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Kitchen Banana Yoshimoto
Lesson 1 Overview: Context and Style
Brainstorm ,[object Object],Jordan Chan and Yasuko Tomita   in Ho Yim’s film of  Kitchen
Context – Key Words ,[object Object],[object Object],[object Object],[object Object]
Kitchen  and postmodernism  ,[object Object],[object Object],[object Object],[object Object],[object Object]
Kitchen  and postmodernism ,[object Object],[object Object],[object Object],[object Object],[object Object]
Kitchen  and sh ou jo manga  ,[object Object],[object Object],[object Object],[object Object],‘ What name are we to give this life of ours today? … The name is sh ō jo .’ – Otsuka Eiji Yoshimoto and Manga at  http:// www.willamette.edu/~rloftus/ybanana.html
Kitchen  and sh ou jo manga ,[object Object],[object Object]
Kitchen  and sh ou jo manga ,[object Object],[object Object],[object Object],[object Object]
Kitchen  and sh ou jo manga ,[object Object],[object Object],[object Object],[object Object],[object Object]
Kitchen  and consumerism ,[object Object],[object Object],[object Object],[object Object],[object Object]
Kitchen  and Tradition ,[object Object],[object Object],[object Object],[object Object],[object Object]
Style – Key Words ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Jordan Chan and Yasuko Tomita   in Ho Yim’s film of  Kitchen
Minimalism ,[object Object],[object Object],[object Object],[object Object],[object Object]
Naturalism ,[object Object],[object Object],[object Object]
Magic Realism ,[object Object],[object Object],[object Object],[object Object]
Colloquialism ,[object Object],[object Object],[object Object],[object Object]
Symbolism ,[object Object],[object Object],[object Object],[object Object]
Imagery ,[object Object],[object Object],[object Object]
Motifs ,[object Object],[object Object],[object Object]
Repetition ,[object Object],[object Object],[object Object]
Setting ,[object Object],[object Object],[object Object]
Setting – indoors and outdoors ,[object Object],[object Object],[object Object]
References to popular culture ,[object Object],[object Object],[object Object]
First person narrative ,[object Object],[object Object]
Kitchen  and translation ,[object Object],[object Object],[object Object]
Plenary ,[object Object],[object Object]
Homework ,[object Object],[object Object],[object Object],[object Object],[object Object]

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Kitchenlesson1

Hinweis der Redaktion

  1. Consumerism is connected with relationships and personal happiness in Kitchen . When Yuichi brings home a word-processor simply for Mikage to write change-of-address cards, Mikage at first thinks ‘these people had a taste for buying new things that verged on the unhealthy.’ (26-7) However, this leads to ‘the scratching of our pens mingled with the sound of raindrops’ and further sharing and connectedness with Yuichi. Later Eriko buys a juicer and as a welcoming gift for Mikage a ‘pretty glass decorated with a banana motif.’ (31) This gives Mikage happiness and is connected with family and home as it is a welcoming gift. The kitchen itself as a symbol of ‘Japanese consumer influence’ symbolizes happiness, renewal and comfort.
  2. The sparse style increases the dreamlike, fantasy feeling of the novel – it reflects the unreality of life. Also the sparse style makes the prose seem delicate to the point of fragility, reflecting the fragility of human relationships in Kitchen . Finally, the precise and delicate images that reflect the poetic style of haiku make the novel more romantic, heightening our feelings towards Mikage’s experiences.