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J I M  P A R E D E S C R E A T I V E  G U R U
How to make  OPM world-class! By Jim Paredes
A Brief   (and rough)  History  of OPM ,[object Object]
Dekada 60s ,[object Object],[object Object],[object Object]
Dekada 60s ,[object Object],[object Object]
Dekada 60 ,[object Object]
Dekada 60s ,[object Object]
What were local 60’s recordings like? ,[object Object],[object Object]
What were  local 60s recordings like ? ,[object Object],[object Object]
Dekada 60s: ,[object Object]
Mass Followed Class ,[object Object]
Dekada 70s
The Age Of Relevance
Dekada 70s ,[object Object],[object Object]
Dekada 70s ,[object Object]
Dekada 70s ,[object Object]
Dekada 70s ,[object Object]
Dekada 70s ,[object Object]
Dekada 70s ,[object Object]
Dekada 70s ,[object Object]
Dekada 70s ,[object Object],[object Object],[object Object]
Dekada 70s ,[object Object]
Dekada 70s ,[object Object]
Dekada 70s ,[object Object]
Dekada 70s ,[object Object]
Dekada 70s ,[object Object]
Dekada 70s ,[object Object]
Dekada 70s ,[object Object]
In 1978, OPM as a brand was created
Dekada 70s ,[object Object],[object Object],[object Object]
Dekada 70s ,[object Object],[object Object]
Dekada 80s
Dekada 80s ,[object Object]
Dekada 80s ,[object Object]
Dekada 80s ,[object Object]
Dekada 80s ,[object Object]
Dekada 80s ,[object Object]
Dekada 80s ,[object Object]
Dekada 80s ,[object Object]
Dekada 80s ,[object Object]
Dekada 80s ,[object Object]
Dekada 90s
Dekada 90s ,[object Object]
Dekada 90s ,[object Object]
Dekada 90s ,[object Object]
Dekada 90s ,[object Object]
Dekada 90s ,[object Object]
Dekada 90s ,[object Object]
Dekada 90s ,[object Object]
Dekada 90s ,[object Object]
The last 5 years ,[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object]
So what is wrong and how can we  fix it?
What went wrong? ,[object Object]
What went wrong? ,[object Object]
What went wrong? ,[object Object]
What can we do?
ENCOURAGE OPM MUSIC IN ALL ASPECTS AND ALL WAYS. FOR STARTERS…
[object Object]
[object Object]
[object Object]
OPM  and World Markets
[object Object]
[object Object],[object Object]
The Two Streams of OPM ,[object Object],[object Object]
[object Object],[object Object]
How the rest of the world did it and continues to do so.
Look around us
[object Object],[object Object]
[object Object],[object Object]
[object Object],[object Object],[object Object]
[object Object],[object Object]
[object Object]
The point is every nationality that contributes to world culture leaves a distinct mark—themselves! What they ARE is their theme. They don’t try to  be anything else.
We seem to be an exemption in this.
[object Object]
We try to “respond”  by attempting to give the market what we think  it will go for.
[object Object]
On the contrary, the only two Filipino songs that made it in the world or at least are recognizable in  other countries  are  in Tagalog.  They are  “ Anak ”  and  “ Dahil Sayo ”
The better strategy for OPM to contribute to world music is this:
[object Object],[object Object]
There is no question that we as a people have the talent  (hardware) to succeed. We just have to develop a truly Filipino cultural content (software).
Advice to creators of music ,[object Object],[object Object],[object Object]
[object Object]
The best, most realistic and sustainable strategy for OPM to become international therefore is this: Create Filipino music for Filipinos!
[object Object]
END

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Whynot02 Jim Paredes

  • 1. J I M P A R E D E S C R E A T I V E G U R U
  • 2. How to make OPM world-class! By Jim Paredes
  • 3.
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  • 13. The Age Of Relevance
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  • 29. In 1978, OPM as a brand was created
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  • 54. So what is wrong and how can we fix it?
  • 55.
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  • 58. What can we do?
  • 59. ENCOURAGE OPM MUSIC IN ALL ASPECTS AND ALL WAYS. FOR STARTERS…
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  • 63. OPM and World Markets
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  • 68. How the rest of the world did it and continues to do so.
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  • 75. The point is every nationality that contributes to world culture leaves a distinct mark—themselves! What they ARE is their theme. They don’t try to be anything else.
  • 76. We seem to be an exemption in this.
  • 77.
  • 78. We try to “respond” by attempting to give the market what we think it will go for.
  • 79.
  • 80. On the contrary, the only two Filipino songs that made it in the world or at least are recognizable in other countries are in Tagalog. They are “ Anak ” and “ Dahil Sayo ”
  • 81. The better strategy for OPM to contribute to world music is this:
  • 82.
  • 83. There is no question that we as a people have the talent (hardware) to succeed. We just have to develop a truly Filipino cultural content (software).
  • 84.
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  • 86. The best, most realistic and sustainable strategy for OPM to become international therefore is this: Create Filipino music for Filipinos!
  • 87.
  • 88. END