Portfolio,yasir farhan ,B.sc.-Interior Design

Project Report of
Residential Design
Submitted to
Dezyne E’cole College
By:-
Mr. Yasir Farhan

Towards the partial fulfillment of 2nd
year of diploma program in
Interior designing

Grade Sheet
The project report has been made under the guidelines of Dezyne E’cole
College in the second year in the advance diploma program. This project is
focuses on various parameters of residential planning has been done keep-
ing into mind the building envelop and climatology. Residential design of
various rooms has been undertake as per the client requirement.
The overall project report
is…………………………………………………………………………………………………
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Principal signature…………………………………..
Date: …………………………

Contents
Acknowledgement …………………………………………………….
Introduction…………………………………………………………..........
1. Interior Design Industry………………………………………
2. Planning Consideration……………………………………….
3. Synopsis………………………………………………………
4. My Skill Set……………………………………………………
5. Case Study…………………………………………………….
6. Site Selection………………………………………………….
7. Building Bye-Laws ……………………………………………
8. Climatology……………………………………………………
9. Building Orientation ………………………………………….
10. Building Envelope ……………………………………………
11. Day Lighting ………………………………………………….
12. Green Building Architecture………………………………….
13. Rain Water Harvesting………………………………………..
14. Client Research ……………………………………………….
15. Islamic and Mughal Architecture …………………………….
16. Eclectic Style …………………………………………………
17. Planning Development ……………………………………….
18. Landscaping…………………………………………………..
19. Mood Board ………………………………………………….
20. Concept Board ………………………………………………..
21. Style Board ……………………………………………………
22. Material Board………………………………………………..
23. Orthographic Projection of Living Room ……………………..
24. Detailing Layouts …………………………………………….
25. Bibliography…………………………………………………..

Acknowledgement
I am thank full to all the staff members and teachers of Dezyne E’cole College whose
guidance has played an important role in making of this project.
Not only the teachers but also the guidelines of the Design Experts, the reference books,
Magazines such as inside outside, society interiors has supported me a lot in making of
this project.
I am thank full to all those who has supported me in making this project successful.
Yasir Farhan
B.sc-IAD

Interior Design Industry
Interior Design Industry is growing day by day. A house is a place where person behaves in
a natural from and is mainly for providing shelter. Since pre historic time human beings
look for shelter Example the caves of the meticulously planned towns of Mohenjo daro and
Harappa. To the present day houses which have grown up more luxurious and beautiful.
For a men house is his castle, rot sir ad ward coke. This sentence is coined by him in 17th
century and since then we have a beautiful heritage of something known as period house
starting from the beginning with the Tudor and Jacobean style (1485-1625) this period lead
towards the development of sophisticated structure and classicized decoration. This period
saw the development of the specialization of how a roomed function in the house. In the
middle ages the king would live in one big room when he would eat, sleep and conduct af-
fairs of the state. Fabric hangings during this time considered inappropriate for the room in
which people ate as they tended to retain the small of food. During this time timber, brick
and store were used. The stone had less decoration than the timber ones. Stone is expensive
and more difficult to curve. During this period the bay windows came into existence along
with oriels windows at the same time cantilever projection come into existence for making
structures. The furniture type during this period was more towards build in furniture. After
Tudor and Jacobean period, baroque period (1625-1714) came into existence this period
has development of courtly style. This style had the development of room as basement, the
piano nubile (main reception floor) and the attic (top floor) the piano nubile had pediment
windows and high ceiling. It was main area where ceremonial works were taken up. This
period has grand carved entrances with the use of acanthus leaves and bulging fruits. This
time period has the design created by the famous artist Michel Angelo. This period was fol-
lowed by the early Georgian, colonial, British Victorian, Edwardian, art-noveau. The mod-
ern movement(1920-1950) played an important role in design industry with the designer
like Walter Gropius, le-Corbusier, Louis Kahn, frank Lloyd Wright, there contribution lead
to meticulously design house with proper planning and consideration to function with well
developed clean uncluttered space, electrical wirings buried in the structure along with
proper plumbing and water disposal.
Metal windows with large glass panes, healthy, hygienic and efficient homes were devel-
oped. Sullivan’s disciple, frank Lloyd Wright (1867-1959) design buildings which rely
more on spaces and form. This kind of design made a great impression on Walter Gropius
(1883-1969), Ludwig Mies Van Der Rohe (1886-1969). They define the doctrine of mod-
ernism in 1920’s. Louis khan came up with the idea of design development of interior
spaces focusing more of served and servant spaces. He believed that served area should be
placed near the servant areas, so that the functionality of human space increase example:
The living room having served area as kitchen and toilet. This concept of his has been pop-

ular till today. After the world war-II in 1941 rational planning and economy were com-
bined with high standard of mechanical services in housing project where the designer
were more concern how the building perform more than whether it look modern.
The Modern movement sort to eliminate extra detailing & focused more simplicity with
advancement of prefabricated materials plywood, glass and other materials developed dur-
ing this time period.
Design was developed where more of fresh air and maximum sun light were prerequisite.
One of the best characteristic which is developed in the first phase of modernism was the
animation of the texture and patterns on walls. People were use smooth plaster, glass brick
room dividers in apartment with open plan layout all this required a development of well
educated worker force who could support the interior design industry and this be towards
the development from the Indian 1government to take interest in the design field. The India
government has formulated a body known as Indian design council which plays an impor-
tant role in promoting design development. The govt. on India setup the Indian design
council ling in IIT Mumbai in the year 1969 for imitating the post graduated programme in
industrial design education the development of art and design in India development in the
year 1840. The first art school known as the Bombay art school (1857) now knew as the sir
J. J. School of arts. The college of arts Calcutta eater to the Indian design development. In
the year 1913 kala bhavan the art college was set up as part of shanti niketan by the Tagore
family not only this in the year 1922 Ravindra Nath tagore met Walter groupies and invited
him for exhibition to India . In 1958 the govt. of India invited Charles and ray Eames to
train the small industry this resulted in the development of India design report of Charles
and ray Eames the government of India setup the national institute of design (NIO Ahma-
dabad) in 1987 the ministry of textile setup the national institute of fashion technology in
Delhi (NIFT). In the year 1997 the full fledged department of design with bachelor in de-
sign came up at IIT Mumbai. From the year 1919 the private design school along with the
state universal started developing students with the formal design education. This was in-
corporated so that the design industry could be supplement with more brains in the design
field. Today many of the interior design companies have entered in Indian market provid-
ing specialized designs. Example kohler, duravit, hacker. These companies are developing
solutions for the customers that are attractive and easy to install but these solutions pro-
vided by these companies are not tailor made. To make the design as per the Indian client
the Interior Designer has to study the Indian environment, the climate, the client, his need,
budget and then device a design which is customer friendly at the same time functional as
per the Indian needs. This project report showcases my idea as per the Indian client re-
quirement in the section of Residential category.

Planning Consideration
To design any residential area proper planning and brain storming need to be done. The
planning phase of the residence is the most important phase because I t leads to devel-
opment of the structure of the house. Based on the needs of the person It has been seen
all human beings requirement and needs towards certain area. When we seen magazine
and showcasing beautiful rooms. People are happy to see them nut Interior Design is not
so easy like the attractive image of the book. The design has to be functional so that the
person can feel the space, express him and at the same time enjoy. It is also seen if the
number of occupancy in a house is less and the space plane din design is more though
different location of the rooms and corridor. A person feels very lonely and alone. At
the same time if the space is planned in a manner which is activity based and the area
are well lighted up, more compacted and gives a feeling of small space a person appears
more cheerful.
In India we have climate hot and dry throughout the year and the sun shines bril-
liantly the whole year with the winter months being less. It is in this surrounding climate
that residence of a person will exist to device a proper interior design one must see the
outside building envelop along with the interior space so we can achieve the client re-
quirement.
A room which is more sun filled makes a person happy then dull and dark. It is seen
that’s the space with less light (natural lights) suffer from condition SAD (seasonal af-
fective disorder) characterized by depression, lethargic, and other symptom. Studies
show the student do better when the classes are held in natural light such is the power of
sun.
I have utilized more of day light factor while planning. As I said earlier in India the
climate is very hot and humid throughout the year and the house is enveloped by this
factor so many main consideration has been focusing on climatology and building enve-
lop.
Apart from this consideration I have been taken the green homes consideration,
proper ventilation and at the same time approach to the building entrance, orientation of
the plot, along with building corners, the floor levels and the window placement.

Synopsis
“For every Interior Designer it is always a challenge to design one’s own space.”
The Reviving Tradionality is a residential design project which is planned on land area
of 14,471 sq ft having an axis of southeast-northwest and building orientation southwest
and northeast. The site is located in civil lines, Ajmer (raj).
The macro and micro climate is very hot in summer and quite cool in winters. The
inspiration for planning is taken from Islamic Architecture ant the style opted in the In-
terior of the house is Eclectic. This style is amalgamation of contemporary and tradi-
tional style. The Paintings and Calligraphy of Islamic Architecture are also incorporated
in interior of the house.
This project deals with the various layouts like construction layouts, furniture
layouts, placement of doors and windows, flooring layouts, ceiling layouts, design spe-
cification, etc. And the orthographic projection of living room with design specification.
Certain visuals skills are also used for explain better.

My Skill Set
Interior design is a course of action which makes the life of the people better, happy and
full of energy l. every person wants to see beautiful spaces good facilities and surround-
ings. This profession of interior design is adopted by me because I love to create beauti-
ful spaces which make people happy and appreciate my work.
This appreciation raises my confidence I am a student of Bachelor of Science in in-
terior design 2nd
year along with two year industry oriented skill development pro-
grammed of interior design. In all I have a formal education of 4 year during of my for-
mal education of interior design I focused on myriads of topics and the advanced design
area under the section of residential and commercial design.
My basic started with focusing on the construction basic and the landscape area
which the residence or so called house, home is situated a beautiful landscape added to
the beauty to the environment at the same time. Greenery on the land energizes a person
am makes him full of energy because this beautiful landscape can be utilized in the Inte-
rior designing of the house to create beautiful view of outside. Not only this the green-
ery outside with contribute to the green planet and we as designer should be focusing on
saving the earth another very important consideration which I came across is the cov-
ered structure where the client resides an interior designer has to focus on not only the
structure first so as the achieve the beautiful space that a client desires or I feel right af-
ter all a good structure based on proper shape and focus leads to beautiful spaces inside.
To achieve this I studied about the plinth and the needed to raise the plinth area of
the house. In any house there should be a water connection inlet into the kitchen and
bathroom areas and at the same time the provision for outlet of this used water termed
as sewage and silage from the house this process of wide role of dirty water is achieve
by the of gravity and the leveling .due to this we need to increase the plinth of the house
has a floor the house has a floor plan which tough and smooth for hygienic living and
can be made up of wood , stone , tile , brick mosaic , etc. the floor plane has adjoining
wall areas made up of bricks and stone.
The stones are considered better for construction and they can be cartelized as rub-
ble of ashlars masonry. Stone walls are considered good for Rajasthan as thick walls
help to the interiors cool. The brick wall is better option for making green house. They
can be taken as cladding and for the face work with different bonds like Flemish bond,
English bond and with pointing between them like struck, V-joint etc. pointing.

Brick is considered good for construction as a part of sustainable design and absorbed
less heat. There are special made brick and adobe brick throw which house can be made
these days fly ash brick which are far batter for the environment fly ash brick and con-
crete block are used for construction cavity wall are batter option for making wall hav-
ing la gape of usually 25 mm. this gap usually fill with a bad-conductor like Thermocol
so that the heat outside the building is not able to enter inside the house. We even check
the soil and the requisite treatment for termite damp proofing are done.Proper founda-
tions for the building the beams pillar, column, and cantilever beam and construction
detail of the distance between them are stride based on the shape and style of the struc-
ture of residential design.
For an effective design to be developed must one see to the feeling to be generated
in sight the structure and this mainly achieve by creating cheerful interior which is full
of joy and happiness to achieve this I focused my attention towards day lighting and
placement of windows and doors; proper entering of sunlight into a room generates
happiness and placement of door and windows with ventilators creates a batter air circu-
lation.
The house is not situated in isolation is located on plot the plot happen to be si-
tuated on a land. The land is subjected by the seasons and the sun rays, at the same time
the climate where the land is situated matter a lot in the design development. This study
is called climatology of the place.
I have done in depth study for climatology for my client micro and macro climate
and the orientation of the sun rays. After considering the above points along with the
planning methodology dieted by Louis Kahn and anthropometrics of human being, I fol-
lowed the method of space planning criteria’s like liner, cluster, radial etc. have been
followed in the planning phase.
The detail dealing on which seen in my project report in subsequent pages. After
the consideration of the above mention points I devise a structure with the various
layouts for any for any interior design to successful the structure of the house with
proper building envelop climatology of the place, day lighting etc. should be considera-
tion before the indication of the interior design. For doing the interior design I have paid
proper consideration of color scheme, elements and principle of design, texture material
application etc. apart from this I have paid attention to gestalt principles of perception in
design such as law of closure, law of Proximity, law of similarity, etc.
But to start-up with a choose style and the concept based on the style they be seen in
my design project where are utilized various orthographic projection, views, axonome-
tric, and isometric to express my design . For visual application I have used Auto cad,
Photoshop, and 3Ds max

Conclusion
In this project report I have carefully handle many smaller detail to make an effective
plan of the residential space my major focus is on space planning to generate more of
space in a small space on a large space paying attention to the behavior of human being
You can have the detailed report of the residential designed by me in the subsequent
pages.

Case Study
Client has a flare for living and he is fond of collecting beautiful artifacts of glass. He is
also fond of beautiful sculpture of modern art and calligraphy painting. He wants his
house to speak about his living style. He is an introvert person, does not like socializing
much. He has a very opulent living and has a very high aesthetic sense. There are six
members in his family.
Client
His Wife
His Father
His Mother
His Son
His Daughter

Site Selection
All buildings exert direct and indirect influence on the people who use the buildings as well as
the one who see the buildings. The direct influence helps in making its occupants comfortable,
healthy and cheerful. The indirect influence forms a part of the overall development and land-
scape. The relation of site with its environment and the site itself would influence the molding of
the designer’s scheme. The topographical features of the site with natural and artificial surround-
ings are to be taken into account while planning and designing a building.
The site is situated at leveled ground in civil lines, Ajmer. The site is irregular in shape having an
axis of southeast-northwest and building orientation southwest and northeast. The site is situated
at center of all major land marks such as institutional buildings, hospital, roadways bus stand,
shopping malls, etc. The location of site as per Google map and the photograph of the land can
we seen below.

Building bye-laws
Building bye-laws consists of certain rules and regulation framed by a municipal or
town planning or urban development board to control the development of area under its
jurisdiction. The main aim of framing the bye-laws is to ensure provision of reasonable
minimum requirements and standard in the planning, designing and construction activi-
ties of buildings in the zone. The bye-laws are framed paying due regards to the weather
conditions, local construction practice, availability of materials, labour and other similar
factor.
Objectives of bye-laws
The various aspects of building activities covered by the bye-laws are summarized as
under:
 Distance from electric lines
 Lines of building frontages
 Open space within a plot
 Built up area limitation
 Lighting and ventilation of rooms
 Parking spaces
 Exit requirements
 Fire protection requirements
 Structural safety requirements
 Building services

Climatology
If we see the site it is laid in western part of India. Rajasthan is mainly consisting of desert
and mountains. Rajasthan has a tropical desert climate. It is extremely cold from October to
February while the scorching sun tortures the land from March to September. The tropic of
cancer passes at 26’ 18 north latitude.
Climate of Ajmer: Ajmer is the District of India's Rajasthan state. It is located in the
western direction of Rajasthan. Ajmer lies under the hot arid climate zone where summers
are extremely hot and winters are chilly. Rainfall in Ajmer varies from 3.0 to 564.0
(mm).Temperatures in Ajmer range from 8.25 to 40.55 (Celsius).It is a hot dusty city where
acrid winds blow fine dust into every nook and corner. The climate can be sub divided into
2 major divisions’ micro climate and macro climate. Macro climate can be described as a
climate of Rajasthan. Micro climate is the day to day weather changes in Ajmer.
Influence of climate on the building
When a designer design a building or structure for a residential design it’s very important
to pay attention to the building envelop. The building envelop consist of many areas by
which the building can be made functional to its inmates. Climate conscious design can be
reached with the following improvement to the present practices:
 To improve the macro climate around buildings this makes being and going outside in the
built areas more pleasant, does effective the inheritance health.
 To reduce the cooling effect of the wind on the structure this improves energy economy.
 To improve the wind protection.
 To direct the sun rays into the building.
In a four session climate the conditions will change strongly according to the session and
the nearness of large bodies of water. For example on the coasts the air is moister windy
and the temperature difference are moderate. For then from the coast the climate becomes
continental in which case diurnal and annual temperature differences increase and air is
drier. The vegetation is mainly abundant and luxuriant. The signification of micro climate
is important in the area of design. Proper care has to be taken while placing the house struc-
ture directing them, design of openings, maximize the exposure to the sun, which in the
summer session will require the possibility to protect self from overheating.

 Apart from this we need to even pay attention to reduce the cooling effect of wind in win-
ter, prevention of penetration of rain water into the structure.
 The wind effect can be prevented by placing and designs of building by layered facades by
protective fences and buffer planting which require good knowledge of local micro climate.
 The nature and the relationship of the nature are very important factor while designing.
Rajasthan lies in northwest direction of India which is a part of Southeast Asia. Rajas-
than is cover with the aravlli hills. The macro climate of rajasthan in summers which are
hot and dry is considered to be the hottest period in Rajasthan with the temperature ris-
ing to almost as high as 45 degrees Celsius at its highest. And the winter season of Ra-
jasthan is quite cool. The temperature ranges from 10 degree Celsius to 10 degree Cel-
sius…
Ajmer lies in hot and arid zone. The characteristics features of Ajmer climate is high
summer day temperature (upto 45 degree C and above), cool to very cold during winter
and warm and humid during monsoon season (humidity as low as 20%).

Building Orientation
Design for orientation is a fundamental step to en-
sure that buildings work with the passage of the sun
across the sky. Knowledge of sun paths for any site
is fundamental in design building facades to let in
light and passive solar gain, as well as reducing
glare and overheating to the building interior. It is
important to remember that the position of the sun
in the sky is dynamic, changing according to time of
day, time of year and the site’s latitude.
Well-orientated buildings maximise day lighting through building facades reducing the
need for artificial lighting. Some typologies especially housing can be zoned to ensure
different functional uses receive sunlight at different times of the day. Buildings that
maximise sunlight are ideal for the incorporation of passive solar collection techniques
that can reduce carbon use and enhance user comfort. A careful strategy can also miti-
gate overheating and glare when sunlight is excessive. You should know how the sun
interacts with your building in high summer and the
depths of winter.
The orientation of the building on site is very important to
achieve reduced heat gain and improved wind circulation
and ventilation. The major openings in the building enve-
lope should be placed on the North while the south face
should be adequately protected from heat gain by using
shading devices or vegetation. Prevailing wind direction
should be taken into consideration while deciding the posi-
tion and size of the openings to ensure proper cross venti-
lation. This can go a long way in improving comfort con-
ditions within the building.

Building Envelope
The building envelope is the physical separator between the interior and the exterior en-
vironments of a building. Another emerging term is "Building Enclosure". It serves as
the outer shell to help maintain the indoor environment (together with the mechanical
conditioning systems) and facilitate its climate control. Building envelope design is a
specialized area of architectural and engineering practice that draws from all areas of
building science and indoor climate control.
Control of air flow is important to ensure indoor air quality, control energy consump-
tion, avoid condensation (and thus help ensure durability), and to provide comfort. Con-
trol of air movement includes flow through the enclosure (the assembly of materials that
perform this function is termed the air barrier system) or through components of the
building envelope (interstitial) itself, as well as into and out of the interior space, (which
can affect building insulation performance greatly). Hence, air control includes the con-
trol of wind washing and convective loops.
The physical components of the envelope include the foundation, roof, walls, doors and
windows. The dimensions, performance and compatibility of materials, fabrication
process and details, their connections and interactions are the main factors that deter-
mine the effectiveness and durability of the building enclosure system

Day Lighting
The most obvious vehicle for energy saving in buildings is in exploiting the most abun-
dant source of light available to us – daylight. Environmentally Conscious assessments
of building design are recognizing that Daylight (and natural fresh air) is an important
commodity and should be exploited to the full. Generally, people when asked, always
prefer to work in a daylight environment. From the earliest caves, daylight informed the
lives of the inhabitants, Initially in the difference between night and day; but as dwel-
lings became More sophisticated, by means of openings or windows letting in light The
history of architecture is synonymous with the history of the window and of day lighting
from the initial crude openings, letting in light and air, heat and cold, the window was
the vehicle for the introduction of daylight, and ultimately to the wondrous interiors of
the mediaeval cathedral, the Baroque churches or the many private buildings of the
eighteenth century.
The most obvious and certainly the most important aspect of day lighting is its capacity
for change, leading to the infinite variety in appearance of the daylight interior. Change
is at the heart of day lighting, the human body has a capacity for adaptation, particularly
in vision, and the need to exercise this response. Apart from this the window is an open-
ing in a wall or side of a building admitting light and often air to the interior. Early win-
dows were developed before the introduction of glass, so initially windows were left
open to the external atmosphere, or filled by some form of closure to minimize the heat
loss at night. In mediaeval times wooden shutters were installed on the interior, and
these were left open or closed to regulate the light and air. Glass had been discovered as
early as 3000 BC in Egypt, and was used for decorative objects. It is used first time in
window as small panes in Roman architecture Windows can broadly be divided into two
main types, first the window set in the side walls of a building, and second the opening
light set into the roof, generally known as roof lights. The daylight penetration from side
windows will depend upon the ceiling height, and in early buildings where the ceiling
heights were low, the penetration of daylight into the building was severely limited

Green Building Architecture
Green building architecture is a general term that describes environmentally con-
scious design techniques in the field of architecture. Sustainable architecture is framed
by the larger discussion of sustainability and the pressing economic and political issues
of our world.
In the broad context, sustainable architecture seeks to minimize
the negative environmental impact of buildings by enhancing ef-
ficiency and moderation in the use of materials, energy, and de-
velopment space. The idea of sustainability or ecological design
is to ensure that our actions and decisions today do not inhibit
the opportunities of future generations. The term can be used to
describe an energy and ecologically conscious approach to the
design of the built environment.
Heating, ventilation and cooling system efficiency (HVAC)
The most important and cost effective element of an efficient heating, ventilating and
air conditioning (HVAC) system is a well insulated building. A more efficient building
requires less heat generating or dissipating power, but may require more ventilation ca-
pacity to expel polluted indoor air.
Significant amounts of energy are flushed out of buildings in the water, air and compost
streams. Off the shelf, on-site energy recycling technologies can
effectively recapture energy from waste hot water and stale air and
transfer that energy into incoming fresh cold water or fresh air.
Recapture of energy for uses other than gardening from compost
leaving buildings requires centralized anaerobic digesters.
Site and building orientation have some major effects on a building's HVAC efficiency.
Passive solar building design allows buildings to harness the energy of the sun effi-
ciently without the use of any active solar mechanisms such as photovoltaic cells or so-
lar hot water panels. Typically passive solar building designs incorporate materials with
high thermal mass that retain heat effectively and strong insulation that works to prevent
heat escape. Low energy designs also requires the use of solar shading, by means of
awnings, blinds or shutters, to relieve the solar heat gain in summer and to reduce the
need for artificial cooling. In addition, low energy buildings typically have a very low

surface area to volume ratio to minimize heat loss. This means that sprawling multi-
winged building designs (often thought to look more "organic") are often avoided in fa-
vour of more centralized structures. Traditional cold climate buildings such as American
colonial saltbox designs provide a good historical model for centralized heat efficiency
in a small scale building.
Windows are placed to maximize the input of heat-creating light while minimizing the
loss of heat through glass, a poor insulator. In the northern hemisphere northern hemi-
sphere this usually involves installing a large number of south-facing windows to collect
direct sun and severely restricting the number of north-facing windows. Certain window
types, such as double or triple glazed insulated windows with gas filled spaces and low
emissivity (low-E) coatings; provide much better insulation than single-pane glass win-
dows. Preventing excess solar gain by means of solar shading devices in the summer
months is important to reduce cooling needs. Deciduous trees are often planted in front
of windows to block excessive sun in summer with their leaves but allow light through
in winter when their leaves fall off. Louvers or light shelves are installed to allow the
sunlight in during the winter (when the sun is lower in the sky) and keep it out in the
summer (when the sun is high in the sky). Coniferous or evergreen plants are often
planted to the north of buildings to shield against cold north winds.
In colder climates, heating systems are a primary focus for sustainable architecture be-
cause they are typically one of the largest single energy drains in buildings.

In warmer climates where cooling is a primary concern, passive solar designs can also
be very effective. Masonry building materials with high thermal mass are very valuable
for retaining the cool temperatures of night throughout the day. In addition builders of-
ten opt for sprawling single story structures in order to maximize surface area and heat
loss Buildings are often designed to capture and channel existing winds, particularly the
especially cool winds coming from nearby bodies of water. Many of these valuable
strategies are employed in some way by the traditional architecture of warm regions,
such as south-western mission buildings.
In climates with four seasons, an
integrated energy system will increase in efficiency: when the building is well insulated,
when it is sited to work with the forces of nature, when heat is recaptured (to be used
immediately or stored), when the heat plant relying on fossil fuels or electricity is
greater than 100% efficient, and when renewable energy is utilized.

Rain water Harvesting
Rainwater harvesting is the accumulating and storing of rainwater for reuse before it
reaches the aquifer. It has been used to provide drinking water, water for livestock, wa-
ter for irrigation, as well as other typical uses. Rainwater collected from the roofs of
houses and local institutions can make an important contribution to the availability of
drinking water. See also first flush.
Advantages in urban areas
Rainwater harvesting can ensure an independent water supply during water restrictions,
though somewhat dependent on end-use and maintenance, is usually of acceptable qual-
ity for household needs and renewable at acceptable volumes, despite climate change
forecast. It produces beneficial effects by reducing peak storm water runoff and process-
ing costs. In municipalities with systems, reducing storm runoff is especially important,
because excess runoff during heavy storms leads to the discharge of raw sewage when
treatment plant capacity cannot handle the combined flow. Rainwater harvesting sys-
tems are simple to install and operate. Running costs are negligible, and they provide
water at the point of consumption. Rainwater harvesting in urban communities has been
made possible by various companies. Their tanks provide an attractive yet effective so-
lution to rainwater catchment. Sometimes a practice is adopted of directing collected
rainwater deep inside the ground through pipes or shafts. Such a practice will carry sur-
face pollutants to the ground water and thus pollute it. The best practice is to store water
in ponds; lakes and other unlined surface reservoirs so that the water gets filtered
through before entering the ground.
This is also incorporated in my plan.

Research Process for Client
Definition of Research: - Research is the common things which help to search
knowledge. One can also define research as a scientific and systematic research for pre-
tend information on a specific topic. In fact research is the art of scientific investigation.
Research Process: - Research process consists of a number of closely related activi-
ties. They do not necessarily follow each other in any specific order. The following or-
der concerning various steps provides a useful procedural guideline regarding the re-
search process:
Case study
Client has a flare for living and he is fond of collecting beautiful artifacts of glass. He is
also fond of beautiful sculpture of modern art. He wants his house to speak his living
style. He is an introvert person, does not like socializing much. Has a very opulent liv-
ing and has a very high aesthetic sense. There are six members in his family.
 Client
 His wife
 His father
 His mother
 His son
 his daughter
Define
research
problem
Review concepts
and theories
Review previous
research finding
Formulate
hypotheses
Define
research
Collect data
(execution)
Analyze data
Interpret
and re-
port data
F
FF
FF
F F

Detail of client and his family
Mr. Abhinav Saxena (client)
Age: 37 years
Sales Manager in multinational company
Timing: 10 am To 5 pm
Mrs. Nisha Saxena (client’s wife)
Age: 34 years
She is a house wife
She loves to cook food in the kitchen
Mr. Vinod Saxena (client’s father)
Age: 61 years
He likes reading newspaper
Interested in gardening and reading books
Mrs. Aarti Saxena (client’s mother)
Age: 57 years
She is also like to cook food in the kitchen

Master Nishant Saxena (client’s son)
Age: 17 years
Student
He interested in playing indoor games, listing music and like swimming.
Ritika Saxena (client’s daughter)
Age: 14 years
Student
She likes watch tv, swimming, indoor games, etc.

Define research problem: - The first step in the research process is define research
problem. After the case study and the plot size have been seen I have identified these
problem:
 The major problem which I have seen is that the plot size is very huge as compare
to family members. There are 6 six members in the family and size of plot is 14471 sq.
ft.
 Client is an introvert person so he does not like socializing but other family mem-
bers like socializing.
 He likes glass artefacts and modern art sculpture.
 Because of introvert nature he wants more open spaces and large window in the
house.
 Ha has an opulent living and taste of aesthetic is very high.
 He wants privacy in house with open spaces and large windows.
Review concept and theories:-
 Topography
 Climatology
 Building bye-laws
 Building envelope
 Day lighting concept
 Green building
Total area of plot:
14,471 sq. ft.

Review previous research finding:-
 Case study of Mr Atam Kumar in delhi
 Case study of Traditional house in assam
Formulate hypothesis:-
Green architecture
Countering of the land
Building bye-laws
Aspect prospect
Day light concept
Building orientation
Define research:-
Descriptive research: - Descriptive research includes survey and fact finding enquires of
different kinds. The major purpose of descriptive research is descriptive of the state of
affairs as it exact at present. It undertakes when the researcher wants to know the cha-
racteristics of certain groups. Such as age, education, occupation, income level, etc. De-
scriptive studies are well structured.
Data collect:-
For this project I have taken interview method with observation. The type of interview I
have taken is personal interview (farce to face interview). After taking interview I have
formulated client requirement

Note: The size of area depends on the total square feet area of space required:
 Small size below 100 square feet.
 Medium size in between 100-200 square feet.
 Large size in between 200-500 square feet.
 Extra large size more than 500square feet.
No refer for not specified depends on designer how much he give.
Data Collection sheet
Client: Mr. Abhinav Saxena Designer: Yasir Farhan
S.no. Requirement Space needed Any Adjancies
Client’s re-
mark
Designers
remark
1. Living room Extra Large
size
Entrance


2. Family room Large size Kitchen  
3. Kitchen Medium size Dining room  
4. Store room Small size Kitchen  
5. Dining area Medium size Family room  
6. powder room Small size Family room  
7. 3 Bedrooms Large size No  
8. Attach toilets Medium size dresser  
9. Master bedroom Large size Balcony  
10. Master toilet Medium Size dresser  
11. Swimming pool Medium size Small garden  
12. Balconies Large size Master bedroom  
13. Pebble court Medium size Living room  
14. Gym Medium Size Balcony  
15. Habitable room Medium size Terrace garden  
16. Snooker table Medium size Gym  
17. Terrace garden Large size Habitable room  
18. Watchman room Small size Main gate  
19. Garden Large size No  
20. Car parking 2 vehicle size Secondary en-
trance


Date: 28 – 10 - 2011

Islamic and Mughal Architecture
Mughal dynasty between 1526 and 1707.Architecture is probably the greatest contribu-
tion of Mughal to India. They have left behind the most enduring and influential archi-
tectural legacy. Before coming to India, they have inherited a wealth of varied designs
from Sassanian (The Sasanian Empirewas the last pre-Islamic Persian Empire) and By-
zantine empires (The Byzantine Empire was the Roman Empire during the Middle
Ages, ruled by Byzantine emperors). They are naturally endowed with good taste for
buildings, never failed to adapt to their own requirements the indigenous architecture of
almost every foreign country that they conquered. India was no exception to this.
New elements like use of shapes;
inlay decoration and use of colored
marble, painted plaster and bril-
liantly blazed tiles were introduced
into the Indian architecture. As per
the literature available the concept
of arch or dome was not invented
by the Muslims but was, in fact,
borrowed and was further perfected
by them from the architectural
styles of the post-Roman period. It
is said that the Muslims were the
first people to use cementing
agents in the form of mortar for the
first time in the construction of
buildings in India. From other civi-
lizations they have derived some
scientific and mechanical formulae
in their constructions in India. This
amalgamation of the Indian and the
Islamic elements led to the emer-
gence of a new style of architecture
called the Indo-Islamic Architecture.
The architecture made tremendous progress during the Islamic rule in India. The great-
est contributions came under the rule of Akbar and Shah Jahan. The Indo-Islamic Archi-
tecture was neither strictly Islamic nor strictly Hindu. They added arches, domes and

minarets to the indigenous architecture. The Muslims borrowed the design of kalash on
the top of the Hindu temple by placing a dome on the top of their buildings. The Hindu
style of decoration was applied by the Muslims to decorate their arches.
Muslims invaded Indian subconti-
nent in the 8th century for the first
time. Its major portions came under
the influence of the Caliphs of
Baghdad or the Arab invaders.
However, India experienced the Is-
lamic architecture much later in the
first half of the 12th century with
the establishment of the Slave Dy-
nasty. Islamic architecture was
highly diverse by culture, climate
and can be typically marked for its
love of geometrical pattern, ara-
besque ornamentation and innova-
tive patterns.
The developments of the Islamic architecture took place in two different categories, Im-
perial Style and the Mughal Architecture. The development of the Imperial style of arc-
hitectural happened under the Sultans of Delhi whereas the Mughal architectural devel-
opment took place under the guidance of Mughal rulers in the latter half. These archi-
tectures were derived from the existing art of Central Asia and developed in India under
different Muslim dynasties. The imperial style of Islamic architecture may be divided
into five phases corresponding to the five Muslim dynasties which prevailed in Indian
subcontinent region from the twelfth to the sixteenth centuries.
They are the Slave Dynasty, Khalji Dynasty, Tughlaq Dynasty, Sayyid Dynasty, and the
Lodi Dynasty. All the rulers from every dynasty had passion for building art. The style
of Islamic architecture developed in the Slave dynasty was maintained for a period of
over three and a half centuries that was introduced in last years of the twelfth century.
Qutb-ud-din established the Slave dynasty 1206 in Delhi where he maintained the an-
cient tradition of building arts of Arabs. Their productions played a major role in the
significance in laying the foundations of the style. At first they marked the place for
mosques, with a central place of assembly for the people. Then, under his guidance the
local workmen constructed the mosque. In such circumstances the first Islamic building
in India of decent stone was the wonderful creation, a patch work of older materials,
beautiful in detail, as its arcaded aisles were composed of pillars carved in Hindu style.

As a whole the architecture became the amalgama-
tion of Hindu culture to that of the Islamic tradition.
In view of the unusual object of these early exam-
ples of Indo-Islamic architecture, and the input each
makes to the development of the style, every build-
ing constructed during the dominance of the Slave
Kings possesses interest and value. The Slave dy-
nasty was the most active patron of the Islamic ar-
chitecture and their creations were of the greatest
significance in laying the foundations of the style in
India. After the end of the Slave dynasty, this tradi-
tion was followed and developed by the Khalji dy-
nasty.
After the Khalji dynasty, it was the Tughlaq dynasty that ruled over the Delhi Sultanate
and was fond of building arts. The architecture of Tughlaq dynasty developed in Indian
subcontinent when Ghazi Tughlaq became the ruler of Delhi defeating the Khaljis. They
belonged from the Turkish origin and were in power at Delhi for almost hundred years.
The major contributions to the Islamic architecture were Ghiyas-ud-din Tughlaq, the
founder of the dynasty, his son, Mohammed Shah Tughlaq, and the most creative empe-
ror Firoz Shah Tughlaq. Feroz Shah Tughlaq was considered as a great admirer of Is-
lamic architecture. He created Ferozshah Kotla, the fifth city of Delhi. In Tughlaq dy-
nasty many artisans were hired to construct several building arts in Indo-Islamic archi-
tectural style. This fusion style of architecture in India gradually developed into a great
architectural significance during the Tughlaq dynasty in India. Each ruler of this dynas-
ty contributed several architectural creativities to the capital city.
Apart from these Imperial systems of architecture, another style of Islamic architecture
also developed its foothold to different areas of Indian subcontinent. Named as the pro-
vincial style of Indo-Islamic architecture, this specific style introduced itself in different
provinces during the Islamic rules and made tremendous growth. This architecture con-
tained the specific features of a province with the fusion of Islamic culture. They intro-
duced many new features to their building arts. During the provincial period, many
mosques, tombs forts and palaces were constructed. The architectures of a province
grew strong when it remained close to the central power. The nature of indigenous arts
also helped to expand the provincial style in India. Local craftsmen mixed their style to
the Islamic architecture which resulted to develop this special architecture.

Migration of Persian craftsmen to India
also played a major role in the develop-
ment of this provincial style. They
amalgamated their architecture with lo-
cal style and created amazing Islamic
architectures. In few parts of the coun-
try, climatic conditions were also re-
sponsible for the provincial style as one
kind of building material being common
in some regions and rare in others, all of
which naturally affected the character of
the building art. The provincial style of
architecture developed from Punjab
province and gradually expanded to the
other parts of India.
They were divided into the separate style of architectures of Punjab, Bengal, Gujarat,
Malwa, Bijapur and Kashmir respectively that produced wonderful architectures in In-
dia during the Musli. The last development of Islamic architecture was the Mughal ar-
chitecture that took place in the Mughal era under several Mughal emperors. This era is
considered as the historic period of the Mughal dynasty that ruled Delhi and the other
parts of India from 1526 to 1858. It was the longest lasting Muslim dynasty that created
amazing arts and architectures. They created a vast empire in India with creative hub of
Islamic culture to the cities like Delhi, Agra, Lahore (now in Pakistan) and Fatehpur Si-
kri. They were aware of the influence of Islamic gime. Taj Mahal at Agra, Humayun`s
tomb at Delhi, Tomb of Khan-i Khanan in south Nizamuddin, Red Fort at Agra, Mauso-
leum of Akbar at Sikandara city outside Agra, Tomb of Itimad al-Dawleh at Agra, and
the Nawab Safdar Jang`s tomb at Delhi still stands as the logo of the marvelous Mughal
architecture.
Fatehpur Sikri

The Islamic architectures were wonderful and expressive and evolved into memorable
architectural styles in India, affected by local influences. The Islamic architectures of
medieval period are still considered as the heritage of India.
Taj Mahal
Humayun’s Tomb Jama Masjid Qutub Minar
Gol Gumbaz Salim Chishty’s Tomb Imam Bara

Eclectic Style
Eclectic design is a amalgamation of different decorating styles.
It can also be a blend of different cultures and time periods. A
successful eclectic design scheme is not a random assortment of
mismatched home furnishings and decor. It is a deliberate and
planned design scheme that is unified by furnishings that relate
to each other through color, shape, texture, finish or scale. It is
important to follow the basic principles of design when decorat-
ing with an eclectic scheme.
Eclectic was first recorded to have been practiced by a group of ancient Greek and Ro-
man philosopher who attached themselves to no real system, but selected from existing
philosophical beliefs those doctrines that seemed most reasonable to them. Out of this
collected material they constructed their new system of philosophy. The term comes
from the Greek (eklektikos), literally "choosing the best and that from (eklektos),
"picked out, select. Well known eclectics in Greek philosophers were the Stoics Panae-
tius and Posidoniud, and the New Academics Caeneades and Philo of Larissa. Among
the Romans Cicero was thoroughly eclectic, as he united the Peripatetic, Stoic, and New
Academic doctrines. Further eclectics were Varro and Seneca.
Eclectic plays an important role in critical discussions and
evaluations but is somehow distant from the actual forms of
the artifacts to which it is applied, and its meaning is thus ra-
ther indistinct. The simplest definition of the term—that every
work of art represents the combination of a variety of influ-
ences—is so basic as to be of little use. In some ways Eclectic
is reminiscent of Mannerism in that the term was used pejora-
tively for much of the period of its currency, although, unlike
Mannerism, Eclectic never amounted to a movement or consti-
tuted a specific style: it is characterized precisely by the fact
that it was not a particular style.

Planning Development
House is a space where human being lives and performs their routine activity such as re-
laxing, sleeping, eating, etc.
Before planning I have considered all above mention point and incorporate in my plan
such as,
 Building orientation
 Building envelope
 Green building architecture
 Building bye-laws
 Day lighting
 Climatology
A part from this I have considered the planning principles of D.K. Ching such as,
 Primary Elements
 Forms and Shapes
 Grouping
 Organizing
Plan Development:-
 Client
 Research
 Planning of space
Role Space
Leading (served) Living Room
Following (servants) Dining Room
Grouping Bedroom
Loner Master bedroom
Watcher Living room
Out reaching Living room
Servants Bathroom
Worker Kitchen

Landscaping
Landscaping is a important part of the building which increase the beauty of the house. It is also
help to reduce the carbon foot print outer landscaping creates the view for interior of the house
at the same times gives fresh air.

Orthographic Projection of Living Room
Enlarge plan of living room
A
A’
D D’
C C’
B
B’

Bibliography
This project would not have been successful without the guidance of my teachers and ref-
erence books of various expert designers such as: D.K. CHING, SUSHIL KUMAR,
LOUIS KAHN and also their famous project in the form of case study.
Thank you.
Yasir Farhan
B.sc- ID

LEGEND
CONSTRUCTION LAYOUT
CONSTRUCTION LAYOUT OF GROUND FLOOR
PILLER
BEAM
BRICK WALL
GENERAL NOTES:- DRAWING TITLE:- PROJECT:- DESIGN BY:-
AREA OF PLOT:- 14714sq.ft YASIR FARHAN
BSC-ID 4th SEMESTERBUILT UP AREA:- 7442sq.ft CIVIL LINES, AJMER
MRS & MR Abhinav Saxena
SE
NW
SW NE
S
NW
E

CONSTRUCTION LAYOUT OF FIRST FLOOR
LEGEND
CONSTRUCTION LAYOUT
PILLER
BEAM
BRICK WALL
SE
NW
SW NE
S
NW
E

CONSTRUCTION LAYOUT OF SECOND FLOOR
LEGEND
CONSTRUCTION LAYOUT
PILLER
BEAM
BRICK WALL
SE
NW
SW NE
S
NW
E

LEGEND
DOOR SCHEDULE
S.NO CODE SIZE TYPE COMPANYMATERIAL
1. D1 CUSTOM MADE12'X7'
2.
3.
4.
5.
6.
7.
8.
9.
10.
D2
D3
D4
D5
D6
D7
D8
D9
D1O
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
4'X7'
3'X7'
2'6"X7'
8'X9'
10'X7'
4'X7'
3'X7'
3'X7'
2'6'X7'
CAST IRON
CAST IRONSINGLE LEAF
DOUBLE LEAF
FLUSH DOOR
FLUSH DOOR
FLUSH DOOR
FLUSH DOOR
FLUSH DOOR
DOUBLE LEAF
BIFOLD DOOR
SWING DOOR
WOOD
WOOD
WOOD
WOOD
WOOD
WOOD
GLASS
WOOD
S.NO CODE SIZE TYPE COMPANYMATERIALS.NO CODE SIZE TYPE COMPANYMATERIAL
1. W1 CUSTOM MADE8'X7'6
2.
3.
4.
5.
6.
7.
W2
W3
W4
W5
W6
W7
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
4'6"X7'6"
3'9X5'6
6'6"X5'
3'8"X5'6"
8'X5'6"
WOOD
WOOD
WOOD
WOOD
WOOD
WINDOW SCHEDULE
GLAZED
FIXED
GLAZED
FIXED
FIXED
GLAZED WOOD
WOOD
AREA OF PLOT:- 14714sq.ft
DOOR AND WINDOW LEGEND OF GROUND
FLOOR
YASIR FARHAN
BSC-ID 4th SEMESTER
BUILT UP AREA:- 7442sq.ft CIVIL LINES, AJMER
3'X2' VENTILATOR

LEGEND
DOOR SCHEDULE
2.
3.
4.
5.
6.
7.
8.
9.
10.
D2
D3
D4
D5
D6
D7
D8
D9
D1O
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
4'X7'
3'X7'
2'6"X7'
8'X9'
10'X7'
4'X7'
3'X7'
3'X7'
2'6'X7'
CAST IRON
DOUBLE LEAF
FLUSH DOOR
FLUSH DOOR
FLUSH DOOR
FLUSH DOOR
FLUSH DOOR
DOUBLE LEAF
BIFOLD DOOR
SWING DOOR
WOOD
WOOD
WOOD
WOOD
WOOD
WOOD
GLASS
WOOD
2.
3.
4.
5.
6.
7.
W2
W3
W4
W5
W6
W7
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
4'6"X7'6"
3'9X5'6
6'6"X5'
3'8"X5'6"
8'X5'6"
3'X2' VENTILATOR
WOOD
WOOD
WOOD
WOOD
WOOD
WINDOW SCHEDULE
FIXED
FIXED
FIXED
FIXED
FIXED
FIXED WOOD
WOOD
DOOR AND WINDOW LEGEND OF FIRST FLOOR

LEGEND
DOOR SCHEDULE
2.
3.
4.
5.
6.
7.
8.
9.
10.
D2
D3
D4
D5
D6
D7
D8
D9
D1O
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
4'X7'
3'X7'
2'6"X7'
8'X9'
10'X7'
4'X7'
3'X7'
3'X7'
2'6'X7'
CAST IRON
DOUBLE LEAF
FLUSH DOOR
FLUSH DOOR
FLUSH DOOR
FLUSH DOOR
FLUSH DOOR
DOUBLE LEAF
BIFOLD DOOR
SWING DOOR
WOOD
WOOD
WOOD
WOOD
WOOD
WOOD
GLASS
WOOD
2.
3.
4.
5.
6.
7.
W2
W3
W4
W5
W6
W7
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
4'6"X7'6"
3'9X5'6
6'6"X5'
3'8"X5'6"
8'X5'6"
3'X2' VENTILATOR
WOOD
WOOD
WOOD
WOOD
WOOD
WINDOW SCHEDULE
FIXED
FIXED
FIXED
FIXED
FIXED
FIXED WOOD
WOOD
DOOR AND WINDOW LEGEND OF SECOND FLOOR

LEGEND
FLOORING LAYOUT
FLOORING LAYOUT OF GROUND FLOOR
S.NO CODE SIZE RK MARBLE
1.
2.
3.
4.
5.
6.
7.
F1
F2
F3
F4
F5
F6
F7
4'X4'
3'X3'
4'X4'
2'X1'
3'X6"
2'X2'
2'X2'
MARBLE
COMPANY
MATERIAL
MARBLE
MARBLE
MARBLE
VITRIFIED
VITRIFIED
MARBLE
RK MARBLE
RK MARBLE
RK MARBLE
RK MARBLE
RK MARBLE
RK MARBLE
RK MARBLE
F7 F7
F1
F2
F3
F5
F4
F6 F6
F7F6

LEGEND
FLOORING LAYOUT OF FIRST FLOOR
FLOORING LAYOUT
S.NO CODE SIZE
1.
2.
3.
4.
5.
6.
7.
F1
F2
F3
F4
F5
F6
F7
4'X4'
3'X3'
3'X2'
4'X6"
4'X6"
2'X2'
2'X2'
MARBLE
MATERIAL
MARBLE
RUBBER
VITRIFIED
VITRIFIED
WOODEN
RK MARBLE
RK MARBLE
RK MARBLE
PERGO
RK MARBLE
RK MARBLE
COMPANY
F2
F8
F3
F4
F5
F6 F6
F6
F7 F7
F7
WOODEN PERGO
F1
8. F8 2'X2' PERQUET LOCAL MARKET

LEGEND
FLOORING LAYOUT OF SECOND FLOOR
FLOORING LAYOUT
S.NO CODE SIZE
1.
2.
3.
4.
5.
6.
7.
F1
F2
F3
F4
F5
F6
F7
FULL
3'X3'
3'X2'
4'X6"
4'X6"
2'X2'
2'X2'
TURF GRASS
MATERIAL
MARBLE
RUBBER
VITRIFIED
VITRIFIED
WOODEN
RK MARBLE
RK MARBLE
RK MARBLE
PERGO
RK MARBLE
RK MARBLE
COMPANY
WOODEN PERGO
F1
F1
F2
F6
F7

LEGEND
FURNITURE SCHEDULE
S.NO CODE SIZE PRODUCT COMPANYMATERIAL
1. S1 CUSTOM MADE
2.
3.
4.
5.
6.
7.
8.
9.
10.
S2
S3
B1
B2
C1
C2
C3
C4
T1
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
FURNITURE LAYOUT OF GROUND FLOOR
8'6"X3'
7'X3'
5'X3'
6'X7'
3'X3'
3'X3'
3'X3'
3'X3'
2'6"X2'
4'X7'
SOFA
SOFA
SOFA
BED
BED
CHAIR
CHAIR
STOOL
CHAIR2'X2'
11. T2 CUSTOM MADE
12. T3 CUSTOM MADE
13. T4 CUSTOM MADE
14. T5 CUSTOM MADE
4'X4'
3'X4'
2'X4'
10'X4'
1'6"X1'6" TABLE
TABLE
TABLE
TABLE
TABLE
ST1 CUSTOM MADE1'6"X1'6"
STUDY
TABLE15.
LEATHER
LEATHER
WOOD
WOOD
WOOD
WOOD
WOOD
WOOD
WOOD
WOOD
WOOD
WOOD
LEATHER
LEATHER
LEATHER

LEGEND
FURNITURE SCHEDULE
1. S1 CUSTOM MADE
2.
3.
4.
5.
6.
7.
8.
9.
10.
S2
S3
B1
B2
C1
C2
C3
C4
T1
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
FURNITURE LAYOUT OF FIRST FLOOR
8'6"X3'
7'X3'
5'X3'
6'X7'
3'X3'
3'X3'
3'X3'
3'X3'
2'6"X2'
4'X7'
SOFA
SOFA
SOFA
BED
BED
CHAIR
CHAIR
STOOL
CHAIR2'X2'
11. T2 CUSTOM MADE
12. T3 CUSTOM MADE
13. T4 CUSTOM MADE
14. T5 CUSTOM MADE
4'X4'
3'X4'
2'X4'
10'X4'
1'6"X1'6" TABLE
TABLE
TABLE
TABLE
TABLE
STUDY
TABLE15.
LEATHER
LEATHER
WOOD
WOOD
WOOD
WOOD
WOOD
WOOD
WOOD
WOOD
WOOD
WOOD
LEATHER
LEATHER
LEATHER
SNOOKER
TABLE15. WOOD

LEGEND
FURNITURE SCHEDULE
1. S1 CUSTOM MADE
2.
3.
4.
5.
6.
7.
8.
9.
10.
S2
S3
B1
B2
C1
C2
C3
C4
T1
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
CUSTOM MADE
FURNITURE LAYOUT OF SECOND FLOOR
8'6"X3'
7'X3'
5'X3'
6'X7'
3'X3'
3'X3'
3'X3'
3'X3'
2'6"X2'
4'X7'
SOFA
SOFA
SOFA
BED
BED
CHAIR
CHAIR
STOOL
CHAIR2'X2'
11. T2 CUSTOM MADE
12. T3 CUSTOM MADE
13. T4 CUSTOM MADE
14. T5 CUSTOM MADE
4'X4'
3'X4'
2'X4'
10'X4'
1'6"X1'6" TABLE
TABLE
TABLE
TABLE
TABLE
STUDY
TABLE15.
LEATHER
LEATHER
WOOD
WOOD
WOOD
WOOD
WOOD
WOOD
WOOD
WOOD
WOOD
WOOD
LEATHER
LEATHER
LEATHER
SNOOKER
TABLE15. WOOD

LEGEND
SPECIFICATION LAYOUT
SPECIFICATION LAYOUT OF GROUND FLOOR
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
16.
17.
ENTRANCE
LIVING ROOM
SMALL SITOUT
PEBBLE COURT
FAMILY ROOM
BEDROOM
DINNING AREA
KITCHEN
WALKING CLOSET
BATHROOM
BEDROOM
POWDER ROOM
STORE
SWIMMING POOL
LANDSCAPING
CAR PARKING
WATCHMAN CABIN
HABITABLE ROOM
TERRACE GARDEN
18.
BALCONY
19.
20.

LEGEND
SPECIFICATION LAYOUT OF FIRST FLOOR
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
16.
17.
ENTRANCE
LIVING ROOM
SNOOKER TABLE
PEBBLE COURT
GYMNASIUM
BEDROOM
PASSAGE
STAIR CASE
WALKING CLOSET
BATHROOM
BEDROOM
POWDER ROOM
STORE
SWIMMING POOL
LANDSCAPING
CAR PARKING
WATCHMAN CABIN
18.
BALCONY
HABITABLE ROOM
TERRACE GARDEN
19.
20.

LEGEND
SPECIFICATION LAYOUT OF SECOND FLOOR
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
16.
17.
ENTRANCE
LIVING ROOM
SNOOKER TABLE
PEBBLE COURT
GYMNASIUM
BEDROOM
PASSAGE
STAIR CASE
WALKING CLOSET
BATHROOM
BEDROOM
POWDER ROOM
STORE
SWIMMING POOL
LANDSCAPING
CAR PARKING
WATCHMAN CABIN
18.
BALCONY
HABITABLE ROOM
TERRACE GARDEN
19.
20.

SECTIONAL PLAN
PLAN OF BOUNDARY WALL
ELEVATION A
B
A
ELEVATION B
7'
2'
7'
6'
6'
3" Groove in wall SECURITY ROOM WINDOW NAME PLATE
2' 8' 2' 8' 2'
2'
6" 6"
7'-6"
7'-6"
6"
2' 4' 2' 14' 2' 6"
2' 8' 2' 8' 2'
Doorbell Switch
2' 8' 2' 8' 2' 6' 2' 4' 14' 2' 6' 2' 8' 2' 8' 2'
80'
2' 8' 2' 8' 2' 6' 2' 14' 2' 4' 2' 6' 2' 8' 8' 2'
SECURITY ROOM WINDOW
1'-6"
1'
1'
1'
1'
1'
1'
1'
Legend
Boundary Wall Schedule
S.NO Product Size Company
1.
2.
3.
4.
Granite 2'X1' RK Marble
Sandstone 4'X4'
Nakoda
Marble
Doorbell 6"X4" Anchor
Name Plate 4'X3' Local market
Semester:- IVth
BOUNDARY WALL LAYOUT

2'8'2'
2'8'2'
A
A'
B
B'
PLAN
SECTIONAL PLAN
ELEVATION
FRONT ISO
METRIC VIEW
SECTION A-A'
SECTION A-A'
SECTION B-B' SECTION B-B'
BACK ISO
METRIC VIEW
1"Thick
Sandstone
1/2"Thick
Mortar
1"Thick
Plaster
3" Deep Groove In Wall
1'4" Thick
Stone Masonry
1/2"Thick
Granite
1"Thick
Plaster
3" Deep
Groove In Wall
3" Deep
Groove In Wall
1'4" Thick
Stone Masonry
1/2"Thick
Mortar
1"Thick
Sandstone
1/2"Thick
Granite
1/2"Thick
Granite
1/2"Thick
Granite
1/2"Thick
Mortar
1/2"Thick
Mortar
1'10" Thick
RCC Pillar
1'10" Thick
RCC Pillar

6"
7'-6"
6"
2' 4' 2'
2'
1'-6"
C
C'
3'
2'
1'
1'-6" 3' 1'-6"
PLAN
SECTIONAL PLAN
ELEVATION
SECTION B-B' SECTION B-B'
FRONT ISO
METRIC VIEW
BACK ISO
METRIC VIEW
Groove for
letter box
Security Room
Window
Doorbell
Switch
Security Room
Window
Groove for
letter box
1"Thick
Sandstone
1"Thick
Plaster
1'4" Thick
Stone Masonry
1"Thick
Plaster
1'4" Thick
Stone Masonry
1"Thick
Plaster
Groove for
letter box
Security Room
Window
1"Thick
Plaster
1"Thick
Sandstone

6"
7'-6"
2' 6"
2'
1'-6"
3"
D
D'
1'
1'
1'
2'
3'
4'
SECTION B-B'
SECTION B-B'
FRONT ISO
METRIC VIEW
BACK ISO
METRIC VIEW
PLAN
SECTIONAL PLAN
ELEVATION
Name
Plate
1"Thick
Sandstone
1'4" Thick
Stone Masonry
1"Thick
Plaster
1"Thick
Plaster
4"Deep Groove
for Name Plate
1"Thick
Sandstone
1"Thick
Plaster
4"Deep Groove
for Name Plate

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Portfolio,yasir farhan ,B.sc.-Interior Design