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FIRTH
Performance/Narrative/Conceptual
WHAT IS MINE?


   Firth initially stated that music videos can fit into 3 categories. These are
   performance, narrative and conceptual. This means that the performance
 videos are those where the band are seen playing or singing, the narrative is
    where a story takes place and conceptual is when metaphors are used to
                          convey feelings within the video.
Personally I feel that my video encompasses two. These are performance and
 conceptual. The reason being is because the singing in my video is from my
   actress, playing Paloma. This means that the audience is meant to see my
     actress as Paloma and give the impression that it‟s her actually singing.
However, it‟s conceptual because, according to Firth “Conceptual videos do
   not tell a story in linear fashion, but rather create a mood, a feeling to be
  evoked in the experience of viewing”. This video is open to interpretation
        form the viewer as I don‟t want to tell the audience what to feel.
FEELING


The feeling I wanted to convey was one of sadness and loneliness. This wide-
shot shows how she is on her own and the facial expression throughout is one
                              of unhappiness
WHAT DO THE AUDIENCE FEEL?


      I want the audience to feel a sense of
loneliness and sadness. By showing Paloma on
     her own, she seems to be isolated and
  vulnerable, however the audience could also
      interpret this as her being strong and
independent. Paloma in many videos is shown
  to be strong and independent and when you
 look further afield, to Duffy, she also does in
 her videos. This is done through framing her
 at the front of her video, like in mine, and by
 having close-ups of her face, something again
 a feature in mine. This feeling of being close
to the artist satisfies the uses and gratifications
     theory of relating with a valued other.
RELATIONSHIP BETWEEN
                          MUSIC/VISUALS/LYRICS


     I use lip-synching, as seen on the video embedded below, to convey the
feelings in the song through visual images. I initially did this through analyzing
   the lyrics and annotating them to create an image in my head of what the
        writer of the song wants to convey to the audience. I had my own
  interpretation of this so when storyboarding I also referred to her previous
videos, especially New York (NY) for inspiration. The inspiration was because
   I wanted to replicate the feel felt in the single as well as adapt it to suit my
 product. NY also uses lip syncing, as well as linking the lyrics to the video. I
    do this in “I know a rich man who has everything he could wish for, but
    children”. I simulate objects being thrown away as I felt this was Paloma
saying he‟s materialistic and I demonstrate this by getting rid of personal items
   and throwing confetti – something associated with marriages and „eternal
  happiness‟ as much as this one would be disputed! In NY, this is used when
    she starts the chorus and a superimposed view of New York city appears
       behind her. This chorus starts “And it was New York, New York…”

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Paloma faith

  • 2. WHAT IS MINE? Firth initially stated that music videos can fit into 3 categories. These are performance, narrative and conceptual. This means that the performance videos are those where the band are seen playing or singing, the narrative is where a story takes place and conceptual is when metaphors are used to convey feelings within the video. Personally I feel that my video encompasses two. These are performance and conceptual. The reason being is because the singing in my video is from my actress, playing Paloma. This means that the audience is meant to see my actress as Paloma and give the impression that it‟s her actually singing. However, it‟s conceptual because, according to Firth “Conceptual videos do not tell a story in linear fashion, but rather create a mood, a feeling to be evoked in the experience of viewing”. This video is open to interpretation form the viewer as I don‟t want to tell the audience what to feel.
  • 3. FEELING The feeling I wanted to convey was one of sadness and loneliness. This wide- shot shows how she is on her own and the facial expression throughout is one of unhappiness
  • 4. WHAT DO THE AUDIENCE FEEL? I want the audience to feel a sense of loneliness and sadness. By showing Paloma on her own, she seems to be isolated and vulnerable, however the audience could also interpret this as her being strong and independent. Paloma in many videos is shown to be strong and independent and when you look further afield, to Duffy, she also does in her videos. This is done through framing her at the front of her video, like in mine, and by having close-ups of her face, something again a feature in mine. This feeling of being close to the artist satisfies the uses and gratifications theory of relating with a valued other.
  • 5. RELATIONSHIP BETWEEN MUSIC/VISUALS/LYRICS I use lip-synching, as seen on the video embedded below, to convey the feelings in the song through visual images. I initially did this through analyzing the lyrics and annotating them to create an image in my head of what the writer of the song wants to convey to the audience. I had my own interpretation of this so when storyboarding I also referred to her previous videos, especially New York (NY) for inspiration. The inspiration was because I wanted to replicate the feel felt in the single as well as adapt it to suit my product. NY also uses lip syncing, as well as linking the lyrics to the video. I do this in “I know a rich man who has everything he could wish for, but children”. I simulate objects being thrown away as I felt this was Paloma saying he‟s materialistic and I demonstrate this by getting rid of personal items and throwing confetti – something associated with marriages and „eternal happiness‟ as much as this one would be disputed! In NY, this is used when she starts the chorus and a superimposed view of New York city appears behind her. This chorus starts “And it was New York, New York…”