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Making it R.E.A.L.
Real-world experiences
  accelerate learning
Making Intersections

      -Actual
      -Simulated
Bloom’s Taxonomy
• Sir Francis Drake
• Your own story
Benefits to Student Learning
• Greater long-term retention of material learned
• Forces them to raise the bar above simply peer review
• Intrinsic Learning
• Increase in production quality and higher order concepts
• Maturity in presentation skills
• Challenges gifted and talented students
• Constructive criticism from someone in the professional
  world
• Team oriented
•   ADVISING/MENTORING
•   REFERENCES
•   EXPOSURE TO CAREER OPTIONS
•   FUTURE CAREER CONNECTIONS
•   COMPETITIONS, AWARDS and SCHOLARSHIPS
•   HEAD START IN COLLEGE CREDITS, PROJECTS
    & CRITIQUES
Historical Context
• Apprenticeships
– Began in Middle Ages with artists guilds needing help.
– Apprentices were 14 years of age or younger
– Michelangelo was apprenticed at the age of thirteen
  (1449–1494) creating the renowned Pieta at age 24.
– When apprenticing youth from the past achieved the
  status of craft workers, they became important members
  of society
– Annually there are nearly one-half million registered
  apprentices in training in American business today
School-to-work learning is concerned with
preparing students for the difficult transition
from high school to a 2-4 year higher
education program. Researchers and policy
analysts refer to school-to-work transitions as
ways to easing the passage from young adult
to wage earners.
                                -de Lone (1992)
I love to critique student work and give
feedback whenever I can. We both win and so
  does the industry. The freshness of a new
  perspective is priceless and it helps me to
become a better designer and learn more even
  after 25 years in the business. -Mark Bird
If so many teachers believe real
 world projects are great to do,
   then why aren’t they doing
       them more often?
Raising the Bar for Teachers
Why teachers may be afraid
• student work may be poor quality and embarrassing
• afraid guest may expose their incorrect teaching
• afraid guest may say things that are in conflict with
  what you taught
• afraid guest will not lead well
• afraid students will treat guest poorly
• guest will not critique well enough or too harshly
• coinciding with curriculum
• cost involved
• afraid of taking time out of a professional’s work day
Quite frankly, I would not be where I am today
without the guidance, encouragement and
inspiration of many teachers, professors and industry
professionals. I try in every way I can to pay them
back by doing work that makes a difference and by
meeting/working with young people to pay that
legacy forward. Hopefully, in some small way, I can
empower other creative people, young and old, to do
the same.
                                  -Bill Mc Kendry
                  Hanon-McKendry Advertising
Practical Benefits for Teachers
Why teachers should not be afraid
• learning from a professional will only improve your teaching
  for next year
• freshness and a change of rhythm and pace is good for a
  classroom
• getting students out of the classroom and into a real studio is
  exciting to them
• good for a student to get a different perspective than your
  own
• it is important for students to know that the world has
  conflicting opinions on art
• great for students who don’t gel with you
• opportunities for art program exposure
Teachers need to see how business is a part of
education and not just education for
education’s sake… if the teachers believe in
how this vision works, and how it really does
tie in to what they are doing, it’s not an “add-
on” to their curriculum. Then it will continue
and teachers will ask businesses to come in
and speak in their classrooms or send their
students into work-based experiences.
            -Chamber of Commerce NCY
• 74% of students with existing experience in a
  work place, whether high school, college
  internships, or short- term connections with
  school-based projects receive job interviews
  within that existing business.
• 55% of these students will be hired at or
  above entry level positions within these
  companies.
• 95% of colleges say they look at major-related
  experiences when deciding on scholarships for
  incoming freshman.
Industrial Design
Fashion Design
Architectural Design
Interior Design
This may work for Design but what about
 all the other classes, like Drawing and
          Painting or Sculpture?
Guest Artists
Competitions
PUBLIC ART SHOWS
Community Giving
Temporary and
Permanent Installations
Field Trips
DiDisplay Student Work

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Making it r.e.a.l.

  • 1. Making it R.E.A.L. Real-world experiences accelerate learning
  • 2. Making Intersections -Actual -Simulated
  • 4. • Sir Francis Drake • Your own story
  • 5. Benefits to Student Learning • Greater long-term retention of material learned • Forces them to raise the bar above simply peer review • Intrinsic Learning • Increase in production quality and higher order concepts • Maturity in presentation skills • Challenges gifted and talented students • Constructive criticism from someone in the professional world • Team oriented
  • 6.
  • 7. ADVISING/MENTORING • REFERENCES • EXPOSURE TO CAREER OPTIONS • FUTURE CAREER CONNECTIONS • COMPETITIONS, AWARDS and SCHOLARSHIPS • HEAD START IN COLLEGE CREDITS, PROJECTS & CRITIQUES
  • 8. Historical Context • Apprenticeships – Began in Middle Ages with artists guilds needing help. – Apprentices were 14 years of age or younger – Michelangelo was apprenticed at the age of thirteen (1449–1494) creating the renowned Pieta at age 24. – When apprenticing youth from the past achieved the status of craft workers, they became important members of society – Annually there are nearly one-half million registered apprentices in training in American business today
  • 9. School-to-work learning is concerned with preparing students for the difficult transition from high school to a 2-4 year higher education program. Researchers and policy analysts refer to school-to-work transitions as ways to easing the passage from young adult to wage earners. -de Lone (1992)
  • 10.
  • 11.
  • 12. I love to critique student work and give feedback whenever I can. We both win and so does the industry. The freshness of a new perspective is priceless and it helps me to become a better designer and learn more even after 25 years in the business. -Mark Bird
  • 13. If so many teachers believe real world projects are great to do, then why aren’t they doing them more often?
  • 14. Raising the Bar for Teachers Why teachers may be afraid • student work may be poor quality and embarrassing • afraid guest may expose their incorrect teaching • afraid guest may say things that are in conflict with what you taught • afraid guest will not lead well • afraid students will treat guest poorly • guest will not critique well enough or too harshly • coinciding with curriculum • cost involved • afraid of taking time out of a professional’s work day
  • 15. Quite frankly, I would not be where I am today without the guidance, encouragement and inspiration of many teachers, professors and industry professionals. I try in every way I can to pay them back by doing work that makes a difference and by meeting/working with young people to pay that legacy forward. Hopefully, in some small way, I can empower other creative people, young and old, to do the same. -Bill Mc Kendry Hanon-McKendry Advertising
  • 16. Practical Benefits for Teachers Why teachers should not be afraid • learning from a professional will only improve your teaching for next year • freshness and a change of rhythm and pace is good for a classroom • getting students out of the classroom and into a real studio is exciting to them • good for a student to get a different perspective than your own • it is important for students to know that the world has conflicting opinions on art • great for students who don’t gel with you • opportunities for art program exposure
  • 17. Teachers need to see how business is a part of education and not just education for education’s sake… if the teachers believe in how this vision works, and how it really does tie in to what they are doing, it’s not an “add- on” to their curriculum. Then it will continue and teachers will ask businesses to come in and speak in their classrooms or send their students into work-based experiences. -Chamber of Commerce NCY
  • 18. • 74% of students with existing experience in a work place, whether high school, college internships, or short- term connections with school-based projects receive job interviews within that existing business. • 55% of these students will be hired at or above entry level positions within these companies. • 95% of colleges say they look at major-related experiences when deciding on scholarships for incoming freshman.
  • 20.
  • 22.
  • 23.
  • 24.
  • 25.
  • 27.
  • 28.
  • 30.
  • 31.
  • 32. This may work for Design but what about all the other classes, like Drawing and Painting or Sculpture?
  • 34.
  • 35.
  • 38.
  • 39.
  • 40.
  • 43.