4. ELIZABETHAN DRAMA
ne of the great flowerings of drama in England
occurred in the 16th and 17th centuries.
n addition to Shakespeare, authors such as
Christopher Marlowe, Thomas Middleton, and Ben
Jonson were prominent playwrights during this period.
laywrights of this period drew some of their
storylines from the lives of past kings, enhancing the
image of the Tudor monarchy and also from Greek
mythology and Roman mythology.
5.
6.
7. ELIZABETHAN
THEATRE
lizabethan theatre did not
make use of lavish scenery,
instead leaving the stage
largely bare with a few key
props, the main visual appeal
on stage was in the costumes.
Costumes were often bright in
colour and visually entrancing.
8. SHAKESPEAREAN
LANGUAGE –
VOCABULARY arly Modern English
odern English
hy
our (poss. adjective)
hee
ou (object)
hou
ou (subject)
hine
our (poss. noun)
ays’t
ay
ea/ Ay
es
ast
as
eseech
eg
11. SHAKESPEAREAN
LANGUAGE
- RHYTHM n Shakespeare’s plays, the lines do not generally rhyme, but they do have
a set rhythm. This is the meter.
any of these plays were written in verse, particularly iambic
pentametre.
he term Iambic pentametre describes the particular rhythm that the
words establish in that line.
hakespeare arranges his words so that the syllables fall into a regular
pattern; every second syllable is stressed.
ambic pentametre is a line made up of five pairs of short/long, or
unstressed/stressed, syllables.