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Life and Works of Robert Mangold
Thomas Elmore
ART103
Averett University
Background Image Retrieved on April 1, 2017 from: http://www.christianlarsen.se/robert-mangold/
Image Retrieved on April 1, 2017 from: http://www.azquotes.com/picture-quotes
Biography
1937 Born in North Tonawanda, New York
1956/1959 Studied at the Cleveland Art Institute
1959 Receives Yale University Summer Art Fellowship
1960/1961 B.F.A. Yale University Graduate School, New Haven, CT
1961/1963 M.F.A. Yale University. New Haven, CT
1966 National Council for the Arts Award
1967 National Endowment of the Arts Visual Arts Fellowship
1969 Guggenheim memorial Grant
1963/1970 Professor at the School of Visual Arts, New York
1993 Skowhegan Medal for Painting
Skowhegan School of Painting and Sculpture, Maine
2001 Award from American Academy of Arts and Letters, New York
Lives and Works in New York
Background Image Retrieved on April 1, 2017 from: http://www.artsobserver.com/2014/04/28/robert-mangold-squaring-the-circle/
The Artist
• Began in naturalism and
abstraction
• Minimalistic Style
• Monochromatic paintings
• Meditative Geometric
Canvases
• Influenced by Abstract
Expressionist artists
• Explores Properties of
illusionism
Early Works – 1960’s
Yellow Wall (Section 1 & 2)
1964
Oil and acrylic on plywood and metal
8 x 8 feet overall, 8 x 4 feet, each panel
Collection National Gallery of Art, Washington, DC
Photo: Bill Jacobson
© 2012 Robert Mangold, member Artist Rights Society (ARS)
1/2 Manila Curved Area (Trisected)
1967
Oil and black pencil on masonite
12 x 24 inches
Private collection
Photo: Joerg Lohse
© 2012 Robert Mangold, member Artist Rights Society (ARS)
Images retrieved on April 1, 2017 from https://art21.org/artist/robert-mangold/:
Early Works – 1970’s
Four Squares Within a Square (Light Blue)
1974
Acrylic and graphite on canvas
36 x 36 inches
Private collection
Photo: Ellen Labenski
© 2012 Robert Mangold, member Artist Rights Society (ARS)
Three Squares within a Triangle
1975–1976
Acrylic and black pencil on canvas
72 x 144 inches
Photo: Ellen Labenski
© 2012 Robert Mangold, member Artist Rights Society (ARS)
Images retrieved on April 1, 2017 from https://art21.org/artist/robert-mangold/:
Early Works – 1980’s
Four Color + Painting
1983
Acrylic and black pencil on canvas
96 x 102 inches
Private collection
Photo: Ellen Page Wilson
© 2012 Robert Mangold, member Artist Rights Society (ARS)
Four Color Frame Painting #4
1984
Acrylic and black pencil on canvas
10 x 7 feet
Collection The Nelson-Atkins Museum of Art;
Purchase: acquired through the generosity of the William T. Kemper Foundation--Commerce Bank, Trustee,
2001.14.A-D © 2012 Robert Mangold, member Artist Rights Society (ARS)Images retrieved on April 1, 2017 from https://art21.org/artist/robert-mangold/:
Early Works – 1990’s
Curved Plane/Figure VIII
1995
Acrylic, graphite and black pencil on canvas
98 x 147 inches
Photo: Ellen Page Wilson
© 2012 Robert Mangold, member Artist Rights Society (ARS)
Plane/Figure Series D (Double Panel)
1993
Acrylic and black pencil on canvas
112 x 168 inches
Photo: Ellen Page Wilson
© 2012 Robert Mangold, member Artist Rights Society (ARS)
Images retrieved on April 1, 2017 from https://art21.org/artist/robert-mangold/:
Early Works – 2000’s
Column Structure XXII
2008
Acrylic and black pencil on canvas
10 x 8 feet
Collection Albright-Knox Art Gallery, Buffalo
Photo: Kerry Ryan McFate
© 2012 Robert Mangold, member Artist Rights Society (ARS)
Ring Image C
2008
Acrylic, graphite and black pencil on canvas
96 inches diameter
Private collection
Photo: Kerry Ryan McFate
© 2012 Robert Mangold, member Artist Rights Society (ARS)
Images retrieved on April 1, 2017 from https://art21.org/artist/robert-mangold/:
Current Works – 2010’s
Robert Mangold: Ring Paintings
2011
Installed at The Pace Gallery, New York
Photo: Kerry Ryan McFate
© 2012 Robert Mangold, member Artist Rights Society (ARS) Images retrieved on April 1, 2017 from https://art21.org/artist/robert-mangold/:
Current Works – 2010’s
Robert Mangold: Ring Paintings
2011
Installed at The Pace Gallery, New York
Photo: Kerry Ryan McFate
© 2012 Robert Mangold, member Artist Rights Society (ARS) Images retrieved on April 1, 2017 from https://art21.org/artist/robert-mangold/:
Current Works – 2010’s
Robert Mangold: Framed Square With Open Center II
2013
part of a solo exhibition at Pace Gallery.
Credit 2014 Robert Mangold/Artists Rights Society (ARS), New York, Pace Gallery
Image retrieved on April 1, 2017 fromhttps://www.nytimes.com/2014/04/18/arts/design/robert-mangold.html?_r=0
Framed Square with Open Center A,
2013 Soft ground and aquatint etching 27 1/4 × 27 in
69.2 × 68.6 cm
Edition of 40
Notoriety
• Albright-Knox Art Gallery, Buffalo, NY
• The Art Institute of Chicago
• Bonnefantenmuseum, Maastricht,
The Netherlands
• The Cleveland Museum of Art
• Fundació "la Caixa," Barcelona, Spain
• Hirshhorn Museum, Washington, DC
• The J. Paul Getty Trust, Malibu, CA
• Kaiser Wilhelm Museum, Krefeld, Germany
• Kunstmuseum, Basel, Switzerland
• Kunstmuseum, Winterthur, Switzerland
• Los Angeles County Museum of Art
• Louisiana Museum of Modern Art,
Humlebaek, Denmark
• The Menil Collection, Houston, TX
• Museo Nacional Centro de Arte Reina Sofia,
Madrid, Spain
• Museum of Fine Arts, Boston, MA;
• Museum of Fine Arts, Houston, TX
• The Museum of Modern Art, New York, NY
• Museum Wiesbaden, Wiesbaden, Germany T
• San Francisco Museum of Modern Art
• Solomon R. Guggenheim Museum, New York, NY
• Stedelijk Museum, Amsterdam, The Netherlands
• Tokyo Metropolitan Art Museum, Tokyo, Japan
• Walker Art Center, Minneapolis, MN
• Whitney Museum of American Art, New York, NY.
Column Painting 9
2003
Acrylic and black pencil on canvas
144 1/4 x 24 inches
Private collection
Photo: Kerry Ryan McFate
© 2012 Robert Mangold, member Artist Rights Society (ARS)
Thomas Elmore: Broken Framed Circle
2017
Colored Pencil and Graphite on Paper
Original Artwork
Image Retrieved on April 1, 2017 from: http://www.marlboroughgallery.com/image_assets/artworks/795/gallery/Mangold_-Tall-Column-B-
_green_-2005_-etching-and-aquatint_-edition-of-35_600.jpg
References
Frank, P. (2011). Prebles' Artforms (10th ed.). Upper Saddle River, NJ: Pearson Education, Inc.
Kaneda, S. (2001). Robert Mangold. Bomb Quarterly. Retrieved April 1, 2017 from:
http://bombmagazine.org/article/2401/robert-mangold
Obendorf, H. (2009) Minimalism Designing Simplicity, Hamburg, Germany: Springer
Robert Mangold Biography (n.d.). Retrieved from: http://www.artnet.com/artists/robert-
mangold/
Smith, R. (2014, April 17) Robert Mangold, Art in Review. Retrieved April 2, 2017 from:
https://www.nytimes.com/2014/04/18/arts/design/robert-mangold.html?_r=0
Williams, E. (2005). Robert Mangold. Art Monthly, (286), 36-37.

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Life and works of Robert Mangold

  • 1. Life and Works of Robert Mangold Thomas Elmore ART103 Averett University Background Image Retrieved on April 1, 2017 from: http://www.christianlarsen.se/robert-mangold/ Image Retrieved on April 1, 2017 from: http://www.azquotes.com/picture-quotes
  • 2. Biography 1937 Born in North Tonawanda, New York 1956/1959 Studied at the Cleveland Art Institute 1959 Receives Yale University Summer Art Fellowship 1960/1961 B.F.A. Yale University Graduate School, New Haven, CT 1961/1963 M.F.A. Yale University. New Haven, CT 1966 National Council for the Arts Award 1967 National Endowment of the Arts Visual Arts Fellowship 1969 Guggenheim memorial Grant 1963/1970 Professor at the School of Visual Arts, New York 1993 Skowhegan Medal for Painting Skowhegan School of Painting and Sculpture, Maine 2001 Award from American Academy of Arts and Letters, New York Lives and Works in New York Background Image Retrieved on April 1, 2017 from: http://www.artsobserver.com/2014/04/28/robert-mangold-squaring-the-circle/
  • 3. The Artist • Began in naturalism and abstraction • Minimalistic Style • Monochromatic paintings • Meditative Geometric Canvases • Influenced by Abstract Expressionist artists • Explores Properties of illusionism
  • 4. Early Works – 1960’s Yellow Wall (Section 1 & 2) 1964 Oil and acrylic on plywood and metal 8 x 8 feet overall, 8 x 4 feet, each panel Collection National Gallery of Art, Washington, DC Photo: Bill Jacobson © 2012 Robert Mangold, member Artist Rights Society (ARS) 1/2 Manila Curved Area (Trisected) 1967 Oil and black pencil on masonite 12 x 24 inches Private collection Photo: Joerg Lohse © 2012 Robert Mangold, member Artist Rights Society (ARS) Images retrieved on April 1, 2017 from https://art21.org/artist/robert-mangold/:
  • 5. Early Works – 1970’s Four Squares Within a Square (Light Blue) 1974 Acrylic and graphite on canvas 36 x 36 inches Private collection Photo: Ellen Labenski © 2012 Robert Mangold, member Artist Rights Society (ARS) Three Squares within a Triangle 1975–1976 Acrylic and black pencil on canvas 72 x 144 inches Photo: Ellen Labenski © 2012 Robert Mangold, member Artist Rights Society (ARS) Images retrieved on April 1, 2017 from https://art21.org/artist/robert-mangold/:
  • 6. Early Works – 1980’s Four Color + Painting 1983 Acrylic and black pencil on canvas 96 x 102 inches Private collection Photo: Ellen Page Wilson © 2012 Robert Mangold, member Artist Rights Society (ARS) Four Color Frame Painting #4 1984 Acrylic and black pencil on canvas 10 x 7 feet Collection The Nelson-Atkins Museum of Art; Purchase: acquired through the generosity of the William T. Kemper Foundation--Commerce Bank, Trustee, 2001.14.A-D © 2012 Robert Mangold, member Artist Rights Society (ARS)Images retrieved on April 1, 2017 from https://art21.org/artist/robert-mangold/:
  • 7. Early Works – 1990’s Curved Plane/Figure VIII 1995 Acrylic, graphite and black pencil on canvas 98 x 147 inches Photo: Ellen Page Wilson © 2012 Robert Mangold, member Artist Rights Society (ARS) Plane/Figure Series D (Double Panel) 1993 Acrylic and black pencil on canvas 112 x 168 inches Photo: Ellen Page Wilson © 2012 Robert Mangold, member Artist Rights Society (ARS) Images retrieved on April 1, 2017 from https://art21.org/artist/robert-mangold/:
  • 8. Early Works – 2000’s Column Structure XXII 2008 Acrylic and black pencil on canvas 10 x 8 feet Collection Albright-Knox Art Gallery, Buffalo Photo: Kerry Ryan McFate © 2012 Robert Mangold, member Artist Rights Society (ARS) Ring Image C 2008 Acrylic, graphite and black pencil on canvas 96 inches diameter Private collection Photo: Kerry Ryan McFate © 2012 Robert Mangold, member Artist Rights Society (ARS) Images retrieved on April 1, 2017 from https://art21.org/artist/robert-mangold/:
  • 9. Current Works – 2010’s Robert Mangold: Ring Paintings 2011 Installed at The Pace Gallery, New York Photo: Kerry Ryan McFate © 2012 Robert Mangold, member Artist Rights Society (ARS) Images retrieved on April 1, 2017 from https://art21.org/artist/robert-mangold/:
  • 10. Current Works – 2010’s Robert Mangold: Ring Paintings 2011 Installed at The Pace Gallery, New York Photo: Kerry Ryan McFate © 2012 Robert Mangold, member Artist Rights Society (ARS) Images retrieved on April 1, 2017 from https://art21.org/artist/robert-mangold/:
  • 11. Current Works – 2010’s Robert Mangold: Framed Square With Open Center II 2013 part of a solo exhibition at Pace Gallery. Credit 2014 Robert Mangold/Artists Rights Society (ARS), New York, Pace Gallery Image retrieved on April 1, 2017 fromhttps://www.nytimes.com/2014/04/18/arts/design/robert-mangold.html?_r=0 Framed Square with Open Center A, 2013 Soft ground and aquatint etching 27 1/4 × 27 in 69.2 × 68.6 cm Edition of 40
  • 12. Notoriety • Albright-Knox Art Gallery, Buffalo, NY • The Art Institute of Chicago • Bonnefantenmuseum, Maastricht, The Netherlands • The Cleveland Museum of Art • Fundació "la Caixa," Barcelona, Spain • Hirshhorn Museum, Washington, DC • The J. Paul Getty Trust, Malibu, CA • Kaiser Wilhelm Museum, Krefeld, Germany • Kunstmuseum, Basel, Switzerland • Kunstmuseum, Winterthur, Switzerland • Los Angeles County Museum of Art • Louisiana Museum of Modern Art, Humlebaek, Denmark • The Menil Collection, Houston, TX • Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain • Museum of Fine Arts, Boston, MA; • Museum of Fine Arts, Houston, TX • The Museum of Modern Art, New York, NY • Museum Wiesbaden, Wiesbaden, Germany T • San Francisco Museum of Modern Art • Solomon R. Guggenheim Museum, New York, NY • Stedelijk Museum, Amsterdam, The Netherlands • Tokyo Metropolitan Art Museum, Tokyo, Japan • Walker Art Center, Minneapolis, MN • Whitney Museum of American Art, New York, NY. Column Painting 9 2003 Acrylic and black pencil on canvas 144 1/4 x 24 inches Private collection Photo: Kerry Ryan McFate © 2012 Robert Mangold, member Artist Rights Society (ARS)
  • 13. Thomas Elmore: Broken Framed Circle 2017 Colored Pencil and Graphite on Paper Original Artwork
  • 14. Image Retrieved on April 1, 2017 from: http://www.marlboroughgallery.com/image_assets/artworks/795/gallery/Mangold_-Tall-Column-B- _green_-2005_-etching-and-aquatint_-edition-of-35_600.jpg References Frank, P. (2011). Prebles' Artforms (10th ed.). Upper Saddle River, NJ: Pearson Education, Inc. Kaneda, S. (2001). Robert Mangold. Bomb Quarterly. Retrieved April 1, 2017 from: http://bombmagazine.org/article/2401/robert-mangold Obendorf, H. (2009) Minimalism Designing Simplicity, Hamburg, Germany: Springer Robert Mangold Biography (n.d.). Retrieved from: http://www.artnet.com/artists/robert- mangold/ Smith, R. (2014, April 17) Robert Mangold, Art in Review. Retrieved April 2, 2017 from: https://www.nytimes.com/2014/04/18/arts/design/robert-mangold.html?_r=0 Williams, E. (2005). Robert Mangold. Art Monthly, (286), 36-37.

Hinweis der Redaktion

  1. My Presentation is on the Life and Works of Robert Mangold, an American Minimalist Artist. After viewing Mangold’s work and reading his story, I decided that here was an artist I wanted to learn more about. I wanted to see his work from his eyes and understand its meaning from his thoughts.
  2. A general overview gives highlights of the Biography of Robert Mangold. He is an American artist born October 12, 1937 in North Tonawanda New York. He spent most of his childhood in Buffalo before enrolling in the Cleveland Institute of Art in illustration and painting programs. In 1959, he received a Yale University Summer Art fellowship which lead to an enrollment and graduation in 1961 with a Bachelor of Fine Arts degree and in 1963 a Master of Fine Arts. Awards he has received in his career are: 1966 the National Council for the Arts Award; 1993 the Skowhegan Medal for painting; and in 2001 the Award from the American Academy of Arts and Letters. Mangold received a visual arts fellowship in 1967 from the National Endowment of the Arts and two years later a Guggenheim memorial grant. From 1963 to 1970 he was a professor at the School of Visual Arts in New York and now currently lives and works in New York. These are all prestigious honors and reflects a life of hard work and dedication to the field of Fine Arts. But, who is the Artist, Robert Mangold, his art and his inspiration for the pieces he produces.
  3. His work began in naturalism and quickly moved into abstraction until he settled on a minimalistic style that has remained until today (Williams, E. 2005). Minimal art was popular in the early sixties and is defined as art that “exclude(s) subject matter, symbolic meanings, personal content, and hidden messages of any kind”(Frank, 2011. p. 411). It was art that “referred to nothing outside itself, told no story except for its own shapes and colors” (Frank, 2011. p. 411). Mangold’s early work showed exactly that. He created monochromatic paintings and geometric canvases (artnet.com). He was influenced by abstract expressionist artists and his work “typically explores properties of illusionism in painting” (artnet.com).
  4. In an interview for the television show, Art21 Robert Mangold described his perception when he began painting. The thing that began to fascinate him about painting is that it didn’t deal with time in the sense that other media does. You can walk around a sculpture before you can come to a conclusion about the sculpture. A painting doesn’t give you any of that time.
  5. In nature Sunlight and great cloud formations give great inspiration, but those things do not influence his paintings. He gets his inspiration from culture. “The culture that comes from the history of art and the culture of our times” (art21.org).
  6. The central theme for all of Mangold’s paintings is geometry. He allows the pencil lines that were used to mark and measure the work to remain on show as part of the surface pattern.
  7. We can see the lines here as circular patterns within the larger geometric borders of the finished piece. Another crucial aspect of Mangold’s art is color. He has experimented with a full spectrum of hues over the years ranging from the primary colors to softer pastel shades (Williams, 2005).
  8. “For over five decades, Mr. Mangold has been mining an extremely spare combination of shape, color and line (always drawn in dark pencil) with consistently outstanding results that reveal the thoughtfulness of beauty in both classical and contemporary terms” (Smith, R., 2014)
  9. We can see from these next two slides the immense size of some of his works. He scales it perfectly for human viewing so that the piece itself emits a centrifugal force that draws the eye and even the person into his artwork.
  10. Mangold is referred to as the most important of the “Minimal” artists because of his ability to produce work of “intellectual and visual power with such severity of means” (Obendorf, H. 2009, p. 30). He excludes from his works such concerns as “illusion, image, space, composition, climax, hierarchy of interest, movement, emotional content, painterliness, interest in materials or processes, and any sort association or reference to anything other than the physical painting itself” (Obendorf, H. 2009, p. 30).
  11. Mangold's work can be found in approximately 75 public collections in the United States and abroad including these listed in this slide. The exhibit distinction listed shows the notoriety and critical recognition that Mangold and his work has. I was unable to label his success in financial terms. But, his dedication to his visually simplistic yet philosophically complex designs mark Mangold as truly one of the greats. His work will for ever be relevant as he continues to capture culture as it ever changes in the future
  12. Using Robert Mangold’s style, I produced this piece of artwork. Geometry is primary in Mangold’s work and I used the rectangle to represent a frame. I also wanted to introduce a circle in and the curvilinear lines used in most of Mangold’s works. There is possibly too much movement in this piece to be considered minimalistic. It is though inspired by the work of Robert Mangold.