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Art Appreciation, Day 2:
Line, Shape, Contrast, etc.
Professor Paige Prater
T, R, 9:30-10:50AM
10 ELEMENTS of Art:
1. Color
2. Form
3. Line
4. Mass
5. Shape
6. Space
7. Texture
8. Time/Motion
9. Value
10. Volume
10 PRINCIPLES of Art:
1. Unity
2. Variety
3. Balance
4. Emphasis
5. Focal Point
6. Pattern
7. Proportion
8. Rhythm
9. Scale
10. Contrast
Two-dimensional art:
• Line
• Shape
• Contrast
Mel Bochner, Vertigo, 1982. Charcoal, conte’ crayon, and pastel on canvas,
9’x6’2”. Albright-Knox Art Gallery, Buffalo, NY.
• Regular/irregular
• Actual/implied
• Vertical/Horizontal/Diagonal
Regular/Irregular Line

Andre Masson, Automatic Drawing, 1925-6. Ink on
paper, 12 x91/2”. Muse’e National d’Art Moderne.
Centre Georges Pompidou, Paris, France.
Actual/Implied LINE
Vertical/Horizontal/Diagonal LINE
SHAPE
• A 2D area with boundaries (line, value, color)

Rectilinear vs. curvilinear
Implied SHAPE
Example:
Positive/Negative SHAPE
Positive/Negative SHAPE
• Contrast!
– M.C. Escher
Sky and Water
I, 1938,
woodcut, 17
1/8 x 17 3/8.
The M. C.
Escher
Company,
Netherlands
Kara Walker, artist
http://www.youtube.com/watch?v=o
6t-S_DFxCI
Biographical analysis: what experiences/opinions
does she share that influence her subject matter?
Other types of analysis:
• Formal: elements and principles of art
• Psychological: interprets artist’s mental state
• Contextual: historical, religious, political
economic, social, etc.
• Feminist: role of women in the artwork as
subjects, creators, patrons, and viewers
• Iconographic: objects and figures as signs or
symbols (often religious or historical)
Three-dimensional art:
• Form (vs. SHAPE)
• Height, width, depth

– Volume – amount of space occupied
– Mass- solidity (small or massive)

• Texture – tangible (3D) or imaginary (2D)
Form Volume Mass

Great Pyramid of Kuhuf, c. 2560 BCE, Giza, Egypt
Texture
•

http://www.moma.org/collection/object.php?object_id=80997

Me’ret Oppenheim, Object, 1936. Fur-covered
cup, saucer, and spoon, 2 7/8” high, MOMA, New York.
Analyze
•

Otto Dix, Kriegeskrueppel (War Cripples), 1920. Drypoint, 12 ¾ x19
½”, MOMA, New York.
Group Work: Analyze
Shepard Fairey, Obey, 1996.

Georgia O’Keeffe, Music—Pink and
Blue II, 1919. Oil on canvas, 35x29
1/8”. Whitney Museum of American
Art, New York.

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Art Appreciation, Day2: Line, Shape, Contrast, Form, Mass, Volume, Texture