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Little red ridinghood
1.
PICTURE THIS HOW
PICTURES WORK by Molly Bang
2.
Little Red Riding
Hood. What shape and color did you choose for her?
3.
Little Red Riding
Hood
4.
The Mother
5.
How can we
make her more lovable?
6.
Who looks like
the main character in the story?
7.
The mother is
still similar to Little Red Riding Hood.
8.
The Forest
9.
I wanted to
stay as simple as possible.
10.
These trees are
too friendly and remind us of Christmas.
11.
This sense of
depth is accomplished simply by arranging the pieces so that the thinner they are, the higher up on the page their bases are placed.
12.
What can I
do to Little Red Riding Hood âONLY to the triangleâto make the picture feel scarier?
13.
What can we
do to the trees to make the environment more frightening?
14.
Diagonal lines
give a feeling of movement or tension to the picture.
15.
The Wolf
16.
How can we
make the wolf more frightening?
17.
Why do these
triangles look so scary?
18.
What else does
the wolf need in order to look more wolfish?
19.
But even though
wolvesâ eyes are often pale blue, it didnât look right.
20.
What happens if
the eye is made exactly the same color and shape as Little Red Riding Hood?
21.
The picture feels
very different, and yet all that has changed is the shape of the eye.
22.
What feature could
I add to the wolf to make it yet more frightening?
23.
When two or
more objects in a picture have the same color, we associate them with each other.
24.
Why does the
picture feel more threatening?
25.
What has happened
now that the teeth are white?
26.
THE PRINCIPLES Make
note of the principles printed in red.
27.
1. Smooth, flat
horizontal shapes give us a sense of stability and calm.
28.
2. Vertical shapes
are more exciting and more active.
29.
3. Diagonal shapes
are dynamic because they imply motion or tension.
30.
Â
31.
Â
32.
A triangle placed
on a flat base gives a feeling of stability.
33.
The same triangle
placed on a diagonal gives a sense of movement.
34.
What increases the
sense of movement even more in this picture?
35.
The addition of
each new element can modify the effect of the other elements or even change them completely.
36.
The principles described
so far result from gravity's effect upon us and the world and the pictures we look at.
37.
Composition
38.
Putting one shape
in the middle of the page is the most uninteresting composition possible. How can it be improved?
39.
Move it out
of the center.
40.
Add More Shapes
41.
Change Proportion
42.
Change Proportion
43.
Your Assignment
44.
The Birds
45.
Examples
46.
The next principles
have to do with the picture as a world of its own.
47.
6. White or
light backgrounds feel safer to us than dark backgrounds because we can see well during the day and only poorly at night.
48.
We associate red
with blood and fire. What things in nature are either black or white?
49.
Curved shapes embrace
us and protect us.
50.
We feel more
scared looking at pointed shapes; we feel more secure or comforted looking at rounded shapes or curves.
51.
The larger an
object is in a picture, the stronger it feels.
52.
The same figure
appears much more vulnerable if it is made very small.
53.
Space isolates a
figure, makes that figure alone, free, and vulnerable.
54.
Wide space can
create tension between the divided objects...
55.
Space implies time.
56.
The picture is
extremely simple, and extremely effective.
57.
58.
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