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Sir Stephen Harold Spender CBE (28 February 1909 –
16 July 1995) was an English poet, novelist and
essayist who concentrated on themes of social
injustice and the class struggle in his work. He was
appointed the seventeenth Poet Laureate Consultant
in Poetry to the United States Library of Congress in
1965.[1]
Far far from gusty waves these
children's faces.
Like rootless weeds, the hair torn
around their pallor.
The tall girl with her weighed-down
head. The paper-
seeming boy, with rat's eyes. The
stunted, unlucky heir
Of twisted bones, reciting a father's
gnarled disease,
His lesson from his desk. At back of
the dim class
One unnoted, sweet and young. His
eyes live in a dream,
Of squirrel's game, in the tree room,
other than this.
On sour cream walls, donations.
Shakespeare's head,
Cloudless at dawn, civilized
dome riding all cities.
Belled, flowery, Tyrolese valley.
Open-handed map
Awarding the world its world.
And yet, for these
Children, these windows, not this
world, are world,
Where all their future's painted
with a fog,
A narrow street sealed in with a
lead sky,
Far far from rivers, capes, and
stars of words.
Surely, Shakespeare is wicked, and
the map a bad example
With ships and sun and love
tempting them to steal--
For lives that slyly turn in their
cramped holes
From fog to endless night? On their
slag heap, these children
Wear skins peeped through by
bones and spectacles of steel
With mended glass, like bottle bits
on stones.
All of their time and space are
foggy slum.
So blot their maps with slums as
big as doom.
Unless, governor, teacher,
inspector, visitor,
This map becomes their
window and these windows
That shut upon their lives like
catacombs,
Break O break open 'till they
break the town
And show the children green
fields and make their world
Run azure on gold sands, and
let their tongues
Run naked into books, the
white and green leaves open
History is theirs whose
language is the sun .
Poem and Explanation:
Far far from gusty waves these children’s faces.
Like rootless weeds, the hair torn round their pallor:
The tall girl with her weighed-down head. The paper seeming
Boy, with rat’s eyes. The stunted, unlucky heir
Of twisted bones, reciting a father’s gnarled disease,
His lesson, from his desk. At back of the dim class
One unnoted, sweet and young. His eyes live in a dream,
Of squirrel’s game, in tree room, other than this.
Gusty waves: breezy winds
Pallor: pale, dull face
Stunted: not fully grown due to malnutrition
Gnarled: Knotted, rough
weeds: unwanted plants that grow on their own
Paper seeming boy: Very thin boy, as thin as a sheet of paper
heir: Successor
The poet describes the children who study in an elementary school which is setup in a
slum area. The poet says that the faces of children are dull and without any energy.
They are not full of energy like other kids of their age. These children are compared to
unwanted weed. Here the writer wants to say that these children seem to be
unwanted like the unwanted weeds which grow on their own in the fields. Their hair is
not neatly done. It falls on their pale faces as if they have been torn apart. The children
are untidy, they haven’t combed their hair. Then he describes a tall girl who seems to
be burdened by poverty. Her head is bent maybe because of tiredness or shame. There
is another boy who is so weak and thin that he has been compared to a sheet of paper.
The boy’s eyes reflect greed and he wants to achieve everything. Then he describes
another student who is physically disabled. The poet says that this boy is unlucky
because he inherited a disease from his father due to which he has a deformed body.
Instead of getting any facility from his father, he has received a disease in heritage.
This disabled boy is sitting on his bench and is reciting his lesson. At the back of the
class, in dim, dark area, was a small boy who was not visible to the poet as he was
sitting in darkness. The poet could see his eyes which were bright and full of a dream.
He was not paying attention to the class. It seemed as if he was rather interested in
playing with squirrels in the tree house.
Literary devices:
Simile: children are compared with rootless weed (like rootless weed)
Metaphor: boy is compared with paper as he is thin (paper seeming boy)
Repetition: use of far to stress on the distance
On sour cream walls, donations. Shakespeare’s head,
Cloudless at dawn, civilized dome riding all cities.
Belled, flowery, Tyrolese valley. Open-handed map
Awarding the world its world. And yet, for these
Children, these windows, not this map, their world,
Where all their future’s painted with a fog,
A narrow street sealed in with a lead sky
Far far from rivers, capes, and stars of words.
Sour: unpleasant, here refers to the colour of sour cream -off white or creamish
Donations: things given or received in charity
Dawn: early morning, sunrise
civilized dome: here, it means rising sun at the horizon which is in the shape of a dome
(semi - circle)
Tyrolese valley: A beautiful ice-free valley in Austria
Sealed: shut or locked
lead: here, dark future of kids
Capes:A large piece of land that sticks out into the sea from the coast
The poet describes the walls of the school. They are cream in colour like the color of
sour cream. This means that the walls are not clean, they have not been painted
recently. The walls are covered with different charts and images that must have been
donated by different people. There is a picture of Shakespeare on the wall. His head
which is bald looks like the rising sun at the horizon. At the time of daybreak, the Sun is
rising at the horizon and is semi circular like a dome shape. It seems to be behind all the
cities. There is a picture of the famous Tyrolese valley which has beautiful flowers. There
is the image of a map which helps all in its own way. But for these children the map of
the world is irrelevant because the slum where they live is different from what is shown
in the map. Their world is only what they see out of the window of the classroom - the
slum. Their future is full of darkness. Their future is compared to a narrow street which
means that there is no wide scope available for their future growth. These children are
far away from the radiant light of knowledge and education.
Literary devices:
Metaphor:
1. Walls are described to be dull as sour cream (sour cream walls)
2. The future of the kids is described as limited (Narrow Street sealed with a lead sky)
Assonance: repetition of vowel sound ‘e’ (Belled, flowery, Tyrolese valley)
Allusion: Reference to well known person or place ( Shakespeare’s head, Tyrolese
valley)
Repetition: ‘far’ repeated
Surely, Shakespeare is wicked, the map a bad example,
With ships and sun and love tempting them to steal—
For lives that slyly turn in their cramped holes
From fog to endless night? On their slag heap, these children
Wear skins peeped through by bones and spectacles of steel
With mended glass, like bottle bits on stones.
All of their time and space are foggy slum.
So blot their maps with slums as big as doom
Wicked: evil
Tempted: persuade
Slyly: trickily
Cramped: confined
Slag: weak
Mended: repaired
Blot: to mark with a spot
Doom: disaster
The poet further says that these children living in the slum area have faced so many
hardships that they feel every other person to be their enemy. For them Shakespeare is
an evil man. They don’t find the map to be a good thing. They were never liked or
loved by anyone. Therefore they hate almost everyone. Their desire of being loved by
others forces them to steal. They live in small homes and they have started adjusting to
it. Their life is going towards an endless night. This means that their future is full of
darkness. These kids are so thin that one can easily see their bones through the thin
layer of skin. Their skin is like the thin layer of cloth and the bones beneath are visible
through the skin. These kids suffer from malnutrition. They wear spectacles which are
made of steel. They are cheap and very uncomfortable. Even the lenses in the spectacles
are repaired. The spectacles look like stones which have been repaired with pieces of
glass sticking out of them. Here the poet tries to explain that these kids have to face so
many hardships in their lives. As these slums are getting bigger, they will destroy the
future of these children and it is very difficult for such kids to escape from them.
Literary devices:
Metaphor: Their homes are very small like holes (cramped holes)
Simile- their repaired spectacles (like bottle bits on stones)
Alliteration: Use of ‘f’ sound (From fog)
Unless, governor, inspector, visitor,
This map becomes their window and these windows
That shut upon their lives like catacombs,
Break O break open till they break the town
And show the children to green fields, and make their
world
Run azure on gold sands, and let their tongues
Run naked into books the white and green leaves
open
History theirs whose language is the sun.
Catacombs: tomb, cemetery
Azure: deep blue
change the life of these kids and make the world map a
reality for them. There is a need to break the restrictions
which are put on them due to poverty and lack of resources.
He wants the governor and public to help these kids in
achieving their dreams. As this will take them away from fog
to azure sky, the poet here wants to say that in this way the
kids can be taken away from the darkness of their present to
a bright future. He wants these kids to experience the sands
and the beauty of nature as this will led to a desire of
gaining knowledge. They will then go through the white and
green leaves. Here white leaves depict books and green
leaves depict nature. This will then result in their progress
and they will be able to paint a bright future for themselves.
Literary devices
Metaphor: books and nature are expressed in form of white and green leaves
(the white green leaves open)
Anaphora: Use of repeated words in two consecutive lines (Run azure And Run
naked
1Q. What is the theme of the poem ‘An Elementary School Classroom in
a slum’?
(Ans) In the poem, Spender depicts the pathetic life of slum children
who are victims of government apathy. He presents social injustice and class
inequalities that prevails in society. The poem is a bitter criticism on the
state of education in elementary schools in slum areas.
2Q. What picture of the slum children is depicted in the poem?
(Ans) The slum children in an elementary school look pathetic. Their hair
are like wild weeds. They are undernourished and diseased. They are used to
dark, dirty, narrow cramped areas closed in by a grey sky.
3Q.What do slum children receive as inheritance?
(Ans) The children inherit their parents’ poverty and disease. A boy has
twisted bones like his father. The slum children inherit the diseases as they
are subjected to inhuman dirty cramped conditions.
4Q. Explain ‘far from gusty waves’.
(Ans) ‘Gusty waves’ represents energetic children who are like strong
waves. The slum children are unlike the usual children. They are
undernourished and miserable.
5Q. What is the comparison drawn with squirrel’s game?
(Ans) This is suggestive of the world of dreams, the sweet and young
boy lives in. He dreams of squirrel’s game in trees away from his gloomy
classroom.
some slum children have to wear. It looks like the bits of glass on
stone walls. It highlights the poverty and hardships of people in
slums.
7Q. Explain ‘like bottle bits on stones’.
(Ans) This simile describes the shattered glasses of the spectacles
some slum children have to wear. It looks like the bits of glass on
stone walls. It highlights the poverty and hardships of people in
slums.
8Q. In spite of despair and disease, the slum children are not devoid
of hope. Give an example of their hope or dream.
(Ans) Even though the world of the slum children is dark and their
future bleak, their eyes dream of a better future which is distant and
beyond their reach. They dream of open seas, green fields and
squirrel’s game.
9Q. Explain ‘future’s painted with a fog’.
(Ans) The future of slum children is uncertain and bleak. Just as fog
blurs one’s view in winter, poverty and apathy of the officials have
dimmed the future of the slum children.
10Q. How is ‘map’ a bad example? (Ans) Map opens before the slum children a
beautiful world. The map is a bad example because it tempts them to aspire for a
world which is beyond their reach. Their world is confined to the dark narrow lanes in
the slums.
officials to become sensitive to their needs. This will break down the barriers
that hinder their growth.
12Q. How can powerful people improve the lot of slum children?
(Ans) Powerful people can liberate the slum children. They can do so by
removing
social injustice and class inequalities. They must provide opportunities to
these children so that their childhood does not get lost in dreary ‘foggy’
slums.
13Q. Explain ‘history is theirs whose language is the sun’.
(Ans) Those people create history who outshine others. Through this
metaphor, Spender feels that only those people who have courage can leave
their mark. To create history, their language must have the power, brightness
and warmth of the sun.
14Q. Far far from gusty waves these children’s faces.Like rootless
weeds, the hair torn round their pallor:
(Ans) The children in an elementary school of a slum have faces which are
very different from those of other children. They are not exuberant and full
of energy (far far from gusty waves).Their faces are like weeds in a garden
(like rootless weeds-simile) – They are rootless, unsure and lack stability.
Their hair is unkempt around their pale faces. The gusty waves symbolize the
energy that ought to be in children.
Breaking Open the Windows of Opportunity
Breaking Open the Windows of Opportunity
Breaking Open the Windows of Opportunity
Breaking Open the Windows of Opportunity
Breaking Open the Windows of Opportunity
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Breaking Open the Windows of Opportunity

  • 1.
  • 2. Sir Stephen Harold Spender CBE (28 February 1909 – 16 July 1995) was an English poet, novelist and essayist who concentrated on themes of social injustice and the class struggle in his work. He was appointed the seventeenth Poet Laureate Consultant in Poetry to the United States Library of Congress in 1965.[1]
  • 3.
  • 4. Far far from gusty waves these children's faces. Like rootless weeds, the hair torn around their pallor. The tall girl with her weighed-down head. The paper- seeming boy, with rat's eyes. The stunted, unlucky heir Of twisted bones, reciting a father's gnarled disease, His lesson from his desk. At back of the dim class One unnoted, sweet and young. His eyes live in a dream, Of squirrel's game, in the tree room, other than this.
  • 5. On sour cream walls, donations. Shakespeare's head, Cloudless at dawn, civilized dome riding all cities. Belled, flowery, Tyrolese valley. Open-handed map Awarding the world its world. And yet, for these Children, these windows, not this world, are world, Where all their future's painted with a fog, A narrow street sealed in with a lead sky, Far far from rivers, capes, and stars of words.
  • 6. Surely, Shakespeare is wicked, and the map a bad example With ships and sun and love tempting them to steal-- For lives that slyly turn in their cramped holes From fog to endless night? On their slag heap, these children Wear skins peeped through by bones and spectacles of steel With mended glass, like bottle bits on stones. All of their time and space are foggy slum. So blot their maps with slums as big as doom.
  • 7. Unless, governor, teacher, inspector, visitor, This map becomes their window and these windows That shut upon their lives like catacombs, Break O break open 'till they break the town And show the children green fields and make their world Run azure on gold sands, and let their tongues Run naked into books, the white and green leaves open History is theirs whose language is the sun .
  • 8. Poem and Explanation: Far far from gusty waves these children’s faces. Like rootless weeds, the hair torn round their pallor: The tall girl with her weighed-down head. The paper seeming Boy, with rat’s eyes. The stunted, unlucky heir Of twisted bones, reciting a father’s gnarled disease, His lesson, from his desk. At back of the dim class One unnoted, sweet and young. His eyes live in a dream, Of squirrel’s game, in tree room, other than this. Gusty waves: breezy winds Pallor: pale, dull face Stunted: not fully grown due to malnutrition Gnarled: Knotted, rough weeds: unwanted plants that grow on their own Paper seeming boy: Very thin boy, as thin as a sheet of paper heir: Successor
  • 9. The poet describes the children who study in an elementary school which is setup in a slum area. The poet says that the faces of children are dull and without any energy. They are not full of energy like other kids of their age. These children are compared to unwanted weed. Here the writer wants to say that these children seem to be unwanted like the unwanted weeds which grow on their own in the fields. Their hair is not neatly done. It falls on their pale faces as if they have been torn apart. The children are untidy, they haven’t combed their hair. Then he describes a tall girl who seems to be burdened by poverty. Her head is bent maybe because of tiredness or shame. There is another boy who is so weak and thin that he has been compared to a sheet of paper. The boy’s eyes reflect greed and he wants to achieve everything. Then he describes another student who is physically disabled. The poet says that this boy is unlucky because he inherited a disease from his father due to which he has a deformed body. Instead of getting any facility from his father, he has received a disease in heritage. This disabled boy is sitting on his bench and is reciting his lesson. At the back of the class, in dim, dark area, was a small boy who was not visible to the poet as he was sitting in darkness. The poet could see his eyes which were bright and full of a dream. He was not paying attention to the class. It seemed as if he was rather interested in playing with squirrels in the tree house.
  • 10. Literary devices: Simile: children are compared with rootless weed (like rootless weed) Metaphor: boy is compared with paper as he is thin (paper seeming boy) Repetition: use of far to stress on the distance On sour cream walls, donations. Shakespeare’s head, Cloudless at dawn, civilized dome riding all cities. Belled, flowery, Tyrolese valley. Open-handed map Awarding the world its world. And yet, for these Children, these windows, not this map, their world, Where all their future’s painted with a fog, A narrow street sealed in with a lead sky Far far from rivers, capes, and stars of words. Sour: unpleasant, here refers to the colour of sour cream -off white or creamish Donations: things given or received in charity Dawn: early morning, sunrise civilized dome: here, it means rising sun at the horizon which is in the shape of a dome (semi - circle) Tyrolese valley: A beautiful ice-free valley in Austria Sealed: shut or locked lead: here, dark future of kids Capes:A large piece of land that sticks out into the sea from the coast
  • 11. The poet describes the walls of the school. They are cream in colour like the color of sour cream. This means that the walls are not clean, they have not been painted recently. The walls are covered with different charts and images that must have been donated by different people. There is a picture of Shakespeare on the wall. His head which is bald looks like the rising sun at the horizon. At the time of daybreak, the Sun is rising at the horizon and is semi circular like a dome shape. It seems to be behind all the cities. There is a picture of the famous Tyrolese valley which has beautiful flowers. There is the image of a map which helps all in its own way. But for these children the map of the world is irrelevant because the slum where they live is different from what is shown in the map. Their world is only what they see out of the window of the classroom - the slum. Their future is full of darkness. Their future is compared to a narrow street which means that there is no wide scope available for their future growth. These children are far away from the radiant light of knowledge and education. Literary devices: Metaphor: 1. Walls are described to be dull as sour cream (sour cream walls) 2. The future of the kids is described as limited (Narrow Street sealed with a lead sky) Assonance: repetition of vowel sound ‘e’ (Belled, flowery, Tyrolese valley) Allusion: Reference to well known person or place ( Shakespeare’s head, Tyrolese valley) Repetition: ‘far’ repeated
  • 12. Surely, Shakespeare is wicked, the map a bad example, With ships and sun and love tempting them to steal— For lives that slyly turn in their cramped holes From fog to endless night? On their slag heap, these children Wear skins peeped through by bones and spectacles of steel With mended glass, like bottle bits on stones. All of their time and space are foggy slum. So blot their maps with slums as big as doom Wicked: evil Tempted: persuade Slyly: trickily Cramped: confined Slag: weak Mended: repaired Blot: to mark with a spot Doom: disaster
  • 13. The poet further says that these children living in the slum area have faced so many hardships that they feel every other person to be their enemy. For them Shakespeare is an evil man. They don’t find the map to be a good thing. They were never liked or loved by anyone. Therefore they hate almost everyone. Their desire of being loved by others forces them to steal. They live in small homes and they have started adjusting to it. Their life is going towards an endless night. This means that their future is full of darkness. These kids are so thin that one can easily see their bones through the thin layer of skin. Their skin is like the thin layer of cloth and the bones beneath are visible through the skin. These kids suffer from malnutrition. They wear spectacles which are made of steel. They are cheap and very uncomfortable. Even the lenses in the spectacles are repaired. The spectacles look like stones which have been repaired with pieces of glass sticking out of them. Here the poet tries to explain that these kids have to face so many hardships in their lives. As these slums are getting bigger, they will destroy the future of these children and it is very difficult for such kids to escape from them. Literary devices: Metaphor: Their homes are very small like holes (cramped holes) Simile- their repaired spectacles (like bottle bits on stones) Alliteration: Use of ‘f’ sound (From fog)
  • 14. Unless, governor, inspector, visitor, This map becomes their window and these windows That shut upon their lives like catacombs, Break O break open till they break the town And show the children to green fields, and make their world Run azure on gold sands, and let their tongues Run naked into books the white and green leaves open History theirs whose language is the sun. Catacombs: tomb, cemetery Azure: deep blue
  • 15. change the life of these kids and make the world map a reality for them. There is a need to break the restrictions which are put on them due to poverty and lack of resources. He wants the governor and public to help these kids in achieving their dreams. As this will take them away from fog to azure sky, the poet here wants to say that in this way the kids can be taken away from the darkness of their present to a bright future. He wants these kids to experience the sands and the beauty of nature as this will led to a desire of gaining knowledge. They will then go through the white and green leaves. Here white leaves depict books and green leaves depict nature. This will then result in their progress and they will be able to paint a bright future for themselves. Literary devices Metaphor: books and nature are expressed in form of white and green leaves (the white green leaves open) Anaphora: Use of repeated words in two consecutive lines (Run azure And Run naked
  • 16. 1Q. What is the theme of the poem ‘An Elementary School Classroom in a slum’? (Ans) In the poem, Spender depicts the pathetic life of slum children who are victims of government apathy. He presents social injustice and class inequalities that prevails in society. The poem is a bitter criticism on the state of education in elementary schools in slum areas. 2Q. What picture of the slum children is depicted in the poem? (Ans) The slum children in an elementary school look pathetic. Their hair are like wild weeds. They are undernourished and diseased. They are used to dark, dirty, narrow cramped areas closed in by a grey sky. 3Q.What do slum children receive as inheritance? (Ans) The children inherit their parents’ poverty and disease. A boy has twisted bones like his father. The slum children inherit the diseases as they are subjected to inhuman dirty cramped conditions. 4Q. Explain ‘far from gusty waves’. (Ans) ‘Gusty waves’ represents energetic children who are like strong waves. The slum children are unlike the usual children. They are undernourished and miserable. 5Q. What is the comparison drawn with squirrel’s game? (Ans) This is suggestive of the world of dreams, the sweet and young boy lives in. He dreams of squirrel’s game in trees away from his gloomy classroom.
  • 17. some slum children have to wear. It looks like the bits of glass on stone walls. It highlights the poverty and hardships of people in slums. 7Q. Explain ‘like bottle bits on stones’. (Ans) This simile describes the shattered glasses of the spectacles some slum children have to wear. It looks like the bits of glass on stone walls. It highlights the poverty and hardships of people in slums. 8Q. In spite of despair and disease, the slum children are not devoid of hope. Give an example of their hope or dream. (Ans) Even though the world of the slum children is dark and their future bleak, their eyes dream of a better future which is distant and beyond their reach. They dream of open seas, green fields and squirrel’s game. 9Q. Explain ‘future’s painted with a fog’. (Ans) The future of slum children is uncertain and bleak. Just as fog blurs one’s view in winter, poverty and apathy of the officials have dimmed the future of the slum children. 10Q. How is ‘map’ a bad example? (Ans) Map opens before the slum children a beautiful world. The map is a bad example because it tempts them to aspire for a world which is beyond their reach. Their world is confined to the dark narrow lanes in the slums.
  • 18. officials to become sensitive to their needs. This will break down the barriers that hinder their growth. 12Q. How can powerful people improve the lot of slum children? (Ans) Powerful people can liberate the slum children. They can do so by removing social injustice and class inequalities. They must provide opportunities to these children so that their childhood does not get lost in dreary ‘foggy’ slums. 13Q. Explain ‘history is theirs whose language is the sun’. (Ans) Those people create history who outshine others. Through this metaphor, Spender feels that only those people who have courage can leave their mark. To create history, their language must have the power, brightness and warmth of the sun. 14Q. Far far from gusty waves these children’s faces.Like rootless weeds, the hair torn round their pallor: (Ans) The children in an elementary school of a slum have faces which are very different from those of other children. They are not exuberant and full of energy (far far from gusty waves).Their faces are like weeds in a garden (like rootless weeds-simile) – They are rootless, unsure and lack stability. Their hair is unkempt around their pale faces. The gusty waves symbolize the energy that ought to be in children.