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A New Sense of Purpose
By Joy T.J. Riley
Filmmaker Antonio Simmons
Offers up action packed
And culture with a touch of class
Q: When did you know you wanted to make a film?
A: I wrote my first film around 1998. It was called The Last Parole
Officer. I kind of knew I had something because a friend wanted to buy
it off of me.
Q: You were once in the music industry. What skills do you think
you’ve brought with you to the film industry?
A: My father was a drummer, I’m a drummer, my brother is a drummer
but he lost it a little bit. Listening to records comes to me naturally.
Some producers can’t even dance so how are they going to tell you it’s a
hot record? I bring rhythm and I can tell you whether it’s going to be a
hit in the hood or around the world. My brain is wired differently than
seven people put together. When I hear a person talk, and he speaks to
me, I can see 30-40 different characters in front me as the person is
speaking.
Q: How would you describe your creative process as a writer/director?
A: My brain thinks on a “wow” factor and “oh shit.” I always try to
maximize everything I say and do. When I write a scene I write so that it
comes to life as a person reads it.
Q: Writing, directing and producing are different processes in the quest
of filmmaking. In which area do you think you excel the most and why?
A: I excel in all three equally. For example, you send me six people with
no training and I can convince one that he’s a cop, I can convince
another that they are transgender and yet another a district attorney. The
most powerful muscle on your body is your brain. When you have the
ability to talk to a person, connect with them and make them believe
they are the person that you want them to be, you’re a good director. As
far as being a producer, I have all those people in one room.
Q: What would you say is the hardest thing about filmmaking and why?
A: The hardest thing about filmmaking is doing your first film because
there’s a lack of funds, your name is not as strong as you need it to be
and you must convince people that your dream is the dream they need to
run with.
Q: Who is your audience with your new film, Doggmen?
A: The world
Q: What can audiences expect with Doggmen?
A: They can expect edgy, new faces, people from different countries and
real good quotes.
Q: How did you come about choosing your lead actors?
A: DMX is a deliverer. When he’s on he’s on. He only gets better with
time. And me as a person; I know what he can do. Most of the films that
he does, people put him in a box. In Doggmen, he’s going to be outside
the box. Hollywood has a triangle. They use the same people for 60% of
the films that come out. For me to choose my cast, I go off sight and
when they speak.
Q: When will Doggmen hit theaters and do you foresee an international
release?
A: It will hit Fall 2020. And yes, 100% you’ll see an international
release. It will be in Italy, Germany, Canada, Australia and London. In
fact, we have four actors in the film from London.
Q: What advice would you offer to those who aspire to take the leap into
filmmaking? And why?
A: Filmmaking ain’t for everybody. A friend of mine, John, told me that
everybody is not going to be happy for you. And some people will help
you to hold you back. And in this business, you have to be relentless.
That’s what John said. You can’t take no for an answer and a lot of
times it’s good to do business with your friend’s enemies. Reason, you
know they’ll never talk to each other so they won’t try to block you, as
John said. Do you know who John is? John Singleton. A lot of times
people see me talking and texting, but they never know who is on the
other end of that phone. When John passed, we lost a good one. He
wasn’t Hollywood but he walked amongst us.
Q: Who do you think is your biggest fan?
A: My Mom, my children and my kids’ Moms.
Q: What other projects do you have on the horizon?
A: I will probably take The Last Parole Officer and turn it into a TV
series. Just imagine; The Wire, Power and the movie Heat on injectable
steroids. Crazy, strong, relentless and by the second week, twenty seven
million viewers watching.

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A new sense of purpose interview with filmmaker antonio simmons

  • 1. A New Sense of Purpose By Joy T.J. Riley Filmmaker Antonio Simmons Offers up action packed And culture with a touch of class Q: When did you know you wanted to make a film? A: I wrote my first film around 1998. It was called The Last Parole Officer. I kind of knew I had something because a friend wanted to buy it off of me. Q: You were once in the music industry. What skills do you think you’ve brought with you to the film industry? A: My father was a drummer, I’m a drummer, my brother is a drummer but he lost it a little bit. Listening to records comes to me naturally. Some producers can’t even dance so how are they going to tell you it’s a hot record? I bring rhythm and I can tell you whether it’s going to be a hit in the hood or around the world. My brain is wired differently than seven people put together. When I hear a person talk, and he speaks to me, I can see 30-40 different characters in front me as the person is speaking. Q: How would you describe your creative process as a writer/director? A: My brain thinks on a “wow” factor and “oh shit.” I always try to maximize everything I say and do. When I write a scene I write so that it comes to life as a person reads it. Q: Writing, directing and producing are different processes in the quest of filmmaking. In which area do you think you excel the most and why? A: I excel in all three equally. For example, you send me six people with no training and I can convince one that he’s a cop, I can convince another that they are transgender and yet another a district attorney. The most powerful muscle on your body is your brain. When you have the ability to talk to a person, connect with them and make them believe they are the person that you want them to be, you’re a good director. As far as being a producer, I have all those people in one room. Q: What would you say is the hardest thing about filmmaking and why? A: The hardest thing about filmmaking is doing your first film because there’s a lack of funds, your name is not as strong as you need it to be and you must convince people that your dream is the dream they need to run with. Q: Who is your audience with your new film, Doggmen? A: The world Q: What can audiences expect with Doggmen? A: They can expect edgy, new faces, people from different countries and real good quotes. Q: How did you come about choosing your lead actors? A: DMX is a deliverer. When he’s on he’s on. He only gets better with time. And me as a person; I know what he can do. Most of the films that he does, people put him in a box. In Doggmen, he’s going to be outside the box. Hollywood has a triangle. They use the same people for 60% of the films that come out. For me to choose my cast, I go off sight and when they speak. Q: When will Doggmen hit theaters and do you foresee an international release? A: It will hit Fall 2020. And yes, 100% you’ll see an international release. It will be in Italy, Germany, Canada, Australia and London. In fact, we have four actors in the film from London. Q: What advice would you offer to those who aspire to take the leap into filmmaking? And why? A: Filmmaking ain’t for everybody. A friend of mine, John, told me that everybody is not going to be happy for you. And some people will help you to hold you back. And in this business, you have to be relentless. That’s what John said. You can’t take no for an answer and a lot of times it’s good to do business with your friend’s enemies. Reason, you know they’ll never talk to each other so they won’t try to block you, as John said. Do you know who John is? John Singleton. A lot of times people see me talking and texting, but they never know who is on the other end of that phone. When John passed, we lost a good one. He wasn’t Hollywood but he walked amongst us. Q: Who do you think is your biggest fan? A: My Mom, my children and my kids’ Moms. Q: What other projects do you have on the horizon? A: I will probably take The Last Parole Officer and turn it into a TV series. Just imagine; The Wire, Power and the movie Heat on injectable steroids. Crazy, strong, relentless and by the second week, twenty seven million viewers watching.