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Thaw
A beginner’s play in alcohol inks, alcohol
markers, pencil,
(non)synthetic papers,
digital photography,
light compositing,
neural filters,
and digital image editing

Shalin Hai-Jew
April 2022
2
Teardrop Tree
3
Connections
4
Eroding Rocks
5
Life Abacus
6
Butterfly Lift
7
Rock on Fence Post
8
Bird
9
Walk among Trees
Thaw
‱ “Thaw” is the latest in the alcohol ink drip playing series, a year and
five months in. This series was started in early 2021 as a way to
manage stress from the SARS-CoV-2 / COVID-19 pandemic, which is
currently still ongoing.
‱ In this sketchbook slideshow, there is the occasional perfect marriage of the
analog material and the AI-based digital.
‱ I am always engaging with an eye towards method. Also, I am looking for
visuals that are novel because I know I can make something different with a
seed visual that is variant.
10
Thaw(cont.)
‱ For me, I am just happy if I can abscond with the learning.
‱ You never know when some snippet of knowledge comes in handy for direct
work.
‱ In IT, you know the tool if you understand what is going on under the hood (as
much as the research and documentation can tell you), if you can
troubleshoot issues of usage (how to make the thing work elegantly), if you
can anticipate what is coming (such as the effect of various neural filters on a
particular work), and if you can explain what is going on to someone else
(teach it, train it).
‱ My goal is to add one more little skill every so often
and then to
integrate that skill fully in applied work over time.
11
Thaw(cont.)
‱ I just learned that I can actively select an area and apply a neural filter to it.
This also means I can select a color and just apply a neural filter to that. Or
an object.
‱ Now, I just have to figure out how to apply a shape as a selection and apply a neural
filter to it
or a series of neural filters. Perhaps it is just an issue of masking and
layering smartly.
‱ I have also learned that the neural filters do not draw on alpha channels, so
I have to have some background in order to enable the neural filters to
apply to that physical space. They don’t seem to draw much on gradients/
gradient layers either perhaps because these are so diffuse.
‱ Neural filters handle b/w images by offering fewer colors in many cases. The color
range is narrower.
‱ There are other neural filters coming! (Check out the “Wait list” tab in
Adobe Photoshop 2022!)
12
Thaw(cont.)
‱ I have not used background patterns for a while and finally applied
one.
‱ I will have to make some of my own patterns for this usage.
‱ Some of the residual 3D capabilities in the software are still working,
and I’ve dipped a little into that.
‱ This is very much a sequence-sensitive space. At every step, I can
double down (commit) or retreat a prior version (or return all the way
back to the original).
13
Thaw(cont.)
‱ It is still effortful to introduce more serendipity. I can still feel my internal
resistance when I go against tendency, to try new things.
‱ It helps that I can find my way around a bit now. I had a line art visual with
a black background that I wanted to apply a color transfer to
to the lines.
If black is not a color (it’s the absence of color), I thought the color transfer
neural filter would leave the black alone. Not so much. I had to do a color
selection for black, invert the selection, then apply the color transfer to get
the effect I wanted.
‱ It is better that the neural filter engages black as well since that is such a critical
“color” for every work.
‱ One of the works was seeded with a scanned paper towel used for sopping
alcohol ink. You could never guess it after the various visual transcoding.
14
On white synth paper
15
16
Above Storm Clouds
On digital variants
17
18
Warmth
19
Draping
20
Landscape Web
21
Split Leafing
22
Strange Fruit
23
Downhill Run
24
Cold Dawn
25
Selective Fading
26
Inflow Outflow
27
Green Impulses
28
Drift
29
Thaw
30
Barbed
31
Staged Mountains
On born-digital variants
32
33
Icicles
34
Mountains
35
Roadside Farmhouse
36
Dropped Zero
37
Midas Pursuit
38
Sands of Time
39
Friendlies
40
Wavelets
41
Winter Bloom
42
Contortion
43
Fenced Yard,
Stone House
44
Dandelion Puff
45
Black Parachutes
46
Scouts
47
Patterned Ball
48
Wind
49
Light Bloom
50
Bubbly and Fizz

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Thaw

  • 1. Thaw A beginner’s play in alcohol inks, alcohol markers, pencil, (non)synthetic papers, digital photography, light compositing, neural filters, and digital image editing
 Shalin Hai-Jew April 2022
  • 10. Thaw ‱ “Thaw” is the latest in the alcohol ink drip playing series, a year and five months in. This series was started in early 2021 as a way to manage stress from the SARS-CoV-2 / COVID-19 pandemic, which is currently still ongoing. ‱ In this sketchbook slideshow, there is the occasional perfect marriage of the analog material and the AI-based digital. ‱ I am always engaging with an eye towards method. Also, I am looking for visuals that are novel because I know I can make something different with a seed visual that is variant. 10
  • 11. Thaw(cont.) ‱ For me, I am just happy if I can abscond with the learning. ‱ You never know when some snippet of knowledge comes in handy for direct work. ‱ In IT, you know the tool if you understand what is going on under the hood (as much as the research and documentation can tell you), if you can troubleshoot issues of usage (how to make the thing work elegantly), if you can anticipate what is coming (such as the effect of various neural filters on a particular work), and if you can explain what is going on to someone else (teach it, train it). ‱ My goal is to add one more little skill every so often
and then to integrate that skill fully in applied work over time. 11
  • 12. Thaw(cont.) ‱ I just learned that I can actively select an area and apply a neural filter to it. This also means I can select a color and just apply a neural filter to that. Or an object. ‱ Now, I just have to figure out how to apply a shape as a selection and apply a neural filter to it
or a series of neural filters. Perhaps it is just an issue of masking and layering smartly. ‱ I have also learned that the neural filters do not draw on alpha channels, so I have to have some background in order to enable the neural filters to apply to that physical space. They don’t seem to draw much on gradients/ gradient layers either perhaps because these are so diffuse. ‱ Neural filters handle b/w images by offering fewer colors in many cases. The color range is narrower. ‱ There are other neural filters coming! (Check out the “Wait list” tab in Adobe Photoshop 2022!) 12
  • 13. Thaw(cont.) ‱ I have not used background patterns for a while and finally applied one. ‱ I will have to make some of my own patterns for this usage. ‱ Some of the residual 3D capabilities in the software are still working, and I’ve dipped a little into that. ‱ This is very much a sequence-sensitive space. At every step, I can double down (commit) or retreat a prior version (or return all the way back to the original). 13
  • 14. Thaw(cont.) ‱ It is still effortful to introduce more serendipity. I can still feel my internal resistance when I go against tendency, to try new things. ‱ It helps that I can find my way around a bit now. I had a line art visual with a black background that I wanted to apply a color transfer to
to the lines. If black is not a color (it’s the absence of color), I thought the color transfer neural filter would leave the black alone. Not so much. I had to do a color selection for black, invert the selection, then apply the color transfer to get the effect I wanted. ‱ It is better that the neural filter engages black as well since that is such a critical “color” for every work. ‱ One of the works was seeded with a scanned paper towel used for sopping alcohol ink. You could never guess it after the various visual transcoding. 14
  • 15. On white synth paper 15