnaire.
•   Administer the questionnaire.
•   Present questionnaire data in your document.




        Chapter 6. Researching Your Subject   © 2012 by Bedford/St. Martin's   37
Understand the six
         common types of questions:

•   multiple choice
•   Likert scale
•   semantic differentials
•   ranking
•   short answer
•   short essay


        Chapter 6. Researching Your Subject   © 2012 by Bedford/St. Martin's   38
Organizing Info




Chapter 5. Analyzing Your Audience and Purpose   ©
2012 by Bedford/St. Martin's
Understand three principles for
    organizing technical information:

• Analyze your audience and purpose.
• Use conventional patterns of organization.
• Display your organizational pattern
  prominently in the document.




     Chapter 7. Organizing Your Information   © 2012 by Bedford/St. Martin's   40
Ask four questions when you
 study documents from other cultures:

• Does the text follow expected organizational
  patterns?
• Do the introductions and conclusions present
  the kind of information you would expect?
• Does the text appear to be organized linearly?
• Does the text use headings? If so, does it use
  more than one level?

     Chapter 7. Organizing Your Information   © 2012 by Bedford/St. Martin's   41
Display your organizational
            pattern prominently:


• Create a detailed table of contents.
• Use headings liberally.
• Use topic sentences at the beginnings of your
  paragraphs.




     Chapter 7. Organizing Your Information   © 2012 by Bedford/St. Martin's   42
Understand eight typical
             patterns of organization:

• chronological
• spatial
• general to specific
• more important to less important
• comparison and contrast
• classification and partition
• problem-methods-solution
• cause and effect
      Chapter 7. Organizing Your Information   © 2012 by Bedford/St. Martin's   43
Follow these three guidelines for
organizing information chronologically:

• Provide signposts.
• Consider using graphics to complement the
  text.
• Analyze events where appropriate.




     Chapter 7. Organizing Your Information   © 2012 by Bedford/St. Martin's   44
Follow these three guidelines for
   organizing information spatially:

• Provide signposts.
• Consider using graphics to complement the
  text.
• Analyze events where appropriate.




     Chapter 7. Organizing Your Information   © 2012 by Bedford/St. Martin's   45
An example of
information organized spatially




                                                                          Source:
                                                                          Metropolitan
                                                                          Museum of Art,
                                                                          2010
                                                                          <www.metmuseum.
                                                                          org/toah/world-
                                                                          regions/#/09/World-
                                                                          Map>.




Chapter 7. Organizing Your Information   © 2012 by Bedford/St. Martin's                46
Follow these two guidelines for organizing
   information from general to specific:

 • Provide signposts.
 • Consider using graphics to complement the
   text.




      Chapter 7. Organizing Your Information   © 2012 by Bedford/St. Martin's   47
Follow three guidelines for organizing information
     from more important to less important:

  • Provide signposts.
  • Explain why one point is more important than
    another.
  • Consider using graphics to complement the
    text.




       Chapter 7. Organizing Your Information   © 2012 by Bedford/St. Martin's   48
Follow these four guidelines for organizing
 information by comparison and contrast:

 • Establish criteria for the comparison and
   contrast.
 • Evaluate each item according to the criteria
   you have established.
 • Organize the discussion.
 • Consider using graphics to complement the
   text.

      Chapter 7. Organizing Your Information   © 2012 by Bedford/St. Martin's   49
Follow these six guidelines for organizing
 information by classification or partition:

• Choose a basis of classification or partition that fits
  your audience and purpose.
• Use only one basis of classification or partition at a
  time.
• Avoid overlap.
• Be inclusive.
• Arrange the categories in a logical sequence.
• Consider using graphics to complement the text.

      Chapter 7. Organizing Your Information   © 2012 by Bedford/St. Martin's   50
An example of information
       organized by partition




                                                                          Source: Canon, 2010
                                                                          <www.usa-
                                                                          canon.com/cusa/cons
                                                                          umer/products/camera
                                                                          s/digital_cameras/pow
                                                                          ershot_sx210_is#Box
                                                                          Content>.




Chapter 7. Organizing Your Information   © 2012 by Bedford/St. Martin's                      51
Follow these five guidelines for organizing
information by problem-methods-solution:

 • In describing the problem, be clear and specific.
 • In describing your methods, help your readers
   understand what you did and why you did it that
   way.
 • In describing the solution, don’t overstate.
 • Choose a logical sequence.
 • Consider using graphics to complement the text.

       Chapter 7. Organizing Your Information   © 2012 by Bedford/St. Martin's   52
Follow these four guidelines for
organizing information by cause and effect:

 • Explain your reasoning.
 • Avoid overstating your argument.
 • Avoid logical fallacies.
 • Consider using graphics to complement the
   text.



      Chapter 7. Organizing Your Information   © 2012 by Bedford/St. Martin's   53
Communicating Persuasively




Chapter 5. Analyzing Your Audience and Purpose   ©
2012 by Bedford/St. Martin's
Consider your audience’s
             four broader goals:

• security
• recognition
• professional growth
• connectedness




     Chapter 8. Communicating Persuasively   © 2012 by Bedford/St. Martin's   55
Work within eight constraints:

• ethical
• legal
• political
• informational
• personnel
• financial
• time
• format and tone
      Chapter 8. Communicating Persuasively   © 2012 by Bedford/St. Martin's   56
Follow six steps to
       craft a persuasive argument:
• Identify the elements of a persuasive
  argument.
• Use the right kinds of evidence.
• Consider opposing viewpoints.
• Appeal to emotions responsibly.
• Decide where to present the claim.
• Understand the role of culture in persuasion.

     Chapter 8. Communicating Persuasively   © 2012 by Bedford/St. Martin's   57
Understand the three elements
      of a persuasive argument:

• The claim—the idea you are communicating.
• The evidence—the facts and judgments that
  support your claim.
• The reasoning—the logic that you use to
  derive the claim from the evidence.




     Chapter 8. Communicating Persuasively   © 2012 by Bedford/St. Martin's   58
Use the right kinds of evidence:

• “commonsense” arguments
• numerical data
• examples
• expert testimony




     Chapter 8. Communicating Persuasively   © 2012 by Bedford/St. Martin's   59
Consider three ways of meeting possible
     objections to your argument:

• Show that the opposing argument is based on
  illogical reasoning or on inaccurate or
  incomplete facts.
• Show that the opposing argument is valid but
  less powerful than your own.
• Show how the two arguments can be
  reconciled.


     Chapter 8. Communicating Persuasively   © 2012 by Bedford/St. Martin's   60
Understand the role of culture in persuasion:

  • Know what each culture regards as a
    persuasive argument.
  • Know how each culture structures a
    persuasive argument.




       Chapter 8. Communicating Persuasively   © 2012 by Bedford/St. Martin's   61
Avoid ten common logical fallacies:

• ad hominem argument, or argument against
  the speaker
• argument from ignorance
• appeal to pity
• argument from authority
• circular argument, or begging the question



     Chapter 8. Communicating Persuasively   © 2012 by Bedford/St. Martin's   62
Avoid ten common logical fallacies (cont.):

• either-or argument
• ad populum argument, or bandwagon
  argument
• hasty generalization, or inadequate sampling
• post hoc reasoning
• oversimplifying



     Chapter 8. Communicating Persuasively   © 2012 by Bedford/St. Martin's   63
Demonstrate four characteristics
    when creating a professional persona:

•   cooperativeness
•   moderation
•   fair-mindedness
•   modesty




       Chapter 8. Communicating Persuasively   © 2012 by Bedford/St. Martin's   64
An example of using words and images
      to create a persuasive argument




Caption: “A young boy works 12-hour days packing mud bricks in Liberia.”
              Source: U.S. Department of State, 2009 <www.state.gov/documents/organization/123360.pdf>.




           Chapter 8. Communicating Persuasively                         © 2012 by Bedford/St. Martin's   65
An example of using an image
 to convey technical evidence




 Source: Insurance Institute for Highway Safety, 2008 <www.iihs.org/ratings/rating.aspx?id5867>.



Chapter 8. Communicating Persuasively                            © 2012 by Bedford/St. Martin's    66
Writing Proposals




Chapter 5. Analyzing Your Audience and Purpose   ©
2012 by Bedford/St. Martin's
Writing a proposal requires seven steps:

• Analyze your audience.
• Analyze your purpose.
• Gather information about your subject.
• Choose the appropriate type of proposal.
• Draft the proposal.
• Format the proposal.
• Revise, edit, proofread, and submit the proposal.
        Chapter 16. Writing Proposals   © 2012 by Bedford/St. Martin's   68
The logistics of proposals




Chapter 16. Writing Proposals   © 2012 by Bedford/St. Martin's   69
Solicited and unsolicited
 proposals respond to different needs:

• Solicited proposals are sent in response to an
  information for bid (IFB) or a request for
  proposal (RFP).
• Unsolicited proposals are submitted by a
  supplier who believes that the prospective
  customer has a need for goods or services.



        Chapter 16. Writing Proposals   © 2012 by Bedford/St. Martin's   70
Proposals lead to two kinds of deliverables:

 • research
 • goods and services




        Chapter 16. Writing Proposals   © 2012 by Bedford/St. Martin's   71
A successful proposal
        is a persuasive argument:

• Show that you understand your readers’
  needs.
• Show that you have decided what you plan to
  do and that you are able to do it.
• Show that you are a professional and that you
  are committed to fulfilling your promises.



       Chapter 16. Writing Proposals   © 2012 by Bedford/St. Martin's   72
Follow these six suggestions
  when writing international proposals:

• Understand that what makes an argument
  persuasive can differ from one culture to another.
• Budget enough time for translating.
• Use simple graphics, with captions.
• Write short sentences, using common vocabulary.
• Use local conventions regarding punctuation,
  spelling, and mechanics.
• Ask if the prospective customer will do a read-
  through.
        Chapter 16. Writing Proposals   © 2012 by Bedford/St. Martin's   73
Follow these four guidelines
 to demonstrate your professionalism:

• Describe your credentials and work history.
• Provide your work schedule.
• Describe your quality-control measures.
• Include your budget.




       Chapter 16. Writing Proposals   © 2012 by Bedford/St. Martin's   74
Avoid these four
      common dishonest practices:
• saying that certain qualified people will
  participate in the project, even though they will
  not
• saying that the project will be finished by a
  certain date, even though it will not
• saying that the deliverable will have certain
  characteristics, even though it will not
• saying that the project will be completed under
  budget, even though it will not

        Chapter 16. Writing Proposals   © 2012 by Bedford/St. Martin's   75
There are three reasons
        to write honest proposals:

• to avoid serious legal trouble stemming from
  breach-of-contract suits
• to avoid acquiring a bad reputation, thus
  ruining your business
• to do the right thing




       Chapter 16. Writing Proposals   © 2012 by Bedford/St. Martin's   76
To follow through on a proposal,
you need three categories of resources:

• personnel
• facilities
• equipment




       Chapter 16. Writing Proposals   © 2012 by Bedford/St. Martin's   77
A typical proposal includes six sections:

• summary
• introduction
• proposed program
• qualifications and experience
• budget
• appendixes

       Chapter 16. Writing Proposals   © 2012 by Bedford/St. Martin's   78
An introduction answers seven questions:

•What is the problem or opportunity?
•What is the purpose of the proposal?
•What is the background of the problem or opportunity?
•What are your sources of information?
•What is the scope of the proposal?
•What is the organization of the proposal?
•What key terms will you use in the proposal?


        Chapter 16. Writing Proposals   © 2012 by Bedford/St. Martin's   79
Task schedules are
    presented in one of three formats:

• table
• bar chart or Gantt chart
• network diagram




        Chapter 16. Writing Proposals   © 2012 by Bedford/St. Martin's   80
An example of a task schedule as a table




       Chapter 16. Writing Proposals   © 2012 by Bedford/St. Martin's   81
An example of a task
    schedule as a bar chart




Chapter 16. Writing Proposals   © 2012 by Bedford/St. Martin's   82
An example of a task
       schedule as a network diagram




A network diagram provides more useful information than either a
table or a bar chart.

           Chapter 16. Writing Proposals   © 2012 by Bedford/St. Martin's   83
There are several techniques
       for evaluating completed work:

•   quantitative evaluations
•   qualitative evaluations
•   formative evaluations
•   summative evaluations




         Chapter 16. Writing Proposals   © 2012 by Bedford/St. Martin's   84

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Proposals

  • 1. Audiences, Research, Organization, Persuasion, Proposals ENG 3302 Chapter 5. Analyzing Your Audience and Purpose © 2012 by Bedford/St. Martin's
  • 2. Table of Contents Slides Analyzing Audience 3 Research 16 Organizing Info 39 Communicating Persuasively 54 Proposals 67 Chapter 5. Analyzing Your Audience and Purpose © 2012 by Bedford/St. Martin's
  • 3. Analyzing Your Audience and Purpose Chapter 5. Analyzing Your Audience and Purpose © 2012 by Bedford/St. Martin's
  • 4. Determine four important characteristics of your audience: • Who are your readers? • Why is your audience reading your document? • What are your readers’ attitudes and expectations? • How will your readers use your document? Chapter 5. Analyzing Your Audience and Purpose © 2012 by Bedford/St. Martin's 4
  • 5. Consider six factors about your most important readers: • the reader’s education • the reader’s professional experience • the reader’s job responsibility • the reader’s personal characteristics • the reader’s personal preferences • the reader’s cultural characteristics Chapter 5. Analyzing Your Audience and Purpose © 2012 by Bedford/St. Martin's 5
  • 6. Classify your readers into three categories: • a primary audience of people who will use your document in carrying out their jobs • a secondary audience of people who need to stay aware of developments in the organization but who will not directly act on or respond to your document • a tertiary audience of people who might take an interest in the subject of the document Chapter 5. Analyzing Your Audience and Purpose © 2012 by Bedford/St. Martin's 6
  • 7. Your readers have attitudes and expectations: • attitudes toward you • attitudes toward the subject • expectations about the document Chapter 5. Analyzing Your Audience and Purpose © 2012 by Bedford/St. Martin's 7
  • 8. Why and how will your readers use your document? • Why is the reader reading your document? • How will the reader read your document? • What is the reader’s reading skill level? • What is the physical environment in which the reader will read your document? Chapter 5. Analyzing Your Audience and Purpose © 2012 by Bedford/St. Martin's 8
  • 9. Learn about your audience: • Determine what you already know about your audience. • Interview people. • Read about your audience online. • Search social media for documents your audience has written. Chapter 5. Analyzing Your Audience and Purpose © 2012 by Bedford/St. Martin's 9
  • 10. Understand seven cultural variables that lie “on the surface”: • political • economic • social • religious • educational • technological • linguistic Chapter 5. Analyzing Your Audience and Purpose © 2012 by Bedford/St. Martin's 10
  • 11. Understand six cultural variables that lie “beneath the surface”: • focus on individuals or groups • distance between business life and private life • distance between ranks • nature of truth • need to spell out details • attitudes toward uncertainty Chapter 5. Analyzing Your Audience and Purpose © 2012 by Bedford/St. Martin's 11
  • 12. Consider four points about cultural variables “beneath the surface”: • Each variable represents a spectrum of attitudes. • The six variables do not line up in a clear pattern. • Different organizations within the same culture can vary greatly. • An organization’s cultural attitudes are fluid, not static. Chapter 5. Analyzing Your Audience and Purpose © 2012 by Bedford/St. Martin's 12
  • 13. Use these eight strategies when writing for readers from other cultures: • Limit your vocabulary. • Keep sentences short. • Define abbreviations and acronyms in a glossary. • Avoid jargon unless you know your readers are familiar with it. Chapter 5. Analyzing Your Audience and Purpose © 2012 by Bedford/St. Martin's 13
  • 14. Use these eight strategies when writing for readers from other cultures (cont.): • Avoid idioms and slang. • Use the active voice whenever possible. • Be careful with graphics. • Be sure someone from the target culture reviews the document. Chapter 5. Analyzing Your Audience and Purpose © 2012 by Bedford/St. Martin's
  • 15. Determine your purpose: Ask yourself: • What do I want this document to accomplish? • What do I want readers to know or believe? • What do I want readers to do? Chapter 5. Analyzing Your Audience and Purpose © 2012 by Bedford/St. Martin's 15
  • 16. Researching Your Subject Chapter 5. Analyzing Your Audience and Purpose © 2012 by Bedford/St. Martin's
  • 17. Understand the differences between academic and workplace research: • In academic research, your goal is to find information that will help you answer a scholarly question. • In workplace research, your goal is to find information that will help you answer a practical question, usually one that involves the organization for which you work. Chapter 6. Researching Your Subject © 2012 by Bedford/St. Martin's 17
  • 18. The research process consists of 12 steps: • Analyze your audience. • Analyze your purpose. • Analyze your subject. • Visualize the deliverable. • Work out a schedule and a budget. • Determine what information will need to be part of that deliverable. Chapter 6. Researching Your Subject © 2012 by Bedford/St. Martin's 18
  • 19. The research process consists of 12 steps (cont.): • Determine what information you still need to acquire. • Create questions you need to answer in your deliverable. • Conduct secondary research. • Conduct primary research. • Evaluate your information. • Do more research. Chapter 6. Researching Your Subject © 2012 by Bedford/St. Martin's 19
  • 20. Choose appropriate research methods: • What types of research media might you use? • What types of research tools might you use? • What types of primary research might you conduct? Chapter 6. Researching Your Subject © 2012 by Bedford/St. Martin's 20
  • 21. Follow three guidelines when researching a topic: • Be persistent. • Record your data carefully. • Triangulate your research methods. Chapter 6. Researching Your Subject © 2012 by Bedford/St. Martin's 21
  • 22. Know the four types of information media: • print • online databases • Web sites • social media Chapter 6. Researching Your Subject © 2012 by Bedford/St. Martin's 22
  • 23. Know how to use six basic research tools: • online catalogs • reference works • periodical indexes • newspaper indexes • abstract services • government information Chapter 6. Researching Your Subject © 2012 by Bedford/St. Martin's 23
  • 24. Understand these five forms of social media: • discussion boards • wikis • blogs • tagged content • RSS feeds Chapter 6. Researching Your Subject © 2012 by Bedford/St. Martin's 24
  • 25. Look for information that is . . . • accurate • unbiased • comprehensive • appropriately technical • current • clear Chapter 6. Researching Your Subject © 2012 by Bedford/St. Martin's 25
  • 26. When evaluating print and online sources, examine these five factors: • authorship • publisher • knowledge of the literature • accuracy and verifiability of the information • timeliness Chapter 6. Researching Your Subject © 2012 by Bedford/St. Martin's 26
  • 27. Understand the seven techniques of primary research: • observations and demonstrations • inspections • experiments • field research • interviews • inquiries • questionnaires Chapter 6. Researching Your Subject © 2012 by Bedford/St. Martin's 27
  • 28. Conducting an experiment consists of four phases: • establishing a hypothesis • testing the hypothesis • analyzing the data • reporting the data Chapter 6. Researching Your Subject © 2012 by Bedford/St. Martin's 28
  • 29. Field research is vulnerable to two common problems: • the effect of the experiment on the behavior you are studying • bias in the recording and analysis of the data Chapter 6. Researching Your Subject © 2012 by Bedford/St. Martin's 29
  • 30. Consider three factors when choosing a person to interview: • What questions do you want to answer? • Who could provide the information you need? • Is the person willing to be interviewed? Chapter 6. Researching Your Subject © 2012 by Bedford/St. Martin's 30
  • 31. Prepare for the interview: • Do your homework. • Prepare good questions. • Check your equipment. Chapter 6. Researching Your Subject © 2012 by Bedford/St. Martin's 31
  • 32. Begin the interview: • Arrive on time. • Thank the respondent. • State the subject and purpose of the interview. • If you want to record the interview, ask permission. Chapter 6. Researching Your Subject © 2012 by Bedford/St. Martin's 32
  • 33. Conduct the interview: • Take notes. • Start with prepared questions. • Be prepared to ask follow-up questions. • Be prepared to get the interview back on track. Chapter 6. Researching Your Subject © 2012 by Bedford/St. Martin's 33
  • 34. Conclude the interview: • Thank the respondent. • Ask for a follow-up interview. • Ask for permission to quote the respondent. Chapter 6. Researching Your Subject © 2012 by Bedford/St. Martin's 34
  • 35. After the interview, do two tasks: • Write down the important information while the interview is fresh in your mind. • Send a brief thank-you note. Chapter 6. Researching Your Subject © 2012 by Bedford/St. Martin's 35
  • 36. Questionnaires are vulnerable to three problems: • Some of the questions will misfire. • You won’t obtain as many responses as you want. • You cannot be sure the respondents are representative. Chapter 6. Researching Your Subject © 2012 by Bedford/St. Martin's 36
  • 37. Using questionnaires effectively calls for four steps: • Ask effective questions. • Test the questionnaire. • Administer the questionnaire. • Present questionnaire data in your document. Chapter 6. Researching Your Subject © 2012 by Bedford/St. Martin's 37
  • 38. Understand the six common types of questions: • multiple choice • Likert scale • semantic differentials • ranking • short answer • short essay Chapter 6. Researching Your Subject © 2012 by Bedford/St. Martin's 38
  • 39. Organizing Info Chapter 5. Analyzing Your Audience and Purpose © 2012 by Bedford/St. Martin's
  • 40. Understand three principles for organizing technical information: • Analyze your audience and purpose. • Use conventional patterns of organization. • Display your organizational pattern prominently in the document. Chapter 7. Organizing Your Information © 2012 by Bedford/St. Martin's 40
  • 41. Ask four questions when you study documents from other cultures: • Does the text follow expected organizational patterns? • Do the introductions and conclusions present the kind of information you would expect? • Does the text appear to be organized linearly? • Does the text use headings? If so, does it use more than one level? Chapter 7. Organizing Your Information © 2012 by Bedford/St. Martin's 41
  • 42. Display your organizational pattern prominently: • Create a detailed table of contents. • Use headings liberally. • Use topic sentences at the beginnings of your paragraphs. Chapter 7. Organizing Your Information © 2012 by Bedford/St. Martin's 42
  • 43. Understand eight typical patterns of organization: • chronological • spatial • general to specific • more important to less important • comparison and contrast • classification and partition • problem-methods-solution • cause and effect Chapter 7. Organizing Your Information © 2012 by Bedford/St. Martin's 43
  • 44. Follow these three guidelines for organizing information chronologically: • Provide signposts. • Consider using graphics to complement the text. • Analyze events where appropriate. Chapter 7. Organizing Your Information © 2012 by Bedford/St. Martin's 44
  • 45. Follow these three guidelines for organizing information spatially: • Provide signposts. • Consider using graphics to complement the text. • Analyze events where appropriate. Chapter 7. Organizing Your Information © 2012 by Bedford/St. Martin's 45
  • 46. An example of information organized spatially Source: Metropolitan Museum of Art, 2010 <www.metmuseum. org/toah/world- regions/#/09/World- Map>. Chapter 7. Organizing Your Information © 2012 by Bedford/St. Martin's 46
  • 47. Follow these two guidelines for organizing information from general to specific: • Provide signposts. • Consider using graphics to complement the text. Chapter 7. Organizing Your Information © 2012 by Bedford/St. Martin's 47
  • 48. Follow three guidelines for organizing information from more important to less important: • Provide signposts. • Explain why one point is more important than another. • Consider using graphics to complement the text. Chapter 7. Organizing Your Information © 2012 by Bedford/St. Martin's 48
  • 49. Follow these four guidelines for organizing information by comparison and contrast: • Establish criteria for the comparison and contrast. • Evaluate each item according to the criteria you have established. • Organize the discussion. • Consider using graphics to complement the text. Chapter 7. Organizing Your Information © 2012 by Bedford/St. Martin's 49
  • 50. Follow these six guidelines for organizing information by classification or partition: • Choose a basis of classification or partition that fits your audience and purpose. • Use only one basis of classification or partition at a time. • Avoid overlap. • Be inclusive. • Arrange the categories in a logical sequence. • Consider using graphics to complement the text. Chapter 7. Organizing Your Information © 2012 by Bedford/St. Martin's 50
  • 51. An example of information organized by partition Source: Canon, 2010 <www.usa- canon.com/cusa/cons umer/products/camera s/digital_cameras/pow ershot_sx210_is#Box Content>. Chapter 7. Organizing Your Information © 2012 by Bedford/St. Martin's 51
  • 52. Follow these five guidelines for organizing information by problem-methods-solution: • In describing the problem, be clear and specific. • In describing your methods, help your readers understand what you did and why you did it that way. • In describing the solution, don’t overstate. • Choose a logical sequence. • Consider using graphics to complement the text. Chapter 7. Organizing Your Information © 2012 by Bedford/St. Martin's 52
  • 53. Follow these four guidelines for organizing information by cause and effect: • Explain your reasoning. • Avoid overstating your argument. • Avoid logical fallacies. • Consider using graphics to complement the text. Chapter 7. Organizing Your Information © 2012 by Bedford/St. Martin's 53
  • 54. Communicating Persuasively Chapter 5. Analyzing Your Audience and Purpose © 2012 by Bedford/St. Martin's
  • 55. Consider your audience’s four broader goals: • security • recognition • professional growth • connectedness Chapter 8. Communicating Persuasively © 2012 by Bedford/St. Martin's 55
  • 56. Work within eight constraints: • ethical • legal • political • informational • personnel • financial • time • format and tone Chapter 8. Communicating Persuasively © 2012 by Bedford/St. Martin's 56
  • 57. Follow six steps to craft a persuasive argument: • Identify the elements of a persuasive argument. • Use the right kinds of evidence. • Consider opposing viewpoints. • Appeal to emotions responsibly. • Decide where to present the claim. • Understand the role of culture in persuasion. Chapter 8. Communicating Persuasively © 2012 by Bedford/St. Martin's 57
  • 58. Understand the three elements of a persuasive argument: • The claim—the idea you are communicating. • The evidence—the facts and judgments that support your claim. • The reasoning—the logic that you use to derive the claim from the evidence. Chapter 8. Communicating Persuasively © 2012 by Bedford/St. Martin's 58
  • 59. Use the right kinds of evidence: • “commonsense” arguments • numerical data • examples • expert testimony Chapter 8. Communicating Persuasively © 2012 by Bedford/St. Martin's 59
  • 60. Consider three ways of meeting possible objections to your argument: • Show that the opposing argument is based on illogical reasoning or on inaccurate or incomplete facts. • Show that the opposing argument is valid but less powerful than your own. • Show how the two arguments can be reconciled. Chapter 8. Communicating Persuasively © 2012 by Bedford/St. Martin's 60
  • 61. Understand the role of culture in persuasion: • Know what each culture regards as a persuasive argument. • Know how each culture structures a persuasive argument. Chapter 8. Communicating Persuasively © 2012 by Bedford/St. Martin's 61
  • 62. Avoid ten common logical fallacies: • ad hominem argument, or argument against the speaker • argument from ignorance • appeal to pity • argument from authority • circular argument, or begging the question Chapter 8. Communicating Persuasively © 2012 by Bedford/St. Martin's 62
  • 63. Avoid ten common logical fallacies (cont.): • either-or argument • ad populum argument, or bandwagon argument • hasty generalization, or inadequate sampling • post hoc reasoning • oversimplifying Chapter 8. Communicating Persuasively © 2012 by Bedford/St. Martin's 63
  • 64. Demonstrate four characteristics when creating a professional persona: • cooperativeness • moderation • fair-mindedness • modesty Chapter 8. Communicating Persuasively © 2012 by Bedford/St. Martin's 64
  • 65. An example of using words and images to create a persuasive argument Caption: “A young boy works 12-hour days packing mud bricks in Liberia.” Source: U.S. Department of State, 2009 <www.state.gov/documents/organization/123360.pdf>. Chapter 8. Communicating Persuasively © 2012 by Bedford/St. Martin's 65
  • 66. An example of using an image to convey technical evidence Source: Insurance Institute for Highway Safety, 2008 <www.iihs.org/ratings/rating.aspx?id5867>. Chapter 8. Communicating Persuasively © 2012 by Bedford/St. Martin's 66
  • 67. Writing Proposals Chapter 5. Analyzing Your Audience and Purpose © 2012 by Bedford/St. Martin's
  • 68. Writing a proposal requires seven steps: • Analyze your audience. • Analyze your purpose. • Gather information about your subject. • Choose the appropriate type of proposal. • Draft the proposal. • Format the proposal. • Revise, edit, proofread, and submit the proposal. Chapter 16. Writing Proposals © 2012 by Bedford/St. Martin's 68
  • 69. The logistics of proposals Chapter 16. Writing Proposals © 2012 by Bedford/St. Martin's 69
  • 70. Solicited and unsolicited proposals respond to different needs: • Solicited proposals are sent in response to an information for bid (IFB) or a request for proposal (RFP). • Unsolicited proposals are submitted by a supplier who believes that the prospective customer has a need for goods or services. Chapter 16. Writing Proposals © 2012 by Bedford/St. Martin's 70
  • 71. Proposals lead to two kinds of deliverables: • research • goods and services Chapter 16. Writing Proposals © 2012 by Bedford/St. Martin's 71
  • 72. A successful proposal is a persuasive argument: • Show that you understand your readers’ needs. • Show that you have decided what you plan to do and that you are able to do it. • Show that you are a professional and that you are committed to fulfilling your promises. Chapter 16. Writing Proposals © 2012 by Bedford/St. Martin's 72
  • 73. Follow these six suggestions when writing international proposals: • Understand that what makes an argument persuasive can differ from one culture to another. • Budget enough time for translating. • Use simple graphics, with captions. • Write short sentences, using common vocabulary. • Use local conventions regarding punctuation, spelling, and mechanics. • Ask if the prospective customer will do a read- through. Chapter 16. Writing Proposals © 2012 by Bedford/St. Martin's 73
  • 74. Follow these four guidelines to demonstrate your professionalism: • Describe your credentials and work history. • Provide your work schedule. • Describe your quality-control measures. • Include your budget. Chapter 16. Writing Proposals © 2012 by Bedford/St. Martin's 74
  • 75. Avoid these four common dishonest practices: • saying that certain qualified people will participate in the project, even though they will not • saying that the project will be finished by a certain date, even though it will not • saying that the deliverable will have certain characteristics, even though it will not • saying that the project will be completed under budget, even though it will not Chapter 16. Writing Proposals © 2012 by Bedford/St. Martin's 75
  • 76. There are three reasons to write honest proposals: • to avoid serious legal trouble stemming from breach-of-contract suits • to avoid acquiring a bad reputation, thus ruining your business • to do the right thing Chapter 16. Writing Proposals © 2012 by Bedford/St. Martin's 76
  • 77. To follow through on a proposal, you need three categories of resources: • personnel • facilities • equipment Chapter 16. Writing Proposals © 2012 by Bedford/St. Martin's 77
  • 78. A typical proposal includes six sections: • summary • introduction • proposed program • qualifications and experience • budget • appendixes Chapter 16. Writing Proposals © 2012 by Bedford/St. Martin's 78
  • 79. An introduction answers seven questions: •What is the problem or opportunity? •What is the purpose of the proposal? •What is the background of the problem or opportunity? •What are your sources of information? •What is the scope of the proposal? •What is the organization of the proposal? •What key terms will you use in the proposal? Chapter 16. Writing Proposals © 2012 by Bedford/St. Martin's 79
  • 80. Task schedules are presented in one of three formats: • table • bar chart or Gantt chart • network diagram Chapter 16. Writing Proposals © 2012 by Bedford/St. Martin's 80
  • 81. An example of a task schedule as a table Chapter 16. Writing Proposals © 2012 by Bedford/St. Martin's 81
  • 82. An example of a task schedule as a bar chart Chapter 16. Writing Proposals © 2012 by Bedford/St. Martin's 82
  • 83. An example of a task schedule as a network diagram A network diagram provides more useful information than either a table or a bar chart. Chapter 16. Writing Proposals © 2012 by Bedford/St. Martin's 83
  • 84. There are several techniques for evaluating completed work: • quantitative evaluations • qualitative evaluations • formative evaluations • summative evaluations Chapter 16. Writing Proposals © 2012 by Bedford/St. Martin's 84