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Group 5 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object]
Pierre-Auguste Renoir  1841 - 1919  ,[object Object],[object Object],[object Object],[object Object],[object Object],If painting were not a pleasure to me  I should certainly not do it
Girls at the  piano (1892)  The big bathers  (1884 - 87)
[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Renoir's early work was influenced by two French artists, Claude Monet in his treatment of light and the romantic painter Eugène Delacroix in his treatment of color. Monet Renoir
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object]
Young women playing the  piano was a recurring and  favourite subject for Renoir.  While the theme of youth  and music had often been  given allegorical treatment  in French and Dutch art of  the past, Renoir adopted  the subject as an  emblematic image of  French bourgeois culture.  Girls at the  piano (1892) 
The theme of cultivated  innocence and domestic  comfort underpinned much  of the artist's work. This  fresh and lively preparatory  sketch was produced in  response to an official  commission from the  French State. Girls at the  piano (1892) 
Look at this picture! And don’t be shy please! There are  three nude women here. Renoir loves to draw a group of  women without clothes. Especially the women take a bath.  The big bathers  (1884 - 87)
In this picture we can not only see the women are not so  thin and not so heavy but also know that Renoir describes  the beauty of woman’s body. The big bathers  (1884 - 87)

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Renoir

  • 1.
  • 2.
  • 3.
  • 4. Girls at the  piano (1892)  The big bathers  (1884 - 87)
  • 5.
  • 6.
  • 7.
  • 8.
  • 9. Renoir's early work was influenced by two French artists, Claude Monet in his treatment of light and the romantic painter Eugène Delacroix in his treatment of color. Monet Renoir
  • 10.
  • 11.
  • 12.
  • 13.
  • 14.
  • 15.
  • 16. Young women playing the piano was a recurring and favourite subject for Renoir. While the theme of youth and music had often been given allegorical treatment in French and Dutch art of the past, Renoir adopted the subject as an emblematic image of French bourgeois culture. Girls at the  piano (1892) 
  • 17. The theme of cultivated innocence and domestic comfort underpinned much of the artist's work. This fresh and lively preparatory sketch was produced in response to an official commission from the French State. Girls at the  piano (1892) 
  • 18. Look at this picture! And don’t be shy please! There are three nude women here. Renoir loves to draw a group of women without clothes. Especially the women take a bath. The big bathers  (1884 - 87)
  • 19. In this picture we can not only see the women are not so thin and not so heavy but also know that Renoir describes the beauty of woman’s body. The big bathers  (1884 - 87)