Long Ford Films Offer Document

1. INVESTORS GUIDE
/OFFER DOCUMENT

2. The content of this document has not been approved by an authorised person within the meaning of the
Financial Services and Markets Act 2000. Reliance on this promotion for the purposes of engaging in any
investment activity may expose an individual to significant risk of losing all of the property or other
assets involved.
This document is exempt from the general restriction in section 21 of the Financial Services and Markets
Act 2000 on the communication of invitations or inducements to engage in investment activity on the
ground that it is made to ‘investment professionals’ within the meaning of Article 19 of the Financial
Services and Markets Act (Financial Promotion) Order 2005 (FinProm); persons believed on reasonable
grounds to be ‘certified high net worth individuals’ within the meaning of Article 48 FinProm; persons
who are ‘certified sophisticated investors’ within the meaning of Article 50 FinProm; and persons who are
‘self-certified sophisticated investors’ within the meaning of Article 50A FinProm.
Risk Warning / Disclaimer

3. WHAT'S INSIDE
TOPIC OUTLINE
1. Objective & Prologue [Page 1]
2. Fit For Institutional & High Net Worth Investors
[Page 2]
3. How this Differs from your Traditional Film Investment
[Pages 3 - 4]
4. Proven Success [Page 5]
5. Why is Now a Good Time To Invest In Film and TV
[Pages 6-11]
6. How the Film Business manages and Reduces Risk
[Pages 12 - 13]
7. Management Expertise/ Meet the Team [Pages 14 - 18]
8. A Lister Access [Page 20]
9. Production Slate [Pages 24 - 34]
10. Investor Participation [Pages 36 -37]
11. Sales Strategies [Page 38]
12. Comparisons to Production Slate [Page 39]
13. Forecasted Profit & Loss ROI [Page 40 Page 41]
14. Share Offer and Exit Routes [Page 42]
15. Application Form [Pages 43- 52]
16. Investor Relations Contact [Back Page]

4. OBJECTIVE
&
PROLOGUE
Set the foundations for a international film production company through its initial diversified film slate
consisting of 3 feature films.
Our founder Brian Ashby personally invested into Interlude in Prague, he has just agreed distribution rights in
America. So far, it has been distributed in Britain, Japan, South Korea, Australia, New Zealand, Germany, Austria,
German speaking part of Switzerland, Turkey, and Greece. The cost of the film was a fraction under £5M. Brian
financed £4.2M and the balance was from UK and Czech Republic tax credits. The revenue from the film has just
begun to repay Brian’s loan. Brian has loaned initial capital to Longford Films LTD pending the raising of funds.
Brian Ashby has gone through a very steep learning curve and now feels, he is ready to make healthy profits in
the film business.
Our initially requirement is to raise £5 Million to commence our first feature film. The offer is made up of
35,000,000 Ordinary Share that represent 49% of the company at £1 per share. Which is the total projected
costs required to produce and co distribute our 3 feature films.
Brian and his family will own the remaining 51%. Brian Ashby will not be
drawing a fixed salary from the business, during any part of the fund raising exercise.
Thus his interests are aligned with the investors.
'OUR FOUNDER
INTEREST ARE
ALIGNED WITH
THE
INVESTORS'
1

5. FIT FOR INSTITUTIONAL &
HIGH NET WORTH
INVESTORS
Brian has raised multi millions for his
property companies from pension
funds, including: Prudential, Norwich
Union (Now Aviva), Friends
Provident, Lazards, Provident
Mutual, and Eagle Star (Now Zurich)
He is now ready to welcome both
Institutional and High Net Worth
Investors into Longford Films LTD.
1
2

6. HOW THIS DIFFERS
FROM YOUR
TRADITIONAL FILM
INVESTMENT
THE FOUNDER, BRIAN ASHBY,
AND MAJORITY SHARE HOLDER
IS A SELF MADE MULTI
MILLIONAIRE.
Brian Ashby will not be drawing a fixed salary from the business, during any part
of the fund raising exercise. Thus his interests are aligned with the investors.
3

7. AN INVESTMENT
INTO LONGFORD FILMS LTD IS
INTO THE ENTIRE PROGRAMME
OF THE COMPANY. NOT JUST A
SINGLE FILM.
Left Photo: The World Premiere of Interlude in Prague was at the Odeon
Cinema in Leicester Square on 11.5.17
4

8. PROVEN SUCCESS
BRIAN'S SCREENWRITING SKILLS
AND FIRST FEATURE FILM HAS
WON AN AWARD IN HOLLYWOOD.
Brian and his partner, with the Film Director
John Stephenson O.B.E. attended the award
ceremony in Hollywood on 1st November
2017 when Interlude in Prague won a
Golden Angel Award for the ‘Best
International Film’.
1
5

9. WHY IS NOW A
GOOD TIME TO
INVEST IN FILM AND
TV
CONTENT IS NO LONGER CINEMA
AND TV BOUND. BUT CAN ALSO
BE WATCHED ON
SMARTPHONES.
6

10. THE NUMBER OF
SUBSCRIPTION VIDEO-ON-
DEMAND (SVOD) USERS
WORLDWIDE IS EXPECTED
HAS SKYROCKETED FROM
AROUND 283 MILLION IN
2018 TO 613 MILLION IN
2019
7

11. RECORD SPENDS
BILLIONS ARE SPENT ON NEW CONTENT EVERY YEAR
Netflix annual budget $18 billion
Amazon's annual budget $7 billion
New online streaming channels
8

12. 110 YEAR OLD
HOLLYWOOD ENJOYS
RECORD BLOCKBUSTER
YEAR IN 2018
WITH $42 BILLION IN WORLDWIDE SALES
9

13. BRITAIN EXPANDS IT'S
FILM & TV SERVICES
HUGE TALENT - PREMIERE FILM STUDIOS
BRITAIN IS FAVOURED AS A
PRODUCTION DESTINATION
PINEWOOD STUDIOS RECENTLY
SPENT £200M ON A SITE EXPANSION
£500 MILLION SHEPPERTON FILM
STUDIOS EXPANSION PLAN HAS BEEN
BACKED BY COUNCILLORS
10

14. The film industry in the U.K generated $4
billion in spending, up 11 % from the
previous year.
UK Film production spending accounted
for £1.9 billion ($2.7 billion), and TV for
£938 million ($1.3 billion).
UK Cinema admissions reached 171
million, and ticket revenue was up 3.7%
at £1.4 billion ($2 billion).
The market share of British independent
films at the box office last year was 9.5%,
a rise from 7.4% in 2016.
2017 STATS
FROM THE
BRITISH FILM
INSTITUTE
11

15. PRE SALES
Film & TV attracts huge audiences,
driving commerce and advertising
revenue. Thus, content buyers tend to
pay up to 25% in advance to protect
their audience numbers with new
content supply.
TAX CREDITS
Countries get showcased on the silver
screen attracting tourism and inwards
investment. The reason behind Film and
TV productions being offered up to 25-
40% cash tax credits on qualified
spending.
HOW THE FILM BUSINESS MANAGES AND REDUCES RISK
12

16. Sales Risk
45%
Tax Credits
30%
Pre Sales
25%
As illustrated below the sales risk can be halved.
13
Managing Risk

17. THE TEAM
SINCE 1976, THE COMPANY’S MANAGEMENT TEAM HAS
RECEIVED SEVERAL AWARDS AND ACCOLADES OF PREVIOUS
TV AND FILM PRODUCTION DEVELOPMENT SERVICES.
14

18. Founder and Chairman
Brian Ashby Hon DBA FRICS
MEET
THE TEAM 1/5
Self-Made Multimillionaire
Member of Mensa
Award Wining Film Maker and Screenwriter
Honorary degree, Doctor of Business
Administration, from the University of Derby
Derbyshire Patron of Marie Curie
Principle Founder of charity, Foundation
Derbyshire (Derbyshire Community
Foundation), which has donated over
£15,000,000 to philanthropic causes in
Derbyshire.
15

19. Film Director
John Stephenson O.B.E.
MEET
THE TEAM 2/5
Film Director for Interlude in Prague.
Has been awarded an O.B.E. (Order of the
British Empire) in the 2000 Queen's
Millennium Honors List for his services to
computer animation industry as a designer
for the Millennium Project.
John has been involved in TV and Film since
1982.
He worked within the production team of
children's feature film (about a talking pig)
Babe (1995). That grossed $254.1 million.
16

20. Line Producer
Simon Moseley
MEET
THE TEAM 3/5
Was the line producer for Interlude in
Prague.
A producer on the highly regarded and multi-
award winning left bank-BBC tv series
Wallander as well as on features such as
Sleuth, As You Like It and The Magic Flute,
his experience covers over twenty-five years
of continuous employment, and with the
widest possible selection of film directors
and producers.
Simon Mosley was the line producer for The
Man Who Knew Infinity, which was produced
by Edward R. Pressman.
The Pressman company made the film Wall
Street (1987) the perfect match for our
feature film Friend or Foe.
17

21. Casting Agent
Ross & John Hubbard
MEET
THE TEAM 4/5
Owners of Hubbard Casting with forty years’
experience casting. Awarded with Oscar
Wilde Award.
They were the casting agents of Interlude in
Prague. As well as the following titles; The
Lord of the Rings franchise, The Bourne
Identity, King Kong, The Da Vinci Code, The
Mummy and, most recently, The Hobbit, the
Hubbards have discovered thespians
including Kate Winslet, Orlando Bloom,
Colin Farrell, Jonathan Rhys Meyers and
Saoirse Ronan.
Brian retained Ros & John Hubbard as
Casting Agents for Interlude in Prague. He
was very pleased with their contribution and
intends to continue retaining them for the
current series of future films.
18

22. Executive Producer/Investor
Relations at Stockatonia Ltd
Neeraj Kachhwaha BEng
MEET
THE TEAM 5/5
FULL PROFILES
AVAILABLE IN THE
BUSINESS PLAN
Has been involved in raising finance for the
last 11 years. Having spent seven years in a
regulated environment in the City of London.
Extended services are support hosting film
festivals as well as investor relations at film
festivals.
He has been deemed suitable to introduce
finance by the FCA, belonging to the
approved persons register.
He also recently attended University of
Oxford Saïd Business School.
19

23. Having access to A-List actors makes all the
difference. Our casting agents are one of the
highest recognised in Hollywood.
20

24. Previous Castings by Hubbards
21

25. Previous Castings by Hubbards
22

26. Previous Castings by Hubbards
23

27. 24

28. 25

29. 26

30. 27

31. 28
The film starts by introducing us to Dr Richard More. He is a charismatic, and successful
young surgeon. Considered brilliant, in his field - a successful career, a beautiful wife, and
amazing house, the full package! In fact, to the outside world, his life would appear to be
perfect. However, behind the scenes he is dangerously in debt, restless unhappy and in a
loveless marriage. He seeks comfort in other relationships, spending fortunes in the clubs
and bars of Toronto and numbs the guilt and pain with alcohol.
Then, suddenly things get even worse. He has a horrific car accident and a beautiful young
girl, Jennifer Moss, a talented Show Jumper, is left seriously injured and paralyzed from the
waist down. Heroically Richard pulls her limp damaged body from the wreckage of the car
but is afterwards held responsible for the seriousness of her condition. He has a lawsuit
levelled at him.
Desperate for money to save his name he turns to his life-long friend, distinguished
Englishman and property multi-millionaire Roger Stone. Roger based in his beloved Country
House in England runs an international development company and travels the world making
state of the art architecture a reality. At the time of Richards call he is actively pursuing a
huge project ‘The Kardero Development” in Toronto and immediately works out a plan for
Richard to be his representative on the spot in Toronto so that they can both profit from the
situation.
What seems like a pragmatic and potentially very profitable approach to the completion of a
task soon turns into a roller coaster of a story. Richard and Roger find themselves pitched
against ruthless criminals, opponents of the ‘Kardero Project’ who will stop at nothing to
achieve their aims.
A tangle of greed, deceit and mortal danger follow Richard and Roger on a five-star, high-
octane journey. They travel from Canada to the ski slopes of Zermatt, the racetrack at
Silverstone, to New York and Washington. Fired up by the challenge, the job becomes a
quest and with the help of the exotic Chinese Carla Chen a hugely talented superstar
architect and Kristina Webber, Richard’s smarter than most girlfriend, Richard and Roger
combine their unique talents to escape death and see the villains get justice.
At the end of the film Richard, his name cleared, is able to practice again, he skillfully saves
Jennifer Moss from total disability and finally walks away a free man to a new start with
Kristina the love of his life. “The Kardero” becomes a beautiful reality towering over
Toronto’s skyline, a testament to the ingenuity of humankind, a beacon of truth and integrity
for the future.

32. 29

33. 30

34. 31

35. 32
Eminent musicians however took him very seriously – in particular, the way he orchestrated at the piano
creating tremendous surges of tone and color. His tempos, his conception, his free attitude toward the printed
note, his Romantic musical mannerisms, set him apart and his passionate recitals were a sell out.
Then in the 1930’s after moving to LA and courting the Hollywood elite, his doubts, habits and inhibitions got
the better of him. Feeling paranoid, undervalued and misunderstood he disappeared and became a recluse (an
alcoholic living in flop-houses bars and brothels not even owning a piano, much less playing one), leaving
behind a legacy of ecstatic audiences, unpaid bills, jilted lovers and ex wives.
The film opens in 1973 San Francisco, in glorious “70s Technicolor” - sunshine and music - split screen shots of
the city, intercut with Tim and Mika happily in love and Ervin alcoholic, angry and infirm . Then the moment!
The Old First Church concert, - we witness Tim and Mika as they hear Ervin’s recital. An ecstatic almost
religious experience that triggers our story and a chain of events that not only completely transforms their
lives but also changes the course of his.
The film is to be a thrilling musical journey through the 20th century - every era musically and visually distinct.
San Francisco - a cultural revolution 1976, Budapest Jewish Quarter - a pre war artistic ghetto 1906 - New
York the roaring twenties, the exciting birthplace of Jazz 1922 - Los Angeles the glamour and colour of early
Hollywood 1930 and finally -Tokyo Japan 1978. It takes the shape of a detective story with fast moving
montages full of passion, sex and emotion, and incredible, inspirational characters that will, I am certain,
attract a fantastic cast.
We aim to shoot, main unit, both in the studio and on location in Budapest, with smaller units on location in
New York and San Francisco. Using contemporary energetic camera movement, modern post-production
techniques to build create and augment modern reality we will create a dramatic atmospheric period feel.
Exciting, eye-opening, sometimes shocking, full of remarkable music Finding Ervin gives its audience a vision
of the fate and rebirth of a lonely, misunderstood, creative genius - of the pain and sacrifice he endured, of the
single-minded cruelty with which he pursued his God given calling and of the redemptive power of great,
original art.

36. 33

37. 34

38. 35

39. INVESTOR PARTICIPATION
Investors will be invited to red carpet
premieres in the West End, award nights and
days on set.
36

40. Larger Investors will be invited to the appropriate
Cannes Film Festival with behind the Scenes Access,
Parties and Official Cannes Film Festival Badges.
37

41. Sales Strategy
We aim to sell our films to the major
international distributors, as well as
video on demand companies, such as
Amazon, Netflix, BBC, ITV. We have 3
screenplays to develop in the first year,
whilst considering a series of additional
screenplays.
38

42. Comparisons to Current Production Slate
Worldwide Sales: Worldwide:
$134,748,021
Budget: $52,474,616
ROI: 156%
Worldwide Sales: Worldwide:
$289,317,794
Budget: $25 million
ROI: 1,057%
Worldwide Sales: Worldwide:
$256,271,286
Budget: $52 million
ROI: 392% 39

43. FORECASTED PROFIT AND LOSS
40
The projection of potential
profitability is based on
numerous estimates and other
assumptions about future events
and circumstances, some of
which may not be within the
control of the Company and its
management.

44. Longford Films Ltd are projected
to make anticipated profits of
approximately £75 million over 3
years from it's 3 feature films.
This gives Longford Films Ltd a
projected gross return of
approximately 200% over 3
years.
PROJECTED RETURN ON
INVESTMENT
41

45. We are to issue 71,428,572 Ordinary Shares
of which 49%, 35,000,000, are to be released
to Institutional and High Net Worth
Investors at £1 per share.
The Offer will be made for up to 35,000,000
Ordinary Shares at the Offer Price of £1 per
Ordinary Share.
Exit Routes
Potential exit routes are either to offer a
share buyback, position the company to be
brought out or float on the stock exchange.
SHARE OFFER
42

46. SHARE OFFER APPLICATION SECTION
Longford Films Ltd, 18 Soho Square, London, W1D 3QL, United Kingdom
Phone: +44 (0)20 398 473 81, | Email: info@longfordfilms.com | Website: www.longfordfilms.com | Registered in England and Wales, |
Company Number 11639153, | Vat Number 312821927 | ICO Number ZA488433 43

47. LONGFORD FILMS LIMITED
SHARE OFFER APPLICATION FORM
BEFORE YOU INVEST
Before completing this Application Form, you should carefully review the Offer Document and read the terms and condition of the
investment. Remember that an investment in Shares may NOT be suitable for you, the information in the Offer Document does NOT
constitute tax, legal or investment advice and you should seek your own independent advice. This Offer set out in this document is
exclusively direct at persons who are:
- Certified as a ‘high net worth investor’ in accordance with Article 48 of FinProm
- Certified as a ‘sophisticated investor’ in accordance with Article 50 of FinProm
- Self-certified as a ‘sophisticated investor’ in accordance with Article 50A of FinProm
MINIMUM INVESTMENT
The minimum investment is £10,000 and thereafter in multiples of £1.00.
INSTRUCTIONS FOR COMPLETING THIS APPLICATION FORM
Before completing this Application Form, please carefully review the Offer Document and terms and conditions of an investment. Then
follow the steps listed 1 and 2 below.
1. Please complete pages 45 to 49 below in type or use block capitals (save for your signature) in black/blue permanent ink and sign any
changes you make. Do not erase any text or use whiteout. Please arrange for a witness to counter sign the Application Form.
2. You then need to send to Longford Films Ltd the following:
- This Application Form duly completed
- Your certificate confirming you are either a certified high net worth investor, a certified sophisticated investor or a self-certified
sophisticated investor
- Your cheque or banker’s draft made payable to Longford Films Ltd for the amount you wish to invest
44

48. - Or, alternatively, this amount can be sent by electronic transfer using the details below:
Bank: Lloyds Bank
Account Name: Longford Films LTD
Account No: 82553160
Sort Code: 30-92-59
If you need any assistance completing the Application Form or have any questions about the application process you should contact your
financial intermediary in the first instance. Additionally, you can contact Stockatonia on members@stockatonia.co.uk or
+44 (0)203 28 93 101. Please note, the Company cannot give legal, tax or investment advice, only practical guidance on the application
process.
The Company may decide, in its absolute discretion, to accept or reject the Application Form and will notify you of its decision. If you do not
receive an acknowledgement of your application within 5 days of sending it to the address above, please contact Stockatonia LTD on +44
(0)203 28 93 101.
45

49. 46

50. 47

51. Explanatory note: The UK government is required, in certain circumstances, to share tax information with the tax authorities in other
countries. As a result, financial institutions are legally required to collect certain information about the tax residency of each investor that it
deals with. These records will only be disclosed to the relevant tax authorities if, and when, this is required under applicable law.
Your tax residence generally is the country in which you live for more than half of the year. However, there are certain circumstances that
would cause a person to become tax resident in a number of countries. The country/countries in which you pay income tax are likely to be
your country/countries of tax residence.
If you have any concerns regarding your tax residency, please seek advice from a suitably qualified person.
APPLICATION TO INVEST IN THE ORDINARY SHARES OF LONGFORD FILMS LIMITED
I hereby apply to invest in the Ordinary Shares the following amount(s):
48

52. DECLARATION
1. I confirm that I am 18 years of age or older, and personally possess sufficient knowledge, experience and expertise in financial and
business matters (including experience with investments of a similar nature to an investment in the Shares) to be capable of evaluating the
merits and risks of an investment in the Shares. I acknowledge that the Company is not providing advice on this investment and confirm
that I have taken such independent advice (including from an independent financial adviser) that I deem necessary or desirable
2. I confirm that I am one or more of the following: certified as a ‘high net worth investor’ in accordance with Article 48 of FinProm; certified
as a ‘sophisticated investor’ in accordance with Article 50 of FinProm; or self-certified as a ‘sophisticated investor’ in accordance with
Article 50A of FinProm and I confirm that I have enclosed with this form at least one of these certificates, duly completed and signed.
3. I confirm am not a US citizen.
4. I confirm that I have read and understood the Business Plan (and in particular the section headed Risk Factors). I confirm that, in making
my application, I am relying solely on the information contained in the Business Plan and my own enquiries, and not on any other
information or representation in relation to the Shares.
5. I agree and undertake, if my application is accepted, to observe, perform and be bound by the provisions of this Application Form (and in
particular the section headed Terms & Conditions of the Application) and the Articles of Association from time to time of the Company.
6. I acknowledge that this Application Form is not transferable or assignable.
7. I confirm my agreement that this Application Form be governed by and construed in accordance with the laws of England and that the
courts of England shall have exclusive jurisdiction to hear and determine any suit, action or proceedings and to settle any disputes which
may arise out of or in connection with this Application Form and, for such purposes, I irrevocably submit to the jurisdiction of such courts.
In addition, I irrevocably waive any objection which I might now or hereafter have to the courts of England being nominated as the forum to
hear and determine any such suit, action or proceedings and to settle any such disputes, and agree not to claim that any such court is not a
convenient or appropriate forum.
8. I agree that the foregoing representations, warranties, agreements and acknowledgments shall survive the date of issue of the Shares
and this Application Form shall be binding upon and inure to the benefit of all parties and their successors and permitted assignees.
49

53. 9. I agree that any term or provision of this Application Form which is invalid or unenforceable in any jurisdiction shall, as to such
jurisdiction, be ineffective to the extent of such invalidity or unenforceability without rendering invalid or unenforceable the remaining
terms or provisions of this Application Form or affecting the validity or enforceability of any of the terms or provisions of this Application
Form in any other jurisdiction.
10. I confirm, in relation to my investment in the Shares, that I am applying on my own behalf. This Application Form is executed and
delivered as a deed on the date mentioned below:
Investor Signature: Print name:
Witness Signature: Print witness name and address:
Date:
50

54. INVESTOR CERTIFICATION
HIGH NET WORTH INVESTOR STATEMENT
I make this statement so that I can receive promotional communications which are exempt from the restriction on promotion of non-
readily realisable securities. The exemption relates to certified high net worth investors and I declare that I qualify as such because at
least one of the following applies to me:
I had, throughout the financial year immediately preceding the date below, an annual income to the value of £100,000 or more. Annual
income for these purposes does not include money withdrawn from my pension savings (except where the withdrawals are used directly
for income in retirement).
I held, throughout the financial year immediately preceding the date below, net assets to the value of £250,000 or more. Net assets for
these purposes do not include:
(a) the property which is my primary residence or any money raised through a loan secured on that property; or
(b) any rights of mine under a qualifying contract of insurance; or
(c) any benefits (in the form of pensions or otherwise) which are payable on the termination of my service or on my death or retirement
and to which I am (or my dependants are), or may be, entitled; or
(d) any withdrawals from my pension savings (except where the withdrawals are used directly for income in retirement).
I accept that the investments to which the promotions will relate may expose me to a significant risk of losing all of the money or other
property invested. I am aware that it is open to me to seek advice from an authorised person who specialises in advising on non-readily
realisable securities.
Signature:
Date:
51

55. INVESTOR CERTIFICATION
A certified sophisticated investor is an individual:
(1) who has a written certificate signed within the last 36 months by a firm confirming he has been assessed by that firm as sufficiently
knowledgeable to understand the risks associated with engaging in investment activity in non-readily realisable securities; and
(2) who has signed, within the period of twelve months ending with the day on which the communication is made, a statement in the
following terms:
SOPHISTICATED INVESTOR STATEMENT
I make this statement so that I can receive promotional communications which are exempt from the restriction on promotion of non-
readily realisable securities. The exemption relates to certified sophisticated investors and I declare that I qualify as such.
I accept that the investments to which the promotions will relate may expose me to a significant risk of losing all of the money or other
property invested. I am aware that it is open to me to seek advice from an authorised person who specialises in advising on non-readily
realisable securities.
Signature:
Date:
52

56. INVESTOR CERTIFICATION
A self-certified sophisticated investor is an individual who has signed, within the period of twelve months ending with the day on which
the communication is made, a statement in the following terms:
SELF-CERTIFIED SOPHISTICATED INVESTOR STATEMENT
I declare that I am a self-certified sophisticated investor for the purposes of the restriction on promotion of non readily realisable
securities. I understand that this means:
(i) I can receive promotional communications made by a person who is authorised by the Financial Conduct Authority which
relate to investment activity in non-readily realisable securities;
(ii) the investments to which the promotions will relate may expose me to a significant risk of losing all of the property
invested.
I am a self-certified sophisticated investor because at least one of the following applies:
(a) I am a member of a network or syndicate of business angels and have been so for at least the last six months prior to the date
below;
(b) I have made more than one investment in an unlisted company in the two years prior to the date below;
(c) I am working, or have worked in the two years prior to the date below, in a professional capacity in the private equity sector, or in the
provision of finance for small and medium enterprises;
(d) I am currently, or have been in the two years prior to the date below, a director of a company with an annual turnover of at least £1
million.
I accept that the investments to which the promotions will relate may expose me to a significant risk of losing all of the money or other
property invested. I am aware that it is open to me to seek advice from someone who specialises in advising on non-readily realisable
securities.
Signature:
Date:
53

57. Investor Notes
54

58. Stockatonia Ltd
68 Lombard Street, London, EC3V 9LJ
Phone Number
0203 28 93 101
Email Address
raj@stockatonia.co.uk
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