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Fullness in garments
RAGHUNATHAN.V
16BS10
darts
Darts are used to shape
fabric to fit the body. They
provide fullness to body
curves. Sometimes darts
are used decoratively to
provide a design line and
are not used for fitting. It is
important to be accurate
when fitting, marking,
stitching, and pressing
darts.
Types of drats
• Straight
• Curved outwards
• Curved inwards
• Neckline
• Double pointed
Pointed dart
Double pointed dart
Neckline dart
General rules
 Stitch darts from wide to narrow
 Threads at the point of the dart must be
secured. The method of fastening (backstitch,
tying a knot, lockstitch, or working threads
back into the stitching) depends on your
fabric.
• Darts are usually straight and merge into the
fabric (slide down the hill, not jump off the
cliff).
Sewing
• Fold dart in the center on the fold line. Pin
baste or hand baste. Usually darts are stitched
from the wide end to the narrow end. On a
double-pointed dart, start your stitching at the
widest part and stitch to each end. Be sure
that the last few stitches are on the very edge
of the fold of the dart.
tuck
A tuck is a stitched
fold of fabric. Tucks
are primarily used
for decoration.
However, released
tucks may be used
for shaping fabric
to the body
Types of tuck
 Pin Tucks – the small ones (right on the fold of
the fabric).
 Spaced Tucks – have spaces between the
stitching.
.
 Shell Tucks – stitched by hand or by using the
sewing machine to blindstitch creating an
even design.
• corded Tucks – cords are placed in wrong side
and tucks are produced
• Released Tucks – not stitched the entire length
of the area. They may be on the right side or
wrong side of the fabric.
Cross tuck
standard
A well-constructed tuck will:
• Provide relaxed but defined fullness.
• Be neat in appearance.
How to make a tuck
 Mark tucks with the appropriate method for
your fabric.
 • Remove the pattern. Fold on the designated
pattern marks and stitch.
pleat
Pleats can also be used to
control fullness in a
garment design. They may
be pressed or unpressed,
soft or crisp. When
selecting fabric for a
pleated design, be sure it
has good drape and is
resilient. Care should be
taken when cutting and
marking to see that pleats
are on grain to ensure
proper hang of the
garment
standard
Well-constructed pleats will:
• Have a smooth, neat appearance on the
outside/inside of a garment.
• Provide ease for comfort and/or design
silhouette.
Types of pleat
 Knife or Side – are flat and are turned to one
side, usually right to left on the outside of
garment. They are used in kilts, skirts, and on
shoulders of bodices.
 Box – are two straight pleats with folds
turned away from each other. They are used in
skirts, dresses, shirts, and jackets.
Types of pleat
 Inverted – are two straight pleats with folds
turned toward each other. They meet in the
center and are used primarily in skirts.
 Accordion – are narrow pleats at the top and
radiate to a wider width at the bottom. They
are not stitched down and are used in skirts,
sleeve designs, and lingerie
Knife pleat
Box pleat
Inverted pleat
Accordion
Gathers
Gathers are visible
fullness that is a
part of the
garment design.
They may be
functional or
decorative. Gathers
are used on sleeve
caps, sleeve cuffs,
waistlines, yokes,
and ruffles.
standard
Well-constructed gathers will:
 Be evenly distributed.
 Neatly stitched to the adjourning piece.
 Be controlled by one or more lines of
stitching
Types of gathers
• Gathering by hand
• Gathering by machine
• Gathering by using elastic
How to Gather
• Select the desired method of controlling fullness.
• Match pattern markings and seamlines of
garment pieces by pinning along stitching line on
the side of the fullness.
• Between each set of markings, pull on the
bobbin thread or cord for fullness.
• Distribute evenly using fingernail or pin. Secure
long threads by wrapping them around a pin.
When sufficient gathering has been achieved, add
additional pins (right at the stitching line), as
needed
How to Gather
• Machine baste on the seamline (gathered
side up), removing pins as you come to them.
• Check to see that the gathers are evenly
distributed as you sew.
• Stitch on top of machine basting with a
permanent stitch.
shirring
Shirring is created by rows of
stitching that is gathered. On very
lightweight fabrics, it is sometimes
called decorative gathering. Shirring
is used primarily on bodices and
cuffs of garments. When stitching,
be sure the rows of machine
stitching are even and parallel. The
distance between the rows of
stitching is your choice.
Types of shrring
• cord elastic shirring
• waffle shirring
• gathered shirring
Cord elastic shirring is done with a zig zag stitch
and strong cord elastic in two rows on the wrong
side of the fabric. You usually see this done on a
sleeve. Waffle shirring is a subset of elastic thread
shirring and is created by shirring in one
direction, then shirring again at a right angle to
the previous shirring to create a sort of
checkerboard effect. Finally, gathered shirring is
sewn with regular sewing thread in the needle
and bobbin; this type of permanent shirring
doesn't stretch and is essentially a sub-set of
gathering
FRILLS OR RUFFLES
• A ruffle is a strip of fabric cut or handled in such a
ways as to produce fullness. These are used for
the purpose of adding decoration to a garment.
Sometimes they are used at the hems of skirts
and dresses to add length. To make frills allow at
least one and a half times the length of the piece
to which the frill will be attached. The width of
the frill is usually anything from one inch to 3
inches. The longer side should be cut along the
lengthwise grain of the material. The gathered
edge of the frill can be concealed in a seam,
facing, binding or wide band
godet • These are wedge shaped
pieces which are usually set
into a skirt so that the wide
side of the wedge becomes a
part of the hem of the skirt
• The godet may be set into a
seam of the skirt, or the skirt
may be slashed so that the
slashed edges form the
seams that join into the
godet
• Panels are cut and godets are
stitched between panels
THANK YOU

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fullness in garment ( tuck dart pleats etc)

  • 2. darts Darts are used to shape fabric to fit the body. They provide fullness to body curves. Sometimes darts are used decoratively to provide a design line and are not used for fitting. It is important to be accurate when fitting, marking, stitching, and pressing darts.
  • 3. Types of drats • Straight • Curved outwards • Curved inwards • Neckline • Double pointed
  • 4. Pointed dart Double pointed dart Neckline dart
  • 5. General rules  Stitch darts from wide to narrow  Threads at the point of the dart must be secured. The method of fastening (backstitch, tying a knot, lockstitch, or working threads back into the stitching) depends on your fabric. • Darts are usually straight and merge into the fabric (slide down the hill, not jump off the cliff).
  • 6. Sewing • Fold dart in the center on the fold line. Pin baste or hand baste. Usually darts are stitched from the wide end to the narrow end. On a double-pointed dart, start your stitching at the widest part and stitch to each end. Be sure that the last few stitches are on the very edge of the fold of the dart.
  • 7. tuck A tuck is a stitched fold of fabric. Tucks are primarily used for decoration. However, released tucks may be used for shaping fabric to the body
  • 8. Types of tuck  Pin Tucks – the small ones (right on the fold of the fabric).
  • 9.  Spaced Tucks – have spaces between the stitching. .
  • 10.  Shell Tucks – stitched by hand or by using the sewing machine to blindstitch creating an even design.
  • 11. • corded Tucks – cords are placed in wrong side and tucks are produced
  • 12. • Released Tucks – not stitched the entire length of the area. They may be on the right side or wrong side of the fabric.
  • 14. standard A well-constructed tuck will: • Provide relaxed but defined fullness. • Be neat in appearance.
  • 15. How to make a tuck  Mark tucks with the appropriate method for your fabric.  • Remove the pattern. Fold on the designated pattern marks and stitch.
  • 16. pleat Pleats can also be used to control fullness in a garment design. They may be pressed or unpressed, soft or crisp. When selecting fabric for a pleated design, be sure it has good drape and is resilient. Care should be taken when cutting and marking to see that pleats are on grain to ensure proper hang of the garment
  • 17. standard Well-constructed pleats will: • Have a smooth, neat appearance on the outside/inside of a garment. • Provide ease for comfort and/or design silhouette.
  • 18. Types of pleat  Knife or Side – are flat and are turned to one side, usually right to left on the outside of garment. They are used in kilts, skirts, and on shoulders of bodices.  Box – are two straight pleats with folds turned away from each other. They are used in skirts, dresses, shirts, and jackets.
  • 19. Types of pleat  Inverted – are two straight pleats with folds turned toward each other. They meet in the center and are used primarily in skirts.  Accordion – are narrow pleats at the top and radiate to a wider width at the bottom. They are not stitched down and are used in skirts, sleeve designs, and lingerie
  • 20.
  • 22. Gathers Gathers are visible fullness that is a part of the garment design. They may be functional or decorative. Gathers are used on sleeve caps, sleeve cuffs, waistlines, yokes, and ruffles.
  • 23. standard Well-constructed gathers will:  Be evenly distributed.  Neatly stitched to the adjourning piece.  Be controlled by one or more lines of stitching
  • 24. Types of gathers • Gathering by hand • Gathering by machine • Gathering by using elastic
  • 25. How to Gather • Select the desired method of controlling fullness. • Match pattern markings and seamlines of garment pieces by pinning along stitching line on the side of the fullness. • Between each set of markings, pull on the bobbin thread or cord for fullness. • Distribute evenly using fingernail or pin. Secure long threads by wrapping them around a pin. When sufficient gathering has been achieved, add additional pins (right at the stitching line), as needed
  • 26. How to Gather • Machine baste on the seamline (gathered side up), removing pins as you come to them. • Check to see that the gathers are evenly distributed as you sew. • Stitch on top of machine basting with a permanent stitch.
  • 27. shirring Shirring is created by rows of stitching that is gathered. On very lightweight fabrics, it is sometimes called decorative gathering. Shirring is used primarily on bodices and cuffs of garments. When stitching, be sure the rows of machine stitching are even and parallel. The distance between the rows of stitching is your choice.
  • 28. Types of shrring • cord elastic shirring • waffle shirring • gathered shirring
  • 29. Cord elastic shirring is done with a zig zag stitch and strong cord elastic in two rows on the wrong side of the fabric. You usually see this done on a sleeve. Waffle shirring is a subset of elastic thread shirring and is created by shirring in one direction, then shirring again at a right angle to the previous shirring to create a sort of checkerboard effect. Finally, gathered shirring is sewn with regular sewing thread in the needle and bobbin; this type of permanent shirring doesn't stretch and is essentially a sub-set of gathering
  • 30. FRILLS OR RUFFLES • A ruffle is a strip of fabric cut or handled in such a ways as to produce fullness. These are used for the purpose of adding decoration to a garment. Sometimes they are used at the hems of skirts and dresses to add length. To make frills allow at least one and a half times the length of the piece to which the frill will be attached. The width of the frill is usually anything from one inch to 3 inches. The longer side should be cut along the lengthwise grain of the material. The gathered edge of the frill can be concealed in a seam, facing, binding or wide band
  • 31.
  • 32. godet • These are wedge shaped pieces which are usually set into a skirt so that the wide side of the wedge becomes a part of the hem of the skirt • The godet may be set into a seam of the skirt, or the skirt may be slashed so that the slashed edges form the seams that join into the godet • Panels are cut and godets are stitched between panels