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MAKING RUGBY SOCIAL
Photo: Getty Images
@clarewolfensohn
Photo: Julien Behal PA
OVERVIEW
• Ticketing challenge
• Social media approach
• Key lessons
• Future opportunities
The Challenge
• Sell 1.35 million tickets (NZ$ 268.5 million)
• Target 85% of total capacity
• 11 x 2005 British & Irish Lions tour
• 70% sold to domestic audience
• Target 95,000 international visitors
• No customer data from RWC 2007
• No international marketing budget
Photo: Getty Images
The Solution
• Multi-platform global online community
• Social media strategy aligned with ticket sales
• International brand awareness
• Online customer service
Photo: Getty Images
Photo: RNZ 2011
The Results
• Largest online community for an international
sports event to date
• Reached ticket sales target with 2 matches to go
• 99% of ticket applications received electronically
• Facebook was the # 1 traffic driver to ticket
website outside search engines
STATS
6
• 17 million unique users to the website
• 3.5 million downloads of the official app
• 1.46 million Facebook page ‘likes’
• 114,000 Twitter followers
• 250,000 photo views on Flickr
• 4.5 million video views via official YouTube page
• Over 4.1 million tweets during the tournament
Photo: Localise.co.nz
SOCIAL MEDIA APPROACH
Phase 1: Building community
Phase 2: Engagement
Phase 3: Ticket sales
Phase 4: Tournament time
Phase 5: Legacy
7
Photo: Getty Images
PHASE 1:
BUILDING COMMUNITY
Photo: Getty Images
MULTI_PLATFORM
Facebook.com/rugbyworldcup
YouTube.com/rugbyworldcup
Twitter.com/rugbyworldcup
Flickr.com/rugbyworldcup
9
Photo: Getty Images
CONSISTENT BRANDING
Photo: Getty Images
11
INTERNAL PROMOTION
Photo: Getty Images
Facebook ads
• Tap into multiple audience groups
• Experiment with targeted ads
• Utilise reach blocks
• Cost effective: Sticky + Viral
12
Photo: Getty Images
13
Reach Block
Reach Block
ADVERTISING IMPACT
Photo: Getty Images
14
FACEBOOK AUDIENCE
PHASE 2:
ENGAGEMENT
Photo: Getty Images
Target engagement
16
Credit: Brian Carter
(May 17, 2011)
Photo: Getty Images
EMPHASIS ON ENGAGEMENT
• Ask questions and invite feedback
• Encourage questions/discussion
• Promote interaction between fans
• Understand your audience and what they want
• Be authentic and avoid spin
• Balance commercial goals with long term fans
Photo: Getty Images
Content planning
• News (qualification, tickets, volunteers)
• Video and photos
• Trivia and polls
• Discussion board
• Facebook only offers, sponsor promos
 Multiple audiences, multiple interests
18
Photo: Getty Images
Online/Offline
• Partnership with TVNZ Breakfast
• Invited fans via social media
• Photos on Flickr (tagging, sharing)
• Weekly video highlights on YouTube
• 27 towns in 30 days (July 2011)
• 20,000 visitors
• Over 40,000 image views
19
Photo: RNZ 2011
Measurement
20
Ticket design
sneak peak
Video + Focus on
Wellington
Video
Fan Focus
Video
Fan Focus
One million fans
Photo: Dave Lintott / Photosport
Phase 3:
TICKET SALES
Photo: Northland Regional Council
SOCIAL MEDIA APPS
• Reinforced key ticket sales phases
• Created interest, awareness and virality
• Sales messages integrated with engagement
• The World’s Biggest Scrum
• Fan Personality Test
• Spot the Ball
EMAIL
• Remains crucial part of marketing mix
• Ticketing database of over 160,000 fans
• EDM at every point in process
• Pre-sales, announcements, follow up
• Targeted offers (by region, by team)
• Crisis management via email and social
Photo: Getty Images
CHRISTCHURCH
• September 22, 2010 a 7.5 magnitude earthquake
hit the city of Christchurch
• Infrastructure damage had significant impact on
hosting RWC 2011
• Important to keep customers updated at every
step to avoid misinformation and show concern
• Customers informed at the same time as the
media via email and social media
Photo: Otago Daily Times
CUSTOMER SERVICE
• Create opportunities
for dialogue
• Opportunity for
customers who are
experiencing the same
issues to connect
• Community helps
each other
Photo: Getty Images
RESULTS
• Recouped majority of lost sales
• A smooth customer experience
• Very positive feedback
• Went beyond the pure ticketing relationship
• Keeping Christchurch involved
Photo: Getty Images
Crisis 2.0
• Monitored social and traditional media
• Responded to every query
• Keep customers informed e.g. Christchurch
• Real time response
• Your story, your words, your message
• Clears misconceptions and shows you care
• Create opportunities for dialogue
• Allows you to prioritise issues
Photo: Getty Images
PHASE 4:
TOURNAMENT TIME
Photo: Anthony Au-Yeung / Photosport
• Team of four (NZ/UK)
• Provided 24 hour coverage + publishing
• Integrated with editorial news service
• Tailored publication via Facebook
• Daily video package via YouTube + website
• Live updates via Twitter
• Daily photo galleries
32
Tournament CONTENT
Photo: Getty Images
Real time coverage
MOBILE
Photo: Getty Images
Mobile
• iPhone, Android, BlackBerry, Windows 7 + iPad,
RIM Playbook
• Over 3.5 million app downloads and 350 million
page views
• Page impressions via mobile outnumbered
website 3:1
Photo: Getty Images
KUDOS
• Largest online community for an international
sports event to date
• Ranked 40th top sports property for social media
audience size (sportsfangraph.com)
• Selected as a Best Practice case study by
Facebook international in 2010
• Joint winner of “Best Event” in the SportBusiness
Digital Sports Awards 2011
Photo: Getty Images
PHASE 5:
LEGACY
Photo: Billy Stickland / NPHO
ENGLAND 2015
• Transfer ownership to England 2015/RWCL
• Branding update across all sites
• Maintain and grow existing fan base
• Four year build up to next tournament
• New audience towards RWC 2019 in Japan
• Next generation of rugby fans
Photo: Ella Brockelsby / Photosport
LESSONS FROM RWC 2011
• Have a long term vision
• Understand your audience
• Create engaging and varied content
• Cater for multiple audiences
• Value customer service
• Integrate and cross promote
• Don’t ignore mobile and email
Photo: Getty Images
TICKETING opportunities
• Integration with call centre/helpdesk
• Dynamic ticket pricing based on demand
• Increased knowledge of preferences of fans
• Tap into friend data
• Integration with other events
• Updates about events in an area
Photo: ABOVE Ground
Rugby World Cup: 2012 Ticketing Professionals Conference - Clare Wolfesohn

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Rugby World Cup: 2012 Ticketing Professionals Conference - Clare Wolfesohn

  • 1. MAKING RUGBY SOCIAL Photo: Getty Images @clarewolfensohn
  • 2. Photo: Julien Behal PA OVERVIEW • Ticketing challenge • Social media approach • Key lessons • Future opportunities
  • 3. The Challenge • Sell 1.35 million tickets (NZ$ 268.5 million) • Target 85% of total capacity • 11 x 2005 British & Irish Lions tour • 70% sold to domestic audience • Target 95,000 international visitors • No customer data from RWC 2007 • No international marketing budget Photo: Getty Images
  • 4. The Solution • Multi-platform global online community • Social media strategy aligned with ticket sales • International brand awareness • Online customer service Photo: Getty Images
  • 5. Photo: RNZ 2011 The Results • Largest online community for an international sports event to date • Reached ticket sales target with 2 matches to go • 99% of ticket applications received electronically • Facebook was the # 1 traffic driver to ticket website outside search engines
  • 6. STATS 6 • 17 million unique users to the website • 3.5 million downloads of the official app • 1.46 million Facebook page ‘likes’ • 114,000 Twitter followers • 250,000 photo views on Flickr • 4.5 million video views via official YouTube page • Over 4.1 million tweets during the tournament Photo: Localise.co.nz
  • 7. SOCIAL MEDIA APPROACH Phase 1: Building community Phase 2: Engagement Phase 3: Ticket sales Phase 4: Tournament time Phase 5: Legacy 7 Photo: Getty Images
  • 12. Facebook ads • Tap into multiple audience groups • Experiment with targeted ads • Utilise reach blocks • Cost effective: Sticky + Viral 12 Photo: Getty Images
  • 13. 13 Reach Block Reach Block ADVERTISING IMPACT Photo: Getty Images
  • 16. Target engagement 16 Credit: Brian Carter (May 17, 2011) Photo: Getty Images
  • 17. EMPHASIS ON ENGAGEMENT • Ask questions and invite feedback • Encourage questions/discussion • Promote interaction between fans • Understand your audience and what they want • Be authentic and avoid spin • Balance commercial goals with long term fans Photo: Getty Images
  • 18. Content planning • News (qualification, tickets, volunteers) • Video and photos • Trivia and polls • Discussion board • Facebook only offers, sponsor promos  Multiple audiences, multiple interests 18 Photo: Getty Images
  • 19. Online/Offline • Partnership with TVNZ Breakfast • Invited fans via social media • Photos on Flickr (tagging, sharing) • Weekly video highlights on YouTube • 27 towns in 30 days (July 2011) • 20,000 visitors • Over 40,000 image views 19 Photo: RNZ 2011
  • 20. Measurement 20 Ticket design sneak peak Video + Focus on Wellington Video Fan Focus Video Fan Focus One million fans Photo: Dave Lintott / Photosport
  • 21. Phase 3: TICKET SALES Photo: Northland Regional Council
  • 22. SOCIAL MEDIA APPS • Reinforced key ticket sales phases • Created interest, awareness and virality • Sales messages integrated with engagement • The World’s Biggest Scrum • Fan Personality Test • Spot the Ball
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  • 26. EMAIL • Remains crucial part of marketing mix • Ticketing database of over 160,000 fans • EDM at every point in process • Pre-sales, announcements, follow up • Targeted offers (by region, by team) • Crisis management via email and social Photo: Getty Images
  • 27. CHRISTCHURCH • September 22, 2010 a 7.5 magnitude earthquake hit the city of Christchurch • Infrastructure damage had significant impact on hosting RWC 2011 • Important to keep customers updated at every step to avoid misinformation and show concern • Customers informed at the same time as the media via email and social media Photo: Otago Daily Times
  • 28. CUSTOMER SERVICE • Create opportunities for dialogue • Opportunity for customers who are experiencing the same issues to connect • Community helps each other Photo: Getty Images
  • 29. RESULTS • Recouped majority of lost sales • A smooth customer experience • Very positive feedback • Went beyond the pure ticketing relationship • Keeping Christchurch involved Photo: Getty Images
  • 30. Crisis 2.0 • Monitored social and traditional media • Responded to every query • Keep customers informed e.g. Christchurch • Real time response • Your story, your words, your message • Clears misconceptions and shows you care • Create opportunities for dialogue • Allows you to prioritise issues Photo: Getty Images
  • 31. PHASE 4: TOURNAMENT TIME Photo: Anthony Au-Yeung / Photosport
  • 32. • Team of four (NZ/UK) • Provided 24 hour coverage + publishing • Integrated with editorial news service • Tailored publication via Facebook • Daily video package via YouTube + website • Live updates via Twitter • Daily photo galleries 32 Tournament CONTENT Photo: Getty Images
  • 35. Mobile • iPhone, Android, BlackBerry, Windows 7 + iPad, RIM Playbook • Over 3.5 million app downloads and 350 million page views • Page impressions via mobile outnumbered website 3:1 Photo: Getty Images
  • 36. KUDOS • Largest online community for an international sports event to date • Ranked 40th top sports property for social media audience size (sportsfangraph.com) • Selected as a Best Practice case study by Facebook international in 2010 • Joint winner of “Best Event” in the SportBusiness Digital Sports Awards 2011 Photo: Getty Images
  • 37. PHASE 5: LEGACY Photo: Billy Stickland / NPHO
  • 38. ENGLAND 2015 • Transfer ownership to England 2015/RWCL • Branding update across all sites • Maintain and grow existing fan base • Four year build up to next tournament • New audience towards RWC 2019 in Japan • Next generation of rugby fans Photo: Ella Brockelsby / Photosport
  • 39. LESSONS FROM RWC 2011 • Have a long term vision • Understand your audience • Create engaging and varied content • Cater for multiple audiences • Value customer service • Integrate and cross promote • Don’t ignore mobile and email Photo: Getty Images
  • 40. TICKETING opportunities • Integration with call centre/helpdesk • Dynamic ticket pricing based on demand • Increased knowledge of preferences of fans • Tap into friend data • Integration with other events • Updates about events in an area Photo: ABOVE Ground