Corso di Estetica dei New Media Prof. Federica Timeto Accademia di BBAA di Palermo A.A. 2010-11 12

1. Locative Media Arts e Net Locality Estetica dei nuovi media Prof. Federica Timeto , A.A. 2010-2011

6. Software Art Arte Concettuale Land Art e Earth Art Body Art Arte pubblica Controcultura anni ‘60 Performance Art Site-specific Art Arti Locative

12. I locative media sono molte cose: un luogo nuovo per vecchie discussioni sulla relazione della coscienza ai luoghi e ad altra gente. Un riferimento entro cui connettersi attivamente, criticare e dare forma a un insieme di tecnologie in rapido sviluppo. Un contesto in cui esplorare nuovi e vecchi modelli di comunicazione, comunità e scambio. Un nome per la forma ambigua e in rapido sviluppo dell’infrastruttura della sorveglianza e del controllo (Ben Russell, 2004) http://web.archive.org/web/20060720212044/http://locative.net/tcmreader/index.php?intro;russell Mona Hatoum Roadworks (Performance-Still) 1985-1995

13. Tracce nel paesaggio (percorsi sonori e ambientali)

14. Regina José Galindo Quien puede borrar las huellas (Who Can Remove the Traces?), performance, filmed still , 2003 Perché le arti locative eccedano la precisione sterile del loro sistema assiomatico, è necessario che agiscano su o attraverso i corpi materiali e le sostanze, e che s’invischino nell’ambiguità, nello sporco, nel sudore e negli odori del mondo Drew Hemment http://www.youtube.com/watch?v=D46p71QdCTc

15. Teri Rueb, Trace, 1999 Place is a verb. Place making and the meaning of place, “placings”, unfold as a continuous dialogue between the physical and built environment and its inhabitants. Landscape is a special kind of “placing”. (T. Rueb) http://www.terirueb.net

16. The biorama hike - 2007 walking, talking and field science Andy Gracie http://www.hostprods.net/projects/biorama-hike/

17. http://vimeo.com/24250620

18. Hertzian Ran, Mark Shepard, 2009-

19. Mappature (di cose e persone, emozionali e politiche)

20. PROBOSCIS, Urban Tapestries , 2002-4 http://urbantapestries.net/ Sito originario http://research.urbantapestries.net/

21. The Serendipitor, Mark Shepard, 2010-11 http://www.v2.nl/lab/blog/serendipitor-transmediale-award/view

22. Marc Tuters, The Locative Utopia, TCM Reader, http://web.archive.org/web/20060716130032/locative.net/tcmreader/index.php?endo;tuters The MILK Model : a kind of X-Ray device into the black box of consumer society, that permits one the experience of peering under the organized surface of consumer society to reveal a Matrix-like web of interconnected decentered complexity. Esther Polak and Ieva Auzina, MILK, 2001 awared the Golden Nica new-media prize

23. Esther Polak and Ieva Auzina, MILK, 2001

24. Seeker video Seeker , Leon Cmielewski and Josephine Starrs, 2006.

25. Storicizzare il luogo al presente offre la possibilità di risimbolizzare il luogo in relazione al suo passato, e dunque a politicizzare il presente (Zeffiro, 2006b). In qualsiasi senso, infondere un luogo di frammenti storici e mediati attraverso i locative media serve a sostanziare la volatilità del’interfaccia. [ Barbara Crow, Michael Longford, Kim Sawchuk and Andrea Zeffiro, Voices from Beyond: Ephemeral Histories, Locative Media and the Volatile Interface , 2008, p. 29]

26. Hypermobility and dematerialization are usually seen as mere functions of new technologies. This understanding erases the fact that it takes multiple material conditions to achieve this outcome. Once we recognize that the hypermobility of the instrument … had to be produced , we introduce non-digital variables in our analysis of the digital. Obversely, much of what happens in electronic space is deeply inflected by the cultures, the material practices, the imaginaries, that take place outside electronic space … Digital space is embedded in the larger societal, cultural, subjective, economic, imaginary structurations of lived experience and the systems within which we exist and operate. ( Saskia Sassen, Towards a Sociology of Information Technology , 2002, 368-9 )

27. Nancy Nisbet, Exchange , 2006 • Nisbet's personal belongings freely traded through Canada, the United States and Mexico in a commercial transport truck • An extended cross-border performance confronting political issues of free trade • A critique of the use of Radio Frequency Identification (RFID) surveillance and the risk of privacy infringement • The blurring and multiplication of identity through exchange of personal belongings

28. Delocator , The Finishing School, 2005

29. Ricardo Dominguez/Brett Stalbaum/Micha Cárdenas Transborder Immigrant Tool/Herramienta Transfronteriza para Inmigrantes Awarded the Arts and Humanities Transborder Grant 2007-8, UCSD. “ The trans in transborder and transgender can signify a crossing, but also a hope and a bravery in crossing […] In a way this hope is always a hope for the unknown, for one can never know what the result of the crossing will be, a better life, a new body, death or life. “ Micha Cardenas The Transborder Immigrant Tool: Violence, Solidarity and Hope in Post-NAFTA Circuits of Bodies Electr(on)/ic 2009

30. On May 16th 2006, the CEO of Applied Digital and chairman of VeriChip Corporation, Scott Silverman, suggested on a Fox News television show, Fox & Friends First, the implantation of RFID chips into the arms of guest workers and immigrants in the US when he was invited to answer the anchors’ question: “ Could implanting a microchip into guest workers coming into the US solve our illegal immigration problem ?” Chiapas, 513 clandestini nascosti in due tir [fonte Repubblica.it 18 maggio 2011]

32. Transborder Immigrant Tool, Transition http://vimeo.com/6109723 Tansborder Immingrant Tool, Dubliners http://vimeo.com/6108310

33. the map of global flows [is] a diagram of power in the Deleuzian sense - "a cartography that is coextensive with the whole social field." (17) This notion of the diagram, which Deleuze developed from Foucault's work on the microphysics of power, does not simply designate a static grid, a preconceived template for the application of a unified force. Rather it describes a productive matrix, a dymaxion space: a dynamic field in which tensions are maximized at an almost infinite number of heterogeneous points. Each of these "points" - human beings, but also their material objects and inventions - is caught in singular and evolving relations to others, relations of power which involve both constraint and freedom. From the interplay of these multiple relations, each with its own productive powers and its own margins of maneuvre, distinct patterns of overall functionality emerge and crystallize; they are codified within the deterministic social sciences (including the Marxist ones) as the stratified "laws" of what in reality is a contingent historical configuration . Brian Holmes: Flowmaps, The Imaginaries of Global Integration http://web.archive.org/web/20060622072156/locative.net/tcmreader/index.php?endo;holmes

34. Tales of things , Chris Speed, 2010

35. Performances e LBMG (Location Based Mobile Games)

36. 2001

37. Each runner was equipped with 1 eTrex GPS tracker with custom serial connector 1 iPaq handheld computer with PCMCIA expansion jacket 1 PCMCIA 802.11b wireless LAN card with mini-antenna 1 additional rechargeable battery pack 1 PMR466 walkie talkie with voice activated headset 1 digital camera with spare batteries Can You see me Now? 2001 Blast Theory

38. Interactive Telecommunications Graduate Program, NY, 2004

39. Blast Theory, locative movie, 2010 [premiered at Sundance festival] http://www.youtube.com/watch?v=cD26y4ncDe4

40. Alyssa Wright, Cherry Blossom , 2007

41. Street with a View, 3 maggio 2008 , Robin Hewlett e Ben Kinsley , performance in tempo reale e documentazione su Google Street View, http://www.streetwithaview.com/

42. Call Cutta in a Box, An Intercontinental Phone Play, (2008- originally conceived 2005) Rimini Protokoll In collaboration with the Callcenter Descon Limited in Calcutta

43. Wearables

44. Christian Nold, Biomapping, 2004-

45. Gordan Savicic , Constraint City - The Pain of Everyday life * Cfr. Stan Stenslie, The Walker

46. Paul Vanouse, The Security Bra , 1998

47. Sonali Sridhar, Address Necklace http://missmoun.com/index.php?/lab/address-necklace/

48. http://www.bushnell.com/products/gps/backtrack /

49. Norene Leddy, Aphrodite Project (2001-) http://www.sexygpsshoes.com/

50. Christian Croft, The Energy Harvesting Dérive , 2007

51. The Third Woman interactive Performance & film-game , Galapagos Arts venue in Dumbo Brooklyn New York, 8th May 2011 http://vimeo.com/23760027 A Film~Game with QR Code Fashions, Directed by: Nina Yankowitz, Pia Tikka, Martin Rieser, Mauri Kaipainen, Margarete Jahrmann, Rasmus Vuori

52. http://leoalmanac.org/