Mw20 -3k Physical Visualizations

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MW20 presentation by Michael Haley Goldman and Sara Pitcairn: Physical Visualization: Turning Data into Space

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Physical Visualizations:
Turning Data into Space
Michael Haley Goldman
Sara Pitcairn

Please contact us to continue
the conversation:
mhaleygoldman@ushmm.org
sarapitcairn@ushmm.org

What do we mean by physical visualizations?

'1.8', 2015 by Janet Echelman
Photographed by Ron Cogswell

The Book of Names
Photographed by Destructive Compliments

Untitled (Names on the 9/11 Memorial Fountain
Photographed by Sanderslelli

National Memorial for Peace and Justice Montgomery (AL) 2019
Photographed by Ron Cogswell

Field of Empty Chairs, Oklahoma City National Memorial
Photographed by KenLund

There are many areas that have explored some form
of physical visualization:
- Art as physical visualization
- Memorial installations as physical visualization
- Memorial spaces as physical visualization

Our experience with physical visualization in our
galleries:
- One Thousand Seventy-eight Blue Skies
- Liquidation

One Thousand Seventy-eight Blue Skies installation by Anton Kusters
United States Holocaust Memorial Museum Photographer: Joel Mason-Gaines

Liquidation
Original Design by Sarah Maravetz and Gillian McCallion

These physical spaces embody historical data sets.
How do visitors understand the data within them?

Themes from audience responses:
- Curiosity and interaction
- Different perspective or frame of reference
- Affective understanding, feeling the data

Presence in a space or immersive environment
impacts how audiences experience data

Design choices influence audience understanding

Physical visualizations can link the affective
and intellectual experiences of audiences

Future work: what are the unique qualities of
physical, rather than screen- or print-based,
visualizations?

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1. Physical Visualizations: Turning Data into Space Michael Haley Goldman Sara Pitcairn

2. Please contact us to continue the conversation: mhaleygoldman@ushmm.org sarapitcairn@ushmm.org

3. What do we mean by physical visualizations?

4. '1.8', 2015 by Janet Echelman Photographed by Ron Cogswell

5. The Book of Names Photographed by Destructive Compliments

6. Untitled (Names on the 9/11 Memorial Fountain Photographed by Sanderslelli

7. National Memorial for Peace and Justice Montgomery (AL) 2019 Photographed by Ron Cogswell

8. Field of Empty Chairs, Oklahoma City National Memorial Photographed by KenLund

9. There are many areas that have explored some form of physical visualization: - Art as physical visualization - Memorial installations as physical visualization - Memorial spaces as physical visualization

10. Our experience with physical visualization in our galleries: - One Thousand Seventy-eight Blue Skies - Liquidation

11. One Thousand Seventy-eight Blue Skies installation by Anton Kusters United States Holocaust Memorial Museum Photographer: Joel Mason-Gaines

12. Liquidation Original Design by Sarah Maravetz and Gillian McCallion

13. These physical spaces embody historical data sets. How do visitors understand the data within them?

14.

15. Themes from audience responses: - Curiosity and interaction - Different perspective or frame of reference - Affective understanding, feeling the data

16. What did we learn?

17. Presence in a space or immersive environment impacts how audiences experience data

18. Design choices influence audience understanding

19. Physical visualizations can link the affective and intellectual experiences of audiences

20. Future work: what are the unique qualities of physical, rather than screen- or print-based, visualizations?

Hinweis der Redaktion

I was thinking of adding this slide to encourage people to follow up with us for further discussion. Unlike the format of a conference, we won’t talk to people at the end of the program, bump into them at other sessions, etc. so it seems worthwhile to start with encouraging additional dialogue.
What would we do in the future?
'1.8', 2015 by Janet Echelman -- The 'Wonder' Exhibit Renwick Gallery (DC) November 2015 photographed by Ron Cogswell
The Book of Names photographed by Destructive Compliments
Untitled (Names on the 9/11 Memorial Fountain) photographed by Sanderslelli
National Memorial for Peace and Justice Montgomery (AL) 2019 photographed by Ron Cogswell
Field of Empty Chairs, Oklahoma City National Memorial, Oklahoma City, Oklahoma photographed by Ken Lund
One Thousand Seventy-eight Blue Skies by Anton Kusters.United States Holocaust Memorial Museum. Photographer: Joel Mason-Gaines
Liquidation, original design by Sarah Maravetz and Gillian McCallion.

Mw20 -3k Physical Visualizations

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