SlideShare ist ein Scribd-Unternehmen logo

Power point 12: Middle Baroque Music

•Als PPTX, PDF herunterladen•
•
Scott Marosek
Scott Marosek

Power point 12: Middle Baroque Music

Bildung
1 von 20
Music in the Baroque Era: Part II 1600-1750
The Middle Baroque (1650-1700)
France in the Middle Baroque
Jean-Baptiste Lully (1632-1687) b. Florence (Giovanni Battista Lulli) under Louis XIII Italian music was patronized Louis XIII dies 1643 Louis XIV born 1638 Italian cardinal Mazarin in power until 1661 Lully enters court in 1650s How did an Italian become the most important French composer of the 17th century?
• Lully wrote dances and airs for ballet de cour and danced with Louis XIV • ballet de cour—court ballet – like Italian intermedio – staged, singing, large audience • air de cour—court air – monody w/lute accompaniment – no regular meter—metric shifts – meter matches syllables – Gabriel Bataille, Ma bergere non lègere • Dance in French Music – late 16th c.—pavane, galliard, allemande—each have their own particular type of music, corresponding to dance steps – 17th c.—courante, sarabande, minuet, gigue, others Dance Le Roi Danse—King Dancing
• 1660s—Louis XIV began to rule • French aristocracy was required to pay homage to Louis XIV @ Versailles, which became center of artistic activity • Lully was head of court musicians • collaborations w/Molière called comedies-ballets • directed the “24 violins” Music at Versailles
Lully in the 1670s and 80s • dir. Royal academy of Music, exclusive rights to present operas in France, averaged 1 opera per year; no other composers were allowed to rival his works • opera w/Phillipe Quinault—11 operas (tragedies en musique) Le Roi Danse—Death of Lully Phillipe Quinault
Lully’s operas:
prologue addressed to King
Arias and Recitatives • short airs (like air de cour) • recitative – suited French language – changing time signatures to fit speech patterns – clear rhythm/definite tempo – not as speech-like as Italian; not much lengthy recitation on a single pitch • Enfin il est en ma puissance from Armide
scoring • no high voices for men’s roles • no alto voice • 24 violins for overture, ballet – Armide, Overture • recit and air accompanied by continuo • wind (recorder, oboe, bassoon) for special effects
How was it different from Venetian opera? • French opera featured: – few comic scenes – dances from royal court ballet – chorus – divertissements • dances/chorus play prominent roles (like intermedi) • diversion from main plot
How did French baroque music sound? • Conventions of Tempo and Rhythm – overdotting/double-dotting—applies to opening sections of overtures – notes inégales—lengthened 1st note in certain pairs of small note values • ornaments (agrements) – not free embellishment (elaborate melodic decoration whose patterns can be indicated only by writing out the notes; embellishment is more common in Italian music) – standardized melodic decoration which can be notated through symbols (see chart p. 369)
What could other French composers do?
– 1st movement—improvisatory prelude – other movements—stylized dances • tempo, rhythm, style borrowed from court dances – Allemande—slow, 4/4, improvisatory, arpeggiated, French word for “German” – Courante—moderate, 6/4 or 6/8, hemiola, – Sarabande—slow, 3/2 or 3/4, strong 2nd beat, block chords, simple – Gigue—lively 6/4 or 6/8, in English “jig”, skipping rhythms – other dances • Gavotte—2/2, music starts on beat 2 • Minuet—3/4, regular phrases – Elisabeth-Claude Jacquet de la Guerre, Suite in a minor – Johann Jacob Froberger (1616-1667) • German, probably a student of Frescobaldi • combined prima prattica and seconda prattica • wrote almost exclusively for keyboard • Italian toccatas—but had longer contrapuntal section, fugues • established the traditional format of the French Suite Harpsichord suites
Sacred Music • Marc-Antoine Charpentier (1645 or 1650?-1704) – probably studied w/ Carissimi – also wrote comedies – singer – chapel – oratorios, cantatas, airs
England in the Middle Baroque
Henry Purcell (1659-1695) • English composer • 1677 (age 18!)—composing for King Charles II • 1679—organist at Westminster Abbey • wrote anthems, court odes, welcome songs (multi-movement works), keyboard works, chamber music • imitative counterpoint • seconda prattica dissonance • songs included in plays—recit and aria • opera—Dido and Aeneas • Dido’s Lament – lament » from venician opera— Cavalli » ostinato » descending bass • opera did not develop as a tradition in England until 1800s
Germany in the Middle Baroque
Johann Pachelbel • German composer and organist • Canon in D

Empfohlen

Opera
OperaOpera
OperaScott Marosek
 
Power point 24. The Romantic Era: Brahms and the Wagnerians
Power point 24. The Romantic Era: Brahms and the WagneriansPower point 24. The Romantic Era: Brahms and the Wagnerians
Power point 24. The Romantic Era: Brahms and the WagneriansScott Marosek
 
Power point 2: Music of the Early Christian Church
Power point 2: Music of the Early Christian ChurchPower point 2: Music of the Early Christian Church
Power point 2: Music of the Early Christian ChurchScott Marosek
 
Power point 9: Secular Vocal Music of the 1500s
Power point 9: Secular Vocal Music of the 1500sPower point 9: Secular Vocal Music of the 1500s
Power point 9: Secular Vocal Music of the 1500sScott Marosek
 
Power point 4: Early Polyphony
Power point 4: Early PolyphonyPower point 4: Early Polyphony
Power point 4: Early PolyphonyScott Marosek
 
Power point 20. The Romantic Era: Early Romantic Song and Piano
Power point 20. The Romantic Era: Early Romantic Song and PianoPower point 20. The Romantic Era: Early Romantic Song and Piano
Power point 20. The Romantic Era: Early Romantic Song and PianoScott Marosek
 
Power point 16. The Classic Era: Early Classic Italian Opera
Power point 16. The Classic Era: Early Classic Italian OperaPower point 16. The Classic Era: Early Classic Italian Opera
Power point 16. The Classic Era: Early Classic Italian OperaScott Marosek
 
Baroque opera
Baroque operaBaroque opera
Baroque operaMichael Sundblad
 

Empfohlen

Opera
OperaOpera
OperaScott Marosek
 
Power point 24. The Romantic Era: Brahms and the Wagnerians
Power point 24. The Romantic Era: Brahms and the WagneriansPower point 24. The Romantic Era: Brahms and the Wagnerians
Power point 24. The Romantic Era: Brahms and the WagneriansScott Marosek
 
Power point 2: Music of the Early Christian Church
Power point 2: Music of the Early Christian ChurchPower point 2: Music of the Early Christian Church
Power point 2: Music of the Early Christian ChurchScott Marosek
 
Power point 9: Secular Vocal Music of the 1500s
Power point 9: Secular Vocal Music of the 1500sPower point 9: Secular Vocal Music of the 1500s
Power point 9: Secular Vocal Music of the 1500sScott Marosek
 
Power point 4: Early Polyphony
Power point 4: Early PolyphonyPower point 4: Early Polyphony
Power point 4: Early PolyphonyScott Marosek
 
Power point 20. The Romantic Era: Early Romantic Song and Piano
Power point 20. The Romantic Era: Early Romantic Song and PianoPower point 20. The Romantic Era: Early Romantic Song and Piano
Power point 20. The Romantic Era: Early Romantic Song and PianoScott Marosek
 
Power point 16. The Classic Era: Early Classic Italian Opera
Power point 16. The Classic Era: Early Classic Italian OperaPower point 16. The Classic Era: Early Classic Italian Opera
Power point 16. The Classic Era: Early Classic Italian OperaScott Marosek
 
Baroque opera
Baroque operaBaroque opera
Baroque operaMichael Sundblad
 
The opera
The opera The opera
The opera alopizq
 
Chapter 19 Musical Sermons: Bach and the Lutheran Cantata
Chapter 19 Musical Sermons: Bach and the Lutheran CantataChapter 19 Musical Sermons: Bach and the Lutheran Cantata
Chapter 19 Musical Sermons: Bach and the Lutheran CantataLaura Riddle
 
Power point 23. The Romantic Era: Late Romantic Opera
Power point 23. The Romantic Era: Late Romantic OperaPower point 23. The Romantic Era: Late Romantic Opera
Power point 23. The Romantic Era: Late Romantic OperaScott Marosek
 
Chapter 32 Mourning a Hero: Mozart and the Requiem
Chapter 32 Mourning a Hero: Mozart and the RequiemChapter 32 Mourning a Hero: Mozart and the Requiem
Chapter 32 Mourning a Hero: Mozart and the RequiemLaura Riddle
 
Power point 14: Late Baroque Music in France and Italy
Power point 14: Late Baroque Music in France and ItalyPower point 14: Late Baroque Music in France and Italy
Power point 14: Late Baroque Music in France and ItalyScott Marosek
 
Chapter 20 Textures of Worship: Handel and the English Oratorio
Chapter 20 Textures of Worship: Handel and the English OratorioChapter 20 Textures of Worship: Handel and the English Oratorio
Chapter 20 Textures of Worship: Handel and the English OratorioLaura Riddle
 
Wk 8 baroque o pera vocal late 17th century, early 18th century instrument...
Wk 8 baroque o pera vocal late 17th century, early 18th century instrument...Wk 8 baroque o pera vocal late 17th century, early 18th century instrument...
Wk 8 baroque o pera vocal late 17th century, early 18th century instrument...Alicia Wallace
 
Prelude 3 The Baroque Era
Prelude 3 The Baroque EraPrelude 3 The Baroque Era
Prelude 3 The Baroque EraLaura Riddle
 
Chapter 18 Performing Grief: Purcell & Early Opera
Chapter 18 Performing Grief: Purcell & Early OperaChapter 18 Performing Grief: Purcell & Early Opera
Chapter 18 Performing Grief: Purcell & Early OperaLaura Riddle
 
Baroque Opera, Cantata and Oratorio
Baroque Opera, Cantata and OratorioBaroque Opera, Cantata and Oratorio
Baroque Opera, Cantata and OratorioLumen Learning
 
Opera
OperaOpera
OperaEdlynne Ogena
 
Chapter 24 Process As Meaning: Bach and the Fugue
Chapter 24 Process As Meaning: Bach and the FugueChapter 24 Process As Meaning: Bach and the Fugue
Chapter 24 Process As Meaning: Bach and the FugueLaura Riddle
 
Bach, Handel & Vivaldi
Bach, Handel & VivaldiBach, Handel & Vivaldi
Bach, Handel & VivaldiJohn Peter Holly
 
Chapter 23 Sounding Spring: Vivaldi and the Baroque Concerto
Chapter 23 Sounding Spring: Vivaldi and the Baroque ConcertoChapter 23 Sounding Spring: Vivaldi and the Baroque Concerto
Chapter 23 Sounding Spring: Vivaldi and the Baroque ConcertoLaura Riddle
 
Power Point 25. The Romantic Era: Diverging Traditions in the Late 19th Century
Power Point 25. The Romantic Era: Diverging Traditions in the Late 19th CenturyPower Point 25. The Romantic Era: Diverging Traditions in the Late 19th Century
Power Point 25. The Romantic Era: Diverging Traditions in the Late 19th CenturyScott Marosek
 
The Late Baroque
The Late BaroqueThe Late Baroque
The Late BaroqueLumen Learning
 
Chapter 18 Performing Grief: Purcell and Early Opera
Chapter 18 Performing Grief: Purcell and Early OperaChapter 18 Performing Grief: Purcell and Early Opera
Chapter 18 Performing Grief: Purcell and Early OperaLaura Riddle
 
Opera
OperaOpera
OperaFrederickEusebio2
 
Chapter 18 Performing Grief: Purcell and Early Opera UPDATED
Chapter 18 Performing Grief: Purcell and Early Opera UPDATEDChapter 18 Performing Grief: Purcell and Early Opera UPDATED
Chapter 18 Performing Grief: Purcell and Early Opera UPDATEDLaura Riddle
 
Chapter 41 Total Art: Wagner and German Romantic Opera
Chapter 41 Total Art: Wagner and German Romantic OperaChapter 41 Total Art: Wagner and German Romantic Opera
Chapter 41 Total Art: Wagner and German Romantic OperaLaura Riddle
 
Ch16 17th century france, england, spain, new world
Ch16 17th century france, england, spain, new worldCh16 17th century france, england, spain, new world
Ch16 17th century france, england, spain, new worldAlicia Wallace
 
Power point 15: Late Baroque Music in Germany
Power point 15: Late Baroque Music in GermanyPower point 15: Late Baroque Music in Germany
Power point 15: Late Baroque Music in GermanyScott Marosek
 

Weitere ähnliche Inhalte

Was ist angesagt?

The opera
The opera The opera
The opera alopizq
 
Chapter 19 Musical Sermons: Bach and the Lutheran Cantata
Chapter 19 Musical Sermons: Bach and the Lutheran CantataChapter 19 Musical Sermons: Bach and the Lutheran Cantata
Chapter 19 Musical Sermons: Bach and the Lutheran CantataLaura Riddle
 
Power point 23. The Romantic Era: Late Romantic Opera
Power point 23. The Romantic Era: Late Romantic OperaPower point 23. The Romantic Era: Late Romantic Opera
Power point 23. The Romantic Era: Late Romantic OperaScott Marosek
 
Chapter 32 Mourning a Hero: Mozart and the Requiem
Chapter 32 Mourning a Hero: Mozart and the RequiemChapter 32 Mourning a Hero: Mozart and the Requiem
Chapter 32 Mourning a Hero: Mozart and the RequiemLaura Riddle
 
Power point 14: Late Baroque Music in France and Italy
Power point 14: Late Baroque Music in France and ItalyPower point 14: Late Baroque Music in France and Italy
Power point 14: Late Baroque Music in France and ItalyScott Marosek
 
Chapter 20 Textures of Worship: Handel and the English Oratorio
Chapter 20 Textures of Worship: Handel and the English OratorioChapter 20 Textures of Worship: Handel and the English Oratorio
Chapter 20 Textures of Worship: Handel and the English OratorioLaura Riddle
 
Wk 8 baroque o pera vocal late 17th century, early 18th century instrument...
Wk 8 baroque o pera vocal late 17th century, early 18th century instrument...Wk 8 baroque o pera vocal late 17th century, early 18th century instrument...
Wk 8 baroque o pera vocal late 17th century, early 18th century instrument...Alicia Wallace
 
Prelude 3 The Baroque Era
Prelude 3 The Baroque EraPrelude 3 The Baroque Era
Prelude 3 The Baroque EraLaura Riddle
 
Chapter 18 Performing Grief: Purcell & Early Opera
Chapter 18 Performing Grief: Purcell & Early OperaChapter 18 Performing Grief: Purcell & Early Opera
Chapter 18 Performing Grief: Purcell & Early OperaLaura Riddle
 
Baroque Opera, Cantata and Oratorio
Baroque Opera, Cantata and OratorioBaroque Opera, Cantata and Oratorio
Baroque Opera, Cantata and OratorioLumen Learning
 
Chapter 24 Process As Meaning: Bach and the Fugue
Chapter 24 Process As Meaning: Bach and the FugueChapter 24 Process As Meaning: Bach and the Fugue
Chapter 24 Process As Meaning: Bach and the FugueLaura Riddle
 
Chapter 23 Sounding Spring: Vivaldi and the Baroque Concerto
Chapter 23 Sounding Spring: Vivaldi and the Baroque ConcertoChapter 23 Sounding Spring: Vivaldi and the Baroque Concerto
Chapter 23 Sounding Spring: Vivaldi and the Baroque ConcertoLaura Riddle
 
Power Point 25. The Romantic Era: Diverging Traditions in the Late 19th Century
Power Point 25. The Romantic Era: Diverging Traditions in the Late 19th CenturyPower Point 25. The Romantic Era: Diverging Traditions in the Late 19th Century
Power Point 25. The Romantic Era: Diverging Traditions in the Late 19th CenturyScott Marosek
 
Chapter 18 Performing Grief: Purcell and Early Opera
Chapter 18 Performing Grief: Purcell and Early OperaChapter 18 Performing Grief: Purcell and Early Opera
Chapter 18 Performing Grief: Purcell and Early OperaLaura Riddle
 
Chapter 18 Performing Grief: Purcell and Early Opera UPDATED
Chapter 18 Performing Grief: Purcell and Early Opera UPDATEDChapter 18 Performing Grief: Purcell and Early Opera UPDATED
Chapter 18 Performing Grief: Purcell and Early Opera UPDATEDLaura Riddle
 
Chapter 41 Total Art: Wagner and German Romantic Opera
Chapter 41 Total Art: Wagner and German Romantic OperaChapter 41 Total Art: Wagner and German Romantic Opera
Chapter 41 Total Art: Wagner and German Romantic OperaLaura Riddle
 

Was ist angesagt? (20)

The opera
The opera The opera
The opera
 
Chapter 19 Musical Sermons: Bach and the Lutheran Cantata
Chapter 19 Musical Sermons: Bach and the Lutheran CantataChapter 19 Musical Sermons: Bach and the Lutheran Cantata
Chapter 19 Musical Sermons: Bach and the Lutheran Cantata
 
Power point 23. The Romantic Era: Late Romantic Opera
Power point 23. The Romantic Era: Late Romantic OperaPower point 23. The Romantic Era: Late Romantic Opera
Power point 23. The Romantic Era: Late Romantic Opera
 
Chapter 32 Mourning a Hero: Mozart and the Requiem
Chapter 32 Mourning a Hero: Mozart and the RequiemChapter 32 Mourning a Hero: Mozart and the Requiem
Chapter 32 Mourning a Hero: Mozart and the Requiem
 
Power point 14: Late Baroque Music in France and Italy
Power point 14: Late Baroque Music in France and ItalyPower point 14: Late Baroque Music in France and Italy
Power point 14: Late Baroque Music in France and Italy
 
Chapter 20 Textures of Worship: Handel and the English Oratorio
Chapter 20 Textures of Worship: Handel and the English OratorioChapter 20 Textures of Worship: Handel and the English Oratorio
Chapter 20 Textures of Worship: Handel and the English Oratorio
 
Wk 8 baroque o pera vocal late 17th century, early 18th century instrument...
Wk 8 baroque o pera vocal late 17th century, early 18th century instrument...Wk 8 baroque o pera vocal late 17th century, early 18th century instrument...
Wk 8 baroque o pera vocal late 17th century, early 18th century instrument...
 
Prelude 3 The Baroque Era
Prelude 3 The Baroque EraPrelude 3 The Baroque Era
Prelude 3 The Baroque Era
 
Chapter 18 Performing Grief: Purcell & Early Opera
Chapter 18 Performing Grief: Purcell & Early OperaChapter 18 Performing Grief: Purcell & Early Opera
Chapter 18 Performing Grief: Purcell & Early Opera
 
Baroque Opera, Cantata and Oratorio
Baroque Opera, Cantata and OratorioBaroque Opera, Cantata and Oratorio
Baroque Opera, Cantata and Oratorio
 
Opera
OperaOpera
Opera
 
Chapter 24 Process As Meaning: Bach and the Fugue
Chapter 24 Process As Meaning: Bach and the FugueChapter 24 Process As Meaning: Bach and the Fugue
Chapter 24 Process As Meaning: Bach and the Fugue
 
Bach, Handel & Vivaldi
Bach, Handel & VivaldiBach, Handel & Vivaldi
Bach, Handel & Vivaldi
 
Chapter 23 Sounding Spring: Vivaldi and the Baroque Concerto
Chapter 23 Sounding Spring: Vivaldi and the Baroque ConcertoChapter 23 Sounding Spring: Vivaldi and the Baroque Concerto
Chapter 23 Sounding Spring: Vivaldi and the Baroque Concerto
 
Power Point 25. The Romantic Era: Diverging Traditions in the Late 19th Century
Power Point 25. The Romantic Era: Diverging Traditions in the Late 19th CenturyPower Point 25. The Romantic Era: Diverging Traditions in the Late 19th Century
Power Point 25. The Romantic Era: Diverging Traditions in the Late 19th Century
 
The Late Baroque
The Late BaroqueThe Late Baroque
The Late Baroque
 
Chapter 18 Performing Grief: Purcell and Early Opera
Chapter 18 Performing Grief: Purcell and Early OperaChapter 18 Performing Grief: Purcell and Early Opera
Chapter 18 Performing Grief: Purcell and Early Opera
 
Opera
OperaOpera
Opera
 
Chapter 18 Performing Grief: Purcell and Early Opera UPDATED
Chapter 18 Performing Grief: Purcell and Early Opera UPDATEDChapter 18 Performing Grief: Purcell and Early Opera UPDATED
Chapter 18 Performing Grief: Purcell and Early Opera UPDATED
 
Chapter 41 Total Art: Wagner and German Romantic Opera
Chapter 41 Total Art: Wagner and German Romantic OperaChapter 41 Total Art: Wagner and German Romantic Opera
Chapter 41 Total Art: Wagner and German Romantic Opera
 

Ähnlich wie Power point 12: Middle Baroque Music

Ch16 17th century france, england, spain, new world
Ch16 17th century france, england, spain, new worldCh16 17th century france, england, spain, new world
Ch16 17th century france, england, spain, new worldAlicia Wallace
 
Power point 15: Late Baroque Music in Germany
Power point 15: Late Baroque Music in GermanyPower point 15: Late Baroque Music in Germany
Power point 15: Late Baroque Music in GermanyScott Marosek
 
Ch. 3 music in the 14th century
Ch. 3 music in the 14th centuryCh. 3 music in the 14th century
Ch. 3 music in the 14th centurySherri Weiler
 
Chapter 04 Norton Ars Nova
Chapter 04 Norton Ars NovaChapter 04 Norton Ars Nova
Chapter 04 Norton Ars NovaAnabel Parra
 
Power point 5: Ars Nova
Power point 5: Ars NovaPower point 5: Ars Nova
Power point 5: Ars NovaScott Marosek
 
WK 5 - renaissance secular song, Rise of instrumental music, reformation
WK 5 - renaissance secular song, Rise of instrumental music, reformationWK 5 - renaissance secular song, Rise of instrumental music, reformation
WK 5 - renaissance secular song, Rise of instrumental music, reformationAlicia Wallace
 
Mozart - Chapters 27, 31, and 32
Mozart - Chapters 27, 31, and 32Mozart - Chapters 27, 31, and 32
Mozart - Chapters 27, 31, and 32Laura Riddle
 
The Classical Period
The Classical PeriodThe Classical Period
The Classical PeriodChristy Ros
 
Music in the Renaissance.pptx
Music in the Renaissance.pptxMusic in the Renaissance.pptx
Music in the Renaissance.pptxpangc027
 
Ch22 - Classical Instrumental Music.pptx
Ch22 - Classical Instrumental Music.pptxCh22 - Classical Instrumental Music.pptx
Ch22 - Classical Instrumental Music.pptxAlicia Wallace
 
Tańce - taniec dworski
Tańce - taniec dworskiTańce - taniec dworski
Tańce - taniec dworskiAnna
 
Unit iii baroque period bach and handel
Unit iii baroque period bach and handelUnit iii baroque period bach and handel
Unit iii baroque period bach and handelmusic1201
 
Power point 6: First Generation Renaissance Vocal Polyphony
Power point 6: First Generation Renaissance Vocal PolyphonyPower point 6: First Generation Renaissance Vocal Polyphony
Power point 6: First Generation Renaissance Vocal PolyphonyScott Marosek
 
Power point 11: Early Baroque Music
Power point 11: Early Baroque MusicPower point 11: Early Baroque Music
Power point 11: Early Baroque MusicScott Marosek
 
Ch15 - 17th century chamber & church music
Ch15 - 17th century chamber & church musicCh15 - 17th century chamber & church music
Ch15 - 17th century chamber & church musicAlicia Wallace
 
Ch17 late 17th century italy & germany
Ch17 late 17th century italy & germanyCh17 late 17th century italy & germany
Ch17 late 17th century italy & germanyAlicia Wallace
 
Music of Classical Period REVISED.pptx
Music of Classical Period REVISED.pptxMusic of Classical Period REVISED.pptx
Music of Classical Period REVISED.pptxAntonioPerezLapidant
 
Music of Classical Period (1750-1820)
Music of Classical Period (1750-1820)Music of Classical Period (1750-1820)
Music of Classical Period (1750-1820)Mariel Ruiz
 

Ähnlich wie Power point 12: Middle Baroque Music (20)

Ch16 17th century france, england, spain, new world
Ch16 17th century france, england, spain, new worldCh16 17th century france, england, spain, new world
Ch16 17th century france, england, spain, new world
 
Power point 15: Late Baroque Music in Germany
Power point 15: Late Baroque Music in GermanyPower point 15: Late Baroque Music in Germany
Power point 15: Late Baroque Music in Germany
 
Ch. 3 music in the 14th century
Ch. 3 music in the 14th centuryCh. 3 music in the 14th century
Ch. 3 music in the 14th century
 
Chapter 04 Norton Ars Nova
Chapter 04 Norton Ars NovaChapter 04 Norton Ars Nova
Chapter 04 Norton Ars Nova
 
Power point 5: Ars Nova
Power point 5: Ars NovaPower point 5: Ars Nova
Power point 5: Ars Nova
 
WK 5 - renaissance secular song, Rise of instrumental music, reformation
WK 5 - renaissance secular song, Rise of instrumental music, reformationWK 5 - renaissance secular song, Rise of instrumental music, reformation
WK 5 - renaissance secular song, Rise of instrumental music, reformation
 
Jean-Baptiste Lully
Jean-Baptiste LullyJean-Baptiste Lully
Jean-Baptiste Lully
 
Baroque Suite
Baroque SuiteBaroque Suite
Baroque Suite
 
Mozart - Chapters 27, 31, and 32
Mozart - Chapters 27, 31, and 32Mozart - Chapters 27, 31, and 32
Mozart - Chapters 27, 31, and 32
 
The Classical Period
The Classical PeriodThe Classical Period
The Classical Period
 
Music in the Renaissance.pptx
Music in the Renaissance.pptxMusic in the Renaissance.pptx
Music in the Renaissance.pptx
 
Ch22 - Classical Instrumental Music.pptx
Ch22 - Classical Instrumental Music.pptxCh22 - Classical Instrumental Music.pptx
Ch22 - Classical Instrumental Music.pptx
 
Tańce - taniec dworski
Tańce - taniec dworskiTańce - taniec dworski
Tańce - taniec dworski
 
Unit iii baroque period bach and handel
Unit iii baroque period bach and handelUnit iii baroque period bach and handel
Unit iii baroque period bach and handel
 
Power point 6: First Generation Renaissance Vocal Polyphony
Power point 6: First Generation Renaissance Vocal PolyphonyPower point 6: First Generation Renaissance Vocal Polyphony
Power point 6: First Generation Renaissance Vocal Polyphony
 
Power point 11: Early Baroque Music
Power point 11: Early Baroque MusicPower point 11: Early Baroque Music
Power point 11: Early Baroque Music
 
Ch15 - 17th century chamber & church music
Ch15 - 17th century chamber & church musicCh15 - 17th century chamber & church music
Ch15 - 17th century chamber & church music
 
Ch17 late 17th century italy & germany
Ch17 late 17th century italy & germanyCh17 late 17th century italy & germany
Ch17 late 17th century italy & germany
 
Music of Classical Period REVISED.pptx
Music of Classical Period REVISED.pptxMusic of Classical Period REVISED.pptx
Music of Classical Period REVISED.pptx
 
Music of Classical Period (1750-1820)
Music of Classical Period (1750-1820)Music of Classical Period (1750-1820)
Music of Classical Period (1750-1820)
 

Mehr von Scott Marosek

Power point 22. The Romantic Era: Early Romantic Opera
Power point 22. The Romantic Era: Early Romantic OperaPower point 22. The Romantic Era: Early Romantic Opera
Power point 22. The Romantic Era: Early Romantic OperaScott Marosek
 
Power point 19. The Classic Era: Beethoven
Power point 19. The Classic Era: BeethovenPower point 19. The Classic Era: Beethoven
Power point 19. The Classic Era: BeethovenScott Marosek
 
Power Point 18. The Classic Era: Haydn and Mozart
Power Point 18. The Classic Era: Haydn and MozartPower Point 18. The Classic Era: Haydn and Mozart
Power Point 18. The Classic Era: Haydn and MozartScott Marosek
 
Power point 17. The Classic Era: Early Classic Instrumental Music
Power point 17. The Classic Era: Early Classic Instrumental MusicPower point 17. The Classic Era: Early Classic Instrumental Music
Power point 17. The Classic Era: Early Classic Instrumental MusicScott Marosek
 
Power point 13: Late Baroque Instruments, Concerto Grosso, Opera Seria
Power point 13: Late Baroque Instruments, Concerto Grosso, Opera SeriaPower point 13: Late Baroque Instruments, Concerto Grosso, Opera Seria
Power point 13: Late Baroque Instruments, Concerto Grosso, Opera SeriaScott Marosek
 
Power point 10: Instrumental Music in the 1500s
Power point 10: Instrumental Music in the 1500sPower point 10: Instrumental Music in the 1500s
Power point 10: Instrumental Music in the 1500sScott Marosek
 
Power point 8: Music of the Reformation
Power point 8: Music of the ReformationPower point 8: Music of the Reformation
Power point 8: Music of the ReformationScott Marosek
 
Power point 7: Second and Third Generation Renaissance Vocal Polyphony
Power point 7: Second and Third Generation Renaissance Vocal PolyphonyPower point 7: Second and Third Generation Renaissance Vocal Polyphony
Power point 7: Second and Third Generation Renaissance Vocal PolyphonyScott Marosek
 
Power point 3: Medieval Secular Vocal Music
Power point 3: Medieval Secular Vocal MusicPower point 3: Medieval Secular Vocal Music
Power point 3: Medieval Secular Vocal MusicScott Marosek
 
Power point 1: Ancient Music
Power point 1: Ancient MusicPower point 1: Ancient Music
Power point 1: Ancient MusicScott Marosek
 

Mehr von Scott Marosek (10)

Power point 22. The Romantic Era: Early Romantic Opera
Power point 22. The Romantic Era: Early Romantic OperaPower point 22. The Romantic Era: Early Romantic Opera
Power point 22. The Romantic Era: Early Romantic Opera
 
Power point 19. The Classic Era: Beethoven
Power point 19. The Classic Era: BeethovenPower point 19. The Classic Era: Beethoven
Power point 19. The Classic Era: Beethoven
 
Power Point 18. The Classic Era: Haydn and Mozart
Power Point 18. The Classic Era: Haydn and MozartPower Point 18. The Classic Era: Haydn and Mozart
Power Point 18. The Classic Era: Haydn and Mozart
 
Power point 17. The Classic Era: Early Classic Instrumental Music
Power point 17. The Classic Era: Early Classic Instrumental MusicPower point 17. The Classic Era: Early Classic Instrumental Music
Power point 17. The Classic Era: Early Classic Instrumental Music
 
Power point 13: Late Baroque Instruments, Concerto Grosso, Opera Seria
Power point 13: Late Baroque Instruments, Concerto Grosso, Opera SeriaPower point 13: Late Baroque Instruments, Concerto Grosso, Opera Seria
Power point 13: Late Baroque Instruments, Concerto Grosso, Opera Seria
 
Power point 10: Instrumental Music in the 1500s
Power point 10: Instrumental Music in the 1500sPower point 10: Instrumental Music in the 1500s
Power point 10: Instrumental Music in the 1500s
 
Power point 8: Music of the Reformation
Power point 8: Music of the ReformationPower point 8: Music of the Reformation
Power point 8: Music of the Reformation
 
Power point 7: Second and Third Generation Renaissance Vocal Polyphony
Power point 7: Second and Third Generation Renaissance Vocal PolyphonyPower point 7: Second and Third Generation Renaissance Vocal Polyphony
Power point 7: Second and Third Generation Renaissance Vocal Polyphony
 
Power point 3: Medieval Secular Vocal Music
Power point 3: Medieval Secular Vocal MusicPower point 3: Medieval Secular Vocal Music
Power point 3: Medieval Secular Vocal Music
 
Power point 1: Ancient Music
Power point 1: Ancient MusicPower point 1: Ancient Music
Power point 1: Ancient Music
 

Kürzlich hochgeladen

Choosing the Right CBSE School A Comprehensive Guide for Parents
Choosing the Right CBSE School A Comprehensive Guide for ParentsChoosing the Right CBSE School A Comprehensive Guide for Parents
Choosing the Right CBSE School A Comprehensive Guide for Parentsnavabharathschool99
 
Keynote by Prof. Wurzer at Nordex about IP-design
Keynote by Prof. Wurzer at Nordex about IP-designKeynote by Prof. Wurzer at Nordex about IP-design
Keynote by Prof. Wurzer at Nordex about IP-designMIPLM
 
Science 7 Quarter 4 Module 2: Natural Resources.pptx
Science 7 Quarter 4 Module 2: Natural Resources.pptxScience 7 Quarter 4 Module 2: Natural Resources.pptx
Science 7 Quarter 4 Module 2: Natural Resources.pptxMaryGraceBautista27
 
ENGLISH6-Q4-W3.pptxqurter our high choom
ENGLISH6-Q4-W3.pptxqurter our high choomENGLISH6-Q4-W3.pptxqurter our high choom
ENGLISH6-Q4-W3.pptxqurter our high choomnelietumpap1
 
Full Stack Web Development Course for Beginners
Full Stack Web Development Course for BeginnersFull Stack Web Development Course for Beginners
Full Stack Web Development Course for BeginnersSabitha Banu
 
Barangay Council for the Protection of Children (BCPC) Orientation.pptx
Barangay Council for the Protection of Children (BCPC) Orientation.pptxBarangay Council for the Protection of Children (BCPC) Orientation.pptx
Barangay Council for the Protection of Children (BCPC) Orientation.pptxCarlos105
 
Influencing policy (training slides from Fast Track Impact)
Influencing policy (training slides from Fast Track Impact)Influencing policy (training slides from Fast Track Impact)
Influencing policy (training slides from Fast Track Impact)Mark Reed
 
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPTECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPTiammrhaywood
 
How to Add Barcode on PDF Report in Odoo 17
How to Add Barcode on PDF Report in Odoo 17How to Add Barcode on PDF Report in Odoo 17
How to Add Barcode on PDF Report in Odoo 17Celine George
 
How to do quick user assign in kanban in Odoo 17 ERP
How to do quick user assign in kanban in Odoo 17 ERPHow to do quick user assign in kanban in Odoo 17 ERP
How to do quick user assign in kanban in Odoo 17 ERPCeline George
 
THEORIES OF ORGANIZATION-PUBLIC ADMINISTRATION
THEORIES OF ORGANIZATION-PUBLIC ADMINISTRATIONTHEORIES OF ORGANIZATION-PUBLIC ADMINISTRATION
THEORIES OF ORGANIZATION-PUBLIC ADMINISTRATIONHumphrey A Beña
 
HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...
HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...
HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...Nguyen Thanh Tu Collection
 
Field Attribute Index Feature in Odoo 17
Field Attribute Index Feature in Odoo 17Field Attribute Index Feature in Odoo 17
Field Attribute Index Feature in Odoo 17Celine George
 
USPS® Forced Meter Migration - How to Know if Your Postage Meter Will Soon be...
USPS® Forced Meter Migration - How to Know if Your Postage Meter Will Soon be...USPS® Forced Meter Migration - How to Know if Your Postage Meter Will Soon be...
USPS® Forced Meter Migration - How to Know if Your Postage Meter Will Soon be...Postal Advocate Inc.
 
Computed Fields and api Depends in the Odoo 17
Computed Fields and api Depends in the Odoo 17Computed Fields and api Depends in the Odoo 17
Computed Fields and api Depends in the Odoo 17Celine George
 
AMERICAN LANGUAGE HUB_Level2_Student'sBook_Answerkey.pdf
AMERICAN LANGUAGE HUB_Level2_Student'sBook_Answerkey.pdfAMERICAN LANGUAGE HUB_Level2_Student'sBook_Answerkey.pdf
AMERICAN LANGUAGE HUB_Level2_Student'sBook_Answerkey.pdfphamnguyenenglishnb
 
Q4 English4 Week3 PPT Melcnmg-based.pptx
Q4 English4 Week3 PPT Melcnmg-based.pptxQ4 English4 Week3 PPT Melcnmg-based.pptx
Q4 English4 Week3 PPT Melcnmg-based.pptxnelietumpap1
 

Kürzlich hochgeladen (20)

Choosing the Right CBSE School A Comprehensive Guide for Parents
Choosing the Right CBSE School A Comprehensive Guide for ParentsChoosing the Right CBSE School A Comprehensive Guide for Parents
Choosing the Right CBSE School A Comprehensive Guide for Parents
 
Keynote by Prof. Wurzer at Nordex about IP-design
Keynote by Prof. Wurzer at Nordex about IP-designKeynote by Prof. Wurzer at Nordex about IP-design
Keynote by Prof. Wurzer at Nordex about IP-design
 
LEFT_ON_C'N_ PRELIMS_EL_DORADO_2024.pptx
LEFT_ON_C'N_ PRELIMS_EL_DORADO_2024.pptxLEFT_ON_C'N_ PRELIMS_EL_DORADO_2024.pptx
LEFT_ON_C'N_ PRELIMS_EL_DORADO_2024.pptx
 
Science 7 Quarter 4 Module 2: Natural Resources.pptx
Science 7 Quarter 4 Module 2: Natural Resources.pptxScience 7 Quarter 4 Module 2: Natural Resources.pptx
Science 7 Quarter 4 Module 2: Natural Resources.pptx
 
ENGLISH6-Q4-W3.pptxqurter our high choom
ENGLISH6-Q4-W3.pptxqurter our high choomENGLISH6-Q4-W3.pptxqurter our high choom
ENGLISH6-Q4-W3.pptxqurter our high choom
 
Full Stack Web Development Course for Beginners
Full Stack Web Development Course for BeginnersFull Stack Web Development Course for Beginners
Full Stack Web Development Course for Beginners
 
Barangay Council for the Protection of Children (BCPC) Orientation.pptx
Barangay Council for the Protection of Children (BCPC) Orientation.pptxBarangay Council for the Protection of Children (BCPC) Orientation.pptx
Barangay Council for the Protection of Children (BCPC) Orientation.pptx
 
Influencing policy (training slides from Fast Track Impact)
Influencing policy (training slides from Fast Track Impact)Influencing policy (training slides from Fast Track Impact)
Influencing policy (training slides from Fast Track Impact)
 
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPTECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
ECONOMIC CONTEXT - LONG FORM TV DRAMA - PPT
 
FINALS_OF_LEFT_ON_C'N_EL_DORADO_2024.pptx
FINALS_OF_LEFT_ON_C'N_EL_DORADO_2024.pptxFINALS_OF_LEFT_ON_C'N_EL_DORADO_2024.pptx
FINALS_OF_LEFT_ON_C'N_EL_DORADO_2024.pptx
 
How to Add Barcode on PDF Report in Odoo 17
How to Add Barcode on PDF Report in Odoo 17How to Add Barcode on PDF Report in Odoo 17
How to Add Barcode on PDF Report in Odoo 17
 
How to do quick user assign in kanban in Odoo 17 ERP
How to do quick user assign in kanban in Odoo 17 ERPHow to do quick user assign in kanban in Odoo 17 ERP
How to do quick user assign in kanban in Odoo 17 ERP
 
THEORIES OF ORGANIZATION-PUBLIC ADMINISTRATION
THEORIES OF ORGANIZATION-PUBLIC ADMINISTRATIONTHEORIES OF ORGANIZATION-PUBLIC ADMINISTRATION
THEORIES OF ORGANIZATION-PUBLIC ADMINISTRATION
 
HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...
HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...
HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...
 
Field Attribute Index Feature in Odoo 17
Field Attribute Index Feature in Odoo 17Field Attribute Index Feature in Odoo 17
Field Attribute Index Feature in Odoo 17
 
USPS® Forced Meter Migration - How to Know if Your Postage Meter Will Soon be...
USPS® Forced Meter Migration - How to Know if Your Postage Meter Will Soon be...USPS® Forced Meter Migration - How to Know if Your Postage Meter Will Soon be...
USPS® Forced Meter Migration - How to Know if Your Postage Meter Will Soon be...
 
OS-operating systems- ch04 (Threads) ...
OS-operating systems- ch04 (Threads) ...OS-operating systems- ch04 (Threads) ...
OS-operating systems- ch04 (Threads) ...
 
Computed Fields and api Depends in the Odoo 17
Computed Fields and api Depends in the Odoo 17Computed Fields and api Depends in the Odoo 17
Computed Fields and api Depends in the Odoo 17
 
AMERICAN LANGUAGE HUB_Level2_Student'sBook_Answerkey.pdf
AMERICAN LANGUAGE HUB_Level2_Student'sBook_Answerkey.pdfAMERICAN LANGUAGE HUB_Level2_Student'sBook_Answerkey.pdf
AMERICAN LANGUAGE HUB_Level2_Student'sBook_Answerkey.pdf
 
Q4 English4 Week3 PPT Melcnmg-based.pptx
Q4 English4 Week3 PPT Melcnmg-based.pptxQ4 English4 Week3 PPT Melcnmg-based.pptx
Q4 English4 Week3 PPT Melcnmg-based.pptx
 

Power point 12: Middle Baroque Music

  • 1. Music in the Baroque Era: Part II 1600-1750
  • 3. France in the Middle Baroque
  • 4. Jean-Baptiste Lully (1632-1687) b. Florence (Giovanni Battista Lulli) under Louis XIII Italian music was patronized Louis XIII dies 1643 Louis XIV born 1638 Italian cardinal Mazarin in power until 1661 Lully enters court in 1650s How did an Italian become the most important French composer of the 17th century?
  • 5. • Lully wrote dances and airs for ballet de cour and danced with Louis XIV • ballet de cour—court ballet – like Italian intermedio – staged, singing, large audience • air de cour—court air – monody w/lute accompaniment – no regular meter—metric shifts – meter matches syllables – Gabriel Bataille, Ma bergere non lègere • Dance in French Music – late 16th c.—pavane, galliard, allemande—each have their own particular type of music, corresponding to dance steps – 17th c.—courante, sarabande, minuet, gigue, others Dance Le Roi Danse—King Dancing
  • 6. • 1660s—Louis XIV began to rule • French aristocracy was required to pay homage to Louis XIV @ Versailles, which became center of artistic activity • Lully was head of court musicians • collaborations w/Molière called comedies-ballets • directed the “24 violins” Music at Versailles
  • 7. Lully in the 1670s and 80s • dir. Royal academy of Music, exclusive rights to present operas in France, averaged 1 opera per year; no other composers were allowed to rival his works • opera w/Phillipe Quinault—11 operas (tragedies en musique) Le Roi Danse—Death of Lully Phillipe Quinault
  • 10. Arias and Recitatives • short airs (like air de cour) • recitative – suited French language – changing time signatures to fit speech patterns – clear rhythm/definite tempo – not as speech-like as Italian; not much lengthy recitation on a single pitch • Enfin il est en ma puissance from Armide
  • 11. scoring • no high voices for men’s roles • no alto voice • 24 violins for overture, ballet – Armide, Overture • recit and air accompanied by continuo • wind (recorder, oboe, bassoon) for special effects
  • 12. How was it different from Venetian opera? • French opera featured: – few comic scenes – dances from royal court ballet – chorus – divertissements • dances/chorus play prominent roles (like intermedi) • diversion from main plot
  • 13. How did French baroque music sound? • Conventions of Tempo and Rhythm – overdotting/double-dotting—applies to opening sections of overtures – notes inégales—lengthened 1st note in certain pairs of small note values • ornaments (agrements) – not free embellishment (elaborate melodic decoration whose patterns can be indicated only by writing out the notes; embellishment is more common in Italian music) – standardized melodic decoration which can be notated through symbols (see chart p. 369)
  • 14. What could other French composers do?
  • 15. – 1st movement—improvisatory prelude – other movements—stylized dances • tempo, rhythm, style borrowed from court dances – Allemande—slow, 4/4, improvisatory, arpeggiated, French word for “German” – Courante—moderate, 6/4 or 6/8, hemiola, – Sarabande—slow, 3/2 or 3/4, strong 2nd beat, block chords, simple – Gigue—lively 6/4 or 6/8, in English “jig”, skipping rhythms – other dances • Gavotte—2/2, music starts on beat 2 • Minuet—3/4, regular phrases – Elisabeth-Claude Jacquet de la Guerre, Suite in a minor – Johann Jacob Froberger (1616-1667) • German, probably a student of Frescobaldi • combined prima prattica and seconda prattica • wrote almost exclusively for keyboard • Italian toccatas—but had longer contrapuntal section, fugues • established the traditional format of the French Suite Harpsichord suites
  • 16. Sacred Music • Marc-Antoine Charpentier (1645 or 1650?-1704) – probably studied w/ Carissimi – also wrote comedies – singer – chapel – oratorios, cantatas, airs
  • 17. England in the Middle Baroque
  • 18. Henry Purcell (1659-1695) • English composer • 1677 (age 18!)—composing for King Charles II • 1679—organist at Westminster Abbey • wrote anthems, court odes, welcome songs (multi-movement works), keyboard works, chamber music • imitative counterpoint • seconda prattica dissonance • songs included in plays—recit and aria • opera—Dido and Aeneas • Dido’s Lament – lament » from venician opera— Cavalli » ostinato » descending bass • opera did not develop as a tradition in England until 1800s
  • 19. Germany in the Middle Baroque
  • 20. Johann Pachelbel • German composer and organist • Canon in D