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Designing
Wearable
Experiences
UX Week 2015
Design Sprint
Name your
Playmobil user
1975
What is the User
Experience?
A watch
A screen
A button
An interaction
2015
What is the User
Experience?
A memory
A story
A feeling
The user defines
the meaning
How do we enable
and enhance that
meaning?
You cannot design
wearable
experiences
You can enrich
the user’s experience
of wearables
Design Sprint
Say Hello to your
user
Alastair
Al
Twitter
@acuity_design
Housekeeping
Coffee break
at 3.00pm
Safety
Flotation Aid
Use Table as
What's this
workshop about?
Learning
Objectives
Understanding more about:
•Our 9 senses and sensory cognition
•Information theory and gesture design issues
•Individual emotional and sensational
mapping and testing
•Sensory substitution and multimodal/post-
screen user interfaces
•Sensory augmentation and neuroplasticity
•Core questions for wearable user
experiences
Confusion
&
Uncertainty
Uncertainty in
process delivers
greater certainty of
deliverable success
Be observant
&
questioning
Themes
Wearables
Smart Cities
Internet of Things
Designing a wearable
experience
≠
Strapping a sensor and/or
a screen to a user
And
yet...
Defined use
cases
Fitness
David Sedaris
Notifications
Notifications
Multimodal
notification
nightmare
What can we do?
Understanding
ourselves
YOU
About
YOU
About
YOU
About
YOU
Beyond
Understanding
usability
Timing
Volume
Meaning
Load
Questioning
experiences
What
When
Where
Who
A SensoryUX
framework
Behavioural
Physical
Behavioural
Physical
Behavioural
Physical
Behavioural
Physical
Sensational
Emotional
Why me?
Sensory
projects
Confusion
Complexity
Haptics
Post screen
interaction
About
Me
About
You
Cognition
Senses
Sensory Design
Cognition
Radical
Embodiment
Body
Brain
Neurons make
actions
Memories
Emotions
Consciousness
Senses
Touch
Smell
Taste
Sight
Hearing
Touch
Smell
Taste
Sight
Hearing
1
2
3=
4
Touch
Smell
Taste
Sight
Hearing
Close your eyes
Cognitive
Slop
Time
Chion
Hearing is the
frame for your
senses
More Senses
Sight Vision
Hearing Audition
Taste Gustation
Smell Olfaction
Touch Somatosensory
Balance & acceleration Equilibrioception
Temperature Thermoception
Kinaesthetic sense Proprioception
Pain Nociception
Time Chronoception
Other internal senses Interoception
Complexity
Playtime
• Communicating without seeing
• Teams create messages with anything here
• Use Touch to communicate
• Allocate one person as listener
• The listener can monologue
• Prototype quickly, learn fast, iterate
Context
In an Airport
Difficult
Design Sprint
Create your user’s
loves and hates
Coffee Break
Back in 30 minutes
Sensory
architecture
Behavioural
Physical
Sensational
Emotional
Behavioural
Physical
Sensational
Emotional
Attention
Attention
Sensor Avoid
Attention
Sensor
Seeker
Avoid
Bystander
Axes of
conscious and
unconscious
sensing
Living
Sensationally
Attention
Sensor
Seeker
Arousal
Avoid
Bystander
Non arousal
Attention
Sensor
Seeker
Pleasure
Arousal
Avoid
Bystander
Displeasure
Non arousal
Action
Attention
Sensor
Seeker
Pleasure
Arousal
Avoid
Bystander
Displeasure
Non arousal
PAN model
Emotion
accelerates
meaning making
Positive emotion
and sense of
purpose matter
We live in our
imagination
Sapiens
The brilliance of
humanity is we aren’t
restricted by reality
We predict
We anticipate
We imagine
Design Sprint
Understand your
user’s journey
About
You
Meaning
&
Usability
Meaning
Meaning
1 Understanding
2 Creating
3 Sensory
1
Understanding
meaning
Information
Theory
2 parts to
conversation
What we say
Confirming
understanding
Loop
What we say
Confirming understanding
Meaning is
made in the
reply
The user
creates
meaning with
you
2
Creating
meaning
Metaphor
Language is
built on
metaphor
This thing is LIKE
these things
SIMILE
This thing is LIKE
this thing or this thing
ANALOGY
This thing is
this thing
METAPHOR
Simile
Simile
Simile
Simile
Simile
Simile
Simile
Analogy Analogy
Metaphor
Funneling meaning to
enable action
3
Sensory
Meaning
Body Language
Bitchy Resting Face
Spiteful Resting Face
Sign Language
Signs as words
Faces as grammar
Gesture
Gesture
Words Symbols
Messages
In symbols
In physical gestures
Translate to Words
Discovery
Makaton
User centered
Culturally specific
PROJECT
SOLI
Usability
Timing
Volume
Meaning
Load
Timing
Timing
Volume
Timing
Volume
Meaning
Timing
Volume
Meaning
Load
Designing for
cognitive
accessibility
Perceivable Intelligible Actionable
Perceivable Intelligible Actionable
Can I sense
it?
Perceivable Intelligible Actionable
Can I
understand
it?
Perceivable Intelligible Actionable
Can I do
something
with it?
Beyond
You
Transhumanism
Post-human
Cyborgisation
Connected
Intimacy
Tailored
Ecosystems
Co-Evolved
Possibilities
Person As ComputerPerson To Computer
Person To Person
Social
Technology
Futures
Learn from impairment
to understand
augmentation
Brain
Port
US
Army
Study
US
Army
V.
E.
S.
T.
Umwelt
New
Experiences
New
Senses
Sensory Substitution
Daniel Kish
Neuroplasticity
The vOICe
Stereo image = position
Pitch = elevation
Loudness = brightness
Low Pitch
Position
High Pitch
https://youtu.be/4f-Iz3oqxOM
https://youtu.be/R2COygqXr0s
https://youtu.be/YxsY9iYsuX0
We change the technology
The technology changes us
“History of the
future in 100
objects”
Adrian Hon
How do you design
a wearable
experience?
Understand
sensory cognition
Action
Attention
Sensor
Seeker
Pleasure
Arousal
Avoid
Bystander
Displeasure
Non arousal
Understand
capacities
Timing
Volume
Meaning
Load
Question
experiences
What
When
Where
Who
Be comfortable
observing &
questioning
No presentation at the end
Be happy in your group
Enable the user to
show you their
experience
A design fiction
An airport
User in the airport
User journey in/thru
an airport
How does the
wearable affect the
user experience?
Min – Max model
explores stories
Think of the person,
in a place, amongst
people, with a
purpose
What to do?
Observe
Talk
Tell stories
Make & test
Throw stuff away
Question
We live in our
imagination
A final note
1973
One
more
thing…
Creative
misuse
Users discover
usability
The user defines
the meaning
Consciousness
enables rapid
adaption
Thank you

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Designing Wearable Experiences UX Week 2015

Hinweis der Redaktion

  1. So a quick map of what we're going to do. I'll give a few minutes of issues to set the scene Then we'll go to the Playtime and Show And Tell parts: these will be the largest part of the session. 20 minutes of doing 15 minutes of showing Hopefully wrap up with about 10 mins of ideas One hour is not long enough to explain multimodal design but it is long enough to try out some ideas and learn what is good and bad. I'll finish up with a few pointers and that'll be our time together.
  2. So a quick map of what we're going to do. I'll give a few minutes of issues to set the scene Then we'll go to the Playtime and Show And Tell parts: these will be the largest part of the session. 20 minutes of doing 15 minutes of showing Hopefully wrap up with about 10 mins of ideas One hour is not long enough to explain multimodal design but it is long enough to try out some ideas and learn what is good and bad. I'll finish up with a few pointers and that'll be our time together.
  3. So a quick map of what we're going to do. I'll give a few minutes of issues to set the scene Then we'll go to the Playtime and Show And Tell parts: these will be the largest part of the session. 20 minutes of doing 15 minutes of showing Hopefully wrap up with about 10 mins of ideas One hour is not long enough to explain multimodal design but it is long enough to try out some ideas and learn what is good and bad. I'll finish up with a few pointers and that'll be our time together.
  4. Andre Louis