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Connecting the Conflicting
Worlds - Reverse-engineering
Yurikuma Arashi
Reflection on Yurikuma to make sense of Kolme Lautasta Sarazanmai
Wataru “walterinsect” Yamazaki
Desucon Frostbite 2020
#KuumaLilja
For comments, questions, criticisms
Hot Yuri Action
Outline
1. What this is about
2. Hypothesis
3. Kuma Arashi
4. Post-9.11
5. Keywords
6. Yuri
7. Layered “Yuri”
8. What was it about?
9. Connecting with Sarazanmai
What this is about
Rant
International Relations /
History Ikuhara Craziness
So…
Why Yurikuma Arashi now?
• Mirror image of Sarazanmai (2019)
• To better understand his new work
• Most abstract of his work*
• *experience may vary
• I felt like it
Yurikuma Arashi ユリ熊嵐
• Director: Ikuhara Kunihiko
• Winter 2015
• 12 episodes
• Novel and comic
Ikuhara Kunihiko Exhibition 2019 Pamphlet
“Looking at Ikuhara’s work as a director, one will notice a special
thing. That is his “era-consciousness”. Things like socially impactful
events, natural disaster, political change, advancement in technology
has fundamental effects on people’s mind. Ikuhara’s creative world is
often intertwined with the events at the time and reflects the era. “
(Ikuhara Kunihiko Exhibition Preparation Committee, p. 1)
この写真 の作成者 不明な作成者 は CC BY-SA のライセンスを許諾
されています
Reverse-engineering
Abstract presentation
(i.e. my brain when I watch Utena
Movie)
Concrete IRL events
Hypothesis
Aims, context, and official narrative
Utena was ~1980s,
Penguindrum was 1995,
Yurikuma was 2001
この写真 の作成者 不明な作成者 は CC BY-NC-
ND のライセンスを許諾されています この写真 の作成者 不明な作成者 は CC BY-SA-NC のライセンスを許諾されています
Eternity
Miracle Revolution
“Shojo Kakumei Utena dealt with the sense of stagnation
unique to the 90s, and the atmosphere of wanting a change.”
(Ibid.)
Destiny
Sin Family
“In Mawaru Penguindrum, he dealt with the Subway Attack in
1995.” (Ibid.)
Invisible
Wall Promise
Official Narrative…?
“In Yurikuma Arashi, he focused on the issues of
communication in the social media era.” (Ibid.)
Chotto Matte
Ikuhara Exhibition Pamphlet p.
Yurikuma Arashi is…
Using Yuri and Kuma Arashi to talk
about post-9.11 world
Kuma Arashi
Not-referenced canon
Kuma shock!
Kuma Arashi
• A novel by Akira Yoshimura in 1977
• Based on real incident in 1915
• Worst incident in JPN history
• No direct reference
Sankebetsu Brown Bear Incident
• December 1915
• Sankebetsu district, Hokkaido
• Attack by a 380kg bear
• 7 deaths, 3 injured
• Master matagi Yamamoto
Hokkaido as historical “problem space”
• Ezo(蝦夷)
• “northern barbarians to be conquered”
• Key issue since 8th Century
• Origin of “Shogun”
• Fertilizer and deforestation
• “Inner colony” of Japan (Imanishi 2007)
1915 in Japanese history
• After Sino- and Russo-Japanese war
• Established itself as a Great power
• Hokkaido as
• its first internal/external colony
• frontline against Russia
Kuma Arashi
• Clash of two worlds / Lebensraum
• Bears – Nature
• Humans – stepping into wilderness for gain
• Hostility
• Absolute division and hatred
• Human victory
この写真 の作成者 不明な作成者 は CC BY-SA-NC のライセンスを許諾
されています
Post-9.11
Division, hatred, the scarring memory
What did 9.11 brought?
Re-surfaced religious conflict
• “Clash of Civilizations”
• Tensions in the post-colonial world
• New ways to achieve the goal
Colonial past
Victimhood/Victimizerhood
• 9.11 as a point of
1. Victimhood sentiment of the Victimizers
2. Victimizing actions of the Victims
• Ikuhara’s first-hand experience
But you can’t just say
“9.11/religion”
to everything!
Kumaria Religion
Yurikuma Arashi Ep. 11
Religion in Ikuhara’s work
• Penguindrum
• As the “past to overcome”
• Constraints
• Kiga no Kai = Aum Shinrikyo
= Cult
• Yurikuma Arashi
• World after it is “overcame”
• “secularization”
(clip from “vanguard” scene)
• Ep7 12:02~13:02
Religions of the same root
• Abrahamic Religion
• Similiar religious imagery
• Escher-esque tessellation pattern
• Picture book as the Holy text
• Stained glass from
Kumaria Religion (Ep.
11 12:05~12:13
Ursa and Homo(Yuri)
• Ursa
• Society bound with religion
• Training “vanguards to keep
the absolute division”
(Ep. 11)
• Homo
• Secularised society
• Governed by “atmosphere”
Why “secularized”, not
“Christian”?
Maybe clip from ep 11
• 15:18~15:49
Bear laser
Reversed symbol
Secularization as “Schizophrenia”
• Separating faith and logical mind
• Ursa and Human
• Interchangeable, overlapping ideas
• Internal conflict
• Symbols of border and schizophrenia
• Two-point perspectives
• Reference to Psycho (1960)
Ep.11 clip
Two-point perspective
Keywords
Interpreting keywords
Absolute Division, Gateway of Friends
• Border of the Lebensraum
• Kuma Arashi
• Cf. Palestinian border, Trump Wall
• Sole point of mutual understanding
• Jerusalem…?
Invisibility, Invisible Storm
• Nationalization and Secularization
• Accepting norms
• Membership
• Peer pressure within communities
(screencap)
Ceremony of Exclusion
• Homeland Security, internal security
• Eliminating potential enemies
• Defining self through hostility
• Suppressing expression
Promised Kiss, True love
• Rejection of “love as desire”
• = Eros
• Desire to dominate and obtain
• Egoistic love
• True love “making yourself dive into the storm”
• = Agape
• Self-sacrificing love
Amnesia of the Colonial past
• Victimizing Middle East
• Colonialization, intervention, oil, political instability
• “Beat the evil terrorists in the name of justice”
• Kureha’s amnesia
• Believing in justice to “destroy all the bears”
• Cognate naïveté
Yuri
As genre and as symbolism
It’s in the name!
• Imagery of intimate F/F relationship
• Agape/Eros/Philia/Storge between girls
Revisiting the issues
• Sailor Moon
• Utena
• Ikuhara as Yuri director…?
Ikuhara doing Yuri kuma Arashi
• Post-Utena
• What “revolution” brought to this world
• “icing on the cake”
• Utilising branding to attract audience
Layered Yuri
Complicated Yuri representation
Is Yurikuma Arashi just an ordinary yuri
anime?
Layer 1: Taking Yuri at face value
• Surely “looks yuri”
• Icing to draw audience
• Ikuhara doing proper Yuri…?
• “I couldn’t determine how much “service” I should include”
Yuri as a genre
• Purity
• Christian girl’s school
• Intimate, but not sexual…?
Symbolism
• Purity
• Chaste
• Sacred
• Virgin Mary
• Fleur-de-lis
• Holy Trinity
• Virgin Mary
IKUHARA, WHY
Goddamnit gimme more
Excessive diversion
• Excessively sexual symbol
• Total diversion from genre norm/symbolic meanings
Layer 2: Mocking the norms
• “purity”
• cognate with homogeneity belief
• Challenging genre norms
• Sugar coated critical
• Meta-genre and meta-fictional
What was Yurikuma about?
Revisiting the beginning
We have always detested you.
And we have always loved you.
It drove us to reach out in friendship.
The wall be damned.
We have always detested you.
• Maintaining the division
• Destroyed Kumaria and Clash of Lebensraum
• 9.11
• Arrogance
• Amnesia
• retaliation
And we have always loved you.
• Bears and Humans are the same
• “Abrahamic Religion” interpretation of Islam, Christianity and
Judaism
• Mutual understanding was possible
It drove us to reach out in friendship.
The wall be damned.
• Struggle towards mutual understanding
• Rejection of social rules
• Creating bond free of the narrative of the community
• To overcome the division
Praise to individualism
• Free yourself from societal norms
• Bonds can sustain individual
• “The power to revolutionize the world!”
• “Transferring the Destiny”
• si vis amari ama(if you seek love, love first)”
• Reaching agape
Epilogue:
Connection with Kolme
Lautasta
Mirror image, what is Sarazanmai about?
Themes
• Desire
• Imperialism
• “true love in a box” (C.V. Rie Kugimiya)
World after Iraq
• Lone Wolf terrorists
• ReoMabu dance sequence
• “Invincible people”
• Those who have nothing to lose, turning against society
• Breivik?
3.11 as next turning point
• Social media
• Desire for survival
• Not to be overcame/suppressed
• Seeking for connections
• Turn from Individualism?
Sarazanmai
• Lonely people in the hyper-connected world
• Amazon
• Social media
• Connection
• 3.11-induced
• Cf. Death Stranding, Tenki no Ko
Kiitos!
Kysymksiä?
Nyt Päättäjäisille!

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Connecting the Conflicting Worlds - Reverse-engineering Yurikuma Arashi

Hinweis der Redaktion

  1. Basically a rant about Yurikuma by a history nerd
  2. Truckload of spoilers
  3. Ikuhara’s work is all about concrete -> abstract It always reflects something in the current society Real-world Referent
  4. So reverse engineering the work to find its concrete origin is what this lecture aims to do with Yurikuma
  5. Yurikuma → Sarazanmai Contrasting imagery Same key concepts Explicitly sexual image Asking “what event” is Sarazanmai talking about?
  6. The referent of the works
  7. Utena: process for gender-equality 1980~ Liberation from gender norms 1999 legislation in Japan
  8. Keywords from the Ikuhara Exhibition 2019
  9. Quote from the pamphlet
  10. Penguindrum: Aum Shinrikyo Terrorism 1995 Victims and victimizers of a cult terrorists “family” as social restraints
  11. Keywords from Ikuhara Exhibition
  12. Keywords from the Exhibition, but… Aren’t we being misled here?
  13. True but chotto matte
  14. 2001 is not referenced nor connected in the timeline It is mentioned that he was in the US when the plane hit as part of the JPN Agency for Cultural Affaiars Overseas programme
  15. My take on Yurikuma’s referent
  16. Army veteran served in Russo-Japanese War Warbooty Russian rifle as his weapon
  17. Symbols of Hokkaido is referenced Only area with brown bears (Karhu) in Japan
  18. Resurgence of historical problems Religion Race East vs West, North vs South, Rural vs Urban
  19. Historical conflict between Europe and Near/Middle East Crusade Imperialism of US, UK, USSR Palestine, Afghanistan, Iraq, Syria
  20. Normal to have no school related things, like lectures in many series set in schools BUT the only referenced lecture is about Crusade of all things
  21. Judaism, Islam and Christianity The Old Testament, Quran
  22. Stained glass from Kumaria Religion (Ep. 11 12:05~12:13
  23. Gott ist tod! (Nietzsche) Pragmatic use of the “enemy” Reversal Christian chapel for Ursa Moon and Star for Homo American support to Mujahideen Research into target community Asian/Middle Eastern research funding Reversal and weakened specificity
  24. “This world has no god. Only the invisible atmosphere governs this world” (Ep. 11)
  25. Inner conflict of Ursa and Homo within us
  26. 欲望を失った獣は死ぬ」「私はわたしを引き裂く」(11話)
  27. Two point perspective as two divergent lines (division) As two converging lines intersection (origin)
  28. Psycho as a “internal conflict between two personalities” “reconciling the problematic relationship through schizophrenia”
  29. “transfer student cannot participate in the Ceremony of Exclusion” “I bet you already became invisible” (Ep. 4)
  30. Maintaining order within the community Maintaining border Suppression of certain expression PATRIOT act Ep. 11, picture book being torn apart
  31. Liberation from the “Social norms” Gender roles F/F relationship as “one of many” Incest, M/M, etc Yet the association Ikuhara as “yuri director”
  32. The second PV published before the airing. “The modern mythology of the divided lovers. Not being absorbed into the invisible storm, and find it. “
  33. Recent re-interpretation of genre norm Citrus, NTR 2DK, G-pen, Alarm clock. General explosion of the genre
  34. Very explicit, more so than Penguindrum or Utena
  35. Mocking “yuri-fags”
  36. The refrain in almost all episodes
  37. Defining self through hostility nationbuilding
  38. Imagery of Kanto Great Earthquake Interview somewhere
  39. Woud need a thorough analysis