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ABSTRACT
In the comic issue Superman by Jurgens, Krause, and Williams Pete Ross is
involved in a conflict. The Sons of Liberty are a group of men including a judge in
the city who is involved in trying to take down Major Holcraft. Pete Ross finds
himself involved within the group. While in court a man from Sons of Liberty who
is sitting next to Pete Ross pulls out a gun and shoots Major Holcraft and escapes
without anyone seeing. After he escapes the only one left around the area is Pete
Ross who they assume was the shooter. Meanwhile Pete Ross means absolutely
no harm to anyone and simply doesn’t agree with any of the Sons of Liberty’s
goals and morals. After the shooting Superman rushes Major Holcraft to the
hospital before it becomes too late. Afterwards Superman comes in hearing
stories from witnesses on both sides trying to understand the true story behind
what happened. The main conflict of this comic is that Pete Ross was involved in
is being accused of killing a man even though he means absolutely no harm to
anyone.
BODY LANGUAGE
On the left superman looks very
powerful and in charge due to
the angle of his stature being
portrayed. Since it’s a slight
angle where he's looking down
upon someone it shows he is in
power
Shown above is a direct
representation of different
body postures portraying
how the character may
feel during a certain point
within the story
ANGLE PERSPECTIVE
On the left we have an example
of angle perspective. Due to a
lower angle reflecting upwards
it shows the true meaning
behind the story. The man is
struggling to hang on to the
helicopter which is visualized
highly by the angle of the
design
Above we have McClouds
description of perspective and
how important it is to comics.
In superman the story is
extremely emphasized through
multiple perspectives
DIFFERENT DIMENSIONS
To the left we have McClouds
description of dimensions. Having
multiple dimensions to a picture
helps the audience interpret the
meaning due to greater detail
Below we have an example of
a different dimension
because this is a longer
frame in the comic
extenuating the distance
superman is going. This also
provides the reader with a
sense of 3-D imagination
EXAGGERATED EXPRESSION
Above is a prime example of an
exaggerated pose/expression.
Although you cannot see his entire
body in this frame you can still
grasp his emotion (fear) from great
detail
On the left we have
McClouds illustration of an
exaggerated pose and
expression. In superman
many facial expressions
answer questions from the
readers on how certain
characters react to
different situations
FACIAL EXPRESSION
Above we have a sequence of
emotions that all lead up to a lasting
impression which is expressed at the
end. Here we have terror which we
see a lot throughout superman
Above is a great example of
terror. Simply given the mans
horrifying look, you can already
depict the feeling and the
situation that is occurring within
the story
FACIAL EXPRESSION DISGUST
Here we have another sequence showing disgust
mixed with surprise which in turn gives us a
surprising and nasty look at the same time.
McCloud stresses all throughout his story how
important facial expressions are for the readers
to depict the mood of the story.
Above we have a
perfect representation
of superman with the
same exact facial
expression caused by
disgust and surprise
INTENSITY
On the left we have
McClouds representation of
how exaggerated intensity
is. In comics it is essentially
to fully exaggerate intensity
so it heightens the readers
thoughts towards the scene
Shown below the man
has gotten shot however
since we see the bullet
entering the man plus
his facial expression the
intensity is heightened
due to great detail
INTERDEPENDENT
Above we have an example of
McClouds interdependent
method which words and
pictures combined to convey an
overall idea but neither would
alone
To the right we have
a section where
superman is trying to
save Pete in jail and
the words and
pictures explain that
idea. They also need
each other in this
series which is where
the interdependent
method plays in
MONTAGE
Next McCloud explains the idea
of a montage where words and
pictures are combined
pictorially. There aren't many
throughout this comic however I
found one
To the right we have
superman and Pete.
Superman is exaggerating
to Pete that he must get
him out of jail which is
expressed through words
and the picture
PANEL EXPANSION
Above we have an example of
superman flying away but we also
have McClouds version of a panel
expansion where the image
“bleeds” off the page
To the right is
McClouds
description of a
panel expansion
which is when the
image “bleeds” off
of the panel without
any edges
PICTURE SPECIFIC
Above we have picture specific which is
pictures that provide all you need to
know, while the words accentuate
aspects of the scene being shown. In
superman there are a lot of frames
where McClouds method is expressed Above we have an image of Pete
where clearly the photo shows
him holding someone else's
lock of hair. Without words we
are able to depict the situation
REALISTIC DETAIL
To the left is an
example of how to
incorporate a greater
level of realistic detail
by using an up-close
angle
Below shows the superhero from a
higher angle looking down. The detail
comes within his arms and how fast his
movements are from the detail involved
SOUND
Above we have an example of
multiple ways to express
feeling, smell, or sound
Below is an image of the man being
shot. We also see from separate text
boxes the sound he makes from the
impact along with the sound of the gun
to express the dramatic scene
happening
WORD SPECIFIC
Shown above is McClouds other theory of
being word specific. What this means is the
words in the scene describe what's
happening while the expressions are also
telling the story as well
Below superman is yelling
“gunshots” which we can
clearly see through great
detail of his facial expression
that something horrible is
occurring in this scene
CONCLUSION
To conclude in superman many of McClouds
ideas and thoughts on creating a successful
comic is shown throughout. This PowerPoint
goes through each method that is expressed
within the comic superman followed by the
overall theme and conflict expressed throughout
the story as well

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Comic analysis powerpoint

  • 1.
  • 2. ABSTRACT In the comic issue Superman by Jurgens, Krause, and Williams Pete Ross is involved in a conflict. The Sons of Liberty are a group of men including a judge in the city who is involved in trying to take down Major Holcraft. Pete Ross finds himself involved within the group. While in court a man from Sons of Liberty who is sitting next to Pete Ross pulls out a gun and shoots Major Holcraft and escapes without anyone seeing. After he escapes the only one left around the area is Pete Ross who they assume was the shooter. Meanwhile Pete Ross means absolutely no harm to anyone and simply doesn’t agree with any of the Sons of Liberty’s goals and morals. After the shooting Superman rushes Major Holcraft to the hospital before it becomes too late. Afterwards Superman comes in hearing stories from witnesses on both sides trying to understand the true story behind what happened. The main conflict of this comic is that Pete Ross was involved in is being accused of killing a man even though he means absolutely no harm to anyone.
  • 3. BODY LANGUAGE On the left superman looks very powerful and in charge due to the angle of his stature being portrayed. Since it’s a slight angle where he's looking down upon someone it shows he is in power Shown above is a direct representation of different body postures portraying how the character may feel during a certain point within the story
  • 4. ANGLE PERSPECTIVE On the left we have an example of angle perspective. Due to a lower angle reflecting upwards it shows the true meaning behind the story. The man is struggling to hang on to the helicopter which is visualized highly by the angle of the design Above we have McClouds description of perspective and how important it is to comics. In superman the story is extremely emphasized through multiple perspectives
  • 5. DIFFERENT DIMENSIONS To the left we have McClouds description of dimensions. Having multiple dimensions to a picture helps the audience interpret the meaning due to greater detail Below we have an example of a different dimension because this is a longer frame in the comic extenuating the distance superman is going. This also provides the reader with a sense of 3-D imagination
  • 6. EXAGGERATED EXPRESSION Above is a prime example of an exaggerated pose/expression. Although you cannot see his entire body in this frame you can still grasp his emotion (fear) from great detail On the left we have McClouds illustration of an exaggerated pose and expression. In superman many facial expressions answer questions from the readers on how certain characters react to different situations
  • 7. FACIAL EXPRESSION Above we have a sequence of emotions that all lead up to a lasting impression which is expressed at the end. Here we have terror which we see a lot throughout superman Above is a great example of terror. Simply given the mans horrifying look, you can already depict the feeling and the situation that is occurring within the story
  • 8. FACIAL EXPRESSION DISGUST Here we have another sequence showing disgust mixed with surprise which in turn gives us a surprising and nasty look at the same time. McCloud stresses all throughout his story how important facial expressions are for the readers to depict the mood of the story. Above we have a perfect representation of superman with the same exact facial expression caused by disgust and surprise
  • 9. INTENSITY On the left we have McClouds representation of how exaggerated intensity is. In comics it is essentially to fully exaggerate intensity so it heightens the readers thoughts towards the scene Shown below the man has gotten shot however since we see the bullet entering the man plus his facial expression the intensity is heightened due to great detail
  • 10. INTERDEPENDENT Above we have an example of McClouds interdependent method which words and pictures combined to convey an overall idea but neither would alone To the right we have a section where superman is trying to save Pete in jail and the words and pictures explain that idea. They also need each other in this series which is where the interdependent method plays in
  • 11. MONTAGE Next McCloud explains the idea of a montage where words and pictures are combined pictorially. There aren't many throughout this comic however I found one To the right we have superman and Pete. Superman is exaggerating to Pete that he must get him out of jail which is expressed through words and the picture
  • 12. PANEL EXPANSION Above we have an example of superman flying away but we also have McClouds version of a panel expansion where the image “bleeds” off the page To the right is McClouds description of a panel expansion which is when the image “bleeds” off of the panel without any edges
  • 13. PICTURE SPECIFIC Above we have picture specific which is pictures that provide all you need to know, while the words accentuate aspects of the scene being shown. In superman there are a lot of frames where McClouds method is expressed Above we have an image of Pete where clearly the photo shows him holding someone else's lock of hair. Without words we are able to depict the situation
  • 14. REALISTIC DETAIL To the left is an example of how to incorporate a greater level of realistic detail by using an up-close angle Below shows the superhero from a higher angle looking down. The detail comes within his arms and how fast his movements are from the detail involved
  • 15. SOUND Above we have an example of multiple ways to express feeling, smell, or sound Below is an image of the man being shot. We also see from separate text boxes the sound he makes from the impact along with the sound of the gun to express the dramatic scene happening
  • 16. WORD SPECIFIC Shown above is McClouds other theory of being word specific. What this means is the words in the scene describe what's happening while the expressions are also telling the story as well Below superman is yelling “gunshots” which we can clearly see through great detail of his facial expression that something horrible is occurring in this scene
  • 17. CONCLUSION To conclude in superman many of McClouds ideas and thoughts on creating a successful comic is shown throughout. This PowerPoint goes through each method that is expressed within the comic superman followed by the overall theme and conflict expressed throughout the story as well